Immortal in the Next Pot

I have been reading the book "Under the Sea" for so long, and I have been thinking about what I want to say from time to time, but either there is not enough time or the situation is not right, so I have not been able to organize the language systematically. I read Chapter 246 last night, sorted out my thoughts, and decided to share my feelings. I haven't been reading Hai Hai's books for a long time. When I read his last work "My Girlfriend is a Wicked Girl" (hereinafter referred to as "Wicked Girl"), I didn't even remember his pen name. This is probably because I read the wrong book and the wrong person. Only those who have written several good works in succession are likely to pay attention to the author. Judging from the author's two books, including the one I haven't read, "Absolute Ichiban", the author of Haibi should be good at writing stories with a modern Japanese social background; I personally don't have much preference for the works with a modern Japanese social background in the site, because if the author is not careful, it is easy to gravitate towards the second dimension; and if the two-dimensional theme of Japanese cities cannot be contained, it can easily become a strong otaku style - sometimes a strong otaku style is not a good thing. So, does the book "The Immortal in the Pot" on the bottom of the sea have a strong house flavor? It doesn't count. After all, one of the main reasons is that the initial design of the female characters is stereotyped and too harsh. The female lead, Chitose Sato, looks like she will win with yellow hair, but in fact, she is defeated by golden hair at every turn. She is tired by standards, has a small body, a sharp mouth and a heart, and seems to be a think tank. The second female lead, Tomoyo Minamizo, looks like Yamato Nadeshiko on the surface, but is a vicious domineering woman on the inside. In order to pursue power, she can ignore the constraints of moral ethics, and her good skin can be sold. As the saying goes, everything black when cut straight and long is black, and it represents force. The third female number, Reika Inuginin, is a bossy, rich, idiot type of young lady, with a simple personality, a little trembling, a typical harmonious version of the curly-haired Princess Jianning, who is responsible for the purse strings. Female number four, Misaki Maekawa, is a mouthless type of wife, gentle and kind-hearted, with maximum feminine power. She is very aggressive towards the male protagonist. She uses practical actions to explain what it means to be a big wife type who "doesn't fight or fight" and is responsible for housekeeping. Female number five, Misao, has a little devil character, does not pick troubles and is uncomfortable with Sky, is greedy for money and is argumentative. She pretends to improve the relationship between the girls, but in fact often does actions that have the opposite effect. When the plot progresses slowly, she acts as a deus ex machina and is responsible for making complaints. Female No. 6, Xiaohuali, Misaki's daughter, an innocent little girl who lacks father's love and likes dogs. She needs entertainment to dilute the loneliness and loss of a single-parent family. She is the son of a son and the daughter takes on the responsibility. So looking at it this way, Hai Hai has actually prepared a fully functional harem for the male protagonist. The focus is not on the harem, but on the complete functions - basically in the two-dimensional harem, all the types needed for the male protagonist's "magnificent" rise are ready. It just depends on how late the male protagonist conquers it. From this point of view, the author is not unkind to the male protagonist, and is even a bit too superior. But on the other hand, those who don't like this routine either think it's tacky or they think it's nerdy. Fortunately, Hai Hai's characterization ability has solved this problem: If you think Chitose is a bit like Lin Daiyu, I will arrange a good mother and father to assist her. Do you think Sanzhi is OOC? I just described her as "having a love affair" and she had to follow the script and be naughty to the dead book. If you think Lihua is ignorant, arrogant and mean, I will arrange a scene where she is worried about her father being in danger. So it is not a problem that the main female roles and characters are stereotyped. The key is that the subsequent shaping must be successful. This can effectively reduce the greasy feeling caused by house smell. Then why is it said that it does not count? Because of the character of the male protagonist. The character design of the male protagonist is not because of the typical starting point of "parents worshiping the gods" who was born in an orphanage, nor is it the typical savior stereotype of his spirit passing through Japanese male high school students, but because of the Stitch Monster setting given to him by the background, that is: Aura recovery + open small world Aura recovery in Japanese themes, it is easy to write as "Hundred Demons Walk at Night", or to be more funny, "Hundred Demons Walk at Night Again". Subconsciously, the revival of spiritual energy is equated with the reactivation of traditional Japanese monsters. The words must be called Tamamo Mae, and the battle must beat Shuten Douji. Soon the whole book will fall into a strange and popular doujin or semi-doujin state. Hai Hai did not do this. He chose the "maybe you can see some shadows, but my writing is definitely original" type of strange monsters and ghosts. This avoids the over-playing of some jokes and also brings a certain sense of freshness to readers. Let's talk about the small world. The trick the author created for the protagonist is called the Demon Refining Pot. You can think