I Will Bury the Gods

I read around the comment section and gave up. I just finished reading the first volume and I was moved by the relationship between the male protagonist and Xiao He. However, when I saw a book friend mentioned in this chapter that this was a harem novel, I was confused on the spot. According to experience, most harem novels start branching out after they separate from the first heroine. Then one generation after another, the old characters have fewer and fewer roles, and their sense of existence continues to decrease. The author has the ability to shape the image and construct the plot, but he did not write a single female protagonist... Is it because he cannot control long-term relationships, so he divides multiple female protagonists into several short stories? Or is he too ambitious and thinks he can connect them together? Of course, I am not saying that a single heroine is better than a harem... But if you really go in-depth to portray the character, give her emotions, and be close to reality... Then the plot will not be rounded. After all, it is difficult to see people holding the position of "Although I came first, and I "My relationship is definitely not inferior to that of others. We have experienced ups and downs together, but I can still tolerate the idea that he has a new love when I am no longer with him"... After all, you have deeply portrayed the character, so you must be logical, right? Anyway, I went to the comment section with all kinds of worries, and then I found that the author didn't seem to have come back. I found that in the plots I didn't see, the relationship between Xiao He and the male protagonist seemed to be very tense, and there was something about practicing Buddhism... It was all the same. You said that a harem novel of yours has a tendency to run away with a knife, which made me dare not read it back. After arranging the plot to round out the plot, it became even weirder. Due to the subject matter, it seemed even more unreasonable to force the half-unsheathed knife back. To be honest, my tastes are actually quite mixed. If you want to say that there is a single female protagonist who is loyal from beginning to end, that is good, I like to watch it; if you want to say that you want to take in everything, every one you see, that is also good, it is relaxing to watch; if you want to say that it remains ambiguous and Wanhua is still aloof from the controlling stock market, I can accept it, but I am just a little anxious. But in the first volume, you have developed into a deep-rooted love that will live and die together, and then it will be time to live forever and never be separated. Suddenly the camera turns, and the next scene (the chapter at the end of the first volume is called Changli) has changed people. Well, this is not a funny mentality. To be honest, when I read the first volume, I felt that the author had tried too hard in terms of character portrayal, emotional description, and plot rhythm. After reading it, I felt a little breathless. I felt like I had made a breakthrough in my writing skills and was eager to write out the results to verify... I can only say that the problem lies in other places besides writing. Maybe it deviated from the original idea after writing too much. Anyway, I can't believe that someone would design the emotional line like this. But if this was really what he planned to write from the beginning, then the author's view on emotions is really a bit scary. All in all, the first volume seemed to me to be a blemish, but it made me run away after reading it. As for why I have to post such a long comment... Of course it is a harsh complaint! I obviously like this book so much! I love this plot so much! So I look forward to seeing the follow-up stories! But now I have to kill my desire for the follow-up plot with my own hands, and I don't dare to think too much about the future direction. Whose fault do you think this is? Author! ! !

