Those Years of Farming in the Mountains

Complaints about the background settings. Living in seclusion in troubled times, I have heard that Taoist priests sacrificed their lives in troubled times to save the world and fight against the enemy! In such a chaotic world, you still plan to buy daily necessities and play the game of picking herbs and wild seeds... You don't eat meat when practicing martial arts, and planting flowers and grass is worse than farming. Life seems comfortable and free, but to onlookers, it feels like a castle in the air. There is also the exploration of cultivation, repairing the liver and repairing the liver injury...

Tired of watching monsters and upgrades, killing people and grabbing treasures, let's take a look at this different Taoist farming style. There are not so many calculations of material interests. The Taoist heart is pure and natural. You can pick chrysanthemums under the eastern fence and see Nanshan leisurely 🌹

It feels like there is no main plot, but I still finished reading it. The plot is a bit unconnected, farming? Go out? Legend? Animals become sperm? Personally, I feel that the author wants to write about farming that is different from others, but does not want to be the same as others, a bit like a diary? Or maybe a little behind-the-scenes? Or teach as a disciple? Troubled times are coming? Savior

It's more like practicing martial arts in the mountains than farming in the mountains... It's a pity to throw away the food if it's tasteless.

The protagonist has not yet made an impression on the old man. Now that he's dead, it doesn't feel like it has any impact on the story. Oh, it's a waste of my money

This book doesn't work. 1. There is no main line, it feels more like there is no outline, just write wherever you think. 2. The golden finger is very unclear. After dozens of chapters, it is not explained clearly what the so-called inspiration is! There are also three golden chapters, which are even more confusing. 3. Too bland, without ups and downs, just like a running account, and tasteless. 4. This is the Xianxia division. Is it really okay for your martial arts to take up so much space? 5. Forget it, I will give you two more recommendation votes. I hope your next book will be better, or at least straighten out what you want to write.

It's very good. There are very few farming articles. This kind of bland feeling is rare at this starting point. It is quite attractive to old bookworms.

Save the children, please leave your thoughts and ideas during the crowdfunding and book writing session.

The pace is too slow and the plot is too draggy! Just like the clever liquid, it is obvious that experiments can be carried out simultaneously in many aspects and types, but if you insist on using forty or fifty chapters to drag out the plot one after another, you can just write three or four chapters for a while, and people will fall asleep watching it! This book must be cut, it must be unfinished, bookworms over fifteen years old will post it

It really feels like it's a bit bland, but it's just not enough to look at.

My personal guess is that readers who really appreciate this book must be over 10 years old! As someone who has been reading for 20 years, I think this is a masterpiece. There are more than a dozen books on the bookshelf, but in my opinion, they are not half as good as this book! Is the update a bit slow? It is indeed a bit slow, but I am not in a hurry and write slowly. I have long passed the age of being impatient.

Start high and go low. The beginning of this book is well written, very flavorful, and suitable for savoring. If the author can be patient and write slowly, it can be expected to be a hit. The writing is not lacking in creativity, but it needs to be savored carefully. Possibly why there was no fire? Because the author is a little impatient, always thinking about cheating on the protagonist, showing how awesome the protagonist is, and then adding new scenery to this different world, and then adding too many settings, such as interior scenes, strange scenes, and the outer world. Many, many are too complicated, and there is no difference in this, it is very confusing. Secondly, the author is anxious. The contrast between the protagonist's character and his character is too great. The protagonist's character was very well written, and he was an image of a worldly master with very low desires and a rural atmosphere. However, later he was too impatient and completely ruined this image. For example, what he said and what he did were completely different. He kept saying that the spiritual liquid was not precious, but it was not harmful to ordinary people, and the body could not help but want it. Then the author set it up step by step and later set it so that the soul cannot drink the spiritual liquid until the soul awakens, which means that the protagonist is forcibly prevented from preaching. But when the protagonist drank the spiritual liquid, he didn't awaken. It's just the first time I've seen this spiritual fluid of yours, so there's no harm in being unable to resist the urge to drink it. When you accept a disciple, you have to teach him how to cultivate immortality, and you must drink it. Then the protagonist will figure it out step by step, add settings, this won't work, that won't work, and then you must have your soul awakened before you can drink it and cultivate immortality. Then came the slap in the face, the protagonist just gave away the spiritual plants grown at home, and others relied on the spiritual plants to realize the cultivation of immortality on their own. Originally, there was a protagonist who gave away the exercises, but it turned out that they were not used. A group of Taoist priests got together, and then discovered the spiritual energy from the plants, and realized it themselves. Then there are a bunch of warriors who were given seeds by the protagonist, but did not teach the skills. They and their masters figured out the extraordinary martial arts. I know that the author meant to add strength to the protagonist, which means that he is also the preacher of martial arts, but they came up with it themselves. Then the protagonist originally wanted many people to learn, and then he learned from it, but this was not reflected, so he just stared at the old Taoist priest alone. Secondly, I originally wanted to pursue someone who could endure the slow pace, but then the author became impatient and the pace was too fast. In the background, Daliang perished in two years? Then it was extremely dramatic. The emperor was assassinated. Although you were writing about a martial arts world, being assassinated was too dramatic. There were no masters around the emperor? There were not that many emperors who were assassinated. If you want to say that the rebellion was successful, then I believe it, but the result was an assassination. There is also a protagonist who cannot stand the way of the world and kills people randomly. After calming down, he makes a magic weapon to control others. There are also ways to use spells to rush into other people's libraries to take a peek, and then go around grabbing treasures out of nowhere. There is no interaction with deer, fish, or chickens later on, it's just the deer eating it, and then the protagonist exaggerating about the lesson. The previous protagonist is indifferent to fame and fortune, has the style of a hermit, is friendly with others, and is diligent in learning and asking questions. The protagonist in the back does whatever he wants, has double standards, does whatever he wants, and becomes the big boss behind the scenes. There is almost no pleasure, and there are very few saints in front of people. The less is less, but you can't just care about your own lust. You can let the deer and others turn into human shapes to highlight it from the side. You can summarize it simply, create and cultivate immortals, be invincible in the world, hide behind the scenes and guide the cultivation of immortals, that's it. There was almost no pretense. I originally thought it would only be 500 chapters, which is a pity for such a good novel. Fortunately, it ended in 500 chapters. I know that slow-paced novels may not perform well and make the author anxious, but slow-paced novels have the highest fan stickiness, which can only be said to be a pity.

