When Man's Killing Intent Stirs, Heaven and Earth Are Overturned

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I have seen one of the three Xianxia books that I consider to be the best in recent years. Although there are some small flaws at the beginning, for example, the protagonist directly believes in the spell in the book to cure himself, isn't he afraid of some medical accident? But this is not a big problem. After ignoring a few minor problems, you will find that this book is really wonderful. The biggest highlight of this book is the spells, writing style and characterization. The first point attracted me to pursue the book, and the latter two points were slowly revealed after the protagonist left the county. To be honest, the plot at the beginning can only be said to be average, especially the section about talking about mouth sealing is simply overused. But when the protagonist begins to travel around the world, the highlights of this book gradually begin to be revealed, and the turning point is the plot of the mountain god. Whether it is a white-robed swordsman who sacrifices his sword to slay demons, or a demon slayer with a family full of heroes, or a court official who has the spirit of a dragon and a tiger to avenge his colleagues, or a strong man who is born with supernatural powers and can distinguish right from wrong in critical moments. There is no intrigue or discrimination. Since we are human beings, we must stand up and act righteously when demons are rampant. Then, the bold and strong man encountered by chance on the river, the old man who has done all his evil deeds, and the Pig Taoist who plays around in the world and eats and drinks. The creation of these characters can be said to be very successful, especially the character of the Pig Taoist is very interesting. It can be said that he is a real person who does not seek externally, but only seeks internally. He is well versed in the Taoist truth of tranquility and inaction, and is full of ancient charm. Finally, I hope that the author can write more plots about fighting with people in the future. Killing monsters and eliminating evil can only be said to be a knight, and fighting with people and heaven is an immortal. I believe that the fighting plot will be very exciting if written with the author's writing power and style.

First of all, this book never says that the protagonist wants to cultivate immortality. It is more about expressing a struggle against various tragedies in the world. As a person who grew up under the red flag, he does not agree with the society of the old world. Secondly, as an educated modern person, I don't think there is anything wrong with helping others when I am able. Just like when I see someone in trouble on the street and I am able to help, I think I will help. For example: a cart is stuck in a mud pit, and the person pulling the cart is struggling to pull the cart but still can't get through. When I see it, I will help push it. This is not the Holy Mother, nor is it asking for anything in return. This is what people with normal views will do.         ，，，，，，，？

The writing was a bit mediocre at first, and I can't say it was brilliant, but as soon as the villagers turned into zombies, the book immediately rose to a new level, and the sense of reality came to my face.

In fact, it is very boring to explain why the protagonist took Chen Su away from Yangpu County. Author's understanding: When the protagonist left Yangpu County, he was still within a few days of time travel. When he left, his state of mind was confused and blank. To put it simply, he had no emotional support and no direction for where he was going. Moreover, the key point here is not that he is not the protagonist, but Chen Su. After one hundred chapters, it can actually be seen. My original plan was that after the protagonist has traveled and gained strength, a similar character will appear again. Later, I felt that it dragged on for too long and I couldn't see the growth of the characters. It was planned to set up the whole family to die, which is logically smoother, but firstly it was too cruel, and secondly, considering the inherent complexity of the character, special arrangements were made for her to decisively leave her brother and pursue the protagonist. A girl who was originally a sensible and simple girl who grew up in a mountain village encountered a big change, had an idea, and received the guidance of a sophisticated old aunt, and developed her first pursuit in life. Go on step by step, follow the protagonist, be influenced by some modern ideas of the protagonist, and see other characters in this world, such as monsters, heroes, general banners, rebels, and strange women, gradually transforming. I won't spoil the road ahead for her!

，，？ Didn't anyone clean it? The author's writing style, which is so great, has been criticized as shit! Some people say that the protagonist is the Holy Mother, some say that the protagonist is not decisive enough to kill, some say that the protagonist kills randomly, and some say that the protagonist cannot understand the title of the book? They are all nonsense based on book reviews after reading two chapters.       ，？ ! It is admitted that everyone has different reading preferences. If you find a book that is not suitable for you, read two chapters and then go to the comments to make nonsense, you are either full or full, or you are secretly harboring evil intentions. I couldn't stand it at all, so I gave up after reading two chapters. How can I feel like commenting. People who can barely read it but still feel that it is flawed will not go to the book review section with the mentality of dissuading others and deliberately dissuade everyone, and even complain in the chapter review. It's understandable in some cases, but it's really abnormal if this is the case.