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words Before going to Middle-Earth to find Xiao Ling, he was completely a fairy grass, fighting against Lao Hu with Xiang'er in Zhao State, getting along with Xiao Ling and Marry Marry in Yujian Tianzong, fighting Madam Bai together in Linhe City, the shocking changes in Liantian Town and Yujian Tianzong, and meeting Xiaoli and Xue Ci when they jumped into the abyss and border city to challenge the Sin King together. After reading these chapters today, I had the urge to watch them again when I woke up. What I saw was a relatively immature but layered plot of the King's Way, with delicate interactions and sincere feelings embedded in it. I think that I first fell in love with several characters because they were described in sufficient detail here, and each small plot was used to build a full-fledged character image one by one. Unfortunately, it actually felt looser after I first entered Middle-earth. Maybe I wanted to present a larger world to the readers, but I think this part of the plot is indeed not as sophisticated as when I was still trapped in Nanzhou. There are many past life plots, but characters without past lives always seem to lose their importance. This arrangement always makes me feel that the characters become important because of their past lives, rather than because of the character's choices and experiences in this life. The previous story has progressed so much, but suddenly these experiences are not so important because of the setting of the previous life. I feel it is a pity. There are many plot twists that feel more deliberate, such as the advancement of the plot in the City of Ten Thousand Demons, the difficulties of each demon, the past lives of the Dapeng, the Lion and even the Juggernaut, and the supporting characters. It is a bit too much for me, and it looks a bit too watery. It reminds me of Beacon Fire, this style is a bit like The style commonly used in Fenghuo is that a lot of peripheral descriptions slowly approach the central theme. The length is incoherent, and the supporting characters are more attractive than the protagonists. Almost every chapter can stand on its own. This is actually quite unique, but I prefer to focus on the theme more. In this regard, I prefer the mystery of Squid. As for the final reveal of the dark master and the establishment of the final demon king, it is a bit too early to reveal an overall goal in this paragraph, rather than relying on accidents to advance later. This makes it feel a bit repetitive and boring when brushing several kings. Of course, maybe the author discovered it later? I really liked the twist of the meteorite in the follow-up. It wasn't the stupidity of a brainless villain, and I didn't like the formulaic wisdom reduction of some villains. In today's environment, where harem works are rarely read one after another, I strongly recommend this author's book. Although there are still some unavoidable problems with a few characters being weak, it is really a wonderful work. I like all the heroines very much. There are so many famous scenes that I can't even list them all. Let's just talk about a few that left a deep impression on me Marina tried hard to maintain the dignity of her master; Marion cried bitterly as she watched the protagonist and Jiu Ying fall into the abyss; The protagonist kept talking while carrying Xue Ci on his back and climbed up to the moonlight; Xue Ci looked at the deep pit cut by the sword master with tears in his eyes; Xiao Li and the fourth senior sister were sparring and trying to keep up with the protagonist; Xiao Li felt powerless and hid in the cupboard crying; The protagonist and Xiang'er were in a dream "May the couple be together forever"; Xiao Ling replied that Xuehu is my senior brother; Xiao Ling replied in the underworld, "I can live anywhere"; Xiwan threatened the protagonist with suicide not to hurt the second senior sister; Chan Palace accepted the marriage certificate; Chan Palace made love When I gave the protagonist the power of life, I regretted not doing more in eight years; But it may also be because the female character is too good. In fact, I think the protagonist is a bit weak and doesn't have many surprising parts, but that's okay, harem novels are all about harem female characters! Also, I would like to speak out a little bit for Xiao Ling and Xiao Li. Xiao Ling and Xiao Li's first impressions of the arrangement were not as profound as those of Marry Marry or Xue Ci, but I think they love the protagonist as much as others. I always like this kind of character who works hard just to keep up with the protagonist. She may not be the smartest, not the most important, or not the most beloved, but she tries her best to do what she can for the protagonist. She will be a little jealous of other people, will be careful to please other characters, will blame herself for why she can't help, and will be moved by the protagonist's actions that are not particularly profound. But I always felt that the scenes were lacking. For example, in the part of blocking the tsunami, I felt that some parts were too deliberate to let Xiao Li perform, so it was a bit stiff. Let me talk about one last thing. In my impression, there seems to be relatively few inner descriptions. The protagonist treats everyone, everyone treats the protagonist, and everyone treats everyone. These psychological descriptions do not seem to be too much, but I think this is actually a very important aspect of harem novels. The protagonist should feel guilty. How can he calmly accept the love of many outstanding female characters for him? No one wants to monopolize a complete love, but because they have a deep enough love for the protagonist, they can tolerate the split of such a love. I think the psychological exploration here has always been an important aspect of harem novels. I can't believe that this is the author's first full-length story. The grasp of details is amazing. I can feel the author's ingenuity and connection everywhere. The foreshadowing is recycled with great care. It makes me feel that the author has been thinking about how many details to bury in this chapter and which actions to recycle in the next few chapters. The previous work is said to be the Record of the Goddess Qiongming, which has caused many people on the Internet to have doubts about this book. I would like to say a few words for the author. The beginning of the previous work should have stated what kind of book this is. This book is completely different from the previous work. This is a very normal pure love harem. Readers who have doubts should not read it again. No doubts. Now that harem novels are withering, there are really not many novels like this that have a beginning and end, lovable characters, and many memorable plot points. I really give my warmest applause to the author. I also wish the author's next book will be better and more amazing, and give us a flesh-and-blood fantasy world. After reading the extra, I couldn't help but want to add something more. The grievances of Xiao Li in the form of Suzaku are all real. Suzaku just expressed the grievances in her heart on behalf of Xiao Li. The other thing is that Suzaku's departure was still relatively young. I don't really understand what she was thinking. If any brother understands, please give me some advice. This article is a book review left by Reading Kingdom of God in May this year. At that time, you can directly recharge to read books on the friend website, but you need a domestic mobile phone to write a book review. I am an overseas reader, so I had to give up and not post it in the book review section of the friend website. Now that Jianjian comes to the starting point, I want to repost it. In addition, at the time, I really thought this was the first book of Jianjian, but now I firmly believe that it is the first book of Jianjian! !

