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"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University. This is the thirteenth series and is divided into six categories: "Ci Fu Research", "Ancient Poetry Documents and Texts", "Ancient Poetry Research", "Poetry Theory Research", "Contemporary Poetry Research" and "Youth Forum" The column not only focuses on the summary and compilation of academic history and poetics documents, including extremely valuable genealogical results that are difficult to cover in other publications; it also focuses on the important research results of young scholars. It is an optional reading for literary researchers, especially Chinese poetry researchers and poetry lovers.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

The people of Jerusalem were the worst sinners, but they were the first to receive grace. Why is this? Desperate people, please do not despair, please listen to Bunyan, take heart, and seize the hope given to you.

Central Asian Dungan literature is the result of the joint interaction of Chinese traditional culture, Russian culture, nomadic culture, Islamic culture and other cultures. On the one hand, this book uses the methods of history, geography, ethnology, linguistics and other disciplines to analyze the development and evolution of Dungan literature in a complex and diverse foreign cultural environment. On the other hand, on the basis of outlining the overview and characteristics of Dungan literary creation, it reveals the unique research value of Dungan literature from the aspects of language, aesthetics, culture, etc., And establishes its unique position in the study of world Chinese literature.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

This book combs the status of novel creation and theory from the end of Daoguang to the end of Tongzhi, discusses the initial changes in the development system of modern novels, corrects past conclusions that are inconsistent with the actual development of novels, and provides a realistic description and analysis of the "revolution in the novel world" and its subsequent changes. Based on a large amount of first-hand information, this book elaborates on some issues that are very important in the history of modern novels but have not been studied in the past, such as daily novels, piracy, novel reprints, novel special issues, translated novels, etc. It also describes and analyzes the process, motivations and endings of the changes in modern novel theory.

Johnson, a famous British writer in the 18th century, is admired by the world for his independent spirit, free thinking and kind personality. This authentic Englishman, along with Boswell's "Life of John", which recorded his wise conversations, has become an eternal topic that is frequently discussed in the history of world literature. This book brings together more than ten essays by the author, respectively introducing "The Biography of Johnson" and Johnson's novel "Happy Valley", Johnson and the Enlightenment, Johnson's poetic view and his thoughts on politics, religion, philosophy and globalization. An overview of foreign Johnsonology research, showing the research progress and normal learning activities in the UK, the United States and Australia. The article "Qian Zhongshu and Johnson" provides a comparative explanation of two erudite masters and wise scholars.

The dramatic turn of the Russian writer Solzhenitsyn's thoughts in his life triggered widespread controversy in the international academic community. The conservative stance he finally chose was considered to have extremely narrow nationalist tendencies. This article provides a contextual interpretation of Solzhenitsyn's ideological formation and related creative activities in diachronic order, trying to reveal that from the Soviet Union to the West, and then to Russia after liberalization reforms, the specific historical spaces in which the writer was involved have been seriously imbalanced. Although he advocates the "middle way", he can only constantly change his stance and paradoxically balance various unified ideological systems with his fierce voice of resistance. Solzhenitsyn's return to Russian national tradition is not only not a fiction, but a choice made after in-depth dialogue with Western modern civilization, which also makes his related thinking of very important cross-cultural significance.

At present, there is no book with the same topic published in China. This book mainly includes the following contents: 1. Conceptual analysis and development overview of postcolonial feminism; 2. Construction of the theoretical system of postcolonial feminism, which is divided into establishing critical philosophy, national theory of postcolonial feminism, sisterhood of postcolonial feminism, sex and body of postcolonial feminism, and strategies of postcolonial feminism; 3. System of literary criticism of postcolonial feminism, which is divided into reconstruction of literary tradition, image criticism, motif research, stylistic research, poetics research, etc. 4. Dilemmas and development directions of this theory.

The content of this book focuses on answers to questions such as improving the artistic accomplishment of reading and cultivating readers' aesthetic abilities. According to the usual art classification methods, this book systematically sorts out and summarizes common art categories such as literature, film, television, art, music, drama, dance, acrobatics, and photography from the three perspectives of development history, criticism, and creation. This book covers a wide range, with a large number of comments and creative examples and new content, which is of great benefit to learning, understanding, art, and improving artistic accomplishment.

