Immortal Fate in Qingdu

Sorry, I have to say a few more words here. Some book friends don't want to see the male protagonist, and some book friends want to ask if the male protagonist is pure. Regarding the issue of the male protagonist, Ke Yuyu wants to explain that this is not a romance novel, but it does not exclude natural feelings. It is unrealistic to fall in love at first sight and then be committed to it for life. It is also unrealistic to hate men and decide to be celibate from the beginning. If there is emotion, it will not be a sweet pet article, a CEO article, or a sadomasochism article, where you will know the routine and the result when you read the beginning. This is a coming-of-age story for the heroine. We cannot plan her long life ahead when she is only a teenager. There are many scenery on the unknown journey, and there will also be companions. If you don't go and give it a try, how can you become a person with a rich heart? The heroine doesn't know how to fall in love, and she won't lose herself in order to win the favor of men, but everyone can see her beauty, and she can't stop others from admiring and admiring her. Only after experiencing it can you know whether you want it and what is suitable for you. Whether the heroine chooses to travel together or to be alone depends on the development of the plot and must be logically consistent. We can't let her say when she is still ignorant and unknown, I don't want a male lead, men are trash. This is not true or believable. Only after you have smelled a flower do you know its fragrance. After taking a sip of medicine, you realize how bitter it is. Only after you fall do you realize the pain and how to walk the right way. Unless the heroine always lives in a vacuum environment, there will be no emotional fluctuations and growth. It is not a programmed robot that will discard possibilities you don't want to see at the beginning. Therefore, let the heroine experience it, and don't deprive her of the right to choose and grow.

This is not a romance novel. This is a fairy tale written by the author Mu Huanzhu Louzhu and other predecessors. He followed it all the way and incorporated it into the logical world he built. If you have read the Shushan Swordsman Legend and other sources, you should know that although Li Yingqiong and other three heroes and two clouds are the protagonists in the book, the development of side characters is not ignored. I think the most remarkable thing about Huanzhu Louzhu is not only that he created a beautiful and mysterious world of immortals, but also that he is a rare writer in a century who writes from a "her" perspective. The characters in his works will not cling to anyone just because the character is a woman, with the goal of winning a man's love at first sight and lifelong love. A daughter is more intelligent and intelligent than a man. Her achievements have nothing to do with her feelings and have nothing to do with him. In that era, this sense of equality naturally revealed between the lines was more touching than the loud slogans of equality. Today, even many female authors and readers subconsciously write and read books from the "other" perspective. Even the popular "big heroines" are actually always dominated by men. When a girl is teased at a class reunion and cannot find a boyfriend, the bully will always come to the rescue in time; when a girl falls down the stairs, a handsome boy will hug her in time; when she encounters campus bullying, a top male student will lend a helping hand in time; when a family goes bankrupt, and a daughter in distress needs the help of a rich and talented opposite sex to get back on her feet; even when a scumbag gets divorced, a divorced woman will win by finding a new partner such as a puppy who only loves her sister or an old classmate who has been with her for many years. The standard for girls to grow up is to gain social recognition from men by default. The author has no intention to oppose this kind of value society, nor does he want to go to the other extreme of writing without a male protagonist. But the author just wants to write a fairy tale that is neutral and not centered on love. Like the fairy tale world of Huanzhu Louzhu, they are intelligent, naive, calculating, and courageous. They explore, grow, struggle, and struggle. They win the respect of their colleagues with their own efforts. Just like today's society, "they" view "them" with a worldly perspective, such as treating them as objects of curiosity or Gillian in the golden house, which will also give rise to love, affection, contempt, and prejudice. However, through their own efforts, "they" will become "them"'s partners in cooperation, friends they can respect, and even strong people who need to look up to. So, if you use the generic "male protagonist" to ask the author, it is really difficult for the author to answer, so some readers think that my answer is vague and unclear, maybe because the perspective is different. I don't really like to give the term "male protagonist". By "male protagonist", do you mean the opposite-sex partner who matches the female protagonist? I think so. The male protagonist I think of is probably different from the male protagonist you are asking about. So it was difficult for me to answer. The male protagonist, as the name suggests, should be the male protagonist in the book. Since this is not a romance novel, the male protagonist should not necessarily be the female protagonist's partner. The biggest male protagonist should of course be Ling Yan. Although he died in the Shaoqing Mountain disaster, this story came because of him and he never left. His teachings, kindness, and influence continue throughout the book. There are also six brothers of the heroine, who are also very important people to the heroine and are the main characters in the book. The heroine will have a partner of the opposite sex to go hand in hand with, but this is only one aspect of her long career, not the most important thing to her. This book is more about her growth, the difficulties she encountered, and the wisdom and courage she inspired. Therefore, if there are book friends who must define it as the "male protagonist", let me make it clear that she will meet him in a long time, when she is sure that she can go with him. But there will be no sweet pets, no love for each other, no time to talk about love, only a tacit understanding of looking at each other and smiling. If I had to give a specific model, it would be like Jiu Mei and Liu Xing in TVB's "Yi Hai Hao Qing". They don't even have sweet words, let alone sadomasochism, but you know, I know, they are happy with each other, and that's it. In addition, I recommend you to see two exhibitions, which overlook the life of women from the perspective of "her", which can be used as a footnote to my text. The majestic "Queen, Mother, Female General" in the Capital Museum is about the glorious and rich life of the concubine of the Shang Queen. From the perspective of "her", Shang King Wu Ding is just her background and an arc in her life. Small ones such as "Yunze Fangyun Homespun Cloth Exhibition - Women and Textiles: Life Stories of Traditional Chinese Ordinary Housewives" by the Institute of Intangible Cultural Heritage of East China Normal University are also from a "her" perspective, presenting the four steps of "daughter", "marriage", "mother" and "inheritance" through the individual narratives of ordinary rural women. Her husband and son are just a part of her life experience. What we see is a complete personal life history. Thank you everyone!