The two qualities that a male protagonist in a harem novel must have are: one is sincerity and the other is responsibility. The specific manifestations in the plot logic are: First, the male protagonist cannot deceive his feelings, which will form a strong sense of being a scumbag. The male protagonist in the harem is naturally a scumbag, but this does not mean that readers of harem novels like to watch scumbags. On the contrary, affectionate but not single-minded is often what they like to see (that is, a bowl of water is flat). Therefore, it is very important to reduce the sense of being a scumbag and improve the rationality of the harem. This is why harem stories are often set in ancient or fairy tale settings and rarely in urban settings. The second is "Emotional problems can only be the fault of the male protagonist, not the fault of the female character." Because once a female character makes a mistake, it will cause division and opposition among the character's fan base, causing a considerable number of people to be disgusted with a certain female character and then dissatisfied with the entire plot. Reading a book is something that needs to be absorbed in one's mind. When it is absorbed in one's mind, one can continue reading even if the author's writing is unreasonable. When it is out of one's mind, even if it is barely rounded, it will be nitpicking. And once a book is absorbed in one's mind, it is difficult to get it back into one's mind. As for the plot in the third volume, you can know it from reading the chapter, and it will undoubtedly make most people confused. The male protagonist in the third volume can be said to be incompatible with both sides, and can even be described as cowardly and irresponsible. Ultimately, there are serious problems with the characterization of the entire protagonist group in Volume 3. The protagonist's character can change and grow, but no matter how it changes, it always has a "root". The "root" is a character's moral bottom line and code of conduct. This is the soul of a character and cannot be changed blindly. The male protagonist's performance in the first and second volumes was quite convincing as a handsome, steady, calm and alert young man, but by the third volume, there is nothing left to say other than being handsome. The whole character is like a clay doll, talking to people and talking to ghosts. When he saw Chu Yingchan, he flirted and made love with his master like a seductress. When he saw Xiao He, he forgot about his master. He became a man and a woman, and he changed from the master of the harem to the cheating man. Endless concealment, misunderstanding and even deception completely ruined this character. In terms of strength, he was in a mess. He was constantly being beaten and seriously injured, and the powerful sword sutra had no effect except for escaping. In Xianxia harem novels, strength has always been an important part of charm, but after reading the third volume, I almost forgot about the male protagonist's level of cultivation. Then there is Chu Yingchan. In the first volume, she was still a cold fairy. In the first half of the third volume, she is also a gentle and obedient master. I have always liked her so far. As a result, after coming out of the Kingdom of the Undead, she suddenly became a green tea girl who knew everything about her, and she didn't even have the courage to admit that she liked her. The character design can be said to be completely broken down by contradictions. Readers who like Xiao He may find it difficult to like Chu Yingchan. This is also caused by what I mentioned above because the male protagonist does not take the lead in plot arrangement. To be honest, even the vulgar scene in the Kingdom of the Immortal, where one is driven by sexual desire, is much better than this bullshit cheating drama. Another one is to promote the development of the plot through constant misunderstandings. I can only say: appropriate misunderstandings can adjust the tense rhythm of the plot, but excessive reliance on misunderstandings and the Riddler to promote the plot is undoubtedly a manifestation of low plot logic, and there will be situations where the characters forcibly reduce their intelligence and destroy the personality. There is no doubt that this is how the third volume collapsed.

The male protagonist has no ideas of his own and no aura. He is obviously handsome and talented, but he gave me the impression that Asasi is an ordinary man with a wry smile in the harem series. This is the biggest shortcoming of this novel.

Why are there so many misunderstandings in the love line? One misunderstanding after another, but they just won't confess. Is this inspired by domestic TV dramas? Disgusting

People are nostalgic, and the real reason why Xiao He stands out is not her silver hair or the abundance of writing in the early stage, but that Xiao He has sublimated her character setting. She is no longer just a gentle, cute and sometimes bad girl, nor is she an angel and devil intertwined with purity and desire, but a symbol, a beautiful nostalgia, and first love! Those girls you fantasized about when you were young, those regrets you had when you were young, those youthful times that you are experiencing or will never get back, can more or less be revealed quietly in the relationship between Xiaohe and Shouxi, smoothing away any trace of obsession. Especially when Xiaohe and Shouxi were practicing magic together, every word and every move was like you and him (her) in your heart when you were young. Watching the rain by the window, Xiaohe kneeling with his arms and legs in his arms The interplay of light and shadow, the emotional Xiaohe on the stone cliff The Xiaohe who lives and dies together, never abandons him The dedicated, sad Xiaohe No matter which scene the Xiaohe is the most beautiful Xiaohe can only be transcended by his sensuality and obliterated by his author. As of now, Xiaohe has been relatively perfected. Even if he continues to be disconnected, time will only wear down his nostalgia into eternal nostalgia, just like youth that suddenly comes and ends abruptly. He will always be nostalgic and miss you forever. God? Xiaohe is not a god, but Xiaohe is an existence that other characters can never surpass On an ordinary afternoon, I, He Xiaohe, was sitting on the grass on the rocky cliff of the back mountain. The grass was producing its seeds and the wind was shaking its leaves. We leaned on each other without talking and smiled at each other. It was beautiful.