of it as a disguised system/cheap finger and a main mission at the same time. Here, Haihai cleverly avoids existing works related to the theme of the Demon Refining Pot (such as the "Xuanyuan Sword" series). It neither tells you whether there will be other small worlds or even large planes in addition to the "Realm in the Pot" of the Demon Refining Pot; nor does it tell you whether there are other artifacts besides the Demon Refining Pot - everything is left to the reader's imagination and the author's progress in writing the book. Hideyoshi's gender is Hideyoshi, that's true. So, the book "The Immortal in the Pot", in a nutshell, is probably an "atypical Japanese urban mythological and immortal theme". In human terms, it is a complex of "big suture monsters". Having said all the good things, let's talk about what I think we need to be wary of: First, the male protagonist Zhang Wuji's behavior and anti-Asasi quirks. The so-called Zhang Wuji's behavior, in short, is "I want them all." On Binghuo Island, Zhang Wuji looked at Zhao Min, Zhou Zhiruo, Xiao Zhao and Yin Li and wanted them all. In the end, due to indecision, Yin Li figured it out and Xiao Zhao left, leaving only Zhao Min and Schrödinger's Zhou Zhiruo. It is true that due to the many restrictions in the current creative field and website, the option of starting a harem or even working as a bulldozer is becoming less and less favored. There are even extreme groups where virgins and men are single heroines and then stay together. However, if the author really wants to open up the harem and create an eclectic one, he should not repeatedly jump between the many ambiguities and the heroine's sweetness, because the reflection on the hero is that he keeps switching between "I only love Chitose" and "Think about Sanchiyo." Once you can say that the male protagonist is a young man with little experience in love. Twice you can say that the male protagonist is young and vigorous but has a weak mind. Three times you can say that the male protagonist is greedy in his heart and I want them all. If this situation is not handled well, the male protagonist will become a greasy scumbag. Not only will it not make people laugh, but it will also make them disgusted. The opposite is the inexplicable anti-Asashi quirk of the male protagonist. We all know that the male protagonists in Japanese works often do not distinguish between enemy and friend Asashi, do not distinguish between priority and priority, and sometimes even do not distinguish between male and female Asashi. I don't know how to deal with it here, especially towards the golden retriever Reika, and often towards my sister Misa. It seems that I have exhausted my patience and goodwill with Chitose and Michiyo, and I only have scolding and impatience with Reika and Misa. Although Reika is an idiot and Misa is a busybody, if the protagonist only treats them impatiently, it will undoubtedly become a failure in character creation. Secondly, the male protagonist is in the "two worlds" stage where he urgently needs to change. Currently, the male protagonist is still satisfied with the stage of "taking materials from the human world to the realm of the pot, and pouring manpower and treasures from the realm of the pot to the human world", which is referred to as "picking up girls outside, and lubbing foxes at home". It is easy to write about daily life at this stage, but once you go further, it will not be easy to write. For example, what will happen if you continue to shuttle back and forth between the two worlds under more waves of magic, and what kind of changes will occur, all depend on the author's proportion and conception. Limited by the author's daily update speed and quantity, we can only wait and see. Third, the growth rate of the main characters is slow. This point and the second point are actually two sides of the same coin. Although the male protagonist expresses worries about the future demonic tide, in fact he is still generally in a state of contentment. This is not a good phenomenon. If the author intends to abuse the protagonist here (for example, setting the difficulty of the subsequent demonic tide to increase exponentially), it will be regarded as a poisonous point by many readers; and if the author continues to let the male protagonist grow up step by step, it will inevitably become a light novel with most daily parts. In fact, for such a work with many comprehensive elements, the author should have a relatively precise division of the proportion of each section - how many chapters are for the exploration of the Huzhong Realm, how many chapters are for the contact between the two realms, how many chapters are the novel experiences of the people of the two realms in the new environment, how many chapters are for dealing with the demonic tide, killing monsters and grabbing treasures, and how many chapters are for getting tired of his girlfriend, etc. The different components should complement each other rather than compete with each other. Again, given the speed and number of updates the author makes every day, this one will just have to wait and see. Fourth, the author's laziness in adapting the character design from previous works I believe many readers have the feeling that the character of the female character in "The Immortal in the Pot" is intentionally or unintentionally referring to "The Evil Girl". To put it nicely, it is called reference and mapping; to put it worse, it is just copying. Although this is convenient, it is not conducive to the author's further honing of his writing skills and the conception of subsequent works. In other words, character templates are easy to find, but character creation is difficult. Look at the bottom of the sea and be careful. Above.

