Player of the Polar Night

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What does this novel say? Still very good. But there are a few minor issues that dissuade me. First of all, it is a little too depressing after three or four hundred chapters. This kind of depression is the mismatch between the protagonist's strength and the situation he faces in the general background. To put it simply, the protagonist can only watch big events happen most of the time, and it is difficult to directly participate in them to change the general trend. This feeling is honestly quite weak when I read it. There is also the strength of the protagonist. Although subjectively it has grown very quickly, the timeline is too tight. In less than a year, major events that far exceed the strength of the protagonist have occurred one after another, so that the strength of the protagonist is obviously not weak, but it always makes people feel very powerless. What about the female characters? The author probably wanted to write a one-liner based on the situation. But, in many cases, there are too many female characters related to the protagonist. The protagonist and many female characters have an awkward feeling of being ambiguous but not ambiguous. The main reason is that the protagonist has always been innocent in the plot, but the author always designs many female characters intentionally or unintentionally to connect with the protagonist. But it conflicts greatly with the general trend of single-line heroines, which feels bad. It always gives me a "scumbag" feeling that the protagonist accidentally flirts with a girl and then ignores it. And for many female characters, if the follow-up is easy for passers-by, I feel unhappy. Let the protagonist admit them, there are many people criticizing the so-called stallion harem. In fact, the harem has never been a vulgar thing? If the character description is still excellent, what if I want it? Not a big summary. Save yourself the trouble of thinking about some pretty good female characters and other passers-by.

Just write whatever comes to mind. I hope the author can arrange a suitable ending for Fei Yujing. This "appropriate" does not mean a happy end, but an ending that is logical, consistent with the character, and meets the requirements of the plot. Whether it is cleaning up the character, joining the harem, getting the punishment he deserves, being killed by the male protagonist, or committing suicide, in short, the character must be perfected, from beginning to end. Because this character is like a thorn, deeply embedded in the plot of this book. It is neither too important nor unimportant. It has always maintained a sense of existence that is neither good nor bad. Therefore, for the sake of readers' viewing experience, it is recommended that the author arrange the ending of this character in a more appropriate and reasonable manner, so as to make up for the inconsistency of this character's position in the plot as much as possible. Because the existence of this character is so "wonderful", we cannot say that she is not good. She does play a role in promoting the plot, but not too much. It is indeed one of the driving forces that attract people to watch, but it is not a positive expectation, but makes people react and see what other disgusting things she can do. And this character obviously has a lot of room for improvement, such as yandere (strengthening the love for the male protagonist), darkening (strengthening the depraved side), villain (improving the motivation and charisma of ambition) and many other development routes, but every aspect is nondescript, the love is not deep, the blackness is not thorough, and as an ambitious person without enough motivation and charisma, he feels like a clown. This kind of uncanny characterization makes this character very uncomfortable. I would like to make a complaint here. I feel that this character is the author's private property when writing the book. Does the author have a soft spot for this kind of "goddess that I missed at the beginning"? I think this character can be compared to the heroines in "The Dark Lord", a book I like very much. They all have elements such as yandere, ambition, possessiveness, and blackness. In "Dark Devil", Lily (yes, she has the same name as her mother) is a yandere queen who kills, brainwashes, conducts human experiments, slaughters her own race, and kills her father for the sake of the male protagonist. In order to compete for the male protagonist, she can kill other harems. Finally, she plans to become a god, brainwash the male protagonist, and then put the two of them in the divine domain to let themselves go. Chasing for an eternal happy life is extremely crazy; Fiona, the witch, can sacrifice people for the male protagonist, and finally sacrifices her reproductive capacity to the evil god in order to kill Lily in exchange for strength; Princess Avalon (the name has been forgotten for so long), she can betray her own brother, team mates, and country for the male protagonist. None of these heroines are good at all. They are all ambitious, possessive, with strange brain circuits and vicious methods. However, they do not make people feel disgusted when reading, but have a unique charm. It's because their characters are very pure, and the core of their characters is only one [love for Kurono]. Because it is pure enough, because the starting point is as simple as love, no matter how sinful they are, they are all manifestations of love, and they can satisfy readers who watch the male protagonist. I really like the word "purity" used by hot dog people, although I am not a hot dog person. Because reality is always complicated, the so-called pure love in the book almost does not exist in reality. To put it bluntly, marriage is just two people living together. There is no oath of love, and it will not be earth-shattering. There are countless interests and interpersonal considerations in it. That's why we depict this fantasy purity in various works of art. The same applies to other aspects, so we can make a formula: under certain conditions, character purity = character charm (of course, handling complex elements properly is also one of the ways to create excellent characters). Reality is complicated enough. Can you please stop us from engaging in such disturbing things when we relax and read novels? This is the downfall of Fei Yujing's character. She is too real. She loves the male protagonist, but she is more ambitious and very real. She wanted power, so she made countless calculations, but she failed to see clearly the unrealistic nature of her position and goals, and ended up acting like a clown. This kind of person is so common in reality that it's so common that it's disgusting. She broke up with the male protagonist, but they were still inseparable. She said that she no longer had normal human feelings, but she had another idea in her heart, but there was a dirty trick on her hands. After she succeeded, she felt lost, giving people a very disgusting feeling of indecision. In short, the elements are too complex and confusing, too close to reality, so the artistic sense of being a novel character is missing. In fact, a disgusting character does not mean that the character is a failure. For example, the alchemist who made his daughter and dog into a synthetic beast in "Metal Steel" is disgusting, right? So what if he was cut out of the plot? Do you feel that the plot is not that interesting? This is a typical example. The character can be disgusting or unattractive, but it must be suitable. The appearance of this alchemist is an important turning point in the mental journey of the Elric brothers. It is the beginning of their true understanding of the darkness of the national alchemist. It is indispensable for the advancement of the plot and the improvement of the protagonist's character. The role of Fei Yujing is not suitable, very neither good nor bad. The boss role includes parents, the family alliance, and maybe the five kings. The partner role is Ji Ye, the heroine is Mingxu, and if there is a harem, there are also Micha, No. 1, Etc. What is her position? Boss? There's a gap in strength and style. Old enemies who love and kill each other? The relationship between the two was broken and disconnected, and there was no deep bond between enemies and friends. Harem? What she did was too outrageous and disgusting to be included in the harem. To sum it up, it's like a fish bone in the throat, which makes people feel sick. We might as well imagine an unimagined path: a world without Fei Yujing. The male protagonist failed the college entrance examination in his previous life. In order to cure his sister's illness, he decided to enter the dark underworld and became a gangster and a terrorist. He was eventually arrested. His sister committed suicide and the male protagonist drank bullets in despair. Before his death, he swore: If there is an afterlife, I will not embark on this road of despair. I will save everything. Then he traveled through time and started running for his sister. Later, his sister was taken away by the Bai family. The male protagonist had no choice but to take the risk and join Ji Ye, during which he formed a bond with the female protagonist Mingxu. Later, during the adventure, he gradually came into contact with the darkness of the world, the mystery of his life experience, and various secrets. Then he decided to protect the human camp for the sake of human civilization, his sister and his wife. The plot follows this way and can be divided into a single female main plot or a harem plot according to different people's tastes. Doesn't this book look a lot less poisonous? However, this character has already been written, and it is impossible to delete it like this. I also like this book very much, and I hope the author can arrange this character well.