This book is the representative work of Mr. Qian Liqun and his first monograph. It is a landmark work in the field of domestic Lu Xun research. This book can be said to be Qian Liqun's own "Lu Xun View". In his writings, many of Lu Xun's previously unknown Wei-Jin style, anarchist and individualist thoughts were displayed, which greatly enriched Lu Xun's appearance in the 1980s; more importantly, he used his own life experience to project "Lu Xun". Qian Liqun once said: "I study him, not as a research object in the academy, but as a guide. First, I learn how to be a human being, and then I have an experience, and write it in a book called "The Quest of the Soul." It doesn't matter whether people recognize it or not." His book does not seek to be recognized within the academic system, but more concerned with sharing "my view of Lu Xun" with the public, so that everyone can benefit from "Lu Xun". Over the past thirty years, this book "The Quest of the Soul" has received due praise and attention in the ideological and intellectual circles, including academia.

This book is Qian Liqun's second monograph. It is his relatively comprehensive review of all aspects of Zhou Zuoren. Qian Liqun first placed Zhou Zuoren in the perspective of Lu Xun, discussed "Zhou Zuoren's path and its significance", gave a complete description of Zhou Zuoren's ideological path, and revealed how he "went to the abyss"; then he discussed Zhou Zuoren's academic and cultural footprints, and made a classified review of his various miscellaneous studies and new literary creations; finally, he compared "Zhou Zuoren and his contemporaries", making individual comments and comparisons at a macro level, which is quite general and collective.

This book is a study of the history of Chinese novels. It uses Lu Xun's "A Brief History of Chinese Novels" as its foundation work, takes the times as its classics, and uses its themes, styles, and categories as its latitudes to discuss the history of the development of ancient novels. For nearly seventy years, although various works on the history of the novel continued to be published, none exceeded its level. Shi Changyu's works lead the study of novel history from subject matter to style, broaden the horizons of novel history research, and fill a gap in academic research.

George Orwell is not only the most famous author of anti-totalitarian novels, but also a famous English stylist, a first-class essayist, and a clear-minded and sharp-eyed literary critic. "The Decline of English Murder" is mainly about literature and art, including famous works such as "Dickens", "Tolstoy and Shakespeare" and controversial literary theories such as "Rudyard Kipling", plus light-hearted essays such as "In Defense of British Cooking", which comprehensively reflects Orwell's style as a literary critic.

"Gossip" is a collection of Mr. Acheng's talks about Chinese secularity and Chinese novels. Using the writing style of literary history and the tone of chatting with friends and audiences, he looks at the various scenes of secular culture and Chinese literature and presents the "miscellaneous" and "tong" aspects of culture in Acheng. It is a masterpiece of his thoughts. Utopia launches the 20th anniversary commemorative edition with an additional 10,000-word article "Chinese Secularity and Chinese Literature". "Twenty years ago, there was a booklet called "Gossip". I mentioned it again today, hoping to make more connections between Chinese culture and civilization. "Chinese Secularity and Chinese Novels" is a collection of many talks. Speaking to the audience and chatting with friends, our common knowledge wealth is secular experience. Secular experience is the easiest to transform into a humanistic perspective. In this way, it is best to turn theory into gossip, hide professional terms in gossip, and not define "secular" throughout the article to make it easier for listeners to follow."

This book is a literary review monograph that comprehensively and systematically collects 45 literary review articles written and published by Zhao Kai, a professor, doctoral supervisor, and critic at Anhui University since 2000. Zhao Kai is an expert in the study of the Sinicization of Marxist literary theory. The articles in this collection of reviews are mainly based on the local literary phenomena in Anhui. It is the author who focuses on the literary practice of contemporary China and applies Marxist literary theory to specific literary research and criticism. It reflects the distinctive spirit of the times and profound historical significance. The collected commentaries have been published in newspapers and periodicals such as People's Daily, Guangming Daily, Literary Review, Literary Journal, Literary Research, Literary Theory and Criticism, Anhui Daily, Anhui Literature, etc., And have generated good social response.