The article seems to look at the mountains but not the plains To put it simply, as of the latest update, this novel has the risk of gradually declining from an excellent fairy novel to an unqualified fairy novel. For specific evaluation, in order to avoid overestimating others, I mainly use the first major plot of the novel, the Yangpu City God Water Ghost Case, and the following two major plots, Zhao Fujun Caotou Shen and the Lord Crossing the River, for comparison. As for the poisonous points that are often discussed in the Youshu section, such as taking a little girl on the road, such as sharing the power of nine cows, etc., They are secondary. Of course, I will also make a detailed analysis on the "protagonist rushing to catch up with the plot". Also, spoiler alert. First of all, I want to praise this book. It has many advantages. 1. The writing is good. 2. Many allusions are used, which are all familiar folk stories, and they are thoughtfully used. This is an overall advantage. In the first major plot, the third major advantage of this article is highlighted. The ups and downs of the plot are good. To put it simply, from the beginning, it was depressing for the neighboring villagers to be imprisoned. The protagonist chases him out, finds out the reason, meets Peng Captou and works together. This is Yang (meeting a good teammate). The villagers are infected, the disease spreads, the county officials block the doors, and the monsters play tricks. This is a great depression. The protagonist breaks the seal of the City God and the water ghost and makes the demon subjugate him. This is a great achievement. As for the small twists and turns of killing the county magistrate in the end, it is just the aftertaste. In this story, the two villains, the magistrate and the demon, each have their own plans, and they are ongoing plans. The good guys are peeling off the cocoons step by step, or they are late. In the end, the protagonist turns the tide and makes the villain's biggest support become his own teammates. The "floor-lifting" operation is wonderful. In addition, there are some icing on the cake, such as the main story taking place in one night, but it does not seem abrupt; the story of the city god has the foreshadowing of burning incense and rescuing people; and by the way, it explains the protagonist's previous paronychia and the subsequent introduction of the Forbidden Demon Division. Of course, there are some problems here, which we will talk about later. The first story is generally wonderful and satisfying, which is why this book has received so much attention. However, starting from the second story, for some unknown reason, the level of the story plummeted. The story of Zhao Fujun's opening of the Caotou God shows that the protagonist is trying his best to lay the groundwork. The demon was intercepted from the Demon Banning Department, and because of the first case, the demon participated in Mr. Zhao's banquet. However, from the line of guarding a female mountain thief - the Funiu Mountain demon thief - to Zhaofu Jundongfu, the mode is basically the same. Find the problem, find your teammates, and go up the mountain to kill the enemy. The modes are almost the same, except that the bandit is killed by one person, the demon thief is killed by Di Wudou and Hang Jiuniang, and Zhao Fujun is killed by Pang Zongqi and teammates he encounters temporarily. What's the problem? The problem is that the "push dungeon" model is too obvious. It's all done once, and the enemies are waiting to come. That's all for the first two. The time and place set by Mr. Zhao for opening the mansion is right. The evil guests are not expected to come to the door. Didn't the Hang family know that they are going to the mountains to slay demons with great fanfare? Why did he look like he was not prepared for anything? He ran away when he encountered a dragon or a tiger, and he relied on the guests to fight in the cave. After the final transformation, he was tricked by his new wife, Mamoru Kazuo, who showed her ranking. It was a turning point, but there was a lot less novelty. The feeling is that I won, I fought hard, and the enemy is dead. The "repress" and "raise" parts are missing here. There are fewer bosses that attract hatred, such as the magistrate and the demon in the first chapter. The reason why Mr. Zhao died was because he watered the flowers with human blood. To be honest, it is not that hatred. It is because the demons under him lack the concept of sustainable development. They should make regular blood donations or something (this sentence is a joke). In the third part, the problem became more serious. Several early stories set the stage for the Lord of Crossing the River to wander his son all over the country, and deliberately avoid rain in order to swallow up a whole state. He seems to be a very ambitious monster. Not to mention whether the method is a bit low, at least it still feels oppressive. Taoist Zhu did not dare to kill his heir, but Chen Xiangu only dared to pray for rain when he was in trouble. (The original text says that when the Lord of Crossing the River comes back, he may not be able to pray for rain, so the fairy girl risks the risk of fetal distress by praying for rain.) As a result, his son is killed. The Lord of Crossing the River returns and brings three thousand demon soldiers to flood Donghai City. The demons take the opportunity to cause chaos. Then what? The fairy aunt is facing the protagonist, the hero, the general, and the warrior veteran (note that the expression here, the latter three are basically on the same level. The protagonist is on the same level as them in terms of force alone, but has many auxiliary spells). They first put down the chaos in the city, and then led the soldiers and people in the city to defeat 3,000 demon soldiers. Finally, the four of them tried their best to control the master of the river. I was stunned. The Lord of Yuejiang, with countless heirs and a big boss who wanted to annex a whole state, was solved like this? Killing Chen Xiangu, who tried her best to pray for rain and aborted the fetus, but couldn't do it for a long time, and finally gave her a chance to practice magic sword again? Three thousand monster soldiers are so worthless, and a bunch of monsters invited by the mountain god to open his mansion can fight four or five monks, but you will be wiped out by a few mortal warriors and a bunch of common people. How can the Lord of Crossing the River, who has revealed his true form, still be controlled by a few mortal warriors? How do you get the confidence to plan for a state? Where do you have the ability to prevent the government from even diverting water for irrigation? The Mountain God is already too easy to fight, without the B pattern that was created in the early stage. It felt like the Lord of Crossing the River had become a paper tiger without self-awareness, and the court was frightened to death by him. It can be seen from these changes that the author wants to create the image of a "big demon" in the next two major plots. Judging from the writing, the foreshadowing is good, but it leaks as soon as it appears. The fight was too smooth, and it really gave the illusion that the protagonist of the invincible novel was pushing evenly all the way. For the