Seeing the author's complaint which is not a complaint this time, I thought I should share my recent feelings about this novel. I watched it intermittently from the back of Runzi House. How should I put it, I am not interested in clicking the next chapter. This book is supposed to be a work about farming + daily life + city + cultivation. I was very excited when I realized this at the beginning. With such a good subject and such a guaranteed author as Hai Hai, it was stable. Until the horse racing started, I felt a little unwell, then Runzi House opened, I felt very unwell, and then I skipped the deal with the country. This discomfort is not limited to these few things, including but not limited to the construction of the Fox Village, the expansion of the Nourishing House, and the relationships with various heroines. Every thing here feels weird and even a little embarrassing, and I can only describe these things as a hammer in the east and a mallet in the west. Generally speaking, it is a mess. Next is the characters. To be honest, they are not bad, but they are definitely not outstanding. This is also related to the plot. There are more than 200 chapters, three heroines plus a sister, plus a little girl and mother and a dog. There are about 5 people in the fox village, and some of these people's parents. These characters who are stronger than the supporting characters, how to portray and describe, how can there be a prominent three-dimensional character... Of course these are just my personal opinions, and they are not complaints. 🙂

Maybe Undersea will no longer be able to create a heroine like Fuyumi. To be honest, I have definitely finished reading it. The heroine in that book is just a flower vase, and the protagonist is fighting for his ideals. Fuyumi in The Evil Girl is so heart-wrenching. The male protagonist and Fuyumi work hard together for a better tomorrow. This core is very touching. Although there are some pretentious and slap-in-the-face plots, this core moved me the most. What could be more heart-warming than working together to get out of trouble? It's natural for them to go together. Even though Fuyumi's character is very awkward, other characters in Villain cannot be compared with the ultimate heroine Dongmei. I believe that the male protagonist definitely loves Fuyumi the most. In this pot, even after writing this book now, I still haven't found the joy of this book. Monster-killing upgrade text? The pace is a bit slow and the setting is not grand. Map switching is too close. Daily love stories? Then the problem lies with the heroine! I see too much of Fuyumi in the heroine, but compared to Fuyumi and Takehara, the little yellow-haired Sato and the male protagonist Kirihara Akira are really not even remotely different. It's not that it's not good, it's just that it's not enough. So this book, hey

Book Review I read the previous part, Where the Monster Appears in Tokyo, and haven't read it since. A book must have priorities. Before the monster appeared, it felt like a love story, but later it felt like a fantasy. The author's fantasy writing was not satisfactory, so I didn't read it again.

I just hope that there won't be a character like Misao in the next book. I know you want to write about the kind of brother-sister relationship, but the way you write it not only doesn't feel friendly to me, I just feel like I want to slap her. I also have two cousins ​​who are about the same age and grew up together, and we often fight and fight, but Misao's mouth is really bad.