This book is the fourth volume of the "Research on Oceania Literature" series compiled by the Institute of Oceania Literature of Anhui University. It brings together the latest achievements of Oceania literature researchers at home and abroad, covering major writers and works from Australia, New Zealand and South Pacific island countries. The research articles included in the book are all the latest masterpieces of well-known scholars at home and abroad. They conduct comprehensive and in-depth research on the characteristics and development trends of Oceanian literature, emphasizing the organic combination of theoretical observation, aesthetic appreciation and critical analysis.

This book starts with the British novel "Robinson Crusoe" and analyzes how this work became the best-selling maritime literature at the time through its alluring descriptions of uninhabited islands, storms, shipwrecks, pirates, etc. It also explores how the American novelist Cooper gave American maritime adventure novels a new look in the post-colonial context, and how he changed the poetic form of literary works describing overseas adventures in the 19th century; analysis It shows how the French novelist Verne changed adventure novels into science fiction novels; it shows how Melville, Hugo, Conrad, etc. Walked alone in the foggy waves of language and thought; it reveals how detective novels use the problem-solving methods in ocean novels. This book is rich in content, incisive explanations, and unique insights. It is an important reference work for the study of ocean novels and the changes in ocean culture.

Love poems and the stories behind them from ancient and modern times at home and abroad have always been a topic of great concern to readers and an object of reading, and they are always talked about. The author of this book uses semiotic theory to deeply explore the connotation of "emotional symbols" commonly used in Chinese and Western poetry such as "silk", "red bean", "clothing", "intestine", "cuckoo", "wine", "flower", "dream", "willow", "wind and rain", "bright moon", etc., Leading readers into the poet's emotional world, and guiding readers to appreciate the poetic flavor and cultural interest of this emotion.

This book explores Ouyang Xiu as an individual life, and thereby studies the special style formed by his literature. This breaks away from previous works that mainly discussed the appearance of Ouyang Xiu, a politician and literary leader, and is a new development in the study of Ouyang Xiu.

The author Guo Weichuan is a disciple of Mr. Rao Tsung-i, a master of traditional Chinese culture. He has studied under him for 28 years. He has a deep understanding of Rao Tsung-i's academic thoughts and achievements and contributions in many cultural fields. He also has a comprehensive understanding of China's representative famous masters in the 20th century. Therefore, when the author studies Mr. Jao Tsung-i's extensive and profound academic culture, he places him within the historical discussion of modern Chinese academic history and makes objective and relevant comparisons with other schools to demonstrate the continuous progress of academics in the era.

This book focuses on the historical connection between Lu Xun's creation and traditional Chinese art, and the ideological "dialogue" between Lu Xun and traditional Chinese art. It aims to break down the disciplinary barriers between "literature" and "art", delve into the artistic world of Lu Xun's literary texts, experience the visual logic of literary imagination, and trace the life and fragrance left in the lines and colors of pictures. The author focuses on the two dimensions of "ideological dialogue" and "formal research" to examine the internal influence and relationship between Lu Xun and Han portraits, literati paintings, folk paintings, Wei stele, etc. Using the interdisciplinary research method of "literature and fine arts", the subtle influence of artistic thinking on Lu Xun's literary creation was excavated.

During the Spring and Autumn Period, countless people have always been fascinated by it because of the incomparably beautiful verses in the Book of Songs, because of that mysterious time that was far away and untouchable, and because of the prehistoric era when heroes and beauties frequently appeared. The author borrows the love stories from the Book of Songs that emerged from the years of war in the Spring and Autumn Period, and combines the marriage legal system and marriage forms in the Spring and Autumn Period to tell a story of love, hate, and hatred in the Spring and Autumn Period. There is love, hate, loyalty, conspiracy, the Book of Songs, Zuo Zhuan, and the legal history of the Spring and Autumn Period related to marriage and love.

Keyword research is not just a research method, but a way of thinking. It can be said that a keyword means an ideological concept. But this kind of ideological concept is not just the thought itself, it is inextricably linked with history, era, culture, tradition, experience, etc. The three key words of modern Chinese literature, "enlightenment", "science" and "humanism", are both representative and able to integrate Chinese and Western ancient and modern times. They seem to come from foreign lands, but in fact they are soaked in the juice of traditional Chinese culture. In terms of its logical relationship, "Enlightenment" is the general theory (politics, humanities), the latter two are sub-themes, "Science" is from the scientific and cultural perspective, and "Humanism" is discussed from the perspective of human nature and individuals. There is a red line running through these three keywords, that is, they all have the foundation of the traditional cultural spirit that has been obscured by the West, that is, the elite consciousness of modern Chinese writers like scholar-bureaucrats and the practical rationality of actively engaging with the world and applying it to the world, because in the final analysis, tradition is not "rupture", but "growth".

