Harry Potter I Am Legend

Among the dozens of HP fics I have read, except for "The Lion Throne" written by a Taiwanese author, which has been released by Eunuch, and is comparable, compared with this book, other books can be said to be worth mentioning. The advantages of this book lie in the following aspects. First, it is a detailed grasp of the character's personality. Whether it is the protagonist, the two heroines, or the villain, they are all portrayed in a very three-dimensional way, especially the transformation and struggle of the protagonist's personality, which gives a sense of growth. This is not easy, and it is especially rare to have this kind of skill in online novels. The second is the extreme restraint in the use of cheats. It is unrealistic for a person with ordinary talent to grow into a legend without cheats. Abuse of cheats often makes the twists and turns of the story extremely boring, especially in systematic novels. The nanny-like tendency of cheats makes people feel like children playing house. The author is able to balance the frequency of use of cheats very well and handles it very wisely. Third, the choice of era is very discerning. Compared with the Voldemort era, the wizarding world in the Grindelwald era may be the last elegy of the magical aristocracy in the true sense. The aristocrats in the Voldemort era are already confused zombies full of decay. They only know how to use violence and fear in vain to block the torrent of the era. It is really abhorrent, sad and pitiful. The two heroines in this book (I want them all. Jpg) are the epitome of the aristocracy's loneliness and final struggle. Grindelwald's emphasis on talent is a ruthless mockery of the aristocracy. Grindelwald is to the aristocracy what Napoleon is to the old French aristocracy. He will eventually break everything, but he himself is not the real new order, but can only lay the foundation for the new order. From this perspective, Voldemort was not even Louis Bonaparte, but just an ugly restoration of the old Bourbon aristocracy. And only in this cruel war can there be room for legendary heroes to grow.

