The Age of Ball Possession

It's not that those people in China can't play in the NBA, it's because their interests and personal wishes are the core at home, but they are role players abroad, and no one wants to. And you must be strict with yourself abroad, otherwise you will not be able to compete in the competition, refer to Sun Yue. Sun Yue's physical fitness is very good, but he is not good at training and is unwilling to practice football. If he is willing to practice football, he will not lose his job in the NBA so quickly. In China, he and those lazy guys (compared to NBA training intensity) earn higher wages than NBA role players and are comfortable. Who would want to go to NBA? Many domestic players rely on basketball to earn a living and work, and do not truly love it from the heart.

There is no problem with the general rhythm of this book, it can even be said to be very good, and it is not inferior at all compared to other basketball articles. But there are many problems in the details. First, the protagonist's character is too soft and appears to be cowardly. He has no edges and no domineering feeling. The most obvious manifestation is in the media interview session. Faced with various difficult questions from reporters and provocations from other people, the protagonist never says anything harsh and always talks in official terms. If he is too harmonious, he will appear cowardly. And you quite like to arrange such plots. From time to time, you will have such a paragraph after the game or at any time. Then the protagonist glances at the reporter's provocative expression, this guy is making things difficult for me, how can I be fooled? And then "Hey man, you know... Hello, me, hello, everyone, prosperity, democracy, harmony, freedom, equality, justice and the rule of law" blah blah. This plot used to be three pages. This seems long-winded and not interesting at all. No one wants to read the official clichés, so they just skip it. Every time such a plot appears, the score will be lowered. If you are the protagonist who designs to fight back against reporters, you can have more such plots. Of course, you may be trying to make up for the number of words required for perfect attendance. If your grades are not good and you lack motivation, you will try to make up for the number of words needed to make up for perfect attendance. This is also normal. Second, the protagonist has been dwarfed too seriously. The first season was normal, but the second season was not normal. I can't imagine that a player who averaged more than 30 points per game in ten games, single-handedly supported the team, and had very good team results would worry that he would not be the best player in the month and would not be included in the All-Star. And I also feel that the protagonist is quite worried about this matter. This makes me feel that my IQ has been insulted. You may want to use this description to exaggerate the tension and suspense, but I feel that the result is a failure. From the moment the protagonist gets this data, there is no suspense in the readers' minds about the best of the month. You might as well set the difficulty of the task a little higher. When your three tasks came out, my first reaction was that they were three free points, and the protagonist's strength was far beyond them. And you may still want to use this to make up the number of words, so the number of description words is too many, so it seems that the protagonist is worried, so it insults the IQ. Third, your off-site descriptions are not good. Your descriptions of the audience and commentary are all the same. You can skip them if you watch too much. Moreover, you rarely write about domestic commentary, which is considered a night walk in brocade. At other times, you rarely write about domestic, which is a waste of a refreshing point. Before writing about major games, other authors would use the foreign gold medal commentators to slip around, and then the domestic gold medal commentators would also slip around and talk about what happened before the game, the support of domestic netizens, the scolding of the audience, the expressions of the enemy players, and then the jump ball. In this way, it would be a chapter. Not only is the word count low, but the atmosphere is at least up to par. But your routine is pretty much the same: the enemy provokes, the protagonist speaks in official terms, the foreign commentator says "brother", the audience describes it, and the fight begins. Fourth, you often write that the protagonist explodes in the title, but in that chapter the protagonist often only scores five or six points. Although it is about to gain momentum, it has not really gained momentum by the end of the chapter. Fifth, the emotional scenes are a little awkward, but they don't account for a big part, so just skip them. In fact, if you don't write famous celebrities as heroines, you might as well create your own original heroine. Sixth, your translation accent makes me feel a little embarrassed for some reason, but I can't tell you the specific reason. The most obvious manifestation is when I look at the audience and the commentator, it may be because the whole sentence is in the translation accent. Then there was none. As a whole, this book has no problem with its rhythm. The rhythm of Shuang's writing is well grasped, and it can be said that it is not much worse than other high-quality basketball articles. However, the character design of the protagonist is not good, which gives this book a lot of points, which greatly limits the performance of this book. If the protagonist is a naughty, relatively public and lively person, and is good at counterattacking others from various angles, then the performance of this book will definitely be greatly improved. If you can develop the character of the protagonist well in the next book, I feel that it will be a high-quality product. Come on.

Come on! I'll feel it in the next dozen chapters, I'm optimistic about you 😁

Keep writing, it's really interesting to read.

Secondly, I think the title of the book is very profound. This is an era of ball rights. Those who win the ball win the honor. Of course, the player needs to have enough ability to carry the ball. Again, I personally don't agree with what is said in the introduction. The difference between Charlize's basketball and the NBA cannot be summarized by simple physical fitness. I think the biggest problem is still the taken-for-granted habits, that is, the gap in basketball philosophy and environment. Of course, this is nothing to feel inferior to...

To be honest, temporary skill points are not very reasonable... What determines whether the protagonist can stay in the NBA is not only the game, but also the performance in training. If you play poorly during training, the coach will not give you a chance to play at all.

The protagonist is too weak and does not have any shining points, such as good shooting, strong defense, good rebounding, good assist awareness, etc.

Brother, there is a double monthly ticket event recently. Why don't you do an update to attract some new readers and increase your grades? I feel a little uncomfortable watching it now. Don't forget to celebrate the New Year and the playoffs haven't been finished yet 😵

I just want to see how awesome the protagonist can be in the end and whether he can defeat this warrior.

I don't understand what you are thinking about wanting to sign for one year. NBA signing salary is linked to the number of years in the NBA, similar to seniority. It's how many years you've been in the NBA that you can sign for what percentage of the total salary cap. Let's take a look at Rose's clause. It means that if the conditions are met, the signing salary can reach 30% of the team's total salary cap after the rookie contract ends. And if you sign a long-term contract with the same team, the starting salary of your next contract can be more than your last contract. If it weren't for the sake of winning the championship, it would be best for the Lakers in this era to sign a three-year contract.