I Became a Dragon

The monster setting in this book is very interesting, but there are a few things that make me unhappy 1. But the author is easy to write, often describing some unimportant supporting characters in detail, and then letting them quickly take advantage of it, which makes people speechless. 2. The protagonist, the dragon plug-in, does not grow as fast as the girl he raises. When he encounters a dangerous situation, he suddenly kills the evil mage by relying on the props given by passers-by. The protagonist dragon has no chance to save the situation. Obviously, it can focus on describing the scene of saving people at the auction. Several chapters have been written about the evil mage's experiment before, but the meaning of the existence of the protagonist dragon is unclear, and the priority is unclear. 3. I don't have enough pen power to write several plot points at the same time. I only read half of this book and found that the author either didn't make an outline and wrote as he pleased, or there was something wrong with the outline and it collapsed. I didn't know how to quickly move on to the next plot point. The transition was very rigid, which led to some character scenes that spent a lot of pen and ink in the early stage to be hastily ended, which is really a pity. It is better to do it one by one, adding some daily plots in the middle Finally, if you want to write group portraits and vivid NPCs, try to make the supporting characters have their own irreplaceable attributes or uses and not be homogeneous. For example, the Goblin and Kobold collected before can be made more funny, and the sorceress can be made more cold and arrogant, instead of being prepared to abandon them as soon as the map is changed.

I endured the excitement and read more than 30 chapters. To be honest, otherwise I would have given up on reading novels about management and farming during this period. There is too much nonsense. You have to explain the function of the items, okay, but the protagonist has just traveled through time, and the plot is not as much as the mouse. In the first few chapters, the protagonist's plot accounts for 10%, Nina 30%, the mouse 30%, and the nonsense explanation 30%. What the hell? Whoever reads a novel doesn't first introduce the male protagonist? You, the author, don't even give him a chance to do so. And there is the explanation, which is almost there. Everything else should be explained clearly. This is just the beginning, and you just pulled out a lot of things for me to remember. I don't know if the author is an adult, but I am anyway. Everyone is very busy in real life and the pressure is great. I am not here to read novels to learn, so there is no need. There is also the plot problem of the male protagonist that I just mentioned, and the problem of being unable to substitute. The protagonist has too little inner drama. At least after reading these 30 chapters, I feel that he is not the protagonist. Nina is more like the protagonist than the protagonist.

The author writes it very well. It has the flavor of a dragon, but it doesn't break away from the human flavor. It fits well with the identity of Soul Penetration. The portrayal of the female protagonist will not be too prominent and steal the limelight, but it will allow people to see from the male protagonist's attitude towards the female protagonist that the female protagonist is the anchor of the male protagonist's human identity. After returning from the dungeon several times, what I look forward to most is the interaction between the male and female protagonists when they reunite, which gives me the feeling that "this guy with a violent appearance also has such a side." So the author does not need to be too presumptuous, just write according to his own ideas, and people who like it will naturally order it. Furthermore, the timeline of this book does not have a huge time span like other dragon-piercing DND novels. In the later stages of writing, I often lose control and travel through different planes. This book can be written slowly, without even trying to dominate like the dragons in other books. As long as it can be perfectly shown that this dragon with a human soul has had fascinating experiences in his long life, what kind of stories he has, as time goes by, things change and people change, whether his thoughts can still maintain human rationality, and whether the heroine is still the anchor of his humanity. (Of course I, a casual person like me, definitely hope so, haha) In this long companionship, will there be any regrets if I die naturally and look back on my life as a dragon and my life as a human being? Nowadays, most of the time-travel articles on the Internet are about time-traveling. No matter what kind of creature they are traveling through, they end up fighting and killing each other and competing for supremacy. They do not enjoy the wonders of life in another world, nor do they express the inner struggle of being a human being or an animal. Those who write about them are often disliked by others, haha. Not many authors will describe the fantasy of another world. The protagonist in the novel will record the changes of the continent and experience a new life journey from the perspective of a human or a fantasy creature or an immortal species. If the author is interested, I would be very grateful if it could be used as a reference for ideas in the next book. Back to this book, it can be said that this book is getting better now. With the change of the map, the protagonist finally has a territory to operate, and the problem of the heroine's lifespan has also been solved. It seems that after the territory has been managed for a period of time, some large time jumps may be made to partially improve the protagonist's strength to deal with the threats brought by the expansion of the map. And since we are opening a tavern and collecting intelligence, we can also bury several later branch characters, or foreshadowing of the book's larger time span, so that we won't have to make temporary memories because there is nothing to write about to forcibly lay down the foreshadowing, and the written story will also have a beginning and end, which is convincing. This is a classic nonsense written late at night. It would be great if it could provide some help to the author. I have a shy wallet, and a few cents a day is the limit for ordering. I cannot support you with rewards (laughs). ps: If there are novels like the ones mentioned to me above, I hope there are book friends who can selflessly recommend them. Of course, there must be something exciting. After all, it is not serious literature.