I would like to ask the author, did you write according to the outline? There is no progress in the main plot line for dozens of chapters. If you thank us for your daily life, I think the whole book will become "a daily life account of me and my little harem"

The writing is really good. The characters Chitose, Michiyo, and the rich curly lady, whether the reader likes them or hates them, just show that the characters have become established in the author's writing. This alone can be called a good-looking novel. It's a pity that it's not my cup of tea. Psychological expectations: The story of a big-muscled man who uses the world of the Demon Refining Pot to strengthen himself, and falls in love with and kills each other in the strange recovery of the real world Practical novel: A harem guide that uses the Demon Refining Pot to make money by farming, and falls in love with and kills all kinds of girls in the real world. There is no way to lead into this naive fantasy. It's a beautiful book, but it's a pity.

If you fight monsters without practicing and picking up equipment, you will end up in vain.

Written to the author The biggest attraction of this book for me is the following points: 1. Three views. The three views of the protagonist under the sea always make people feel inexplicably comfortable. A protagonist is a man and has the right attitude towards others. Do not avoid or shirk responsibilities, respect the old and love the young. The grudges are clear. 2. About Japan's interesting customs and local characteristics. Gods, ghosts, humanities, and all kinds of things that are not found in the country. Maybe this is a reminder of our past history. After all, this part of domestic history has been almost lost. 3. The last thing is youth. After all, everyone has been young, and there are things that they regret not doing when they were young. There are also the hazy feelings of youth. To use an old saying, it's all our lost youth. I hope the author will update as soon as possible! Come on!

So far I have read your last book "Absolute Ichiban" and I haven't started reading this one yet, but I will read your tracts from time to time. In terms of attitude, you are really a good author who is very humble and respects the readers. I hope you will get well soon. This book is completely ordered and the next one will be ordered as well. Keep it up.

The oranges were all peeled off, but the blood was still there

Ugly. I have read both "My Girlfriend is a Evil Girl" and "Absolute Ichiban". They are both very well written and have the flavor of light novels. The character creation is also very good, and it can be said to be the most high-quality novel I have read in recent years. Although the subject matter of this book is old, I still have the desire to read it. But I was disappointed. The protagonist's character perception was far inferior to that of Hideji Kitahara and Rinto Chihara. This kind of novel with a fighting plot is very taboo with a slow pace. The fighting plot is short and slow in pace. If daily novels are about experiencing joy in ordinary life, then the city must be as refreshing as the high dynasty. I saw that nearly two hundred chapters are all about daily life. Change is a good thing, but I hope I can be confident before trying it again. This book is not up to standard. I hope the bottom of the sea can cheer me up.

After reading two books by the author, it was difficult to continue reading them. How can I put it, after reading the Evil Girl and this book, if I personally like it, I still prefer the emotional line of the Evil Girl. To be honest, the author's understanding of Japanese humanities is incredible. It really made me understand the daily life of Japanese people. At least it is not a Japanese-style article or a domestic article. I read two books to learn about Japanese cultural knowledge such as kendo, baseball, and horse racing. Regarding baseball, a sport that has basically no connection with China, it allowed me to personally understand the impact of baseball in Japan. When reading various Japanese comics and Japanese novels, I also understood the behavior of using baseball as examples. To be honest, if you have not lived in Japan, it is basically difficult to write these details. I personally guess that the author should have studied in Japan or stayed in Japan for a period of time. I really admire these cultural details, but I don't understand the twists in the emotional line. The protagonist's attitude towards the three female characters in this book really made me feel weird. When it comes to dealing with relationships, no matter which character gives people a sense of indecision, and then chooses the most important direction, which is the same as the path that most harem male protagonists in Japanese comics may choose in the end. I personally feel that a single emotional line may be better. After all, both books have confirmed the relationship before joining. This feeling is disgusting. Confirming the relationship too quickly makes stock trading uncomfortable in the later period. Basically, looking at the end at a glance is very confusing and difficult to give people a sense of smoothness.

On the last morning of 2021, I got the bad news that the bottom of the sea was actually over, and the motivation to get up early every morning disappeared again. However, 2022, hello, goodbye! ! !

