The Young Master Is Just Too Righteous

The main text of "The Cruelty and Abuse" appears to be invincible all the way, but in fact, if it weren't for the super cheat, he would have died without a burial every time. They kept talking about how the King of Zhenbei was cheating, as if he just didn't want to rebel but couldn't. As a result, the protagonist was allowed to be plotted in various ways. The prince orders the protagonist to be captured, and the protagonist also has to perform various shows on his own? If you ask me, just let the black knights surround and kill them, wipe their ass with the imperial edict, and then say that they are fake, just to save face for the court. A warlord with more than half of its military power still needs his heir to cheat to survive? What do you write?

If you can't write something domineering, don't write it. If you slap others in the face, they will slap them back after a while, like a lost dog.

The writing is good, but the deliberate creation of a universal enemy is too brainless, and the benefits and risks are too different. The protagonist is a single seedling. If the protagonist dies, not to mention his grandfather, even his father can kill all these forces. But these guys dare to provoke them individually, and they don't come to assassinate them. They come directly to Ming. Are you afraid that the Luo family can't find anyone to take revenge?

(Reasonable analysis, the troll goes away) What is the positioning of the protagonist? If you really want to be a great villain, just massacre indiscriminately, extract souls and cultivate treasures (although this will directly result in 404) If you have a conscience problem and want to level up, just do some harmless little evil (molesting, venomous tongue, deliberately scaring people, taking advantage of others, spreading bad reputation) to accumulate guilt points. Furthermore, this kind of anti-routine writing routine is highly repetitive and can easily make people tired of aesthetics (it's a shame that the capital has abandoned it this way). Logically, it is not difficult to see evil as it should not always be turned into a good thing (for me, I pursue logic in novels, and novels without logic will not be good works) (I hate those who say what novels should I read if I pursue logic)

If the world doesn't help me to become a Buddha, then I will help myself to become a demon. I want to be a bad guy, and no one can stand in my way, not even Jesus. Lao Zhao, don't go to the tavern to fool around and deliberately cause trouble for me.

Let's complain I beg you, author, please stop writing about political struggles. I can't even read these chapters with my head in my head. A frontier official is going to rebel. Do you think the enemy country will bribe him to help him or hinder him? Don't talk about the death of the barbarian. He has a lot of blood debts on his hands. All personal grievances in front of the country can be put aside. Wouldn't it be nice to bribe him and let him go to the border? (Wu Sangui has less blood on the Manchus in his hands?) Suppose, hypothetical, the commander-in-chief of the Pacific Fleet of Yingjiang issued a declaration saying, "Yingjiang is not a human being. I will not follow him anymore. I will rebel." Do you think Rabbit will help suppress the Pacific Fleet? ? ?

Seeing now, I finally felt that something was wrong. No one in this novel has the proper respect for power. No matter what level of person is standing behind the protagonist, as long as he is not standing next to him, he does not exist. It was so abrupt. Don't you think it's strange that Feiliu Sword Pavilion was flattened so easily by the Luo family's cavalry? He obviously couldn't afford to offend the protagonist, so he just wanted to please the prince, and as a result, everyone in the palace was left alone. This villain really has no brains at all. All passers-by have facial makeup and flat faces. As long as someone moves around, they will definitely get involved. Whether these people are in the seventh or eighth grade or the second or third grade, they feel that they are upgraded in a daze. They have never been in the world or experienced fighting. Those people were aroused by the evil Buddha's words and couldn't wait to kill the protagonist and get the inheritance, but they didn't think about it. The territory of Wangchuan Temple is outside. Can you take it away? If I don't peel off your skin to prevent the Ksitigarbha Sutra from being leaked, it means Wangchuan Temple is still reciting the Buddha's name.

Little Douhua

I like it very much, don't stop, update soon

After reading half of the book, I feel that there are many shadows of the book in this book. The traces of the author's imitation and learning are still very obvious, from the bad horse Lao Huang traveling to the end of the world, the land immortal walking around the rivers and lakes (Swordsman in the Snow) to the master's invincible young master's uncle cultivating demons (Jiang Ye) to the bridge of Jian Lai (Jian Lai). The language is nonsensical and feels a bit like the first sequence. Halfway through, I couldn't stand it anymore. The protagonist was having fun all the way, but it was a bit boring, with no ups and downs, and no strong sense of involvement. Overall, it's okay. Check it out when you're bored. Cheers, author.