Good-looking, the only immortal in the world, slowly farming and cultivating to become an immortal, no female protagonist! ! ! Come on! ! !

The biggest feeling this book gave me was that it was trying to teach me how to become an immortal.

Farming articles really cannot be purely stand-alone, they must at least communicate with people, otherwise it will become an experimental diary, which will become more and more boring. Although the process of farming is important, the harvest is equally important. Now every time I write a long paragraph about the farming experience, in the end the harvest in my eyes is only "the protagonist has become stronger again", which makes people numb after reading too much. The suggestion is to either speed up the pace and let the protagonist acquire some new and interesting abilities, or to describe the role that some of the protagonist's discoveries, techniques or products have in promoting changes in the world, and to provide more side descriptions to talk about what farming is.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​…         ，，，？         ，？ If your martial arts have improved and your physique is good, it would make sense to improve the environment around the Taoist temple, right? You want the readers to have a sense of involvement. After reading dozens of chapters, I have been convincing myself that the next chapter will be good. The next chapter will be good. Unfortunately, it is too stingy.         ，，，，，， The question is, what do you want readers to see? You have to have something interesting for us to see, right?         ，，，，，，，，，？

Brother, what you wrote is a novel, and it is an online novel. It is not a farming technical article, nor is it about Taoism. If I want to know how to grow crops, I will directly ask the farmer uncle in my hometown. If I want to cultivate immortality (assuming I have one), wouldn't it be better for me to directly read Taoism? Do I have to look at you? There are dozens of chapters of lala and miscellany, but the writing style is still acceptable. This is when the author gets excited about the writing, and the author himself is involved in it, but the readers find it boring. Then the author blames the readers for having no taste and only reading trivial articles. But what the author doesn't understand is that Xiaobai Wenrenjia is a novel after all. The author does not expect readers to become immortals or learn to farm and make a fortune after reading it. It is just for fun and to see if they can make a little money. And does the author really expect readers to be able to farm or cultivate immortality after reading this book?

The author may create a new school of immortality writing and become a pioneer🙂 Indeed, the previous kind of caressing, scheming, killing people and seizing treasures, etc., Is not cultivating immortals, but more like cultivating demons. The writing style of this book is fresh, the protagonist is light-hearted, and has a moderate golden finger. It explores nature and oneself, which is more in line with the essence of cultivating immortality and Taoism. Good potential article🌹🌹🌹

😡😡 If you work behind closed doors for a long time, you will not only become a lunatic, but also an anti-human element. Or perverted. Any technological innovation is inseparable from the exploration of countless predecessors. . . I thought this kind of field writing could produce flowers. . Is he just a lunatic enjoying himself? People who don't know think this is writing a research paper

To be honest, this book is quite provocative. Appearing saints in front of people is cliché, but it's not bad to come here occasionally. The world and the era background created by the author have a lot of room to be honest, and the author basically did not arrange for the protagonist to participate, which is a bit of a waste of this world view and era background. This article has things but no story. The protagonist has fewer connections with this era and the people of this era, and is too detached and detached.