"Evil Girl" was the first light novel I came into contact with. I was very surprised at the time. The interesting daily life and vivid characters in the story directly brought me into the pit of light novels. Compared with the previous two books of Undersea, the progress of "The Evil Girl" at that time is huge. I am very much looking forward to his next work being as suitable to my taste. But how can I say "Absolutely Ichiban"? Undersea's ability to tell stories has definitely improved. Compared with Taking into account the various fragmentary stories of the protagonist's three years of high school in "Evil Girl" such as opening a shop, practicing swordsmanship, playing baseball, and interning, etc., The main plot of filming a TV series in "Ichiban" seemed much more complete, but it just didn't make sense, so I went back and watched "Evil Girl" again while catching up. When it comes to "The Immortal in the Pot", it starts well. After the second wave of demons, Chitose becomes more and more useless, the protagonist becomes more and more powerful, and the plot becomes more and more weird. The part where Misaki is kidnapped is deleted. I saw a 40% discount yesterday, so I went back to take a look. The part back to Kirishima was quite comfortable. After the Demon Wave, Chitose was too weak to fight the boss with Kirihara. Kirihara's plug-in was banned. Michiyo and Kirihara were penetrated by the boss in the front. Kirihara lost all his strength, became crippled, and fell into the demon world. Then the plug-in was re-released after only two chapters in the next volume. , Directly went in to shake people, treated, Kirihara turned into a "god" again, and wiped out the boss when he came out. After returning to reality, after the bloody breakup with Chitose, I jumped and looked at it. Michiyo didn't know what he was doing. The relationship with Misaki quickly heated up, and then Reika was drugged. The cheat was easily solved as soon as the plug-in was opened, and there was another cheating point for Reika and a legitimate strategy expansion point: amnesia. It can be seen that Kirihara really wants to be a good person with perfect personal ethics, but unfortunately the author does not give him this opportunity. It seems that he has no choice but to be forced into the harem. After getting into light novels, I also found many excellent works and authors in the light novel section of Qidian, such as Duting Cup and Tingri, which are light-hearted and cleverly conceived; like The Flower Has Not Bloomed, The Passing Crow, which is pure romance, sweet and delicate; and such as Chima Yinghuo, a pure eunuch, which makes people's mentality. I am still very grateful to Hai Hai for taking me into the trap with a book "Evil Girl" three years ago, but I guess I will not continue to read it. I wish Hai Hai write better and better

Come and collect votes so that Mr. Five Yuan can be favored! If you want to avoid this ending, Mr. Wu Yuan, please at least learn the art of cloning 🙂🙂🙂