Write a long review for this book. This is my first time writing it. It contains a lot of spoilers, so those who have not read the book should be careful. However, it is not so much a discussion of the plot and text in the book, but more of a personal elaboration of the literary themes expressed in it. Front Row Stacking: The reader has not read any of the versions before the revision, including Aya's transformation into a rabbit and Miranda's nightmare, so it is likely that this part will not be covered. I will elaborate based on the text content and volume number when I read it. At the same time, it contains a lot of psychoanalytic content. If you don't understand it, that's normal. You can continue reading or skip it. Is "I Am Legend" a good book? From my personal point of view, I would say, yes. The author uses a book to deeply explain and explore themes such as existence, desire, and meaning. But what makes me unhappy as a reader is that this book seems to have undergone a lot of revisions, resulting in a sense of separation and tearing from front to back. (For example, I didn't read anything about rabbits, but the image of rabbit Aya appeared inexplicably.) At the same time, the author himself also pointed out the problem of the stack of combat power collapsing too quickly. Other readers have pointed out that the plot is too heart-wrenching and abusive to the protagonist. Also, the original novelists probably won't like it. After all, Dumbledore doesn't have a high presence here, and he's not a glorious image. But this is not what I want to elaborate on. These can all be problems of the author's inexperience. What I want to say is the theme hidden behind the plot, the story. In the first volume of "Two-Face", the protagonist Hoffa meets the two heroines Aglaia and Miranda, and begins his life on the Hogwarts campus. At this time, what he pursues is safety, which extends to his crazy pursuit of power. Aya is also introduced at this time, as a stumbling block on the protagonist's path, trying every possible means to hinder Hoffa. Aya appears here as a so-called "unlikeable" character in the eyes of readers. What drives Hoffa at this time is his own survival instinct. He does not trust any "others" and believes that others are incomprehensible, unrecognizable, and uncontrollable. As Miranda said, he has no friends at all. This volume mainly discusses the pain caused by war, but the focus is never on war, but on pain and traumatic experiences. It was because of this traumatic experience that Grindelwald created Miller. For Miranda, Miller was her escape. She did not have to face the traumatic experience directly, but let Miller bear all this to maintain her symbolic order as a normal person (or normal wizard). Miller assumes the role of a phantom space into which Miranda invests her own traumatic experiences. So Miller is extremely powerful, because it (here Miller has not yet become a subject) has a piece of reality as its core. Reality cannot directly carry the real world, and all meanings and symbols will collapse. At the end of this volume, how does Hoffa comfort Miranda? He said, "Man lives in the present." On the one hand, this sentence talks about the issue of two deaths. The first is physical death, the second is symbolic death. There is a space between two deaths, and this space is the "death debt." A person dies, but his symbolic debt has not been paid off, so he will return to collect debts from the living. We must symbolize the traumatic event of death, incorporate it into the symbol system, and resolve the trauma so that the deceased can die in peace. The wizards who died in the war have been "collecting debts" from Miranda, because she still can't resolve their deaths in her heart, and she can't resolve them even if she keeps running away. Hoffa, on the other hand, gave her a solution. What this means is that meaning is constructed retrospectively, and only now can the meaning itself be confirmed. For example, if a person says "I want a glass of water", you will think that he needs to drink water and go and get him water. Then he says "No, thank you." You will think that he doesn't want it, so you stop taking the water, thinking that he doesn't need it. So does he need water? It cannot be confirmed until he pauses, which is that meaning is confirmed by reality. Similarly, past experiences have different meanings when recalled at different times, and the same thing may have very different meanings when recalled at different times. The core of the second volume "Half-Man King" is revenge. Aglaia's image here begins to change. She is no longer a stumbling block, but seeks the approval of the Big Other (the symbolic order). She initially regarded Hoffa as the Big Other's denial of her, so she frantically sought Hoffa's approval. But the Big Other will never give recognition, and no one will ever get a phallus. Aya herself knows that. She also said privately that she doesn't like those boring social interactions, because the recognition of any subject is not the recognition of the Big Other, and phallus does not exist at all. At the same time, Osivia, the senior sister of the Snake Academy, and Sybil, the biggest villain of the book, are introduced. They are both driven by revenge here. Osilvia wants revenge on the half-human king who killed her father, and Sybil wants revenge on the wizarding world that has sealed him for thousands of years. Frankly speaking, this volume does not have many themes that can be elaborated. It is more used to shape the characters and the subsequent transformation of Sybil. We will talk about it later. The third volume of "How to Train Your Dragon" has a lot worth talking about. The first is Grindelwald's past, his past with his teacher Fatir. Grindelwald and others used the "master signifier" of "ideal" (or changing the world) to replace all other signifiers, representing all subjects and talking about all discourses. But also because the master signifier stitches together all discourses, it is essentially empty. There is nothing beneath it and nothing exists. Fatir discovered this after experiencing a life and death decision. The master signifier does not express any meaning, so he chose Jacob when Jacob talked about his sister, abandoned Grindelwald, and abandoned the master signifier. Then, through the plot of the Aglaia family, the biggest motif in the volume "Nothingness" is officially introduced. Under Aya's arrangement, Hoffa experienced a series of realistic trivialities, paperwork, and meaningless parties... He wanted to escape from all of this and pursue what he really wanted; that is, he rejected the drive for endless repetition and pursued the desire itself. But he doesn't know, just as Sybil doesn't know in the end, that the essence of desire is "lack," or the nothingness that this volume talks about. Hoffa does not desire others. This can be seen after returning from the Dragon Taming Team, when he was forced to fight with Sherlock, but he had no idea why he wanted to fight. He does not belong to this era and does not understand the people here. All he pursues is desire itself. So in order to reject the drive and the interference of the Big Other, he turned everyone in the castle into animals. But desire itself is lack, nothingness, and non-existence. Desire can only be expressed as the object of desire under the construction of the Big Other. Hoffa seems to be pursuing excitement and adventure, but after one adventure ends, he will immediately start a new one. Desire itself is never satisfied; it only seeks new objects. He fell into the dilemma of never being able to satisfy his desires, so he developed empathy. He believed that Dumbledore in the original work was omniscient and omnipotent. He desperately needed Dumbledore's help in telling him how to deal with desire itself. So when Dumbledore said, "You didn't take care of them." "You should be more free." Hoffa collapsed. Through empathy, his own unconsciousness projected onto Dumbledore denied himself. His own unconsciousness told himself that "there is no solution." Desire, lack, and nothingness directly crashed into reality, and in the plot, he became a super monster like the "Dragon of Nothingness." Hoffa faced his own reality, and the direct result of doing so was madness, so he chose to seek death. Aglaia then jumped to save Hoffa's body, but it was Hoffa's spirit that needed saving. What Aya does is to help Hoffa reconstruct the symbolic order between reality and the real world, but the author's description here is indeed puzzling and sighing. I can see that the author wants to introduce a "maternal superego" here to accommodate everything about Hoffa, but his writing power is limited. Oh, it is worth mentioning that Aglaia was murdered by her father Fatir because of Grindelwald at the end of this volume, which we will talk about later. In the fourth volume "The Arrow of Time (Part 1)", because of Dumbledore's abandonment, Hoffa left school, met the Virgin Chloe, and discovered that she had the ability to travel through time, so he came up with the idea of ​​resurrecting Aya. Dreams were triggered while escorting Chloe. What is reflected in dreams is the human reality, closer to traumatic experiences and desires themselves. So in the story, dreams have power. They have the power of the heart. The stronger the heart, the more powerful the dream. The battle with Mann and the subsequent time travel all showed the same theme. The effect precedes the cause, and the effect retroactively creates the cause. Chloe needs magic power, so Hoffa in the past will be stolen by herself; Mann knows that he will die, so he is killed by the black mistletoe dropped by Hoffa in the past; Hoffa will return to the past fifty years later, so Sybil will be killed by Hoffa in the future. The cause is produced retrospectively through the result. Of course, we cannot change the actual existence of the past, but we can change the virtual dimension of the past, even if this is manifested by changing the past. Love is like this. When I fall in love with you, it feels as if I have always loved you before, as if our love is destined. In the fifth volume, "The Arrow of Time (Part 2)", Hoffa was sent fifty years into the future, to Harry's era. The people from the future want him to go back and kill Sybil to complete the time loop. This is the effect before the cause. For Hoffa, he knew that Sybil was dead and the world had become like this, but this did not happen to him. An interesting motif here is drive. Hoffa went to the mysterious realm of death to retrieve Aglaia's soul. Everyone here is pursuing excitement for their own pleasure, but all their actions are just the cycle itself. It's like Sisyphus pushing a rock up a hill and letting it roll down again, over and over again. Sisyphus took pleasure in this repetition, and so did everyone else, and this is drive. Hoffa was already trapped in the drive, and Aya told him that she had been through the cycle six thousand times and had seen him repeat it six thousand times. As we said earlier, Hoffa hates drive so much that he wants to escape from this drive cycle. Here we want to talk about Grindelwald. Grindelwald believed that the real world was just another dream, so he wanted to free everyone. He believes that reality is false, but he replaces this falsehood with an essentially empty "master signifier" and replaces a falsehood with a falsehood. This is really far from the fact that Sibyl replaces the falseness of reality with the reality of dreams. As far as narrative is concerned, the author uses a quite clever plot to break out of this drive cycle, where the effect precedes the cause. Aya was finally resurrected by Hoffa in the future, but Hoffa had to go back in time to complete the construction of the cause. The narrative of the sixth volume "Heart Stone" is really confusing. The missing plot I read is that Hoffa was designed by the God of Nightmares, fell into an endless dream, fell under Miranda's offensive, married Miranda and had children. Hoffa broke away from the dream and felt endless guilt about Aya, so he maintained an ascetic life. The content of the text is that Sybil caused the magic to begin to decline, and Miranda took Hoffa back in time to search for her memory. Hoffa fell into pain and struggle after recovering his memory. On the one hand, he promised Aya to go back, but on the other hand, he betrayed Aya to be with Miranda. He had feelings for both of them, but could not respond to either party. The next long plot is the story of Hoffa accepting his two relationships. Not only can he respond to one relationship, it is the shackles of the big other, so he gets rid of the laws and disciplines, becomes spiritually enlightened, and has boundless power. The final showdown between Hoffa and Sybil is actually about the degree of understanding of desire itself. The God of Nightmares has set up a never-ending cycle of dreams, in which you will endlessly encounter the object of your desire. Sybil simply did not understand that the essence of desire is lack. He just set up an object of desire to "go to the apex" and obtain endless POWER. So he set up one apex after another, went to farther planets, ruled the world, established a model to describe everything, and gained more knowledge... After an object of desire is completed, he immediately looks for the next object, but the desire itself cannot be satisfied, because the essence of desire is lack. As for Hoffa, the objects of his desire are Aglaia and Miranda. He cannot be satisfied in the fantasy, and he is looking for his own desires. And it is precisely the lack of satisfaction that causes the realization of desires. The realization of desire is not because desire is "completed" and "satisfied", but because the lack of desire itself reproduces. Hoffa created an illusion. He prevented himself from fulfilling his desires. This state is "scarcity". He caused himself to multiply scarcity infinitely, and scarcity is the root of desire. The "anxiety" about desire is also here. What causes anxiety is not the object of desire, but that we are too close to desire, lose the lack, and lose the desire itself. Finally, the author wants to talk about an interesting issue. In my opinion, Aglaia's resurrection may be in line with the readers' wishes, but it is probably not what the author originally wanted to express. Hoffa loves Aglaia, not because of his attributes, but because he loves the unfathomable unknowns in her, and loves what she possesses that cannot be expressed in words. This is why the idea of ​​a parent cloning a child once they have lost it is so revolting. If parents are content with this, their love for their children is not real love. Even if you can recreate an individual with exactly the same attributes as before, you can't create the unfathomable little object in her! Of course, literary works and the magical world do not have to be so real. After all, magic itself is the power of the heart. Maybe the soul in the story is the literary expression of the small object here. The characters are all too bitter, and some sweetness should be retained.