Author... If you continue to flatter yourself, you really won't be able to watch... From the time you came up with those inside scenes, I have been subscribing and then skipping, and then until now, First, the main plot? Second, can the method created by the protagonist be passed on? Or can others learn it? It's difficult, there are no plug-ins for the protagonist, others can't learn, and there is no replicability. Third, the realm of Shiqi and the realm of dining are okay. It feels like the protagonist is creating a realm of exercises. Then I explore the interior here... I was a little looking forward to it at first... Then I started torturing and repeating the interior repeatedly... I have been looking forward to going down the mountain to show off and travel. Preaching, After finally getting down the mountain, six of the ten chapters are still working on the interior scenes... In addition to starting to write the interior scenes, I still have some expectations. I skipped the interior scenes until now. Now let's look at the communication between the protagonist and mortals and the impact the protagonist has on them. Author, what do you want to express when you write the interior scenes? Do you want the protagonist to bring the interior world into reality? Or do you want to create a paradise in heaven? To be honest, when it comes to exploring the interior, I really feel very boring, repetitive, and boring. The specific manifestations are that it does not open up new realms, and there is no replicability in preaching. Exploring the interior is too long, and the interior is too long. Br>Eating Qi to build the foundation (building the innate body), eating Xia to refine Qi (flying to the sky and the earth, various spells), inner scenes to manifest magical powers (using inner scenes to use various magical powers), and the realm of immortality in the cave sky (embodiing inner scenes into reality, forming a small world of its own) Stop messing with the inner scenes, either hurry up and preach, or explore the next realm, I have ordered dozens of chapters in the past and skipped them all...

Silently ask, is the protagonist still enjoying himself there alone? ?

After reading too many novels, I feel that this kind of book is still interesting. But can anyone really eat plain porridge every day without pickles?

This book is about setting party benefits. I like this book very much, but there is a section in the middle with nearly fifty or sixty chapters that is a bit boring, so I pushed through it. There is also the issue of the timeline. On the one hand, the plot advances too slowly. On the other hand, according to the time in the book, the protagonist's progress and cultivation speed are too fast. It takes two or three years to achieve success. The contradiction between these two aspects, both fast and slow, is a bit awkward and contradictory.

Feeling disappointed! Alas I really liked this work, but it was finished in a hurry, but I expected it. The author's writing level is very high, and he hopes to continue his work.

This kind of description of quiet life is quite good, but it lacks storytelling and the plot has no excitement. Actually, it's good to write like this. If you can write about the feeling of freedom and freedom, that kind of leisurely and carefree state, it's also quite good. This is also a kind of refreshing, and it's a good spiritual experience to be able to describe it well. After all, life is tiring, so it's not a bad idea to have a peach garden like this to relieve your anxious mood. This is probably the reason why many people like to watch videos of living areas, watching other people planting land and vegetables, raising dogs and cats, and so on. This book is well written, but unfortunately I always feel that there are some shortcomings after reading it... What are the shortcomings? The protagonist is always confused about the clever liquid, the master's rooster is always pecking, the deer is always eating and drinking, and the black fish is always impossible to catch... I often see the protagonist shaking his head. , The protagonist often says to do it next time, but then forgets it, forget it, seems to have forgotten something, and must study it when there is a chance later... This gives people a feeling of compromise, aggrieved and forget it, without the feeling of freedom, not being free enough, without the sense of satisfaction, and a little bit frustrated. If you didn't have this feeling of grievance, there would be nothing wrong with living in the mountains, farming and practicing Taoism. But since I felt aggrieved, I naturally felt the desire to vent. The road is hard to find and elusive. On the road to pursuing the road, there are many things that cannot be done by humans. For example, the dark side deep in human nature cannot be eliminated in a day or two. People have good intentions and evil intentions deep in their hearts, as well as various bad habits and destructive desires. Before the road is built, this kind of evil can be properly vented, such as eating a few chickens, stewing black fish, tying up a deer, and going down the mountain to kill evil thieves and bandits. The protagonist is a monk, but the readers are just ordinary people who have achieved staged results in their pursuit of the great road. The desire for expression is unstoppable, and the readers need to explode and vent.

If the author directly deleted the protagonist and wrote it as an experimental diary type book, it would definitely be much better than the current protagonist narrative. The protagonist is simply written...

The only bad thing is that the protagonist has a doe, and the protagonist is also the best to her, so most of the good things are given to her. She does not transform later, but is ridden by the protagonist, which is similar to the heroine.

I like this feeling of being alone and at ease.

The first few dozen chapters are quite well written except for being too watery. The more I write, the more radical and frizzy it becomes.