[Contains spoilers, please proceed with caution! ! My feeling about the opening of Jianjian's new book can be summed up in four words: "thrilling". The beginning of the first act of the Wu family has a strange color. The inheritance of the gods, the white-haired girl, the terrifying real person... And it seems that each of the divine servants has a unique story and secret. The readers' eyes are like the right pupil of Zhenren Yun that is always closed, ready to move, eager to unravel these unbearable mysteries. The plot... Absolutely rich! None of the nonsense exists. From the various foreshadowings to the foreshadowing, after watching it, it gave me the kind of... Hearty feeling that made me tremble and feel soft in my bones. Dragon corpses and evil spirits appear for the first time one after another. They are full of style and have the style of a boss. It is worthy of the grand status in the introduction. Ji Luoyang's hidden words everywhere, the revelation of Xiaohe's life experience, the foreshadowing of the spiritual root of sound, and the prophecy of Zhenren Yun... The eldest son who has always been full of character is not only a tragic stepping stone, but also cleverly leads to the grievances of the fairy mountain. Everyone must be aware of the bad fate he will have with the female sword fairy in white 😍. Of course, the most exciting thing is the fusion of time and space on that thunderstorm night behind the Niechi, erasing the concept of time and blending the past and present into a soul-stirring song of thunder and fire. Xiao He, with hair as fine as snow, slowly revealed the truth of the past in the face of the lightning. The sad ending like a cuckoo moth flying into the flames brought an unsatisfactory end to Xiao He's sad past with endless regrets. She has since recovered her name. That snow-capped mountain is calling to her. When can the demon lord in red dress embark on a new "journey"? The thunder and fire paused for a while, the boudoir was full of tenderness, the waves ahead stopped, and the war resumed. It was so compact that it was almost breathless. The final stop with Zhenren Yun was inevitable. He was in a desperate situation, and his blood flowed into his marrow. When I was desperate, Han Tie broke through the pavilion and came! Although Mu Shijing has not been heard from since the battle in the Death City, he seems to follow Zhan Palace like a shadow, quietly accompanying the protagonist. The sleeping coffin in the introduction also seems to reveal this hidden line... Not to mention the secrets of Bai Huang and Luo Shu. Just thinking about it makes my blood boil... Finally, back to the topic, I said that the "dream journey" is the most attractive ❤️, please Jianjian must increase your efforts.

It's a pity that this book isn't on the ranking list. The ranking list is full of low numbers.

This book is also unlucky. I encountered the single heroine most of the time, and I had to lick my face while watching the harem.

