The Young Eagle’s Glory

No one has ever stipulated that the historical area of ​​male videos must write about hegemony. The theme of the novel is human beings. I feel that something made of steel, guns and data is not worthy of being called a novel. Take postwar French literature as an example: among the left-wing writers are Roger Vailland, whose works like to combine resistance movements, patriotism and heroines with open private lives. There is also the female writer Elsa Triolet, who combines society and politics with fantastic imagination and a lively and vivid lyrical style. As for those generous writers who describe the grand historical background, Henri Troyat's "Les Semailles er les moissons" (Les Semailles er les moissons) uses five volumes to write about the South of France. Focusing on the experiences of three generations of women from before World War I to the climax of World War II, the five-part "La Lumie des justes" uses the love between a Russian officer and the daughter of a French count as the main line to show Russian life between 1814 and 1850. The work "Allemande" (Allemande) by Francois Nourissier, a neoclassical writer who is a representative of French post-war right-wing literature in Romanticism, writes the chronicle of the occupation period from the perspective of a small character from the civil class. When writing historical novels, no matter whether one's political views are left or right, or how profound one's historical knowledge is, one does not abandon the personal life of the characters to write about major events. Instead, one writes about love delicately and softly. ​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ Out out of the starting point of the literary moralists who are anti-harem wives and the monk readers who despise the heroine of emotional drama are almost raging everywhere, as if they feel that women should not appear in novels. Love, like power and wealth, is the most basic desire of human beings. If an author describes emotional drama in a book, it is perfectly normal. A protagonist who devotes himself wholeheartedly to the country, and only has steel production, international situation and armaments in his mind, is a twisted, abnormal and false person in my opinion. Five or six years ago, it was not that there were no articles that did not focus on emotional scenes or had no emotional scenes, but no one specifically criticized them. On the contrary, now there are more articles without female protagonists. Instead, these readers are trying to teach authors not to write about female protagonists and emotional scenes, and they are like moralists who do not allow them to write about harems and wives. You must know that even Brezhnev agreed to let extramarital affairs movies pass censorship. It is really ironic. Maybe if you deal with warships and cannons too much, you will forget the most basic humanistic care and tolerance. I hope seniors will not be affected. Authors should write what they want to write. I really like to read historical articles with detailed descriptions, rather than non-stop conquest articles. For those of you who think the same way, I want to let you know that there are many others who think the same way. As for those readers who think that novels should only contain murders and treasure hunts, stars and seas, I want you to know that some people hate this kind of novels. If someone likes to write in this style, I will not interfere with his ideas, but don't use your ideas to distort novels that pursue characters and delicate emotions. Not everything is written for you.

The advantage of this book is that it is emotionally delicate, but the disadvantage is that it contains too much ink. As a son of Napoleon who wants to ascend the throne of France and unify Europe, 90% of the content is devoted to his entanglements with female characters, and 10% is devoted to the restoration.

I have read more than 160 chapters just to watch the wedding in the real Acropolis 😁

To be honest, when I was in college, I played hand rush with Frenchman Char. I have been working for a few years now and I am about to get engaged to my girlfriend. I suddenly saw my senior's new book and I couldn't help but feel in a daze... Time flies so fast.