boss, there is no plan, no preparedness, and no intelligence. The feeling is that everyone feels that the boss is so strong and powerful, so we can only compromise. The protagonist and his teammates get in, three strikes, five divided by two, and the boss is killed without much loss to the protagonist team. It would be fine if the protagonist's setting is strong, but the protagonist's strength in the plot is not first-class, which feels very embarrassing. The boss is really like the boss in the game. He is very strong on paper and has many tricks to fight, but he will not take the initiative to attack. No wonder there are no more waves. Tell me, what are the ups and downs of playing a copy? There are no ups and downs. This is the first problem, which may cause the article to change from an excellent fairy tale novel to a novice novel. However, there is a big problem with this article, which prevents it from becoming a qualified white article and can only become an unqualified white article. That is, if someone else loses equipment by defeating the boss, he will not only not lose the treasure but will also be punished by reputation. Currently, all the protagonist's income comes from Goldfinger. There are clues in the first plot. The protagonist's neighbor family is very caring about the protagonist. As a result, the plot ended and the couple and the villagers died, leaving behind a pair of children and an old aunt. The protagonist killed the county magistrate and was afraid of future troubles, so he could only wander around the world. Did the protagonist get anything? Nothing. In the second plot, the protagonist challenges three mountains in a row. What does he get? The sword with dragon and tiger energy that Mr. Pang lent him still had usage restrictions. Several other Taoist friends, let's fight side by side, let's not talk about giving gifts or anything like that, exchange information, make a deal, change the head office for magic weapons or something, right? No, they came in a hurry and left in a hurry, just like a wild group formed to fight the boss. In the end, it was Di Wudou who got his lovely wife, and it was Mr. Pang Qi who took the credit and went back to report on his work. (Mr. Pang Qi's paragraph is a fantasy, not the original text). The protagonist had nothing except a few free meals at Hang's house. In the third plot, the protagonist helps people slay demons and brings in a pig Taoist priest, but he can't eat it, so he has to eat and drink it as food (a joke here); he doesn't like other people's evil ways of praying for rain, so he prays for rain himself, and the court wants him for two thousand guans (this is a real story). After working so hard to kill the Lord of Crossing the River, I got a possible divine punishment. (Before his death, the Lord of Crossing the River hinted that he was a regular water god, the kind that could be canonized) He finally got a magic sword, which was given by his teammate Chen Xiangu. No matter how he thought about it, he felt awkward. So far, the protagonist has been supported by Goldfinger's "whatever trouble he encounters, what spell he will give him", so his apparent strength has been rising. However, because you kill monsters and don't get any drops, the rhythm will be very strange. Because the matter of falling is still very important in the rhythm of the story. There is a soothing mood and a feeling of gain. Sometimes readers will even skip and only read the harvest chapter. The normal rhythm of Xiaobai's novel is to fight the boss, drop treasures, test the treasures with miscellaneous soldiers, and then fight the boss. There is a constant cycle of gain and gain. If you kill monsters and don't get any drops, the rhythm will become: fight bosses, fight miscellaneous soldiers, and fight bosses. The rhythm becomes too tight. Moreover, because normal novices have positive feedback, killing monsters and dropping treasures can enhance their strength. You can't drop treasures by killing monsters here, so there is a question of "Why should you fight monsters? Why don't you practice well before leaving the mountain? You are too wasteful. What if you die?" In particular, the protagonist has obtained the "three-hole rectification" but has not yet achieved enlightenment through cultivation. In particular, the protagonist's golden finger actually has a lag, and there is only expenditure but no gain. Readers will feel that the protagonist has been relying on the golden finger to surf the waves and is not "stable" enough I think that the second problem seems simple, but in fact it is unsolvable. Because the golden finger is there, if you defeat monsters and then drop treasures, the reward system is too confusing and the plot is not easy to arrange. You can only continue to defeat bosses without dropping treasures. In other words, the author has actually chosen a very difficult path, and it is very difficult to degenerate into a qualified white text. Then we must solve the first problem, how to make the plot more ups and downs and twists and turns. This is actually very difficult. Because the good thing about the first plot is that he is the protagonist of Novice Village. We assume that all the protagonists in Novice Village empathize with each other. It is easy for the protagonist to take the place of the common people and feel the tension of being "oppressed". However, the protagonist of the subsequent plot is the "traveler". Here, a suitable entry point is needed to allow the protagonist to reasonably enter the plot, and then reasonably jump out of the plot and continue traveling. If the introduction is not enough, the protagonist just draws a sword to help when encountering an injustice, then the villain bullying the local indigenous people is just a superficial plot. If the protagonist is introduced too much, then there will be a lack of rationality in continuing to travel. This is a test of the author's skill. My personal experience here is that the protagonist asks Chen Su to follow him, which I think is acceptable in terms of rationality, but the pressure on the plot arrangement is obviously much greater. With such a "movie heroine" by his side, it's hard for the protagonist to "steal". Originally, each plot had an ambiguous partner or something, a young girl's secret promise, etc., And the protagonist didn't care about it at all times. At least the readers had a strong sense of involvement. Then give the protagonist a main mission or something, the protagonist is a monk, but the little lady couldn't help but leave immediately. In the later stage, there will be "Chasing the Husband Thousands of Miles" and "Shura Field", etc. It makes me feel excited just thinking about it. Now the protagonist is accompanied by a little girl who looks like a heroine, so all the girls he meets on the road are famous and have their wives. I am not talking about the harem here, but I am saying that the role of girls in introducing the plot in travel-type stories is very strong. It is easy to develop the plot by playing with ambiguity and stock trading. The protagonist needs a reason to fight the boss. You don't want to drop treasures, and you don't have girls. For the sake of "human justice", it is difficult to write because of your limited writing power. ​​--------Excerpted from Long Kong