Excerpts of good words and sentences (continuously updated) Prologue 1 Mu Shijing stood on the tail of the owl, with the silk ribbon of her skirt fluttering in the wind. The sword blade is like her quiet eyes, accompanying her to look at the wind and rain in the city. (Two sentences outline the image of a Taoist girl, which is full of picture and leaves room for imagination.) Chapter 2 2 In the ruins of Guanyin Pavilion, the statue of Guanyin with thousands of hands and eyes stands intact on the lotus platform, with a soft seal, bearing the light and dew of Xinqing, with a compassionate and indifferent face. Guanyin overlooks the earth, as if observing the suffering in the world, and also looking at her. The elders followed her, not daring to speak. This Taoist sect leader is Mu Shijing's master. She wore a power fence, and the mist-like curtain drooped, covering her waist and hips, covering her slender and graceful figure, leaving only her temperament as cold as ice peaks piercing the clouds. (Putting the power fence with bare hands, the delicate spring catkins are shining brightly. The osmanthus leaves are moving in the wind, and the sun's rays are shining. A female swordsman in white appears, she will definitely be an important figure in the future) Chapter 6 3 The rain has stopped, water is dripping from the eaves, Lin Shouxi raises his head, you can see the moon. There is also a moon in this world. Tonight the moonlight is clear and bright, and the strands of optical fiber are as thin as a girl's hair. (The breeze blows on the pillow mat, and the white dew wets the clothes. It's a blind date night, but the weather is cold. Faced with Xiaohe's teasing, can Shouxi hold on to this ray of white moonlight?) Chapter 13 4 The long, jet-black hair was not tied up and fell naturally over her shoulders. Her cheeks had the childish tenderness unique to a young man, but also revealed a slight sharp edge like a knife. Her eyes were clear and clear as black and white, and the white Taoist robe she wore was swaying in the water waves, blending with the clouds passing by in the sky. Perhaps because he had lost some weight, he even felt a little strange. (Shouxi is a handsome and handsome young man, staring at the creek and lake with white eyes, as bright as a jade tree in front of the wind. Jian's self-portrait, in fact, Jian has gained weight and wishes to be thinner,) 4 Lin Shouxi knew that she was really asleep. He looked at her peaceful sleeping face, and once again thought of the frozen lake in winter, with heavy snow falling on the lake, and the white-stained black cliff behind it, which was his hometown. A touch of tenderness flashed across the young man's eyes, but it only lasted for a moment. The girl slipped off his shoulders a little, slid to his chest, and then fell on his lap. She fell asleep with her pillow on his lap. It would be nice if you were just an ordinary little girl... Lin Shouxi thought this way. Although they are two people, their backs are still lonely. Only the all-pervasive night is close to them. (The narrative perspective is very distinctive. At the beginning, I looked at the close-up shot of the sleeping posture, associating the perspective montage, the picture unfolded into a wide scene, changing from real to virtual, and the third-person objective narrative; later the perspective was pulled back, accelerating the flow of story time, depicting the girl's posture, changing from virtual to real, and the wide scene changed to close-up; when it comes to "You are just", the third-person objective The narrative changes to an inner monologue, the first person's inner narration; finally, it jumps out of the inner perspective and gives a close-up of the two people. The picture moves from near to far to the night, and from the first person to the third person) Chapter 16 5 Lin Shouxi read half of the Sword Sutra in the pavilion. He felt a little groggy. He closed his eyes to rest for a while and then raised his head. I happened to see Xiao He standing by the window reading a book. The bright sunlight has quietly turned into a gentle orange, like the yellowed corners of a book page. It shines through the gap between the window and the bead curtain, and falls on the girl's cheeks and skirt, painting clear lines of light and shadow. Being trapped in such a hazy color, the clever and slender curves become softer and softer. The girl read the book seriously. At a certain moment, she raised her head tacitly and met Lin Shouxi's eyes. Her pupils, which had always been filled with mist, suddenly became clear, like a clear mirror. She was startled for a moment and then smiled, like a night orchid blooming for the first time. As if nothing had happened, Lin Shouxi lowered his head, put down the book in his hand, and walked deeper into the shadows. The setting sun sinks, and the lights hanging on the beams light up one after another, (The shadow of the sun moves westward, the slanting light passes through the door, and there is a beautiful person, clear and graceful. Encountering each other is just what I want. Action shots and scenery descriptions are used in conjunction, and the shots are very picturesque. The best state is the state of seeing Nanshan leisurely, without looking at the words, but seeing the beauty)

This book is a classic fairy tale emotional novel. The emotional descriptions between the protagonist and the heroines in the harem, especially "He Mu Gong Chu", are extremely delicate, and the portrayal of each character is also extremely vivid. The advancement and integration of multiple emotional lines is the most essential point of this book. In terms of harem emotional writing, the author's classic fairy tale harem writing style has really reached its peak at the starting point. The implicit description makes people imagine, and the love, hatred and hatred of traditional martial arts fairy tales are also vividly displayed on the page. The main plot of the full text is basically based on the title of the book. The protagonist and the harem heroines continue to grow and recover from disasters one after another until the gods are buried. Of course, the setting of the whole book is a bit vague. The life experiences of the protagonist and heroines as well as the changes in the world line need to be unearthed through the advancement of the main line and branch lines. Moreover, the protagonist's early stage upgrade is too slow. It took more than 300 chapters to advance from Zixuan to Yuanchi. It took so long to break through the two ordinary realms. If the protagonist does not cheat or cheat, his combat power is really limited, and it does not feel like a fairy tale or fantasy at all. Furthermore, the main line in the later period is a bit broken. Although the world line is in the clouds and fog, which is a common problem in fantasy and fairy fantasy novels, I feel that the plot in the later part of this article is a bit unclear, and the ending is a bit hasty and hasty, without the great perfection of the harem novel. I look forward to the author's extra articles to supplement it. Of course, overall, this article is a rare and excellent fairy tale harem emotional article among Qidian, and it is worth reading.