This book deserves the word legend. At least in my limited reading - whether it is an online text or a physical book, whether it is a literary classic or modern literature, it is the one that shocked me the most. Its words come from the tremors of the soul, from the afterglow of human nature, and are still bright lights after the endless river of time has washed them away. Once again, I feel the deafening heartbeat of words.

This is not a hp, this is a third-rate, cruel and illicit story. Don't use the title of HP's book to deceive the few HP fans in QD. The original book of HP is a positive adult fairy tale about friendship and love. The world of HP is a world imagined by everyone that is both real and magical. It's not just any young literary author who just tampered with the name of a place like Hogwarts and modified it to be a HP fanfic. I only read the first 50 chapters and the last 10 chapters, and I didn't see any highlights about HP. Especially in the last 10 chapters, there are no magic wands and spells in the whole book, and it can't even be considered a Western fantasy. In the battles in the last ten chapters, I actually saw "enchantment", "visualization", "all methods are unified", "gods", and "Tower of Babel". This kind of Eastern and Western hodgepodge, I thought that such chaos would only appear in online articles twenty years ago. There is also the plot about the heroine being resurrected who was so praised in the book review section. Are you insulting Rowling's setting? Harry got through with soul fragments, but what about the protagonist? A private product added by the author that surpasses the original design? What is the charm of the HP world? There are all kinds of strange magic, imaginative Quidditch, different but attractive courses, and a whole weird fantasy world. Instead of courses that have no sense of existence, teachers that have no authority, two spells that appear in Chapter 50, and magic stairs that only hinder the development of the plot. All the highlights of HP's special products have become decorations, which are the routines of picking up treasures off cliffs and defeating monsters through leaps and bounds in HP skin. Suggestion: A mindless and unhappy journey into the original wizarding world. The following is a long review after reading the first 50 chapters, To summarize the plot of the 50 chapters, it is probably the story of the protagonist being tricked by everyone (described in detail) during the schooling process, becoming weaker and weaker, and trying to intervene in the wizard World War II to maintain world peace with the strength of a first-year and semi-squib. 1. The character creation is extremely failed. I don't know if this is the author's bad taste or what. He especially likes to write about others cheating the protagonist. The protagonist is unable to fight back because of the rules and is incompetent and furious. It is really a twisted habit. The heroine is written as a person who is full of malice towards the protagonist, unruly, unscrupulous, and extremely selfish. I don't want to know how to clear her name later, yuck. Except for this original garbage, all the original characters have no characteristics. Old Deng and Voldemort basically appear and then disappear. So why are you writing HP? Are you going to waste some HP? 2. Second design magic modification. Two German dark wizards led more than a dozen 4X and one 5X magical creatures and massacred them in Hogsmeade and the Forbidden Forest in a swaggering manner. The entire Hogwarts was deaf and blind, and they had to rely on the first-year and semi-squib freshman to use the magic transformation curse to save the world. 3. The plot is not smooth and not exciting at all. This is an abuse article, an abuse article, an abuse article. Chapter 50 tells this story: the protagonist is reborn, gets tricked by Voldemort, forgives him; starts school, gets tricked by goblins, forgives him, and helps him again; goes to school, gets tricked by classmates, forgives her, helps her, protects her, gets tricked by her again, forgives her, and helps her again; is wronged by teacher, forgives him. 4. Can you believe that the protagonist in Chapter 50 shows no signs of getting stronger but is getting weaker? I can understand why I couldn't defeat the young Voldemort at the beginning, but then I entered school and the learning process was briefly explained. I didn't learn anything anyway. I relied on the Disillusionment Curse to escape from being beaten. The compulsory education system didn't care about the education of the protagonist at all, and the rewards given by the system were also dispensable gadgets to promote the plot (which I didn't promote well). Kind of), I found out that I was a half-squib with only half the magic power of others, and then the plot gave me debuffs and lacked a blue from time to time. Anyway, I was just an iron five who could neither fight nor run. I especially liked to rely on World War II. The upper limit of the protagonist's IQ is the author's IQ. This is a wise saying. 5. The main line is unknown. The protagonist's actions are completely without purpose or plan. The author also likes to add branch plots, and does not have enough language expression skills. He wants to imitate those great masters who dig holes and foreshadowing. The result is nondescript, and the protagonist does everything except business. As for the book review area, looking at QD, which author who has become a literary youth does not have a group of licking dogs who "kneel in truth" at his feet. Damn it, if you can, don't delete the post, present the facts to counter the line. I say this is rubbish that is not relevant to the article. Do you have any objections?