There are many enjoyable books, but books that can give people a good feeling are so rare.

It's frustrating. The heroine is constantly being plotted against, but every time the heroine is able to turn danger into good fortune, then you can take revenge after it's over. No, every time the heroine turns bad luck into good fortune, it just goes away, and then they will continue to plot against her next time. It's so frustrating to watch. So it's said that it is a masterpiece with more than three million words, but it is ranked so low. There is a reason.

The author still has some writing skills, but he did not consider the needs of the readers. The previous description of Tranquility's life similar to that of a mortal took two hundred chapters. Anyone who likes cultivating immortals can endure such an ordinary pace of two hundred chapters. I estimate that these two hundred chapters alone have persuaded many people to quit.

The results of such a good novel are unsatisfactory. Are people nowadays so impetuous? When I open several major novel apps, the novels about female protagonists cultivating the truth are all the same routine. They are written in colloquial and smooth language, but they are praised by the public as a standard. People say they can't understand or have no patience to read a group portrait novel in classical Chinese like this one. When did classical Chinese disappear from Chinese textbooks? It's so sad

How can a novel with such beautiful writing achieve such great results? Are people so impetuous nowadays? Only read fast food novels?

I couldn't figure it out when I saw the plot of Shaoqingshan disappearing. Faced with the arrival of demons, Master did not seek help from his friends. I think he might not want to drag them down and let them fall into the quagmire of the battle between demons and demons. But why not inform the superior of the sect behind it? After all, you are also a branch now. Although there are various pasts, this time I am here for the blood of your apprentice. The mixed identities of the disciples as Taoists and demons are certainly embarrassing, but they have been exposed. Well, for the time being, I understand that it is due to personality. Do you think this is your responsibility? The master was about to die and sent his disciples away clumsily. But the father-like master didn't arrange an identity and whereabouts for each of his disciples? (Although the disciples must rush back to Xiaoqingshan after knowing it, it feels inappropriate for the master not to make arrangements.) I also didn't find any arrangements for the master to ensure that he took away all the enemies when he died. Then the master committed suicide without destroying all the enemies to save the disciples (it would still be dangerous even if the disciples did not come back if he did not kill them all), nor did he make arrangements to hide the disciples so that the demon cultivators could not find them. Under such circumstances, what was the use of committing suicide? It's even better to run away with the disciples! Wouldn't it be nice to retreat into the main channel? He doesn't have a despairing heart, he doesn't have enemies all over the world and no one to rely on, and he still has disciples he wants to protect. Then he left a back-up in the secret realm and died with the enemy? ? ? It's obvious that the golden elixir is showing signs of recovery... When the apprentices came back to save Grandpa, Calabash Man didn't change his mind (maybe he was too seriously injured and was unable to do so), and he didn't use his strength to send his apprentice away before he died. Also, I don't understand why the villagers didn't move in advance. Also, the magic cultivator conspired to shut down the secret realm. From my understanding, this is something that requires high prerequisites, a lot of effort, and exposure of whereabouts (the whole thing is full of evidence that we demon cultivators are engaged in conspiracy, and all of you Dao sects should be alert), but the target is just a few junior brothers who have entered the secret realm. How can you kill a chicken with a sledgehammer? This led me to think there was some big conspiracy. Even if you don't have time to stop him before entering the secret realm, you can capture the essence and blood in the secret realm and only take away the blood, which will cause less interference and is more secretive. The easiest way is to come out after entering the secret realm. Just guard the entrance to the secret realm. Starting with the secret realm, I can't figure out what it is for.

There are really those who don't write their own things well and come here to criticize others and make nonsense. Whether there is a starting point to promote and reward is not the only criterion to measure the quality of a book. A marketing team can handle these things. I have read so many highly rated and popular books that I can only say that I really can't read them anymore. In today's environment of commercialized novels, it's not easy to have stories like this with content and connotations that touch people's true emotions! I have always believed that you should follow your own path and let others tell you. To put it more simply, whether you like it or not, I will write about who I love. Just take care of yourself and don't care about those who come to diss others. That's the state of such people.

The human spirit is constantly growing, and everyone is born with flaws and deficiencies. There are also some characteristics that would be irrelevant to that place and that person at that time, but in the eyes of readers, they are unacceptable. I don't like her handling it this way. What do I think she should do? Oh, it makes me so angry. It's so annoying... This is because you have a God's perspective, and the heroine is in this mountain, so she cannot jump out and look down at the overall situation. We have all been indecisive, hesitant, overwhelmed, confused and even confused, and naturally the heroine will be there too. She is not a born immortal, without the training and reflection of rebirth and luck again, without the prophets and golden fingers of time travel, who can perfectly and decisively kill everyone in their teenage years? If you want the perfect heroine, please avoid this. If you want the perfect heroine, please avoid this. If you want the perfect heroine, please avoid this. The heroine is not a replica of the perfect image in many online articles. The author does not write to create an image of a protagonist that everyone loves, although this may lead to more love and less criticism. This is a serious drama, that is, a tragicomedy. The author will present a complete worldly life and normal logical joys and sorrows. Then, thank you for your likes, and thank you for your dislikes, for letting me see the diversity of this world - cultures are like this, creatures are diverse, and people's spiritual perceptions are also diverse. It doesn't matter, you like it or not, but it's normal. The differences or agreement between you and me are also normal.