As a father and a politician, Napoleon turned his will into the last speech of his life, leaving the greatest political legacy to his son, the King of Rome, as much as possible. In his will, he tried his best to repair the relationship with the Holy See for his son, and showed favor to his wife's family, the Habsburgs, with the intention of seeking safety for the King of Rome. He pardoned and forgiven the traitors represented by Talleyrand in writing, and only blamed the vague old enemy-the British oligarchy for the fault, so that the Roman king could reduce his opposition in the future when he regained power in France. He distributed the property to his officers, soldiers and people in various French provinces and cities, and established the Bonaparte family as the protectors of the French army and people, so that the Roman king would have permanent supporters when he returned to France. Unfortunately, the premature death of the Roman king prevented him from benefiting from his father's political legacy. Napoleon III, however, entered the stage of history by virtue of the reputation of the Bonaparte family. NAPOLEON. April 15, 1821, at Longwood, St. Helena. This is my will, or record of my last wishes. I. 1. It has been more than fifty years since I was born in the faith of the Catholic Apostles, and now I have passed away in its arms. 2. I would like to have my ashes buried on the banks of the Seine, among the French people that I deeply love. 3. I have always had reason to be satisfied with my dearest wife, Maria Louise. I reserved my tenderest affection for her until the last moment - I implored her to take charge of my son and to protect him from the snares which had surrounded him before he reached manhood. 4. I warn my son never to forget that he was born a French prince, and never to allow himself to become a tool in the hands of the rulers who oppress the peoples of Europe: he should never go to war with France or do any harm to her; he should bear in mind my motto: "All for the French people." 5. I died prematurely, assassinated by the British oligarchy and its minions. It will not be too late for the French people to avenge me. 6. When France was still rich in material resources, it suffered two unfortunate invasions, the consequences of which should be attributed to the betrayal of Marmont, Augereau, Talleyrand and Lafayette. I forgive them - and may future generations of France do the same. 7. I thank my illustrious and good mother, the Cardinal, my brothers, Joseph, Lucien, Gérôme, Pauline, Carolina, Julie, Hortense, Carolina, for the constant sympathy and care they have shown me. I forgive Louis for the slander he spread in 1820: full of false claims and fabricated documents. 8. I reject the "St. Helena Manuscript" and other works under the name of "mottos, sayings", etc., Which people have been trying to publish for the past six years, but those are not the principles that have guided my life. I had the Duke of Dangan arrested and tried, because this action was vital to the safety, interest and honor of the French people at a time when he himself confessed to having sixty assassins in Paris. I should still act the same way in similar situations. II. 1. I bequeath to my son my box, my orders, and the other articles of the accompanying list (A), as my tableware, my camp bed, my saddle, my spurs, my prayer plate, my books, and the articles of clothing which I am accustomed to wear and use. I hope this small legacy from a father the world will remember will be precious to him. 2. I bequeath to Madame Holland the ancient reliefs given to me by Pius VI at Tolentino. 3. I bequeath to Count Montolon two million francs, as proof of my satisfaction with the care he has rendered me during six years, and as compensation for the loss he has suffered while settling in St. Helena. 4. I bequeath Count Bertrand five hundred thousand francs. 5. I bequeath Marchand, my chief equerry, four hundred thousand francs, who has rendered me the services of a friend, whom I desire to marry the widow or daughter of any of my officers of the Old Guard. 6. Again. One hundred thousand francs to Saint Denis. 7. Again. One hundred thousand francs to Noville (Novilas). 8. Again. One hundred thousand francs to Pierron. 9. Again. Give Ashab fifty-five thousand francs. 10. Again. Give Kelso twenty-five thousand francs 11. Again. To Chandelier twenty-five thousand francs. 12. Again. One hundred thousand francs to the Abbé Vignali. I hope he builds his house near the New Rostino Bridge. 13. Again. One hundred thousand francs to Count Lascars. 14. Again. One hundred thousand francs to Lavalette. 15. Again. A hundred thousand francs to Chief Surgeon Larrey - the most virtuous man I know. 16. Again. One hundred thousand francs to General Brecher. 17. Again. One hundred thousand francs to Lefebvre Desnouet. 18. Again. One hundred thousand francs to General Drouot. 19. Again. One hundred thousand francs to General Cambrunn. 20. Again. One hundred thousand francs to the children of General Morton Duvernet. 21. Again. One hundred thousand francs to the child of the brave La Bedoye. 22. Again. One hundred thousand francs to the children of General Girard, who died at Linny. 23. Again. One hundred thousand francs to General Chartrand. 24. Again. One hundred thousand francs to the children of the noble General Traveau. 25. Again. One hundred thousand francs to old General Laman. 26. Again. One hundred thousand francs to the Count of Lille. 27. Again. One hundred thousand francs to Count de Bastlica. 28. Again. One hundred thousand francs to General Clause. 29. Again. One hundred thousand francs to Baron de Monneval. 30. Again. One hundred thousand francs to Arnaud, author of Marius. 31. Again. I give Colonel Marbeau a hundred thousand francs - and I order him to continue writing to defend the honor of the French army and to refute their detractors and traitors. 32. Again. One hundred thousand francs to Baron Bignon. I ordered him to write a history of French diplomacy from 1792 to 1815 33. Again. One hundred thousand francs to Pogetti Traveau. 34. Again. Give Dr. Emery one hundred thousand francs. 35. These sums will be paid out of the six million I deposited when I left Paris in 1815, together with the interest accruing from July 1815 at an interest rate of 5%, and the total amount will be settled by the Count of Montolon, Bertrand and Marchand and the bank manager. 36. No matter how much income there is from the deposit after deducting the total amount of 5.6 Million (note: actually 5.65 Million) francs, it should be divided as retirement gold among the wounded in the Battle of Waterloo, as well as the officers and soldiers of the troops who were on the island of Elba, in a proportion determined by the military doctors Montolon, Bertrand, Drouot, Cambron and Larray. 