The fifth book of Gou Haihai, originally titled "I Became a Sword Master in Hokkaido", is still a book with a Japanese background published in the urban category. But the protagonist is not in Tokyo, but in Kirishima City, Hokkaido. Moreover, in addition to daily life, this book also has extraordinary power. The protagonist Akira Kirihara was struck by lightning and traveled through time while playing the game of cultivating immortals. The age returned to fourteen years old and fell to Japan. After traveling through time, he brought with him three talents and his natal artifact "Demon Refining Pot". The Demon Refining Pot can, firstly, refine monsters, and secondly, it has its own world within the pot. He originally dreamed of cultivating immortality and marrying nine wives, but in reality no monster was found, and the world in the pot could not defeat the tree spirit trapped in a corner. Two years later, when he was in his first year of high school and was about to give up on this dream, the monster appeared. A monster that tore people alive appeared on the tram. Akira Kirihara, who had fought Dryad Hiroshi for two years and was extremely physically strong, rushed over to fight with it. The roof of the carriage was deformed and the seat glass was shattered. In the end, he won with the help of Chitose Sato, a girl from the same school. The Demon Refining Pot used its power to refine the dead monster into a pill. Back home, a similar monster called the Yin Demon also appeared next door, but it was slightly weaker. Kirihara Qiu hacked the opponent to death alone and refined the Yinmo Pill again. In the process, the wall between the two houses was broken down, so Kirihara Qiu and her daughter, Maekawa Misaki, a mute neighbor, were forced to "live together". It turns out that this kind of evil spirit has appeared all over Japan, causing more than a dozen police casualties in Sapporo City alone. On the other hand, Sato Chitose, a sick cat suffering from asthma, came to the door and asked for a share of the profits in order to cure the disease. After being rejected, he proposed to train his martial arts, and took the unconvinced male protagonist to meet "the strongest in the same year" Minami Santomoyo. The black long straight Valkyrie did not go all out and defeated Kirihara Akira. Later, I learned that she had been able to kill a black bear with her bare hands before, and now she could feel the revival of spiritual energy. At the same time, she is also the "Green Ghost Princess" who eliminates violence and brings peace and stability, causing a headache for the police. After testing on dogs to prove that the Onmo Pill was effective and harmless, Kirihara Akira took another pill. While receiving training from Sato Chitose, he searched for the Yin Demon to kill and refined the medicine. Kirihara Qiu, whose strength has greatly increased, finally passed the tree spirit and gained a foothold in the pot world. He made a deal with the Tianhu tribe, brought Yueniang and four other fox girls back to the world, fed the racehorses with the spiritual rice produced in the pot, and opened a beauty shop. In school life, Kirihara Qiuya accidentally met the eldest daughter Inu Kaninin Reika who liked to call people a pariah. She had curly hair like a large doll and her father was very rich. After Chiyo Sato has become the hero's quantum intermediate girlfriend, Tomoyo Minami and Reika Inuganein are still ambiguous with Akira Kirihara, making Chiyo Sato jealous all the time. The recovery of spiritual energy further intensified, the blood moon soared in the sky, strange monsters appeared all over the world, and many people suffered from unexplained physical weakness and coma. Kirihara Akiya's small group is unlikely to stay in school after gaining extraordinary powers. He became the second generation of the Huzhongxian and spent more and more time farming in the Huzhong world. At the same time, he wanted to exchange arms with a large country adjacent to Japan and bring experts from that country into the Huzhong world to accelerate development. The whole book can be divided into four parts, one is about daily life on campus and the Shura field, the second is about cultivation and fighting monsters, the third is about the exploration and development of the world in the pot and the exchange between the two worlds, and the fourth is about the changes in the world after the revival of spiritual energy. The first part is undoubtedly very good. The female characters in Hai Hai's novel are very recognizable. Their appearance and temperament are very unique and charming, making people love and hate them. The interaction between the male and female protagonists is also very delicate and vivid, but the male protagonist is a little too indecisive. Chiyo Sato is never sure of the relationship and can only be incompetent and arrogant; Tomoyo Minami, who was originally an awe-inspiring Valkyrie, has become a mistress with a face, even if she doesn't like the male protagonist, she still demands the status of the most favored girlfriend; Reika Inuganein is a domineering and cute rich woman who loses herself in front of the powerful male protagonist. The atmosphere in the small team is so awkward. Most of the blame must be placed on the head of the male protagonist who is both responsible and independent. But this is not a shortcoming for light novels. Only the male and female protagonists with their own flaws can form scenes of sweet and sour love comedy. The second part can be its own system in the author's world view, but the Japanese-style cultivation of immortality is indeed very strange. There was also a previous article "Let Tokyo Fly" about the revival of Japan's spiritual energy, but it disappeared before it was even put on the shelves. The seabed has been saved by using his strong writing power, but the fighting still seems boring and unreasonable, and the main plot advancement seems obscure. The third and fourth parts belong to Gou Haihai's self-breakthrough, and there is nothing to comment on. Encourage authors who dare to write about topics they have never written before to step out of their comfort zones.

The simple rant is over after all. There is no need for the protagonist to cooperate with Sato. Later, I also saw the elixir tested on dogs. If you want to learn skills or something, there is no need to learn the basics, you can just develop it later. There is a Demon Refining Pot, even if he develops into a wretched person, he still can't beat it with high skills. I've only seen about twenty or so of them, but I haven't read the rest of them yet. I've finished both The Evil Girl and The God, and those two are okay, although a little bit, but not much. I haven't read the rest of this book yet.