The book is divided into 19 chapters. The main content includes: an overview of Henan contemporary literature, Henan novels in the "Seventeen Years", Li Xuan's early creations, Henan poetry in the "Seventeen Years", Henan drama literature in the "Seventeen Years", Henan prose and reportage in the "Seventeen Years", etc.

This book contains 16 articles, consisting of three parts: mereology, synthesis, and comparative theory. It discusses the artistic characteristics of Li Bai's poetry, and has 6 appendices including "Miscellaneous Examination of Li Bai's Poems."

This book is carefully selected by the famous scholar Liu Wenfei from nearly a hundred academic lectures on Russian literature and culture given in universities and scientific research institutions at home and abroad in the past ten years, and compiled and published. This book will maintain a certain "original nature" of the spoken language when it is being revised, so that readers may gain the same immersive feeling as the listeners. Speeches delivered abroad have been translated into Chinese. These lectures are divided into two parts, the first part is an introduction to Russian literature and culture, and the second part is a monograph on the author or work. The book is rich in content, taking into account literature, culture, and the history of exchanges between China and Russia. It covers a wide time span: vertically from the golden age starting with Pushkin in the 19th century, through the Silver Age in the early 20th century, to today's modern literature; horizontally, it includes Russian writers in Russia, exiled in Europe and the United States, and their literary and cultural activities in their places of residence. The author of this book is also a poet, and his language is characterized by high literary talent, freshness, liveliness, and high readability.

An academic monograph with rigorous structure and exquisite words on the aesthetic issues of Chinese poetry into English; one of the "Trilogy of Chinese Poetry into English Translation" launched by the Chinese-to-English translator of CCTV's 84-episode TV series "Romance of the Three Kingdoms" subtitles. Compared with similar works, this book puts more emphasis on aesthetic research and initially establishes an aesthetic system for the translation of Chinese poetry into English, which has certain theoretical significance and practical value.

Starting from a large number of poetic materials, this book uses the method of unifying history and logic to make a reasonable summary and explanation of the poetic theories of various schools in the Jin and Yuan Dynasties, and clearly sort out the development of the poetic theory of the Jin and Yuan Dynasties. The material is comprehensive, the argument is sufficient, and the explanation is precise. It contains both macro analysis and micro investigation, showing the author's solid literature foundation and broad academic vision. Some chapters have never been published before, which are helpful for the in-depth exploration of theoretical research on Jin and Yuan poetry.

This book was written through multiple interviews with Luo Jing and Wang Yueqing from the Department of Journalism of Nanjing University. After the relevant geological content was supplemented by Zhang Yuchang and Jiang Qiqin, Zhang Yanyan, Xu Peifang and others who were formerly from the Ministry of Geology and Mineral Resources, the book was finalized by Academician Liu Guangding of the Chinese Academy of Sciences and Professor Zhou Zuyi of Tongji University. It was published by Tongji University Press with the support of the graduate students he trained at Tongji University. In the form of reportage, this book narrates the four-decade plan that Mr. Zhu Xia set since childhood to read thousands of books, travel thousands of miles, conduct scientific research, and cultivate future generations. He persisted in realizing it throughout his life and made outstanding contributions to the geological cause and geological theory of the motherland. It can be used as a reference for the history of science and technology in China.

"Research on the Rhetoric of Novel (Revised Edition)" is a work that constructs a systematic rhetoric of novels. This book provides an in-depth analysis of novel writing, cites classics, involves many theoretical works and novel texts, takes stock of literary concepts related to novels at home and abroad in ancient and modern times, and questions and debates some current literary misunderstandings and superstitions. This book has a broad vision, spanning narratology, stylistics, rhetoric and other disciplines, and offers its own unique insights.

This article takes the relationship between Han Fu and the study of the Book of Songs in the Han Dynasty as the starting point, and conducts an in-depth examination of the content and form of the study of the Book of Songs in the Han Dynasty, as well as the origins of the works of Fu masters in the two Han Dynasties and their study of the Book of Songs. On this basis, it conducts a systematic discussion on the relationship between Han Fu and the study of the Book of Songs in the Han Dynasty.