A few facts you need to know before reading this book This book is based on a hp background This book is a story about abuse of the protagonist It was originally about a harem The author is a literary youth, so you will see that a heroine who spent a lot of pen and ink disappears inexplicably, but the author insists on his own ideas French The protagonist is also a young man Many of the characters are also young men and middle school In the end, the author tried to create a strong and ideal villain, but the writing collapsed due to lack of ability, and then the ending was unfinished If you can accept it, continue reading, otherwise don't waste time and money like me

The story of this book before 50 years is okay, assuming that the heroine will be resurrected, but the story after traveling to 50 years is really the author Wen Qing's self-excitement after he fell ill, why he has been reincarnated for thousands of lives, why he has been alone for you for 50 years, and why he deliberately turned into a Harry Potter. (I saw Qiu Zhang's naked body in the fourth part of the original work), bet with the God of Death, and let the Nightmare God finally choose himself as his younger brother. Even the purpose of all this is to make a woman reborn fifty-one years later in her original timeline (and this seems to have no impact on both parties, a complete love I love my brain, and I can't feel the aura of the character created in the first two chapters) It really completely ruined this character. It's the first time that a book can make me angry. A protagonist who has been useless for almost an entire book, a protagonist who has not even explored Hogwarts itself. , A useless Dumbledore, a Grindelwald who is not attractive at all, three ruined heroines who were originally well-shaped, and Goldfinger who made great contributions in the early stage who did not even appear in a chapter in the later stage. This author completely wrote one after another according to his own ideas. It was a waste of my money.

It's rare that I want to write a long review. Really, I just felt aggrieved after reading this book. It can be seen that the author wants to write about the psychology of an ordinary person becoming a legendary hero and the struggle of becoming a hero. Maybe as a legend, he must take a different path, and every choice he makes in life often backfires. To be honest, I don't like the protagonist as a legend. I only read half of the book, and I really don't have the courage to read anymore, because I saw the author's explanation and readers' reviews at the end, which were very toxic to me. I hope you don't mind if I review the book before I've finished reading it. I just want to talk about my reading experience. 1. There is a system set up at the beginning of the article, but after the author opened this cheat for the protagonist, I can no longer see the system at the end of the article. Inexplicably, he gave the protagonist a few big moves and they were useless. This is a major poisonous point 2. After reading the book review, many readers should feel like me that the protagonist keeps saying that he wants to improve his strength and has always had a sense of crisis in this magical world, but he has never studied hard. The number of times the protagonist goes to study is too few, and it is often the plot that advances one step and the protagonist learns a little. How many spells has the protagonist learned? During the battle, he still uses golden fingers over and over. It doesn't feel like growth. Third, the protagonist is not "reborn" and still lives in his own world. He has no sense of reality in this magical world. He always says that he is Ravenclaw, but I can't feel his pursuit of truth. He studies in order to survive. He feels that he cannot judge the cause of things from the results. Wrong, it was his outlook on life in his previous life that influenced him. He loves taking risks, and he disdains hospital work that requires meticulousness and patience. He hates ordinary people and likes to be alone but can always cooperate with others. He is cowardly but also brave. He is used to accepting and has the courage to challenge. He is just a mortal, he is still the same person as he was in the previous life. He is not a wizard. The reason why I subscribed was that it was a cool article. After all, it was systematic. Later, I thought it was a story of abuse in the early stage and growth in the later stage. I endured and continued reading. After half of it, I still didn't feel the change of the protagonist after going through so many things. I simply stopped reading. I just want to say that the heroine is really well written, but the protagonist who has been passively enduring and being forced to be like someone else's puppet. I just want to say to him, being weak is the original sin, and not studying hard is not a genius. Do you think you can get away with it if you have a golden finger? Your pain is caused by your inability to do so.