What you wrote is very good. Don't be discouraged by those comments. This white prostitute has registered a starting number because of your book and another author's book. I am not capable enough, so I can only reward 1,500 points each to show my appreciation. Whether it's the Wicked Girl or this book, you can feel that the author's words are spiritual. Some authors' books will never find this spirituality. Specifically speaking, the article has a refreshing feeling, which makes people's lips and teeth linger after reading it. There are many interesting plots, such as the one where Kirihara was cremated without even giving a handful of ashes to anyone else. It was very interesting and vivid. The shortcomings are that the plot is a bit trivial, and the protagonist's upgrades in terms of money and abilities are not coherent enough. It makes people feel that they are just enjoying themselves, and then jump to write something else. Although killing monsters and upgrading are cliché, there is a reason for its existence. Overall, this is a very interesting novel. I think it is better than most of the novels currently serialized. The setting at the beginning was very amazing. Under the Sea, you are among the best in writing neon novels. Come on!

I read a book before, and it was on the shelves in less than a hundred chapters. At that time, I made a lot of complaints about it. Now I see that this book has been released early, but I don't feel happy about it. Thinking about it carefully, this book is well-written, the listing fee is reasonable, and I subscribed willingly, so I have nothing to complain about. The author continues to work hard, maintain quality and write one or two thousand pages, don't stop 🤭🤭🤭

I feel that this book is not as good as the previous ones. The relationship between the male and female protagonists is confirmed too quickly, which limits the development of the subsequent story. Moreover, the image of the female protagonist is established by the long length. Also, I really feel that the image of Xiao Huangmao is not suitable for being a female protagonist. It is better to slightly change the character of Sanchiyo to be the female protagonist.

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Undersea or daily writing is more suitable for you, so pick up this book and enjoy it all day long! The evil girl is so awesome, I personally don't think any of the girls can beat the evil girl! ! I wish you a happy new year in advance🙂

I feel like the description of this novel makes the protagonist's character more mature than that of the villainess. I watched The Immortal in the Pot first, and then I watched The Evil Girl, probably because after about two years, I felt that some of the plots and dialogues in The Evil Girl were not as comfortable to watch as The Immortal in the Pot. For example, "Thank you for once rejecting my confession and allowing me to grow up." I would have definitely believed it if I read it a few years ago, but now it feels a bit pretentious and a bit like youth pain literature. The protagonist in "The Evil Girl" initially dreams of becoming one of the small group of elites, while the Immortal in the Pot is much simpler and has nine wives. It feels like the author's own views have changed. It is very difficult to cross class. It is not the work of one person. After all the hard work, is it just for the sake of standing higher? Even if you are talented and intelligent and get into a prestigious university, you are not absolutely sure that you will be able to progress steadily. The protagonist in Villain often starts to think, "When I become an adult a few years ago, I will be able to crush all your trivial things with my eyes closed." At that time, I thought, "Well, maybe it's not necessarily true, don't be too crazy." There is nothing more you can do to get to know and understand the world. It is also good to have a wife and children.

