There Are Powerful Figures in My Dreams

Zhuang Zhou's dream of a butterfly is a reference to Zhuang Zi's "Equality of Things", which is a philosophical proposition put forward by Zhuang Zi. In it, Zhuangzi uses romantic imagination and beautiful writing to describe and discuss the events of changing into a butterfly in a dream and the butterfly returning to himself after waking up from the dream, and puts forward the idea that it is impossible for people to accurately distinguish between reality and illusion, and the materialization of life and death. "Zhuang Zhou Dreams of Butterflies" is a philosophical argument put forward by Zhuang Zi through his story. The philosophical topic it explores is "whether people, as cognitive subjects, can accurately distinguish between reality and illusion." Zhuangzi elaborated on this in the form of a story: "In the past, Zhuang Zhou dreamed of a butterfly, and it was like a lifelike butterfly. He said that he was suitable for his will! He didn't know Zhou Ye. Suddenly he realized that he was like Zhou Ye. I didn't know that Zhou's dream was a butterfly and? A butterfly's dream was Zhou You? Zhou and butterfly The butterfly must be different. This is called materialization. " The general idea is that one day Zhuangzi dreamed that he had become a butterfly. After waking up, he found that he was still Zhuangzi, so he didn't know whether he was dreaming of Zhuangzi's butterfly or Zhuangzi who was dreaming of butterflies. Here, Zhuangzi raises a philosophical question - how do people understand reality. If dreams are real enough, people have no ability to know that they are dreaming. In the eyes of ordinary people, what a person sees and feels when he is awake is real, while dreams are hallucinations and unreal. Zhuangzi thought otherwise. Although waking is one state and dreaming is another state, they are not the same; Zhuang Zhou is Zhuang Zhou and a butterfly is a butterfly, and they are also different. From Zhuang Zhou's point of view, they are all just a phenomenon, a form and a stage in the movement of Tao. Zhuangzi is using the simplest fable to illustrate one of mankind's most serious questions, that is, the issue of life and death. On the surface, Zhuangzi is always lively and unrestrained, but in essence, it is not difficult to see from Zhuangzi's view of the pain of life that the premise of his philosophical outlook on life is a pessimistic attitude of "waiting". Although "Zhuangzi" has a strong spirit of freedom and pursues a life of freedom and "no waiting", this does not mean that life is inherently free, and Zhuangzi does not deny this. Therefore, even in the most free-spirited "Xiaoyaoyou", he still said: "If the accumulation of water is not thick, it will not be able to carry a big boat. If you put a cup of water on the col hall, the boat will be made of mustard; if you put the cup on it, it will be glued. The water is shallow and the boat is big. The accumulation of wind is not thick either. , Then the wings are weak, so the wind is blowing down for ninety thousand miles. "Fu Liezi walked in the wind, calmly and well, but he did not count the blessings in ten days. Although this is not possible, there is still something to be expected." - How sad! Even the rocs flying over the South Ming and Liezi walking on the wind can't be said to be free and free. They are restricted everywhere. How pitiful will it be for such a small bird-like person to jump among the elm trees? Here, after all, there is a distance between Zhuangzi's ideal of free life and reality. The god and man of Miaogu Sheshan who "sucks the wind, drinks the dew, rides on the clouds, and flies the flying dragon" is just a virtual existence. In reality, there are many unfortunate people such as Zhang Liang, Shen Tujia, and Ziyu who are at the mercy and torture of fate. Before "Zhuang Zhou Dreams of Butterflies", in the dialogue between Wang Liang and Jing, Jing said: "What do I expect to happen is evil? What do I expect to happen but what happens is evil? What do I expect to be evil? Why is evil consciousness like this? Why is evil consciousness not what it is?" This clearly expresses Zhuangzi's tragic view of fate that life is waiting for. This reality The reality is the premise of the outlook on life that is also implicit in "Zhuang Zhou's dream of butterflies". The failure to distinguish the butterfly's dream from Zhuang's dream, and the inability to recognize the true illusion of the butterfly and Zhou, doesn't it reflect Zhuangzi's feeling of individual insignificance and his pessimism of ignorance and freedom, similar to "the morning bacteria do not know Hui Shuo, and the Hui worm does not know Spring and Autumn"? Therefore, Zhuangzi couldn't help but sigh with emotion: "It's so small, so it belongs to human beings." Based on this pessimistic fatalism, the pain of life and the impermanence of life inevitably reveal a vague doubt about the authenticity of life in "Zhuang Zhou's Dream of Butterflies" that "life seems to be an illusion and will eventually return to nothingness". Zhuang Zhou set the problem of human existence in a dream, which was actually a metaphor for "life is like a dream". Zhuangzi was reborn, cherishing and clinging to life, so he realized that life is short and perishable. The short life seems difficult to grasp and difficult to recognize, so it will produce a feeling of illusion. Moreover, when people are questioned about existence as beings, it is indeed difficult to distinguish clearly. Guo Xiangyun said: "Today's failure to recognize the butterfly is no different from the dream of not recognizing the Zhou. And if each person has his own ambition, it is impossible to understand that the butterfly does not dream of the Zhou. There is a Sutra of Dreams in the World. If it has been a hundred years, there is no way to know that the present hundred years are not false dreams. "Due to the contingency and perceptual factors of individual existence, the authenticity of existence can easily be lost in the world of phenomena, and human self-awareness can also be lost in it, making it difficult to distinguish authenticity. Zhuangzi tried his best to pursue the reality of existence, but the relativism in "The Theory of Equality of Things" dragged him into an infinite cycle of knowledge and speculation. As a result, due to being separated from a specific objective time and space condition, the existence consciousness of "I am aware that I am alive" was temporarily suspended, and the reality of existence was also lost because of this - thus giving him the feeling that "life is like a dream". In this regard, there are two passages in "Zhuangzi" that are quite similar to "Zhuang Zhou's Dream of Butterflies", which can be regarded as a performance of the fable, and can also be seen as a support for "life is like a dream": Dream drinkers will cry once; dreamers cry, once hunt in the field. Fang Qi is dreaming, but I don't know his dream. In the dream, the dream is captured, and after waking up, the dream is known. And those who have great awakening will realize that this is a great dream, but fools think they are aware of it and secretly know it. Junhu, Muhu, Guzai! Qiu Ye and the girl are both dreaming; I said that the girl is dreaming, too. ——"Equality of Things" When Zhuangzi thought about existence in the way of "Zhuang Zhou dreaming of butterflies", when he lost himself in the illusion of "life is like a dream", he felt a kind of sadness of loss. Ye Lang said, "I heard Yiduo say that Zhuangzi's thoughts and writings are about looking at his hometown, a cry of homesickness among the guests, and a kind of sacred guest sorrow. Therefore, "Zhuangzi" is philosophy, because all great philosophers seek the spiritual home of mankind. "Zhuangzi" is a poem, because missing one's hometown is the taste of poetry; "Zhuangzi" is also about beauty, because as Kant said, all the highest beauty makes people feel melancholy, and sometimes they feel like they are missing their hometown. "The sacred guest sorrow and deep melancholy can indeed be tasted, and the whole "Zhuangzi" seems to have the "homelessness" of a lost spiritual home Although "Zhuangzhou Mengdie" is full of tragic consciousness, Zhuangzi Zi did not go towards the pessimism or nihilism of "I and you are also illusions" in "Lieh Zi". After all, "people can accept absurdity in life, but people cannot live in absurdity." He still admitted that "Zhou and Hu Die must be different." "Zhuangzi" possesses the optimistic and transcendent spirit of Chinese philosophy. It wants to reach from the finite to the infinite, so he wants to "equalize things with me, life and death" and even the state of "materialization".

