Reborn in Japan as a God of Cooking

The author pushed the protagonist too hard. From now on, the protagonist wakes up at 7 o'clock in the morning to go to school (and then sleeps all day?), And probably won't join any clubs (maybe a cooking club?). Although the protagonist only needs to pass the grade in high school, and does not need to go to Tokyo University with his loved one to achieve happiness, but if he can't enjoy school life and hang out with a few female students in an ordinary high school, why not go to Totsuki? ! After I get home from school, I prepare to open the shop. I don't have to do homework and there is probably no time for gentlemanly entertainment. The store is open until one or four o'clock the next day. Even if I am lying in bed, I may practice cooking skills in the space, and then go to school at seven o'clock. Seriously, what's the point of the protagonist living so nervously? Is it necessary for the protagonist to work so hard when he is only 16 years old? It's not that I don't have money, even if I drive a Gundam and go to the battlefield, I don't have such a hard time. To be honest, there is really no need to let the protagonist participate in many things just for the sake of a good plot. It is enough for Totsuki's plot line to involve Maki as the protagonist's doppelgänger. The protagonist's "abnormality" is becoming more and more obvious. Now the protagonist will be more or less noticed, and the past things will be revealed. If someone who has not practiced cooking before has made rapid progress in the past few months, and is proficient in knife skills, fire, and spices, will it really not arouse suspicion? There are also new stores coming soon!

I'm just at level 10 now. . . I have been able to make delicious food that is comparable to that of top chefs, but my knife skills and heat are beyond the limit. What will I do next? Level 100 is the God of Cooking. Do we need to be the God of Cooking after level 50?

No wonder An Yilun also had a role in the early stage. After watching it, I realized that the protagonist is even meaner than An Yilun. He neither accepts nor rejects the favor of people who like him. An Yilun also hangs them in order to use other people's talents, and after using them, he also has a relationship with one of them. Although the evil is also for his own benefit, he will not hang them when his own interests are satisfied, while the protagonist hangs them just for the sake of hanging them. It is acceptable to have no heroine, single heroine, or multiple heroines, but it is unacceptable to have a lot of emotional dramas but no heroine. The author's writing is OK but his life is not.

Let me tell you something, this is a Shoji fan, I can't say that too much, right? It was the last 100 chapters that made me laugh, but most passers-by don't have the patience to read to the end.

This book really has the potential for fandom to counter the original work... Looking forward to the author's new book

The protagonist was called an orphan in public, but nothing happened. He still solved the problem in a friendly manner with delicious food. He is really the biggest persimmon in the world. It's really cool.

😒It's really uncomfortable to watch.

I saw too many complaints when I saw Chapter 17. I just want to ask the protagonist that the chef family has not taught the protagonist any dishes until 8 days before his grandfather left to return to China. Then I want to ask how the protagonist can stand in a world of gourmet food by himself (with only basic knife skills) if there is no system cheating.

The main character in the back is too contrived and stupid. .

Perfect in the early and mid-term, but too watery in the later stages.