I Made the Entire Cultivation World Lazy

This is a post about setting up dragon sets and various demon spirits. You can set it as you like, as long as it fits the background of the cultivation world. There is no fixed format. Character, appearance, weapons, and even highlight plots can be set. Attention! Attention! Attention! Not necessarily all of them will be used. I will choose the right one, the most suitable one first, regardless of the order of posting.            ，，，，😏，~， In addition, this is essentially a world of cultivation, so you don't have to be limited to the demon master, you can set up traditional cultivation roles. On the other hand, if you borrow settings from other works, please be sure to indicate the source. I understand that you like it because you like it, but please also understand that I cannot plagiarize. I will check it and then see if I can quote it. Okay, the final interpretation right of this post belongs to the author 😏 Supplement! In order to facilitate everyone to draw up the character background, the [Beixuan Map] is posted here. Attention! This is just a map of [Beixuan]. The whole world has not been fully disclosed in the book. It only mentions [Mountain and Sea Realm] and [East Continent] where the sword test meeting is held [Floating Sea] Inland Sea Islands, where loose cultivators gather [Dark Star Sea] The unknown outer sea, vast and boundless, a place where evil cultivators practice Don't ask why there are no maps of these places, it's just that I'm too lazy to draw them (I have to concentrate on designing a map for several days, it's too energy-consuming, and I get a headache just thinking about it 😭) If the supporting role is set to another area, then wait patiently for the story to progress there~

I have always hoped that Xiaobai would publish a book. I also designed a cover. If you support me, please give me a thumbs up. I really hope that fufu will see it and support it

Qingfu Sanren's "I Made the Whole World of Cultivation Cry" is an innovative work on the theme of cultivation with "anti-involution" as the core. It subverts the "pension" paradigm of the traditional cultivation of immortality in a relaxed and humorous narrative, and demonstrates the author's unique ability to deconstruct the theme of cultivation. In stark contrast to the author's previous work "I Cried the Whole World of Cultivation", the two works are like "two sides of one body" in the world of Cultivation - the former uses "inward scrolling" as a spear, and the latter uses "lying flatly" as a shield. They jointly construct Qingfu San people's in-depth thinking on the cultural ecology of Cultivation. Innovation in humorous deconstruction and character creation "Lazy Cry" unfolds with the setting of the protagonist Jiang Yi's "Inheritance of the Lazy Immortal", breaking the conventions of cultivation novels through an ironic character growth path. Under Jiang Yi's seemingly lazy appearance of "paralysis of the lower limbs", she actually builds a unique cultivation logic with "unself-disciplined self-discipline": while the demon spirits complain about her "sleeping diligently", she spontaneously completes tasks such as raising a family, practicing and even fighting, forming a very tense character relationship. This kind of narrative with "governing by inaction" as its core is in dramatic contrast to the image of Jiang Yuebai's desperate mother in "Juan Crying" who "explodes the alchemy furnace and replaces the iron pot". The former uses absurdity to eliminate utilitarianism in the world of cultivation, while the latter uses passion to deconstruct the determinism of qualifications. A breakthrough in world view and theme expression Compared with the intense suspense of traveling through reality in the author's other supernatural-themed work "I Have a Strange Dynasty", "Lazy Cry" constructs the world of cultivation with a lighter touch. Jiang Yi's philosophy of life of "doing nothing and resting" (one is not doing business, the other is resting) actually implies a silent resistance to the hierarchical order of the world of cultivation. When the sentient beings in the three realms lamented "she is so lazy yet so strong", the work has quietly completed the deconstruction of the traditional "God rewards those who work hard" narrative. This intertextualizes with the "scientific involution" in "Juan Cry" that quantifies efforts through the system data panel, and jointly expands the thematic boundaries of cultivation literature. Diversified presentation of creative styles From the data flow cultivation of "Juan Cry" to the lay-down philosophy of "Lazy Cry", to the supernatural machinations of "The Strange Dynasty", Qingfu Sanren has demonstrated the ability to master diverse themes. What is particularly striking about "Lazy Cries" is its narrative strategy of "using laziness to describe diligence": Jiang Yi's seemingly passive survival attitude actually stimulates the subjective initiative of the demon spirit group. This management wisdom of "governing by doing nothing" not only continues the author's delicate brushstrokes in depicting group relations (such as the sect ecology in "Juan Cried"), but also resonates with a more modern workplace metaphor. In general, "I Made the Whole World of Cultivation Cry" is not only a comedy of cultivation with lots of laughs, but also a literary reflection of the anxiety of survival in contemporary society. Through this work, Qingfu Sanren completed the creative transition from "King of Juan" to "Lazy Immortal", and opened up a new path in the cultivation genre of writing that is both ideological and entertaining.

