Mortal Power

I have read more than sixty chapters, and I recommend this book. This book can be said to be a masterpiece of the dark genre. The protagonist is decisive in killing. Basically, there is no evil point in the mother's heart. He takes action when it is time to take action. It is so sensible that it can be said to be in cold storage. Those who like this genre should like it very much. It is worth recommending!

Let's talk about the advantages first... In fact, as mentioned in the last book review, the author has continued the advantages of being full of information and high-energy series, and the plot has also continued to deepen, and I can begin to see the whole story. However, this time I want to say that this book is not as good as before. The reason is as I said before, the facially paralyzed protagonist himself does not have any growth or change from the battle mode to the character. The lack of long-term stable supporting characters locks the perspective on the protagonist's one-man show. The only attractions left are the world view and the plot. However, it is embarrassing. The last few chapters are basically [come to the new map] - [discover the strangeness] - [explore the truth] - [quickly ask the soldiers for information] - [find the boss and defeat it] - [find the promotion] level materials and steal materials to upgrade]-[Fight boss]-[Strange Explosion]-[Teleport new map] cycle, and the development of the Dibei Territory is very similar to that of the Suzaku Star Territory later, and the development of Tiannan Territory, Pure Land of Paradise, and Buddhism is also similar, which further makes the plot boring. This is a very bad sign to be honest. In addition, some settings in the plot have also begun to contradict themselves. A typical one is the practice of transforming gods into mortals. According to my personal point of view, this mortal should be based on mortals. On this basis, as long as it exceeds the boundaries of mortals, it is a violation. The protagonist is too tolerant as long as I don't use spiritual energy. So from my personal point of view, as long as you can make sure that the emotional drama is not embarrassing, write the heroine when it's time to write the heroine. The current plot is a stagnant water, and you need something new to bring about change. Nine out of ten people who say they don't like watching female protagonists have been tricked by earthy emotional dramas. If you write it well, these people will not be able to make any trouble. It should be really good, but it is really on the road to chronic death now.

Let me start by saying that I personally recommend this book. The author has great imagination, excellent writing style, and interesting world setting, which will be discussed in detail later. However, this book also has certain problems or not very good signs. I will also mention this. If you just want to read and praise the author, I suggest you ignore it automatically. First of all, the biggest feature of this book (not a special feature) is that the plot is compact, not only very coherent, but also one high-energy one after another. Once you read it, it is difficult to stop. On the other hand, the plot is almost dry information, without any water, and the reading experience is excellent. On the other hand, the author also deeply understands the essence of Cthulhu novels. He does not regard Cthulhu as a standing standard, and indeed writes about the weird and unknown atmosphere in it. It can be said that the author not only has signs of blazing his own path, but also has the feeling of an old author who has been writing quality articles for many years. But for me, this book still has several shortcomings First of all, the combat description is very sloppy. Judging from the settings in the book, it is normal for the protagonist to be able to instantly kill his opponents. It is also normal for a Ke-type novel to be unable to defeat the indescribable and have to run away. The problem is that the text cannot be written like this. You can put your settings in a cool article, but in a Ke-type article, it is equivalent to missing an element to attract readers. Secondly, there is no problem in itself that the author focuses on portraying the darkness of the world, but this also leads to a certain extent in which the protagonist lacks interaction with the background board. The whole process is a one-man show of the protagonist. Instead, the statement of the world view becomes a unilateral dictation by the protagonist instead of revealing abnormalities from the local customs and customs. Finally, there is the character of the protagonist. This type of facial paralysis protagonist is popular in many recent books including Grammar. To put it bluntly, he has no emotional fluctuations, or he is calm and cares about nothing but himself, or his behavior is ridiculous. But the common problem with this type of protagonist is that as interesting as they are in the early stages, they become boring in the later stages. Because this kind of protagonist first loses the ability to change emotions and cannot feel the protagonist's joy, anger, sorrow and joy. Secondly, there is basically no growth and change of the protagonist. It is completely a programmed robot. Such a protagonist can only rely on the world view and supporting characters to rely on himself, but such support is limited, and the more works he writes, the more boring he becomes. I have seen this all the time after reading books for so many years, and I am not afraid to name works.

Rolling Butt

Wow, old man, your foundation-building monks are too crotch-stretched. They can actually be stabbed to death with an ordinary dagger by the protagonist whose physique is only more than ten times that of ordinary people. Shuangwen is not so cool.

Authors should stop writing about female protagonists, and don't feel that their emotional dramas are not awkward. All authors feel that what they write is not embarrassing, so now many authors write about monks and don't even touch on ambiguity. Instead, they just write about friendship and family. Everyone has a different view of love, and different emotional dramas have different audiences, but the excitement and logic of the plot are still universal. It's the standard of Luo Zhongzhong. When they get involved in emotional drama, many authors put the cart before the horse and squeeze out the plot content, and even make the plot content serve the love story of the male and female protagonists. If you really want to enrich the content, you can start with the supporting characters. For example, the protagonist picks up one or two pets or spirit spirits that follow the protagonist for a long time and are on the same front as the protagonist. The writing of this book itself is biased towards travel notes and plots.