I'm really convinced by the bunch of defenders in the comments. If you don't see multiple heroines, just go out and find your one-woman novels. If you have to post a post to disgust other readers and authors, the current Qidian book review area is a bit like Weibo.

Hey, Xigua, I see it's not easy for you to persist for such a long time from senior sister to now. Use love to generate electricity. You are passionate about Internet articles. I don't have much money, so I can only vote for recommendations every day and open a custom order after it is put on the shelves.

To be honest, the author is so miserable. I have read the senior sister's book before and I am about to read this one. Anyway, I feel like the author is a little transparent. If I hadn't looked through the bookshelf today, I would have forgotten that there is such a book.

I feel like what I wrote is not as reasonable as what my senior sister wrote. Because the senior sisters are already powerful, but this book Gulan is too strong, standing directly on the top of immortal cultivation, while the other heroines are too weak in comparison. Gu Lan felt that the male protagonist was very talented and much better than her. So there will definitely be a problem. If these female protagonists can't keep up with the pace of the male protagonists, they will become vassals. If they can, then how can you keep up? All of them are almost as talented as the protagonists and are better than Gulan? Gulan is also a person who has no shortage of resources and is extremely talented. I don't know how to deal with it later. Unless the male protagonist activates an accelerator to speed up others.

I haven't watched it yet, but a bunch of people say don't look for too many women. I really can't imagine how having too many women could be a failure? Normal people say this because some authors will write that the protagonist meets the previous one, or the heroine has too many plot conflicts and cannot come back. But some people mean that there are too many female protagonists and they won't watch it. Damn it, I really can't describe it. . . . Having more female protagonists is actually one of the cool things about the novel, but why don't I see you on the combat power list and the exit list? Are you bullying the weak and afraid of the strong?

I don't understand why the first book "Senior Sister" was very good, but now it's not working anymore. I don't even have the desire to open it anymore? 😭

Damn it, Watermelon, is it so miserable? Is the data of one million words so miserable? I came here to see my senior sister. When I was flipping through the book today, I suddenly saw my senior sister and clicked on the author to take a look. I didn't expect that the author was still writing, but it was already a million dollars. Why is it so miserable? 😭😭😭Watermelon, come on, support you 😆😆😆

I have been in the realm of deacons for a long time, and I have now reached the perfection of the later stage of the realm of deacons, the great perfection... But today's realm is not yet stable, so we must not rush to break through and destroy the foundation. Let me think carefully and make preparations before I can break through to the legendary helm master realm in one fell swoop... 🙂

Author, would you like to ask the protagonist if he will pass on the skills to Daxia? If so, I won't read it. Please tell me your answer. I feel that the protagonist is a bit like a virgin.