1. If you keep your sincerity and dance with the crane, why burn your feathers to imitate the phoenix? 2. The phoenix shadow patrols the blue sky in the sky, and the light of the Yao Ling sword ripples across the universe 3. Travel freely in the vast world, ask questions at will to find immortality 4. The red leaves of Xiangshan fall all over the ground, and mist floats in the valley halfway up the mountain. 5. The autumn atmosphere is strong for ten miles, and the city is filled with the fragrance of osmanthus. 6. The crescent moon hangs on the treetops, and the spiritual butterfly holds the dewy crocodile silk. My mother rang the bell to attract Qingluan and carried my daughter across the star bridge. The Tianhe gurgling flows into dreamland, and the sword spikes are filled with the fragrance of osmanthus. The breeze blows across my eyebrows, I wake up and say with a smile that I will kill the Dragon King! 7. I bow to the grace of heaven and earth and grant me the fate of cultivating truth. Second, I pay homage to my master and teach me the method of immortality. I bow to my heart three times and swear to keep the truth in the Tao. 8. Sit on the clouds, sleep while listening to the rain, watch the stars, and become an immortal while sleeping 9. The clouds rise and fall, and the haze pillows in the courtyard are filled with stars Cultivation and cultivation, half the courtyard cooks spring and autumn with truffles 10. The highest level of swordsmanship requires cutting off the outer fetters. Your sword is stagnant because of me, and the sword's heart is dusty. I only ask you, are you going to continue to chase this decayed phantom of mine, or will you become a frosty sky and a cold moon? 11. I don't envy the phoenixes competing for the parasol trees, and follow the crow of the cranes in Taixu. 12. Spring is sleepy, autumn is lackluster, and summer takes a nap, hibernating and waiting for spring to come {"TopicId":"766960588885852160","TopicName":"Share the golden sentences of the novel you read"} Every book friend is welcome to add at any time.

Be happy every day!

Although it is free for a limited time, I still subscribed to support it! Looking forward to creating more heart-warming stories! A book friend in the comment area expressed my feelings. This story is very much like the revised version of Pokémon. I particularly like this kind of article with such warm details and background!

Looking at this book as a whole, it feels like a weird and immortal version of Pokemon. The weird style, cultivation style, and pet style are three different genres combined together, with distinctive and unique characteristics. Although the protagonist was a decent person in his previous life, he may be taking a path of both good and evil in his current life. There are evil cultivator friends in the previous article as a foreshadowing, and there are still decades of knots. The form of the world of cultivation is evil, so basically he must kill people when he goes out. Everyone's evil thoughts are clear, but the protagonist's purpose of killing is also self-interest. The dark wind of this book is relatively strong, this is what I feel after reading it so far. It's like some breakthroughs that Jifu wanted to make after writing the first two books. But there are also some difficult points to deal with, that is, the protagonist should be lazy but not lazy enough. It is difficult to write here. The current focus is mainly on expressing laziness and some behaviors, but in this way, the protagonist can easily become a tool person pushed by the plot and lack subjective initiative. This is a big difficulty that exists after the tone of the book is set. After all, laziness is not easy to write. In terms of supporting roles, I feel that the first dungeon was very well done, and everyone had a distinct personality. However, in the Qingdi dungeon, they were reduced to transparent tools, with basically no sense of existence, and it felt like they were offline early. This is also the difficulty in writing group portraits, especially with the addition of pets, the number and difficulty of character creation has skyrocketed. A writer (Squid) who was very good at writing group portraits on male videos said that a normal battle involving four or five characters is the limit, and if it is handled particularly well, it can be written up to six There are seven characters, but they need to have particularly strong skills. As long as there is a fight in this book, someone and the demon spirit must be dispatched at the same time. In this way, the battle between two people becomes a melee between four people, and the characters involved in the battle between three and four people directly become eight or nine people. In this way, the writing difficulty is doubled, and the readers will feel dazzled after reading it. In particular, I feel that most high-level monks will not only contract with one demon spirit. Jiang Yi has practiced Qi with two demon spirits, so the future characters feel that at least one person will be paired with two demon spirits. In this case, I personally feel that it is not easy to create a group portrait. The above is my current impression. There may be fallacies or differences with your opinions. Discussions are welcome. After all, there are a thousand Hamlets in the eyes of a thousand people. Readers always have a lot of subjectivity in reading books. I mainly listen to and read this book as a bedtime story. It may be quite different from the normal reading experience, but I am still very satisfied with it at present. It is a good delicacy for bedtime reading.