The following plot is a bit difficult to describe. Perhaps this should be what I read when I was 16 years old. I must have been ecstatic, studied and understood it carefully. But now that I am thirty years old, some of my thoughts have solidified. After the volume of Dragon Master, it is difficult for me to gain pleasure from it and the original intention of reading this book. The plot of the battle between the 12-year-olds and the first principal begins right there. It's very awkward. I don't know if the author is a young man or a middle-aged man. If it's the former, it's a bit distorted. If it's the latter, maybe my ideological level is not enough? Just like a person I saw on Douyin, he lamented that the preface to Prince Teng's Pavilion has gorgeous rhetoric, but it is not very clever. In terms of realm, it is just a path. I don't know whether it's my knowledge that is shallow or his that is profound. This is the feeling when I read the later volumes of this book. It's very strange. Very awkward.

Starting from the chapter where the author wrote Aglaia to death, I decided to show off! The more I write, the more distorted it becomes. Is the author an abstract artist? Just give it up. After reading the following chapters, I feel that they are getting further and further away from the main content of Harry Potter. Instead, they keep talking about the history and spiritual world that the author thinks before World War II (Shen Shen Nao Nao). The novel is not a psychological reading periodical. Don't add too many mysterious dramas. I understand the author's desire to imitate the original work but also want to use alternative bypasses to rival or even surpass it. But from the beginning, you are just imitating, so don't do so many colorful headscarves, okay?

It's been a few years since I read this book, but I haven't received any serious reviews. After reading the ending of the new version, I didn't see the intensity of the middle period, leaving only a hole. This book abuses the main character to a terrible degree. Hoffa's character still has many flaws, which makes it unsuitable for reading as a refreshing novel. There are also pitfalls that have not been filled in, and there are also flaws. After being shocked by the Arrow of Time, I saw the Heart Stone Hoffa was stolen from the Time Blood and was forced by Miranda. When I was deeply regretful and unable to extricate myself, it felt like a slap in the head. It was too painful and depressing. In fact, I personally like Rabbit more. I like her willful and cute character. I was quite speechless about her in the first volume. After the third volume, she said "The world is what you think, so what else do you want?" Which made me feel disgusted with her. After Rabbit's death, I was in too much pain when I saw what Miranda did to Hoffa. I selfishly wanted Rabbit and Hoffa to be together. Rabbit and Hoffa went through so many heartless times for each other, crossed life and death, and promised to meet again. As a result, Hoffa was dragged into endless regret and pain by Miranda. But after seeing Hoffa crying and talking to his future self, I had to accept this reality. Alas, at least it's slightly better than the old version In the end, I almost squirted when Hoffa forcibly kissed Sylby How should I describe this book? Apart from the sadistic protagonist, it is a literary youth. This depends on personal preference. I personally prefer Wenqing. Reading the words written by Tang Yan makes me feel many emotions, resonance, shock, emptiness and regret. Tangled is full of fantastic ideas and is not lacking in writing skills. However, the ups and downs of my mental state made me tired and painful. However, because of my cherishment of the sparkling parts of the book, I could only bear to read it. Hoffa's story is an epic of pain. Reality and life are inherently painful. When I think about this, I feel a kind of confusion that is similar to foolishness. Tangled seems to have been trying to find something in the work. This is good, but it has not yet touched the essence. This feeling is too confusing. I hope that Tangle can also get better and create better works. I haven't read any of the Eunuch books. The themes and ideas of Cathedral of the Holy Light are actually quite good. If I pick up this book again one day, I will read it.

It took me five days to read it, and I feel that the new ending is many times better than the old ending. The life experience of Silby in the old version of The Hero with a Thousand Faces was very well shaped, but Hoffa, who kept his promise so much, actually abandoned Aya, who had been waiting for him for 300,000 years. I felt outrageous. I read the last chapter of Arrow of Time ∅ several times and then read the old ending. All I could think about was wtf. Fortunately, the author updated the new ending. As other readers have said, there is basically no better HP fanfic than this.

Fans of Harry Potter have always been brought in with modern concepts, and this book of legends is similar to a prequel like The Crimes of Grindelwald. What is commendable is that I saw the author's thinking about human nature, his understanding of state of mind, and his spirit. Hoffa's legend does not lie in his strength, but in his companions along the way. Without Aglaia, Hoffa's magic potion would be a flaw. Without Grindelwald, he would not have learned the Broken Grip, wandless casting, etc. If in today's high-paced life, other books are like drinks that are stimulating but have no fragrance and are disposable items, this book is like a cup of mellow coffee. After drinking it, you will have endless aftertaste, fascinating and addictive. Each bite has its own unique charm. There are not many good books like this, so go and discover them! Find your own coffee in the high-paced life.

Coming from the time machine at the starting point, I cried when the rabbit died. I hated tragedies but I endured watching it. I think two female protagonists are not human beings if they give up on an author. The second volume is my favorite, but the third and fourth volumes are when the author's writing is at its best. It's a pity that it was deleted, revised, and deleted again. I haven't read the latest version. Maybe one day I will come back to read it after I have forgotten all about this book.