After reading it, here's a super long rant + review. First of all, the author is awesome. The plot of this book is very compact, and it can be considered as a new book. Moreover, the protagonist's character and world view perfectly match each other. Facts have also proved that it is not that the protagonist is anti-human, but that there are too many anti-human beings. I always feel that the author wants to make a doomsday ark, and the protagonist may become an indescribable entity in the later stage. When all the indescribable entities compete for power or something, the protagonist may retain a trace of normal human fire. The protagonist's pet black beetle may become a god and help the protagonist resist indescribable erosion in the later stage. Of course, this is just my guess, because the protagonist's character is the kind of person who will help whenever he can, but will run away immediately when his own interests are involved. Getting back to the subject, the author doesn't need to worry about those book reviews. According to the current rhythm, it can be said that it is completely fine. Those who say that the routines are repeated do not want to say anything. Take a closer look recently. There are also those who want a female protagonist. I think they may have found the wrong book. This is a world of restraint, and the protagonist himself has become a tentacle monster. At this time, you still want a female protagonist? I really don't understand what you are thinking. Do you want to find the mother of all things in the later stage? But the question is, don't you feel sick? I really like the general content of "Time Travel". You let a neutron star collide with the earth. Isn't this a joke? We are not at the same level at all, and the protagonist will obviously become an indescribable creature in the later stage, or another particularly powerful creature. I just want to ask what creature can withstand his impact? It's impossible for the protagonist to find "Buddha" and "Tao", right? I would like to share my opinion on the issue of supporting roles. I don't think there's any problem. Li Xiu and Buddha are still alive, so how can they not be considered supporting actors? And those indescribable things that follow the protagonist every day, don't these count? It can be said that the whole story is set off, and the protagonist also clarifies his own heart in it. It can be said that unlike the previous period where he was simply trying to escape, he changed to being powerful for eternal life. At present, the article as a whole is quite depressing, and of course it is this depressing feeling that makes people feel happy to read it. The powerlessness in the early stage is a bit scary, but in the middle stage, it gradually becomes more understanding and powerful, and then in the later stage. The protagonist has made great progress, right? And don't we already have a heroine? (Referring to the protagonist who seizes the body of a female monk) 🤪 The writing is actually not bad, to me it is excellent. Simple and easy to understand, this is the highest realm of novels. If it were written like a composition, it would really be out of touch with online novels. Some people also say that they should look at the visuals of supporting characters, but I think it's best not to do so. Because from the text, we can know that the protagonist and other people practice completely different things. Switching rashly will only make people feel boring and watery, and will not add much to the reading experience. The protagonist, who is in the way, is really fun to kill. Most of the supporting characters are intelligent and will not compete with you like other novels. The protagonist's pet black beetle also improves the reading experience through some more relaxed language. Overall, it is very good so far. However, the name and the introduction of the work make people feel that it is an old-time immortal novel that is particularly boring. I felt the same way before reading it. To sum up, the writing is very good and the content is very good. The protagonist is neither a murderer nor a virgin. It is not recommended to be classified as a dark novel. The author should not change the outline casually. After all, it is easy to collapse. As an online novel, it is currently no worse than Lord of Mysteries. But from the perspective of a novel, it is still far inferior to the masterpiece in all aspects. Xiancao

The plot is too compact, the author is tired writing it, and the readers are tired watching it. There is no safe place in the whole world, and there is no time to even drink water. 👻 Weirdness follows weirdness, bugs follow bugs...

(Personal opinion, please correct me if there is any difference) The protagonist of this book has no soul, so he cannot cultivate immortality. Then the immortal cultivator in this book relies on strong negative emotions to cultivate immortality. Simply put, he practices by torturing mortals, and the protagonist also strengthens his body by absorbing resentment, and finally achieves a method of improving combat power. Personally, I think the biggest highlight of this book is the combination of mechanical life and restraint, especially the "Pure Land" at the end, which shocked me deeply. I personally think the shortcoming is that the writing is a bit desperate. Not only does it mean that mortals have no way out, but they also have no future at all. The monks feed on mortals, so they are destined to be kept in captivity like livestock. There are also mechanical life and restraint systems. In general, it suits my personal taste (not bragging, not slanderous) (￣∀￣)

The author has a great imagination, but it is obvious that his strength is not enough to control such a huge story. He has dug too many holes and cannot fill them. He is weird for the sake of weirdness and scary for the sake of horror, without considering the rationality of the world view and plot.