It's already Chapter 42 and there are still people discussing whether we should lose against a karate master in Chapter 18. How to put it, let's not talk about whether the protagonist of the online novel at this time should be deflated. There are too many discussions in this group, and it is too empty. No one can come up with a survey result to say what the average grade of the book is deflated at the beginning, and what about the smooth journey. Let's just talk about the comparison of combat capabilities between women who have combat training and strong (puffy) men who have not been systematically trained in real life. I am 189 centimeters tall, 97 kilograms (all fat), bench press 120 kilograms (the courage of my time). When I was a child, I attended a martial arts class taught by a professor from the physical education department of the university to earn extra money. I also practiced basketball in middle school. Before the soft tissue contusion of my right foot was bruised, I could jump on the spot and dunk with both hands (the courage of my time again). When I was in college, I took judo courses taught by retired National Games champion Liu Xiuping out of interest. I was deeply impressed by the first class, which taught me body-holding skills, that is, how to be thrown down and avoid injury. Because I looked the tallest and strongest, I was selected by Teacher Liu to demonstrate the movements for everyone. I didn't know at the time that this was the beginning of a tragedy that lasted for a year. The demonstration action was a piggyback throw, also known as an over-the-shoulder throw. After listening to Teacher Liu's explanation, I stretched my right hand forward, and for a moment I felt my sleeve tighten, and the gravity suddenly shifted to my head, and then I lay flat on the tatami. It is worth mentioning that being thrown over the shoulder has a sense of weightlessness and pleasure (disorder) like riding a roller coaster. After that, I studied judo with Teacher Liu for two semesters. I had many opportunities to fight back with Teacher Liu, who was nearly thirty kilograms behind me. I was about 85 kg at the time. Teacher Liu gained a little weight after he retired, about 55 kg. Most of the time, I was beaten instantly. There were a few times when I was able to use the Sacrifice Technique to drag me to the ground and fight with a solid technique, and then I was strangled and slapped on the floor to admit defeat. In this case, the defeat will be slower. Teacher Liu even suggested that I just sit on the ground and force myself to compete on the ground. It is really embarrassing. I have never done that. Since the judo class is taught by a female teacher, quite a few girls take it as an elective. Because my body shape looks the most intimidating, I am often asked by Teacher Liu to be a target for the girls to cultivate their self-confidence. Most girls can learn the correct throwing movements in one class, and then make smooth technical movements within two seconds that make me lie on the ground and look at the sky and hand over a book. That's most of it. I had to endure a small part that stretched my hips a little bit. I had to endure all kinds of imperfections. I landed on my shoulders, my elbows, and grinned when I fell to the ground. Teacher Liu also said, "Get up quickly, my skin is rough and my flesh is thick, I can't break you." I say all this just to support it from the side, but the advantages of height and strength in fighting competition are very limited. In the hands of Teacher Liu, I was like a toddler. If you have any different opinions, please feel free to raise them. If you want to learn fighting skills, you can also come to see me in Blacksburg, Virginia, USA. My friend is here and I have enough beef 😁😁 Attached is a picture of a middle-aged licensed hunter who has put on weight

There are as many people who like Fuyumi and Milkshake in The Villain as they hate it, but it doesn't matter, because the male protagonist is the best character portrayed. No one dislikes Mr. Kitahara. As long as Kitahara can stand, this book will stand. Some people like and hate Michiko and Hakuba in Ichiban, but it doesn't matter, because the male protagonist, Mr. Chihara, is the most outstanding character portrayed. No one dislikes Mr. Chihara. As long as Chihara can stand, this book will stand. Some people like Chitose and Michiyo in "Tonchusen" and some people hate it, but it doesn't matter, because the readers' dislike of the male protagonist overwhelms all of this. As long as Kirihara pulls his crotch, this book will pull his crotch. Why do you say that? Because harem texts are designed to provide all kinds of girls. If you don't like one, you can like another. If you don't like Fuyumi, you can like Yoko. If you hate milkshakes, you can like Yuki. But the male protagonist cannot collapse, he is the core, he is the bearing. He can be ordinary, he can accept temporary failure, he can risk his life and be afraid of death, he can even be a scumbag! But the only thing you can't do is have a weak heart, and you can't make readers feel aggrieved! Because the reader becomes the hero! We may also be cowards in reality, so that's why we read novels, right? Are we going to continue to be cowardly and make ourselves feel aggrieved in novels? I dare to assert that the performance of this book is declining sharply. I believe that the silent majority have a strong balance in their hearts. I would be happy if slapped in the face. Because even though I abandoned this book, I still want to read the next one under the sea. I will always have high hopes for anyone who writes evil women.

That's it

As a fan of novels, I started from the city in 11 years old. There has never been an author who can let me read every book he writes without making people feel stuck in my throat. Along the way, the style of the seabed makes me happy the most. It is not that his novels are outstanding, but his novels always make people feel at ease. From the gods to the current pot god, there is always a gentle Yamato Nadeshiko, who is like a harbor where I can always retreat, a private place, very warm and practical. Maybe this is what a boy yearns for the most🙂🙂🙂 So, I will never give up if I stay at the bottom of the sea😜😜😜

Maekawa Misaki's Repayment