Because a reader liked it, I came back again. I wanted to take a casual look at it, but I found that you changed the ending. You didn't give up on the story after all. I haven't read it yet, I will find a quiet afternoon to enjoy it slowly. Just recalling that time, waiting, joy, surprise, sadness, anger. But after all, it was a day that the author and the readers walked together. Wish you good luck and all the best

I really can't hold on anymore. The protagonist of a time-travel drama doesn't have a golden finger, and the more he writes, the more depressed and abusive the protagonist is. Does it make sense to write a fan fiction like this? Time travel fans should be full of energy and positive energy!

This is not a legendary story, it is a story that became a legend. The book gave me an ordinary person's perspective and a full-hearted penetration. It allowed me to see Hoffa's growth, changes, and struggles in detail. It doesn't have the rush and vanity of the current commercial novels. It is simply a novel that you can calm down and read carefully. Positive review: 1. The villains in the book are portrayed incisively and vividly. I can read their madness, rationality, independence, and arrogance. Different from the tool men in other novels, I can clearly see the purpose and persistence of the villains here. They are living people. Especially the portrayal of Grindelwald is amazing. His grasp of and manipulation of people's hearts, as well as his completely unsophisticated behavior, fit very well with my imagination of the Dark Lord. 2. The portrayal of the heroine. Very independent, the image before and after is vivid on the paper. Unlike many books that deliberately add some settings to cater to the public's taste, the heroine here is herself, with no deliberate changes, and it fits the background setting very well. To me, the heroine is like the bright moon of fifteen, she is deeply rooted in people's hearts as soon as she sees her. Her features are as dazzling as the white crane among chickens, attracting me. Very cool! 3. The psychological changes of the protagonist. He grew up step by step and found his own story from the legends of others. Whether it is the changes after the crisis in Hogwarts or the changes in the Arrow of Time chapter, they are all worrying for him. I have to admit that he aroused my emotions, making me worried, applauded, and saddened by him. He is an ordinary person, he is a legend! I cannot say that this book has no shortcomings, but there is no doubt that the flaws outweigh its advantages. Its outstanding advantages have left a deep impression on me. I often can't remember the name of the protagonist of the novel I've read before, but this time I'm sure I will remember Hoffa.

An epic of growth, a helpless tragedy Plot, full score, full score in all aspects (obtained from evaluating most of the characters and their endings in the book without subjectivity). The Arrow of Time is the turning point of this book. Going forward is to pay the price while growing, and going forward is to continue to grow while paying the price, and step by step, move away from the past self. This book is the closest to a masterpiece in my opinion. While it perfectly inherits the charm of HP, it also continuously amplifies it and adds its own thinking. Novels are products for relaxation, but in my opinion, they also have a more essential and important role, which is to pass on will and belief. (Many famous books are actually novels, but now many novels are no longer classics, which is a bit sad. There can be books that defraud consumption in order to attract people's attention, and books that cater to readers to gain profits, but if it becomes the mainstream like it is now, it is really ridiculous and tragic. I won't talk about it anymore, this is just my personal opinion.) This book has many wonderful characters and stories, but the one I want to talk about most is actually our favorite rabbit-Aglaia. She is the soul of this book, and it is precisely because of her that the protagonist Hoffa "comes" to life. Hoffa is undoubtedly happy with her. Before the arrow of time, he was just as beautiful and happy as before HP. The beautiful college life that makes people yearn for, as well as the enviable and beautiful companions and the time they spent together, especially the part about jumping into the lake, should be the last chapter of the first half of the book, and the subsequent death of Aglaia also brings an end to the relaxation and comfort of the book and the final childishness in Hoffa's heart. The subsequent book, just like Cedric's death in HP, begins to develop towards tragedy. In fact, Hoffa and Harry are quite similar in some aspects, but the same people will take different paths due to different encounters, but their essence is indeed the same, such as Dumbledore and Grindelwald. (Harry and Hoffa are actually quite similar, aren't they? They both gradually grew up through constant loss, and finally experienced infinite suffering and became the savior. Of course, I think Hoffa is far more painful and miserable than Harry because the two most important people in Harry have never left him.) "Looking for the light in the darkness", this sentence runs throughout the entire text (when Hoffa was at his most desperate, Aglaia was his light, and after Aglaia's death, she was also his light... Too cruel... Too cruel...). In fact, I haven't finished reading this book yet, but it's almost there. I don't dare to read any further. Because I combined what I saw of Aglaia with the author's explanation of the ending of Rabbit and Hoffa, I roughly understood the tone of the ending. I used to be a fan of classics, but later I turned to reading online articles because I was afraid of something, but now this book has given me the feeling of facing this fear again. Originally I wanted to write something more objective, but I still wrote it as my personal reflections. But if you say this is an over-interpretation, it is not (although I did not interpret it at all). There is no over-interpretation at all. In my opinion, books are a very wonderful thing, because reading can improve yourself and allow you to face your heart from a special angle. Therefore, what you see when reading a book is exactly your heart. (Actually, it's not very clear. I've always had trouble speaking.) Summary: In my opinion, this is the closest online article to a classic. It is an epic story of growth, full of regrets and helplessness. (Personal opinion, if you have any objection, you are right.)

I think the biggest highlight of this book is that it is set in the Grindelwald era, with almost no reference to the Harry Potter story line. This is really awesome and surpasses most Harry Potter fan fiction. However, starting from the third chapter of How to Train Your Dragon, I feel that the author's writing style tends to be depressing. The protagonist who saves Hogwarts in the second chapter is still so frustrated in the third chapter, his strength has not grown steadily, and there are a lot of negative events, which makes people feel a little uncomfortable. Overall, this book is still very good, but not everyone can accept such emotional ups and downs, especially ordinary people whose lives are not very satisfactory.

