The Brocade-Clad Top Scholar

Finished it, overall it's okay. But there are two problems. One is that the progress is too slow, there is no main line, and it is a bit delayed. The other is that the characters are very obvious in facial makeup and intelligence. It is suggested that the author should take a closer look at the main line and speed up the pace. If you continue like this, you will really not be able to control the content and will have to rely on your wits to maintain it.

Let me remind you, what you want to see is the disgusting protagonist who is still alive and kicking hundreds of chapters later, the old lady Zhu family. The protagonist can drug others at the age of 7. Why can't he drug the people of this gang? Secondly, in the middle period, the protagonist is rich and powerful. Is it difficult for you to find a few desperadoes? Is it difficult to drug poison? Is it difficult to find a few robbers? This whole family is just a poor family. Is it difficult to kill this family? This book is extremely poisonous, so remember to avoid lightning. It is extremely disgusting and very watery.

I had a lot of fun reading the novel. It's hard to resist such an extremely torturous plot in the early stage. The writing is good, but the plot is not that good. The protagonist is only 7 years old. How long will it take to fight?

After reading more than forty chapters, I was disgusted by the family line. It's not that the author's writing is not good, it's the description that makes it even more disgusting. Then I read the comments and the chapter names, and realized that the latest chapter didn't address the family line? May I ask the author, what is the point of writing this line, to create a conflict plot? In fact, the author writes very well, and his writing style is worthy of a master. But I feel that these plots are suitable for family ethics dramas, and there is a market for them to be made into TV series for aunties to watch. But after all, it is not suitable for online writing. After all, people are not reading books to feel aggrieved. You cannot finish a conflict every day, which will lead to people reading half of it and feeling frustrated for many days. It will take a day or two to resolve this aggrieved plot. This will cause your readers to sometimes feel uncomfortable reading your book, and then abandon the book. As a matter of fact, after all, the author is a master, and I am not teaching you how to write a book. I'm confused about whether to continue reading. After all, I've only seen forty pictures, but I still haven't resolved these matters by chapter two hundred.

When I saw the introduction, I wanted to say, what is the use of being a close friend, teacher, classmate, and benefactor? Even if you are his father, you will not show mercy even if you kill him.

I don't dare to sell private salt, but I dare to sell snowflake salt? Aren't you afraid of trouble from the court if you reach the tribute level?

Why do the books you write make people so painful to read? I have read dozens of chapters, but after reading the comments, I have not finished more than 200 chapters about a broken family! The protagonist's father was married and established a family before his death. After the separation, the two families have a son, and even if they are ruined, they can't suffer from her. As soon as the real estate and shops are sold, it is over. If you go to do business elsewhere, Ming Dynasty merchants can also take scientific examinations. It's just a Thousand Households that doesn't live up to its name, how can you stop it? More than two hundred chapters have passed and it's still not resolved. How do you want to write it in the future? Author, why did you deliberately write it so disgustingly? Write something disgusting and show it to others? You use the so-called "family name" to slander the protagonist arbitrarily. The readers are all taking the role of the protagonist. The more you read, the more frustrated you become.

The emperor Jiajing was mean and ungrateful,,,

I can trick the prince out of the palace and push him into a pool and then save people without being exposed. I can trick the prince into a fire and then save people without being exposed. I can't assassinate an old woman without an escort. It's a bit filial. You said that Zhu Niang was a foolish and filial person in ancient times. You, a time traveler, dared to push the prince into the pool, but you didn't attack a grandmother who was an enemy of you and your parents? Either you make the protagonist a coward, or you make the protagonist ruthless. What's going on if it's written that you hit your friends hard and shrink back to your enemies? (Although the Crown Prince is a child, it is easier to expose, okay? How can a child keep a secret?)

Jiajing is by no means a kind person, he is also a white-eyed wolf. So this book is a trap in terms of material selection. Why not write about Hongzhi? In the early stage, he fights the eunuchs and nannies, in the middle stage, he assists the benevolent ruler in regulating the civil servants and nobles, and in the later stage, he trains the willful naughty children. A 3 million book is worth it.