Taking the little neighbor girl out on an adventure? Want to teach her Taoism? What did the author think, bringing a bottle of oil? Can't you live without a woman? Shouldn't the law be passed lightly? Do you think readers would like to see this kind of cultivation of self-satisfaction?

It's a damn good book. It's the best fairy tale I've read this year.

If it's tied, let's write a book review. The words of some book friends in the comment area are quite uncomfortable to read. Maybe it is the fate of the expresser to be misinterpreted. This is the best book I have read recently. Unfortunately, not many people have read it. This book does not follow the traditional path of immortals seeking immortality and seeking immortality, but instead uses Tao for the livelihood of the people. The front may seem a bit plain, but over a hundred chapters there are plots one after another. In the past, the protagonist Pei Chu killed evil spirits and prayed for wind and rain, but was falsely accused of being a demon. Later, the fairy aunt Chen killed the Dragon King's son regardless of the fetus in her belly praying for rain. Chapter 160 is really heart-wrenching to watch: Taoist Pei Chu, the thief Zhang Wanfu, veterans Lan Po, Chen Jinggu, and Chen Su, a girl who followed Pei Chu, gathered in Yuejiang City. Before the disaster, although they had different positions and identities, they tried their best to kill the Dragon King Yuejiang Lord who caused the disaster. The girl Chen Su, it can be said that her life has undergone earth-shaking changes since she was taken away from her hometown by the protagonist Pei Chu. From the initial state of a little girl to the final heroic attitude that is about to change the sun and the moon, she met Zhu Jiuniang, who single-handedly defeated the bandits. Li Ji, a young girl who tries to outwit the monster dragon alone, and Chen Jinggu, who prays for rain and fights the Dragon King. Undoubtedly, she has learned many valuable qualities from these outstanding women; Lan Po, a veteran who taught her practical combat experience, and Taoist Pig, who taught her the art of the small way, are her good teachers on the other hand. If Pei Chu is her guide, then these experiences and people have made her more determined in what kind of person she wants to be. It is really exciting to see what kind of person this little girl will eventually grow into. There is another character that made me quite emotional - Yin Yiyuan, who was born in the orthodox Taoist sect. When he first appeared, he was well-dressed and had an air of immortality. Although he killed monsters, he avoided ordinary people and was incompatible with Pei Chu and his group; I feel that the author's description of the characters is appropriate and penetrating. I saw someone talking about Our Lady of Pei Chu. Although he was not the type to kill and stop, it was really laughable to force him to be named the Holy Mother. I think Pei Chu has always had a humble heart along the way. He never thought that he was a man with great luck and great opportunities, and that he was going to do some earth-shattering things. Instead, he did practical things, did his best for the world, cultivated himself both personally and personally, and was down-to-earth. He was worthy of being the man who almost sat on the mayor's seat in his previous life. What the protagonist should look like should not be limited to a template. It depends on the cool articles that stir up the situation and go under the knife at the slightest disagreement. There are many excellent series of works. I can only say that this article is not suitable for you. Please leave quietly - this sentence is sent to some different voices in the comment area.