37. These legacies - in case of the death of the recipient - shall be paid to the widow and children, and in case of deficiency shall revert to the principal part of my estate. III. 1. My private property, from which I am not aware of any French law, an account of the extent of which can be obtained from the treasurer, the Baron de Laruyrier: it should amount to two hundred million francs; namely: 1. The portfolio consists of the savings which I have made over the course of fourteen years, outside the civil list, amounting to more than twelve millions per annum, if my memory serves me well. 2. Portfolio income. 3. Furniture of my palaces, such as those of 1814, including palaces in Rome, Florence and Turin. The furniture was purchased with money from the civil list. 4. The proceeds of my house in the Kingdom of Italy, such as money, tableware, jewelry, furniture, cosmetics; the accounts will be presented by Prince Eugène and the Steward of the Crown of Campagnoni. NAPOLEON.(Second picture) 2. I bequeath half of my private estate to the surviving officers and soldiers who fought for the glory and independence of their country from 1792 to 1815, in proportion to their duties in active service. The other half was given to the following towns and regions: Alsace, Lorraine, Combes-de-France, Burgundy, Ile-de-France, Bois de Champagne and Dauphin, which may have suffered invasions. A portion should be set aside, one hundred thousand francs for the town of Briand, and one hundred thousand francs for the town of Merry. I appoint the Counts of Montolon, Bertrand and Marchand as executors of my will. At present, these wills are entirely made by me, signed and sealed by me personally. NAPOLEON.(L. S.) List (A) Additions to my Will. April 15, 1821, at Longwood, St. Helena. I. 1. Consecrated vessels used at Longwood. 2. I appoint Abe Venari to keep them and present them to my son when he reaches the age of sixteen. II. 1. My weapons, that is, the sword I wore at Austerlitz, Sobieski's sword, my dagger, my broadsword, my dagger, and my two Versailles pistols. 2. My gold vanity case, which I used in the mornings at Ulm, Austerlitz, Jena, Eyrau, Friedland, Lobau Island, Moskva, and Montmiril. May they be precious in the eyes of my son. (Already deposited with Count Bertrand in 1814) 3. I entrust Count Bertrand to take care of these items and deliver them to my son when he turns 16 years old. III. 1. Three mahogany chests, containing, first, thirty-three small ski cases and candy cases; second, twelve boxes containing the Emperor's weapons, two pairs of monocles, four boxes found on the table of Louis XVIII in the Tuileries Palace on March 20, 1815; third, three snuff bottles decorated with the Emperor's customary silver seal, and various cosmetic items, according to lists Nos. I, II, and III. 2. The camp bed I used in all battles. 3. My field telescope. 4. My makeup case, one piece of each of my uniforms, a dozen shirts, a complete set of each of my gowns, and generally everything I use in my makeup. 5. My sink. 6. A small alarm clock in my bedroom in Longwood. 7. My two watches and the chain made of the queen's hair. 8. I entrust the care of these articles to my chief squire, Marchand, and appoint him to deliver them to my son on the occasion of his sixteenth year. IV. 1. My medal cabinet. 2. My tableware, and the Sèvres china I used in St. Helena. 3. I asked Count Montolon to take care of these items and deliver them to my son when he turns 16. V. 1. My three sets of saddles, bridle and spurs. 2. My shotgun, to number five. 3. I entrust my squire Novellas to take care of these items and deliver them to my son when he turns 16 years old. VI. 1. The four hundred most commonly used books selected from my library. 2. I entrusted them to Saint Denis to take care of them and deliver them to him when my son turns 16 years old. NAPOLEON. List (A) 1. Nothing that has ever been used by me shall be sold, and what remains shall be divided between my executors and my brother. 2. Marchand shall preserve my hair and make it into bracelets, each with a small gold pin, to be given to Queen Maria Louise, my mother, to each of my brothers, sisters, nephews, nieces, and cardinals; one larger one for my son. 3. Marchand will send a pair of my golden shoe buckles to Prince Joseph. 4. A small pair of golden knee buttons for Prince Lucien. 5. A gold brooch for Prince Jérôme. List (A) A list of my possessions, Marchand will take care of them and deliver them to my son. 1. My silver cosmetic case on my desk contains all related utensils and razors. 2. My alarm clock belongs to Frederick the Great that I picked up in Potsdam (in box No. 3). 3. My two watches, accompanied by bracelets made of the Queen's hair, and a chain made of my hair are prepared for other watches. Marchand will have them made in Paris. 4. My two seals (a French seal is included in box No. 3). 5. A small golden clock that is now in my bedroom. 6. My sink and water pitcher. 7. My bedside table and silver-plated bathtub that I used in France. 8. My two iron bedsteads, my mattress, and my bedspread, if they can be saved. 9. My three silver water bottles, which contain my Weihe perfume, and which my attendants carry on the battlefield. 10. My French telescope. 11. My two pairs of spurs. 12. My three mahogany boxes, No. I, II, and III, contain my snuff bottles and other things. 13. A silver-plated perfume dish. What follows is an original list of fabrics and clothing, which is not worth mentioning here. List (B) A list of the properties which I leave to Mr. Count de Touronny. A Sobieski saber (erroneously listed in List A, worn by the Emperor at Aboukir, in the possession of Count Bertrand). A luxurious collar of the Legion of Honor. A silver-plated sword. A consul's sword. A steel sword. A velvet belt. A golden wool collar. A small steel vanity case. A silver bedside lamp. The handle of an ancient saber. A Henry IV hat and a plumed velvet hat (a velvet hat with a flat corolla and turned-up brim). The emperor's necklace. A small medal cabinet. Two Turkish rugs. Two embroidered crimson velvet cloaks with protective clothing and coats. Give my son Sobieski's saber. Give my son the luxurious collar of the Legion of Honor. Give my son a silver-plated sword. Give my son the consul's sword. Give me the steel sword. Give my son the golden fleece collar. For my son Henry IV's hat and a feathered velvet hat. A gold cosmetic case for my son's teeth in the hands of the dentist. Give my necklace to Queen Maria Louise. Give the lady a silver bedside lamp. A small steel vanity case for the cardinal. A silver-plated candle holder for Prince Eugène. A small medal cabinet for Princess Polina. Give the Queen of Naples a small Turkish rug. Give Queen Hortense a small Turkish rug. Give Prince Jérôme the handle of an ancient saber. Give Prince Joseph an embroidered crimson velvet cloak with protective clothing and a small coat. Give Prince Lucien an embroidered crimson velvet cloak with protective clothing and a small coat. NAPOLEON.