I think it's a bit forced to force the protagonist to win over a character who can't accept the harem. This way, I can't help Xiaohe's vivid and strong personality. It would definitely not be wrong to write Xiaohe into a story with a single female protagonist. It's a pity that this book is not a single female protagonist. The female characters are all so good, can't Xiaohe just die? Everyone is happy and has accepted all the good female characters. In addition, Chu Chu is the best in the world

In fact, I don't have much exposure to online articles, mainly Japanese and young novels. It was only in my distant junior high school days that I read a few online works that were particularly popular at the time. Chai Jianjian's book is also a result of some chance coincidences and my affinity for Jianjian's writing style, which made me become a book lover today. The reason that prompted me to post this book review is because after reading the latest chapter, I felt a vague sense of pain. For a moment, I couldn't tell whether I was reading a romance novel or a fairy tale novel. Or, as some book friends said, Jianjian is about romance fairy novels. I don't hate Jianjian's portrayal of the emotional aspects of the characters. On the contrary, it is precisely because of this that attracts me. But is there too much emphasis on the emotional aspect? Taking the plot of this volume as an example, there are many "flirting" links that I find baffling. When the plot is in a very serious and tense situation, the characters are in a state where they may fall into an emotional whirlpool at any time. The blunt combination of the two creates a very strange look and feel. Even when I was reading, I didn't know how to deal with my focus. What point in the author's article should I enjoy, the plot? Or the relationship between characters? When thinking about the emotional conflict between the male and female protagonists, the next second of the plot is very urgent; when thinking about how the plot should end, it uses very, very sudden emotional entanglements to build suspense. Personally, I feel a bit out of balance. The next point I want to complain about is the plot direction. The plot so far has been too passive, passively being involved in the Wu family, passively coming to the Three Realms Village, passively becoming Chu Yingchan's apprentice, passively entering the Undead Kingdom, passively being invited... And now passively returning to his hometown. . . Seeing that now I have no idea what the protagonist is going to do, and there is no obvious "plot strategy feeling" at the end of each volume, I will gradually feel what some book friends call a sense of fatigue. Speaking from a world view perspective, the first time we talked about the main quest was when Xiaoyu and her mother read out the title. I thought it was finally about to start, but then there was endless emotional portrayal, and then I was forced to go to the next dungeon and did many things of unknown meaning. A very direct question. There are now more than 200 chapters. Lin Shouxi, what are you going to do? . . What is the protagonist group going to do? . . At least "Kingdom of Gods" often hints at the direction of the plot through some godly words. To put it bluntly, "Burial of the Gods" is now completely Lin Shouxi's romantic history. Of course, I also know that the most important thing about pursuing novels is patience. Jianjian is also an author who particularly likes to write foreshadowing. This can be seen from the unit dramas in each volume of "The Kingdom of God" alone. But this book doesn't have the pleasure of ending with an adverb at all. Some book friends said in the comment area that only the first volume is good to read. Indeed, in my words, only the first volume can be seen as the author's "Kingdom of God". Maybe Jianjian wants to lay down the foreshadowing in the riddles in each chapter for the final ending, or maybe he wants to change the style. No matter what, I have no way of knowing, and I have no intention of interfering with the author. If the author changes his mind easily because of readers' comments, the finished product will definitely look very strange after the writing is completed. No matter how the current plot is not in line with what I want, I still have to wait until everything is over before I can make a conclusion. If you like reading a book, you will naturally continue to read it. Another point is about the current world view setting. There is probably too little writing on this aspect. Although it was also a relatively serious injury in the previous work, at least the long map span made up for it. But this problem is a bit more serious in the new book. "Suddenly jumping from one scene to another" This routine is relatively novel the first time I use it, but I feel a little tired of it the second and third time. I really can't build a rudimentary worldview in my mind, which greatly affects my imagination. After reading the stories in each volume, I had no clue about the next plot. It became a situation where the author fed me a bite and then I, the reader, took a bite. Over time, I couldn't help but think about (personal reading habits), where is the pleasure of reading this work? Is it just about watching characters fall in love? The protagonist's upgrades are becoming more and more inexplicable. The protagonist's new buff (which is supposed to be the most enjoyable part of the novel) has been resting on his laurels for a long time. The enemies the protagonist fights are becoming more and more boring, and there is no hint of the collision between immortals and heroes. It's not that any of the plots are bad, it's just that overall, every episode feels familiar. There is an indescribable awkwardness in every scene. Scenes are supposed to serve the plot, leaving foreshadowing and proceeding step by step, which may be the best state. But I don't know why, but I gradually became bored with the changing scenes in "God Burial". "Why are you here?", "What are you doing here?" Words like these are the most real feelings in my heart. Perhaps part of the reason is that the plot is getting blurred as mentioned by Kamijou, and another reason is that the worldview setting mentioned by Kamijou is broken. Of course, there were so many fights at night, and many of them were said out loud in a rush. There are many good points in Jianjian's article, and there are many things that attract me, so I have been following it for so long. When I saw what other book friends said about why "Burial of the Gods" was not ranked so high, I was also confused. Judging from the outstanding aspects alone, it should be enough to attract other readers. The last time I watched Jianjian's live broadcast, I heard him say that he often takes melatonin to sleep. As someone of the same age, I hope he can adjust his schedule as soon as possible! If you book friends have different opinions, please try to be gentle when communicating~

