The Book of Another World

Some ways to read this book. 1. Who is the protagonist? Generally speaking, the person who describes the most is the protagonist. For example, Xing Tianyu in the book. 2. Highlights of this book Novel ideas! Don't worry about the plot, as long as it's appropriate. 3. Don't have the mentality of a passionate plot Hot blood, how to get hot blood? I guess the author's understanding is to talk nonsense and seek death. But it seems that the author is not interested in talking nonsense, but wants to die... For example, during the fight between the super evolved bodies, you can have some verbal exchanges before starting the fight, say some words during the fight to set off the fight, and then block each other's knives. 4. The problem with God's perspective. As long as the character's actions make logical sense, then that's fine. Don't say why so-and-so does this, it's obviously better to do it that way. We don't know much about the plot characters, and their personalities determine their actions. 5. Do not substitute fiction into reality. This is the most important point. If a book is a fantasy novel, then you may think of it as a real world with fantasy elements added. Then you're in trouble. For example, if a book describes people's selfishness, you will think of people's selfishness in reality. If the book says that selfishness has serious consequences, you may think of all the selfish people in the world and feel scared. 6. Don't read books with the attitude of finding faults There is always something wrong with a book, and even if you don't have this attitude, it will affect your reading.

I have a bold guess that Pollabi is the juvenile form of the "Djinn"! 🥵 As long as the protagonist adds attributes to her through cultivation methods, builds equipment, improves skills, and passes a series of trials, and finally completes a special plot with full intimacy... A fresh djinn will be developed 😄 The Djinn cannot be obtained through summoning! ! ! 🪖

What I like the most about Da Sniper is that he never tries hard ╭(°A°`)╮ and when it's about to end, he never forces it on. . .

I took advantage of the limited exemption to catch up on the latest chapter. It's good. Compared with the previous books, the imagination is bigger, and the setting is extremely novel. In terms of the worldview set by imagination, the author has no problem starting from the top three. I don't understand how there is a problem of not being able to distinguish the protagonist. It's obviously been written from Xing Tianyu's perspective, so how can I not be able to distinguish the protagonist. The first part is extremely stunning. The grand world view slowly unfolds. The prologue of the book of alien worlds gave me a sense of déjà vu when I saw the three laws of robots and the laws of the dark forest for the first time. The diverse creatures, compact plot, and meticulous plot can be said to be perfect. The second part was a bit mediocre, mainly because the enemies faced were not dangerous enough. The Lord of Darkness was outclassed by the later King of Nightmares, so in retrospect it feels a lot less impressive. But this can be considered an accumulation. To prepare for the infinite brain-burning of the third part, only by relaxing and relaxing can you experience the real excitement. As for the third part, it can be said to be a brain-cell-destroying one. The first part was exciting because it allowed us to appreciate the unknown, but the third part was exciting because it threw more unknowns at me. The horror of murder in dreams, the antiquity and mystery of the Nightmare King, the magic of psychic magic, and the suspense of the protagonist's childhood secret. I dug so many holes that it made my heart itch. The fourth part does not have the climax followed by the trough like the second part. With the help of Ning Wenrui, the author has thoroughly developed the power of the Book of Otherworlds, appreciated the infinite possibilities of the Book of Otherworldly, and laid a solid foundation for the protagonist's future journey. To borrow the terminology of cultivation, it is the couple of wealth and law, that is, money (Ning Wenrui), book (Book of Strangeness), lover (Sylvia), and land (America). As for the fifth part, this latest one has a bit of a gap. The part about the praying elf is very novel and fun, and all kinds of wishes come true but have many sequelae. The part about the demigods was so awkward. Saladis has brought people into the absolute real world so many times. How come he has no foundation in the absolute real world, and there is too little preparation in advance. The protagonist is a big star, and he is a tramp. I always thought that Saladis's words were to confuse the protagonists, but unexpectedly they were telling the truth. This gap is a bit big and uncomfortable. Generally speaking, the author's imaginative setting is still the biggest highlight of this book. You won't find many such novel books. However, the control of the author's writing style is indeed not very good. The character description is still a bit pale and facial-like. He only describes the characteristics but does not reflect the complexity. Rhythm control isn't very good either. Another point is that the author has buried a little too little long-term story, and has not dug the hole deep enough. For example, the second part of Lord of Darkness was filmed, and the third part was filmed by Lord of Nightmares. The childhood puzzles in the third part are solved in the fourth part. This is the King of Darkness and the Snake of Destiny. Wouldn't it be better to leave these two traps for a while? The bugs in the first part are solved in the fourth part. I think this rhythm is good. You can't solve your pitfalls too quickly. You have to wait until the readers have almost forgotten it before you fill in the pitfalls. The readers will be surprised when they see this foreshadowing. Of course it's too late, and it's hard to fill it out myself. As for the writing style, it has improved a lot. I feel that the writing style is much smoother than

I always felt that the summoning ritual in Lord of Mysteries was learned from this book.

I can still recall the specific plot after several years. This is one of the few books out of thousands.

The idea is good, but the IQ is not online. It is summoned to solve the problem, but the lack of IQ is really unsightly. A weak country has boring diplomacy and does not even have the qualifications for equality. It still talks about demands. I don't know what the author thinks.

Summoning for death, in order to solve a problem, constantly summon creatures from other planes to solve the problem. But the reality is that the summoned thing itself is a big problem. Summoning seems to be not burdensome at all. If an ordinary person casts spells several times in a row without getting dizzy or dizzy, then if this continues for half a month, a super master will appear, the kind who can't be beaten to death. But this society seems to be very modern and orderly, so it is a bit contradictory to the author's setting.

Hey, the online games are so written that I really can't stand them. On the contrary, the few books you bought on the street think they are classics.

This wave, this wave is when primary school students enter the laboratory. They see the formula for synthesizing explosives from the textbooks they picked up and want to try it out.