Great work. I have read too many online articles. Since the commercialization of online articles, online articles have catered to more and more popular tastes, but there are fewer and fewer that can touch the softness of my heart. This book gave me inner feelings after a long absence. Just like "Dragons", are Dragons garbage? Who wouldn't criticize dog-licking literature, but why did you love to read it in the first place, read it night after night, and even bitch Jiangnan in the post forum because of Li Hui's death? Because who is not a dog-licking literature. The same goes for this book. Who wants to read the main text? But why do you want to read it? I read the pirated version and subscribed to the original version, because who is not a person who is driven by life to move forward? Although our lives are not as amazing and painful as Hoffa's, they are still a heavy pressure that individuals cannot resist. But Hoffa still persists in resisting the arrangement of fate. I can't do it, and it doesn't affect my appreciation and envy of people like him. As for the rabbit problem, I think as the author said at the end, he has understood the mystery of flow. Hoffa is a legend, so he will not shout out like the standard protagonist of the starting point: "What does this world have to do with me? I only care about the people around me!" Then kill Silby with a knife, take Miranda, senior sister, and nun back to fifty years later to live a happy life with the rabbit. Great people have great characters. It was Hoffa's character that made him not let the world fall into riots, so he was selected as the successor by Silby. Speaking of Silby, one of the things about this book that makes me want to put it down is these charismatic villains. They cannot be regarded as simple villains. Because not only the protagonists, from Grindelwald to Silby, they are actually people who are working hard for their inner beliefs. In a sense, they are also the protagonists in their own stories. And through careful design, the author makes their ideas and acting styles have reasons, so that the character has depth. Of course, it is also because these bosses are so powerfully portrayed by the author that Voldemort has indeed become his younger brother. The village-level terrorist lives up to his name, turning a character who was supposed to be the big devil into a bright spot in the depression of the entire book. Looking at ruthless people like Sylby Grindelwald, every time I see Hoffa facing off against Voldemort, I actually feel a little relaxed and even a little relieved: Hoffa has been miserable for so long, and he can finally pretend to compete. So if you can understand the villain, you should know that if this book is still the traditional starting point standard routine, it is a blasphemy to the ideas and dreams of Silby and Grindelwald. How can the opponents not match? The two great devils have devoted their lives to struggle. One is to bring wizards to the forefront and change the pattern of wizards being complacent. The other is to eliminate opposition and class so that everyone can become a wizard. Facing a villain with such a pattern, if his opponent is not a protagonist like Hoffa who suffers the same inner pain but still fights for his beliefs, but is beaten to pieces by a little guy who comes from nowhere and relies on the lottery system to win his life's hard work, my heart should be as complicated as eating strawberry-flavored shit. The author is also a stream-of-consciousness author. He follows the flow of the work naturally, and only plans the framework and foreshadowing, thus creating this story that is somewhat sadistic but makes me keep recalling it. In comparison, the expression of feelings is indeed a bit simple. Hoffa's love for Rabbit should be a life-saving rescue from the Dragon of Nothingness, because if it is the accumulation of life, Miranda and Rabbit are on par. That's why we have to save the rabbit even if we fall into the time cage. The real cage is Hoffa's desire to save the rabbit, not the arrow of time. Six thousand cycles, as long as Hoffa gives up the rescue once, the entire time cage will be self-defeating. It is precisely because he never gave up rescuing the rabbit that he achieved this unbreakable time cage. Even when Hoffa obtained the law of time in the end, I still wondered from time to time whether Hoffa was still trapped in the time cage because the rabbit was not around. And where did Rabbit's love for Hoffa come from? Before Hoffa jumped into the Black Lake, I didn't see any emotional foreshadowing that allowed Rabbit to risk her life to save Hoffa. Of course, after 300,000 years of never abandoning each other, I don't doubt their relationship. Their love is definitely stronger than gold, so being with Miranda in the end made me feel a little uncomfortable. Hoffa can give up his feelings for the world and mankind. This is the tragedy of his legend. Then he should live a lonely life like the old Hoffa in the arrow of time. The act of choosing Miranda put an indelible stain on the originally touching love between him and the rabbit. Hoffa betrayed his persistence and betrayed his love. So I want to say something here, bah, scumbag! It can be said that under the previous foreshadowing, if it ended up being lonely in the end, I would scold him, but I would still call him a masterpiece and make crazy Amway among friends. Now it is impossible to give Amway to friends. One thing worth bragging about about this book is the setting of foreshadowing. The author should have had an obsessive-compulsive logical closed-loop idea in the early outline stage of writing the book. Under the guidance of this idea, although a bunch of philosopher-like characters were created, from time to time when I saw some foreshadowing that had been buried in a whole volume or even several volumes being revealed, I could do nothing but shout nb.

This is the story of a young boy who is mentally fragile (actually not that fragile (it should be stronger than you and me)) and fights against nihilism. For some people, nihilism is even a good medicine to help them achieve inner peace. But for young people with less strong hearts and less profound experiences, nihilism is likely to be a spiritual poison, virus, and infectious disease. It is likely to catch up with you like depression, eating away at and eating away at your spirit. It is so difficult to deal with, because upon closer inspection, every sentence, every word, and every content of it are correct. For today's young people, it is especially easy to fall into the trouble of nihilism. We find that the world is not what we thought it was. The people around us when we were young made us believe that we were the masters of the world and the protagonists of our times, and then told us that in fact we were nothing and the world was not what we imagined. So I fell into trouble and confusion. Are we born to be mediocre? Are we just doing nothing? Does what we do really matter? This story tells us something and nothing. I hope every book lover can enjoy reading.