I find that people nowadays are too impetuous? I started making irresponsible remarks in the book review before I finished reading the free chapter ~ Sure enough, the book review section is not suitable for reading. If you want to see how awesome the protagonist is, go to Long Aotian. Those authors will never bother to portray the supporting characters. It can be called a small explosion in three chapters and a big explosion in ten chapters. If it is quite exciting, you don't need to read it carefully. You can pass it by just one word! Why waste your brains writing your book review with less than a dozen chapters? It will affect the author and easily dissuade people who really like this kind of book. This is also written for book friends in the future. It is best not to read book reviews first when looking for novels. After all, there are basically such biased and mean book friends under every book, and they also like to follow the trend in the book review section. Maybe some problems do exist, but I still think that you should read a book yourself to know whether it is good or not. After all, it is difficult to agree with others. Is this book review also meant to inspire the author? After all, I immediately caught up with your update progress. All I can say is, please be faster! 😊😊😊 (kind)

My head hurts from watching it, here are some personal opinions I don't know why some authors always like to use extreme coincidences to advance the plot. These days, it is no longer popular for the protagonist group to encounter a strange organization/evil mage who has not been out for several years to capture experimental subjects/sacrifice every time they go shopping. Even if you arrange for the protagonist to deliberately explore and contact and then get involved, it is much better than having him get hit in the face😓. This kind of routine of "I bumped into a body-stealing mage who was conducting biological experiments on the road in a big city, but I just happened to collect the anti-soul strike item, so I successfully counter-killed him" 🔨 is even more vulgar than the plot of "I just dug out a watch from the sewer, and my friend's friend just came back from the ruins and found that it was a key inheritance item." It is recommended that if you can't write it, just wait for a few days, it is better than trying to force the plot 💔

I have read Chapter 96 so far. I find this book very interesting. What attracts me the most is that in this chapter, there is an unexpected author 😏 and the interactions are extremely frequent. The protagonist created by the author is not a dog for the sake of being a dog, but a dog with a purpose. Although it is occasionally a bit poisonous (in the part where the cat turns into a human, the baby dragon is enough to deter, there is no need to add some temporary points to scare the cat into a human), but it does not hurt. The most valuable thing about this book is to fill in the holes Yes, it is to fill in the holes. Many books are good to read but the author does not fill in the holes he buried himself. This makes me feel very uncomfortable. I believe that most readers also have this experience The final summary is that this is not a mindless read, the reading method is very different 🤓, it is comfortable to read, and the author is very nice 👍 (Finally, seek refinement 🥺)

I can't tell what's wrong with it, I just feel like it's tasteless and it's a pity to throw it away.

Either speed up the plot and let the protagonist grow up faster, or design a few mini-bosses to make the protagonist have fun. Here we often do one thing, and another thing suddenly pops up, and sometimes we jump back to the original thing before we finish processing it. Just like this joint operation, many chapters were written before the joint operation, and then unexpected events led to the separation, and then they met the time of the Time Dragon's Lair, and then went around in circles before returning to the original place. It was such a mess. The original goal was hundreds of chapters ago, and it was difficult to replace it again. In addition, the out-of-the-group level can almost be upgraded to level 3. It is enough to slowly upload fan art or major events. The out-of-the-group index is 80 for fan art and 60 for fan art~ It will be full soon. If you have a fund, you can do activities to liven up the atmosphere.

There are a lot of typos, there are some grammar problems, and the segmentation method is very strange, which makes it look a bit awkward.

It looks good in the early stage, and it can successfully attract me, a 10-year-old bookworm, so forget it in the later stage.

Dragonborn still smells good

Found a nice dragon picture

Monster Manual ~ Molten Dragon (Updated to Gracia)

How about the male protagonist and the female protagonist?

Poor and cute😍

Plant a picture and you will get thousands of pictures

Nina transforms into a dragon~

For the sake of hair, I want to open a small shop here. I only need to give a name. I think about the rest by myself. Hey, it's best to have a more Western name.