They are all pure love warriors who specialize in killing tauren. It is non-toxic and pollution-free in the Kingdom of God, so you can eat it with confidence

I feel that the protagonist has no independent opinion at all. He hurt his male enemy and vowed to break him into pieces next time they meet. But when faced with a woman, he just smiled and passed by. For reference, Mu and Chu's first pursuit was not more serious than Ji Luoyang's. But the protagonist's behavior only made me feel mentally retarded. Especially the apprenticeship. So much so that this book gives people no sense of immersion at all. Like Disney animation, it has a beautiful skin but no trace of reality. The only thing that kept me watching was Xiao He's thread, and it felt the most real. For the other characters, I only saw the threads of them being carried behind the scenes, but not their souls. To sum up, I just hope that this work will get better and better, and I would like to express my personal views. Hope the author can improve.

Chu Chu and Dayu are so well written😭 And Jianjian is the best at writing about fairies and mature women.

After reading the third volume, I felt like I was living in Bengbu. Don't bury the gods anymore. I felt that all the starting points I spent were used to bury me (||๐_๐) I have read a lot of novels, and the harem can be accepted with a single heroine or no heroine, but these should all be within a reasonable logic of plot and character behavior. In actual experience, after a few volumes, I feel that the behavior of the characters is torn apart, or more seriously, the characters are broken and fragmented after a few volumes. The characters and behaviors of the male protagonist and several female protagonists in each volume cannot be said to be consistent, at least they are far from each other. The scenes in the later part of the third volume feel like one word, "Zuo". This is not to say that the harem is not good, but the male protagonist of the harem should at least not be like a blockhead. He should at least have some moves and do something. In addition to enjoying the heroines, has he really considered the handling of these relationships? Scumbags also need to manage risks -_-|| This is not to mention the many minor problems such as confusing plot settings, unclear character strength, and unclear worldview structure. I can only say that the author's excellent writing style turned this book into shit-flavored chocolate with chocolate-flavored chocolate (ㅎ.ㅎ)

It is said that the main theme of the novel is a royal and passionate novel, but in fact, it always thinks about color and is quite different. The male protagonist has a strong eye but a weak hand, the plot is old-fashioned, and the classic has a brainless aura. There are many stallion plots. Anyway, it is a harem novel (it looks like a harem novel). (This is a subjective comment, although I think it is more objective.)

Teacher Da Jian should read the next one, this book is ruined.

Most of the comments in the comments section are about harems. There is nothing to say about the single heroine. Readers have strayed into harem novels, which are just normal harem novels. If you can read most harem novels, you can accept the "green heroine" they criticize. This author likes to write plots about rejoicing with enemies, and the same is true in the previous book. I really hate this kind of plot. It depicts the male protagonist liking He so much, and then being suppressed by admiration everywhere. He keeps suppressing the protagonist but does not get the good food, which makes me feel frustrated. Then I like to write about the intimate contact between the female protagonist, but there is no Lily. It's also quite depressing, tut. It was the same in the last book. It always said that the male protagonist has his own bottom line, and then the female protagonist uses this to suppress the male protagonist everywhere. It says that the male protagonist is a gentleman and obeys the weak, and then it is written that the female protagonist sticks to it, tut. . . It was frustrating to watch, but not to the point where the male protagonist was ignored by the female protagonist Shura Field. The plot is good, and the writing is not as obscure as the original one, but it portrays the male protagonist's calm and calm character. After reading it, I only remember the female protagonist. The male protagonist is really too flat to remember, and the plot is not very exciting. In addition, the previous point is suppressed, which makes it very frustrating to watch.

I just finished reading Above the Kingdom of God, it was really well written. When I read a book, I occasionally have the same feeling as when I read "Zhu Xian" and "Hidden Killing". The literary style in the book is really fascinating. I really can't figure out how to write such a great story. Confess your sword!

This book, Xiaohe chapter, Xiaoyu chapter, Mumu chapter is enough to read. They are all very delicate. Chuchu Immortal Kingdom suggested skipping directly, but I couldn't accept it. The boss at the back also suggested skipping, and the combat power collapsed.