After reading the first chapter, I am familiar with the suicide time travel. . . . . The familiar patient sister is smart and smart. . . . . A familiar childhood sweetheart marries another woman

The writing on the technical subject is okay, but the routines are really old, and there are places where they are a little bit toxic.

This book is quite good, probably from the third chapter onwards. It feels like King of Eternal Night, but the early stage is too routine and can poison 80% of people.

After catching up on the latest chapter, I realized that this book is the only online novel I have followed. The subject matter attracted me from the beginning, and what attracted me even more later was the bond between the characters. The author's outline should be clear, with many previous characters appearing. The front part is also very interesting, and I don't think it's too toxic. Reading about Li wanting to build the Great Mechanical Wall at the frontier and the birth of the New Polar Night are my favorite parts. I can understand the bond between Mingxu and Li Xiang very well, and the foreshadowing in many chapters makes me feel that they are soul mates. The more I write, the better it gets. I beg you all to read the latest chapter, it's really good. Please reward me a little, I hope the author can write better and better.

Why is no one watching? It feels pretty good. It is similar to the previous "Eternal Night King", and I think this type of novel is quite interesting. (Although I don't have money to read the original version now, I will make up for it when the school starts. Come on, author!)

The beginning of the useless game is boring. It gives the impression of being in the 3rd stage of Dou Zhiliu.

After reading the first chapter, the author's writing is good, but the plot is really flawed. The mysterious and confident girlfriend, your talent is not top-notch, where did you get the confidence to regret the marriage, the other family is still your family's backer, the inexplicable sister, knowing that her brother is talented, does not tell her, but she is not going into a pit of fire. She enjoys herself and leaves her brother to suffer.