The writing was good before the fee was charged, but after the fee it seems to have been written by a different person. All the characters are brainless and all kinds of bloody plots! It must have been sold to a studio for ghostwriting!

How to put it this way, I actually really like this book. There aren't many emotional descriptions in dragon novels, and even fewer are outstanding in the depiction of love (? I feel like the protagonist and Nina are not just about love). Personally, I really like to read protagonists with partners. After all, there are always some things in life that are higher than life. There may be other dragon novels, but in fact there are very few that focus on such descriptions. But this book about Planeswalkers is really a failure. You can either farm with peace of mind, live in seclusion with Nina to improve your strength and then take risks, or develop a kingdom of monsters (or hybrids) with Nina, or be a Planeswalker and take Nina with you to travel and gain experience. All in all, one of the two is definitely a failure, either the planeswalker or the henchman, because the two fundamentally conflict with each other. The dragon himself sleeping for a long time is already detrimental to the governance of the country, let alone being a planeswalker. And forget about the planeswalkers' travels, the protagonist's timeline is ridiculously short. It is more important that Long Wen has the skills to control the timeline. As a result, the author has arranged many things for the protagonist in one or two years. It is normal for many things to happen in childhood (after all, the protagonist does not have a mother to protect him), but when the protagonist reaches about ten meters, he will start to jump in time. Time, generally speaking, dragon novels are closer to invincible novels. Although the protagonist will encounter trouble after childhood, the time will not be too tight and will usually be given enough time to develop (to put it bluntly, even if he sleeps for a long time, no one will disturb him). The author is too pressed for time. Things happen almost one after another within five years. The protagonist's incidents happen one after another. Moreover, the deliberate sense of pushing the plot is very obvious. It shows that the protagonist does not seem to have much development after many chapters. And after raising the favorability of Nina in the audience's mind, the author did not give Nina time to develop and continued to compress the timeline. The age gap between the protagonist and Nina is not big. You only need to lengthen the timeline and jump to the timeline twice, such as how many years you have lived there, how you grew up, and then the events of more than ten years. Let's give a brief summary, about two to three chapters. Then, let the protagonist go to the city to see something on the grounds that he feels he is good enough and needs to make some preparations for sleep. Arrange a short plot, about twenty chapters, and then put the protagonist into sleep, and can jump for decades. In this way, won't Nina's strength increase? I say all this, just to say that cheats are the biggest flaw of this book. Quick cheats for killing are included in the dragon novels. Dragon novels need to extend the time line. This kind of cheats can only reach the top in twenty or thirty years at most by killing and killing. This is used to extend the time line. Moreover, the protagonist is still a predatory type, so he has to be low level and cannot increase the time limit. When reaching a high level, there is also the possibility of skipping time. That is, the new talents of the protagonist are what you think. It is also possible to use the abilities given by the protagonist's talents to quickly enhance Nina's strength. My suggestion is to jump to the timeline of more than ten years, raise the protagonist and Nina to the eighth level, put the protagonist and Nina into a deep sleep, and become a legend directly. The legend of Long Wen is only in the early to middle stages. According to other authors' more than 300 chapters, the protagonist has already become a legend.

This picture is definitely suitable to accompany Gordon's Breath, hhh

Look at the real Deathwing, the previous ones are all fake By the way, I just discovered that my cousin's horn is broken. . . . . . ～

How about this one?

🙂

I finally finished reading it intermittently. This book has its highlights, the beginning is quite interesting, and the characters are well written, especially Nina. I have always liked it, and that is why I persisted in reading it. But there are many problems with this book. The first one is that there are problems with the plot. Many plots are very abrupt, and the ending can basically be said to be unfinished. Second, the power system of this book can be said to have collapsed, and it was almost unreadable in the later stages. The summary is that the novel ends with an anticlimactic end. The author cannot grasp the direction of the novel, which is a pity.

They all fell into a trap. The ratman at the beginning was not even a passerby. He just made eight cards and slipped away.

Picture posted

It's too cumbersome to fight Goblins and Kobolds without hesitation. Other dragon texts start with homies, either frost wolves, demon bears or ogres. This is better. Goblins 🙂 start with this. Is this still domestic? I was really short of books, and after reading some more, I found that the narrative was actually okay, but the background was a bit pale and weak, and the protagonist kept looking forward and backward, and the more than a hundred goblins and kobold family members seemed to be precious, which was too petty.

There are many copies 🤤

The previous setting is very pleasing, but the writing is really not very good.