I finished reading it. It only took a week to read it. I came back after a week to give my final review. I still like the book overall. Although I am not satisfied with it, there are no problems with the overall composition and description. The background gives a really good picture feeling. However, I can feel that the author's mentality in the later period has some problems. There are many places. Although it can be rounded off, it is quite uncomfortable. Compared with the exquisite foreshadowing in the early stage, some of the settings in the later stage are too "ridiculous" (maybe because there is no outline). It can be seen that the author's ideas are very good and the ingredients are very innovative, which makes people's eyes bright. However, it may be due to the lack of more detailed polishing, and the difference in results before and after the inversion is huge. As for the characters, I hope Jianjian can have the courage to break through himself, and not be assimilated in the later stage, or hold on to some scripts from previous books (this may be one of the reasons for cutting the ID). In short, Teacher Jian is a Hou Gong writer of this era, and his writing style and character descriptions can be said to be at the level of a master. I like all the works he writes and strongly support them. I hope Jian Jian can write better and better and break through himself.

I think the writing style of the book is very good, but the protagonist is too weak. Every time he encounters an enemy, he is whipped around like a spinning top, which is very frustrating.

To sum up very simply, without an outline, the Truman and Chang'an chapters in the middle period were not stable and exploded. The characters collapsed seriously and they were criticized miserably. Then the author simply started to show off. The ending was also very rushed, but it was still satisfactory. At least the plot was rounded out. In the following chapters, the author still showed his normal skills, but the break in the middle was a bit serious. The ending was not specified, but thinking about it, it should be a happy ending. After all, the male protagonist killed directly in front of the pale sister As for the character, don't think too carefully. It is indeed a clown in the middle, but at least the ending is not cool. The harem aspect is indeed much worse than 🐔❌'s question. But it can be said that those who write harem novels now can give you some edge-of-the-seat excitement, and the plots are passable. There are really not many good ones. So anyway, as long as the heart is bigger, it will be fine. I have read Qiong Hua and said that she is fearless like clowns 🤫 As for the heroine's character problem, that is still Jianjian's old problem. I hope Jianjian can improve it in the next one. Come on.

The first volume is quite well written, but the connection between the following volumes is not good at all, which is a bit inexplicable. There is no specific outline or main story line. The male protagonist and the female protagonists are okay if they are written separately, but it is very frustrating to write them together. I always like to write some coincidences and misunderstandings. I feel that every character has been destroyed for the sake of multiple female protagonists, except for the first one. The volume was well written. At the beginning, I was wondering if the author could write better. I kept holding on until I reunited with Xiaohe. However, it turned out that the small climax had been prepared for so long and another heroine (Mu Shijing) had to make trouble. It was obvious that this heroine would not affect other people's reunion. The author had to forcefully create a Shura field. Alas, I couldn't stand it anymore.

Well, I don't know what I should say. The first part of Jianjian's book is very good. If it can be stable, it will definitely be a good work. But the last few chapters are obviously in a bad state. I hope Jianjian can adjust it as soon as possible. It doesn't matter if it's a little slow, the important thing is to be precise.

After reading The Burial God, I was most impressed by the unique writing style, interesting daily life and suspenseful plot. The author is very good at grasping the interest and makes me smile from time to time. The story is very strong and fascinating. The subsequent plot is really jumpy, but the development is very imaginative. I personally can accept it. The atmosphere is not as depressing as Kingdom of God and The Witch (relatively). It is my favorite among the three books. (Long live the harem ending) is one of the top three novels in my heart.

In a flash, "I Will Bury the Gods" is almost finished... I first knew that Jianjian was still "Beyond the Kingdom of Gods", but unfortunately I didn't have the strength to support it at the time. I learned that a new book was published at the starting point and I immediately came over. I haven't finished the book yet, I've been reading it, and I think it will be more comfortable to read it in one go. Xiaohe, Yingchan, Shijing, Shizun... I am looking forward to the subsequent development, and I believe that Jianjian can write a wonderful ending. Finally, I'm asking for a fan title, haha, I hope my dream can come true.

I have read this book before, but I forgot why I abandoned it. I've been bored lately, so I'm looking for some novels to read again. I liked this kind of book very much, so I picked it up and read it. After seeing this paragraph about Gong Yu, I finally remembered why I abandoned the book last time. At that time, I felt that this paragraph was illogical and intellectually depressing, so I abandoned it. After all, it was the author's second novel, and it was normal for it to have an intellectually depressing plot. Goodbye for grumbling.