"Lazy" is a unique attitude towards life. It can either be like leisurely clouds and wild cranes, enjoying leisurely and contentedly; it can also present an external state of being unkempt and slightly slovenly. In your mind, what is the unique look of "laziness"? Please describe it in one sentence. As the first investor, I hope that this book will sell well and make a lot of money🌹

I think Qingji's writing style has reached a higher level. In recent years, she has become the first person to cultivate immortality on a female channel. The plot concept and writing are all top-notch 😁 The most important thing is that the updates are stable and the eunuchs are unfinished. After all, there are too many unfinished stories about the eunuchs

Lazy Cry continues Fu Fu's consistently high standards. Lazy Cry's group portraits are higher than Juan Cry's, and they have learned lessons from Juan Cry. Juan Cry added a large number of new supporting characters in the middle and later stages. Most of the characters are thin, indifferent, or even confused. On the other hand, most of the main characters in Lazy Cry have been laid out from the early stages of the story, and there is enough time and ink to polish and shape them. However, Lazy Cry has a problem—the supporting characters. There are too many characters. The protagonist joins three sects, makes friends, and subdues many demon spirits. However, the author's writing and the reader's energy are limited, which results in some supporting characters and demon spirits having a tool-like, facial makeup, and flat look. Even some supporting characters cannot remember who they are when they suddenly see their names in subsequent chapters. Moreover, the large number of supporting characters inevitably squeezes out the space that belongs to the heroine. But there is no doubt that the group portraits of Lazy Cry are still very high. Danxi Fungi, Jiang Yurong, Huajuan, and Hongli, who have written more, all have their own highlights and complete character arcs. Luo Qingsi, Yaoyao, Xiao Wujiu, and Buliu Jianjun, who have relatively few roles, are also flesh and blood, which is impressive. They form a three-dimensional network of relationships around the heroine. But Lancry's grasp of the rhythm of the plot is somewhat unbalanced. It is too slow in the early stage and too hasty in the later stage. The heroine takes more than 300 chapters to form a pill, more than 500 chapters to have a baby, more than 600 chapters to encourage her to become a god, and it only takes a few chapters to ascend. In the early stages, the heroine was a bit bitter and the plot had few exciting points (although the early stage of Wei Dynasty was also depressing, the rhythm was tight and the plots were interlocking, which gave readers a lot of positive feedback). It was not until the middle stage that the story of mother and daughter recognizing each other ushered in a wave of intensive climaxes. The ending in the later period was a bit rushed. After returning from the Floating Light Sea, I could have written one or two short chapters to describe the customs and customs of the remaining two states. However, the heroine went directly to Beixuan to open the final copy. As a result, the gap between the cultivation levels of the protagonist group and the boss was too large, and the cheating in the final battle was too obvious. In addition, I think the plot of the two roommates during their early training abroad could also be appropriately deleted. The backgrounds, characters, and personalities of Xin and Shen are not very eye-catching. They should be positioned as non-main characters and given some appropriate roles. The previous plot surrounding her two families is really boring and distracts from the main role. However, the story of Lazy Cry is still very complete, the early foreshadowing and the ending are consistent, the setting of the final boss is very clever, and the boss battle is also exciting, which is far better than that of Guilty Dynasty. Laziness is the characteristic of the heroine throughout, and the reflection and in-depth portrayal of the heroine's core character has always been the highlight of Fufu's works. Lazy Cry and Juan Cry are both cultivation themes. Although the author has tried his best to come up with new tricks, some scenes are still somewhat homogeneous with Juan Cry. I think the final ending is so quick because of this consideration. But in general, with the solid group portrait creation, complete story line, clever recycling of foreshadowing, and excellent emotional mobilization, Lazy Cry can still be regarded as an outstanding work that does not hide its flaws.