The moment I read it, I felt a sense of emptiness. I am a language-poor person, so I can't say anything wonderful. I can only say that I am honored that I have read this book.

This book, how should I put it, is recommended for people who have not read the original work very much. If you know the original work very well, you will be stung by the parts of this book that inexplicably conflict with the world view of the original work. Another one, the author has a literary problem. This book is called HP fanfic, which is actually disguised as HP world view. Many plots in the book are really unacceptable. Personally, I think that one must at least have excellent writing skills and literary qualities in order to write a text that is both literary and non-discomforting (I am also a sadist, and "To Live" made people feel sad. This book only made me spit out my overnight meal), but it is a pity that the author cannot do it.

It's really well written, and it's really awesome to write a fan like this! ! It has the romance of the first few years of online writing, and the rigor of the overall structure of the first few years! Especially the final ending satisfies the original sincerity in my heart! ! Give the author a thumbs up! ! !

I was persuaded to quit by Aglaia. To be honest, this book is actually good, but the portrayal of the heroine is really unlikable. Every time I see her I get very angry. I have never met such an annoying person in the third dimension, but I have met her in the second dimension. Simply! I don't know what other people think, but I can't stand it as a woman anyway. It affects the reading experience too much.

The description of the characters amazes me. Take the big boss Sibyl. I think this is the best character described in the book. He is neither a bad guy in the traditional sense nor a good guy in the traditional sense. Instead, he is persistent, extreme, and even a somewhat naive idealist. He can sacrifice everything for his ideals, no matter what others are. What belongs to the person is still one's own, and people are angry about what he did to Hoffa and the people around him, and admire him because of his lofty ideals. This complex character becomes logical under the author's description, and a vivid character emerges on the page. After reading the whole book, it makes people feel embarrassed to recall the first acquaintance between Hoffa and Sybil at the beginning of the second part. (This is my first time writing a book review, so I apologize for the bad writing)

True to the name, the author said that he didn't want to just write an online novel, but wanted to write a work that could stand the test of time, and he did it - at least in my heart. Foreshadowing, foreshadowing, and environmental setting are all highlights that I won't go into details here. The author excels in describing spiritual growth, and the images of the three original protagonists and one villain come to life on the page, eclipsing many of the supporting characters in the original work. At this point, I no longer regard it as a fanfic under Harry Potter, but as one of my favorite books about fantasy and magic. Just like technology should not always be about throwing stones to boil water, "magic" should not be about competing to see whose fireball is bigger. Magic is the fantasy of creation, memories, regrets and daydreams that exists in everyone's heart. It is the miracle that everyone hopes to appear in their lives. I am very grateful to Ms. Rowling for creating a unique magical world, and I am also very grateful to Tangled to create a brand new story using this world.

After reading this book, my heart explodes every time I think about this book. My memory is not bad, and the sadistic plot has never been forgotten 😭😭😭😭[f n=12]😭😭😭😭😭😭😭😭😭

I've watched a fifth of it, let's talk about it. 1. The book can be read, the protagonist is more like ordinary people, and time travel does not bring much psychological bonus. 2. There is a system, not a mindless novel. The system is useful but the sense of existence is not strong 3. This chapter says that the violence is relatively strong. So far, every chapter is similar.

With excellent plot control and the use of hidden lines, the plot has a strong three-dimensional sense of cinema, which is different from those mediocre people who push it all the way. It can really make you feel like you have watched a complete series of movies after watching it.

This book is the most comfortable novel I have read in six years. It is not a HP fanfic, because it only borrows HP's world view, and the characters, stories, and even the world background are far from HP itself. The reason why the world is said to be different is because of the main tone of the world. In the end, what HP tells is an adult story about love, while this book seriously narrates the growth of the protagonist. The first few chapters are a bit cheesy, but the further you read they become more exciting. The story itself is attractive because you can't guess what will happen next. The reader can clearly know that the next turning point is approaching, but what the turning point will be and when it will be unknown. Another thing the author did quite well is the construction of characters. Everyone has his own image, his own thoughts, and his own story. Even the protagonist's roommate, an insignificant character, seems different. At the same time, the author's depiction of the environment and atmosphere is particularly vivid. Some passages even jumped out of the page, such as the first time the protagonist transformed into a thunderbird and descended from a high tower. And when the Dragon Training Team returns and looks at the crazy, irrational, ragtag Halloween dinner from the protagonist's eyes, the noisy atmosphere wraps people up and makes it impossible to escape. And what comes after the hustle and bustle is not quiet, but silence and loss. Finally, some personal opinions. I like this book because I resonate with the protagonist. Especially when it comes to stupidity, it feels particularly immersive when the protagonist escapes. Many HP fans are either pure romance or pure cool writing. This is not to say that both are bad, I also have favorite characters in the HP world, and I also have regrets. But sometimes fans should not just express their fantasies, but more importantly, express something if possible. Just being a fan, just a collision of multiple elements, cannot make people stop in front of the work for too long. Many times, many people think that online novels are just box lunches. I think so too, and it tastes delicious. But that doesn't mean the lunch boxes aren't made with Wagyu beef, abalone, and sea cucumber. Many times, what is really needed is just an idea, a desire to express. This is a good book and worth reading. Although the update is too slow, I hope the author can maintain the high quality.