Aiglon's charm as a monarch is actually not very good. He is mean and ungrateful to his relatives, harsh and difficult to serve. He will be resented if he is not careful. His great achievements are not even visible. He just thinks that he is his majesty and plots against several women around him. He is inexplicable. Miao was afraid of Prince Charlie, and even though he was a great talent, he didn't dare to use it. He wanted to liquidate others, and even let people notice him. His civility was not good either. In the article, he wrote that Aigron didn't know how to govern the people, and his sinister side was all given to the women around him. Theresa was lucky.

I have a question, will the protagonist marry Maria Anna in the future? They are the twin sisters of the protagonist's aunt Princess Sophie. Historically, she only got married in 1833. In the book, it seems to be 1825. The twin sisters occasionally switch identities to accompany the protagonist and hide it from outsiders. I just don't know if there will be a sister-in-law and a Shura field. 😁

The pace should be sped up and the protagonist shouldn't be here anymore. It's time to return to France, or at least escape. This plot is enough for now, it is too petty. What we want to see is the rise of France and the accession of Napoleon II to the throne. Instead of killing your fighting spirit for some bullshit princess. Your writing is too detailed, and you can just mention many plot points in one stroke, such as the protagonist's mother and the princess's feelings. It's very cumbersome and drags out the plot. Don't you think it's ridiculous that her mother abandoned Bonaparte's glory and now comes to persuade her son? In the early stage, I really wanted this woman to die, but now I silently want to clear my name? As for this princess, she seems to be treating you well, but is she actually playing the emotional card? Wanting to use warmth to wear down the protagonist's will and make him become an Austrian? The princess and the prime minister are in the dark, one is red and the other is white. No matter how they operate, the ultimate goal is the same, that is, there must be no more Napoleon II! Woman, just take advantage of her. You must always remember that no matter how gentle and considerate she is to you now, you have to sit up straight. After all, she is someone else's wife, and her purpose is to destroy you after all. The village of Wenwen is the Tomb of Heroes, why should the Eastern Division enter Paris! Speed ​​up the plot and start the magnificent road to the throne!

Don't write about scumbag protagonists in your next book. In super long novels, the reader and the protagonist are in a companionship relationship. If you don't identify with the protagonist at all, it will be very tiring to read. A setting like Xiao Xia's would be fine if it were written in a length like Jinjiang's. If it were to be a few million words long, the critical mind would become increasingly tired. I still want to see some upright protagonists in major works. . .

This book would be unqualified if it were to be published as a historical novel. It does not describe the war of blood and fire, nor the undercurrent of the struggle between politicians and politicians, nor does it have a sense of historical depth (these are probably common problems among female authors, so almost all female authors cannot write historical essays well. ) But the writing style is relaxed, the words and sentences are sophisticated, many dialogues are good in detail, and the emotional drama in the article is also worth reading (this is also the advantage of the female author) If you compare this book with other historical novels by great writers, it is not good-looking. If you compare this book to light novels, then this book is not bad. That's it. In summary, the book is good, but it is far from the European historical novels that I wanted to read because of the title. Just subscribe to one chapter and it flashed.