The book "Legendary and Unsurprising: The World of Western Hunan Constructed by Shen Congwen" starts from the "legendary" nature of Shen Congwen's novels and analyzes the background and motivations of the "Western Hunan World" he wrote. From the historical environment of the 1930s, it also analyzes the contrast between Shen Congwen's urban narrative and the world of Western Hunan he wrote, as well as the characteristics of Shen Congwen's writing of lyrical novels as a representative of the Beijing School. Then, Shen Congwen's legendary Xiangxi novels were analyzed by comparing the similarities and differences with Faulkner in human nature, Yasunari Kawabata in aesthetics, and the continuation of Lu Xun and Jia Pingwa in terms of local narrative. This book also sorts out and explains the decline of Shen Congwen's novel creation after the 1940s, Shen Congwen's literary criticism, and Shen Congwen's psychology and life course after the founding of the People's Republic of China.

This book selects the English translation of "Chu Ci" by Yang Xianyi, Gladys Dai, Sun Dayu, Xu Yuanchong and Zhuo Zhenying as the research object. It takes "ambition", "emotion", "shape", "realm" and "spirit" in the traditional Chinese poetics category as the main line. Based on the comparison and analysis of the translations, it integrates translation studies and Chu Ci from a cross-cultural, cross-time and interdisciplinary perspective. We will jointly explore and explore the relationship between the translation poetics of the English translation of "Chu Ci" and traditional Chinese poetics and traditional Chinese culture, and construct a theory of English translation of "Chu Ci" based on poetics, reflecting the interweaving of the three categories of "ancient and modern", "Chinese and Western" and "taiyong", and highlighting the correlation and mutual learning of the three characteristics of "localization", "traditionalization" and "diversity".

The main object of study in this book is Borges and his relationship with Chinese literature. Borges's fantasy novels are the most personal and creative part of his literature, establishing his position in the history of literature. Borges's fantasy aesthetics abandons the mechanism of realist literature, breaks the traditional binary opposition between reality and unreality, and presents a unique aesthetic form in which virtuality and reality coexist, and both reality and illusion are present. Borges' fantasy poetics is inseparable from his unique life experience. This book attempts to explain the reasons for the emergence of Borges' fantasy literature from the writer's life experience. Borges's fantasy aesthetics is not just a literary expression, but is supported by systematic philosophical thought. Elucidating this philosophical thought is also the topic of this book. After a more in-depth study of Borges as a source of influence, this book explores Borges's significant influence on Chinese avant-garde literature.

"Nation" has been the core category of Chinese Marxist literary criticism in the past century. The national stance, standards and concepts held by Chinese Marxist literary criticism constitute an important feature that distinguishes it from other different forms of Marxist literary criticism such as classics, Russians, Soviets, and the West. This book combs and summarizes the formation, evolution and specific connotation of the national view of Marxist literary criticism in China over the past century, and proposes that an open national view of Marxist literary criticism in contemporary China should be expanded and constructed under the new historical conditions of globalization.

This book is the final result of the National Social Science Fund Youth Project "Research on Word Anxiety and Moral Reconstruction of British Literati in the Nineteenth Century". Britain in the Victorian era was undergoing a process of "modernization" and a transformation from agricultural civilization to industrial civilization. In the face of unprecedented changes, when literati were thinking about morality, they realized their differences in ideas, concepts, and words and continued to argue, resulting in a state of clamor at the ideological and discourse level. They are deeply disturbed by the harm that the disordered state of words can cause. This anxiety occurs not only when thinking and writing with words, but also when reflecting on the words themselves. This book analyzes the manifestations and causes of this "word anxiety". Through case studies of key words and representative figures, it restores the social history and intellectual history context of moral thinking. It points out that literati's attempts to reconstruct the meaning system are also a means to resist various anxieties and reconstruct morality during the transition period, and reflect on the dilemmas and solutions of ethical construction and cultural adjustment in the process of modernization.

Since the founding of New China, along with the dramatic changes in Chinese society and culture, Chinese literature and art have also undergone many transformations. Based on "history" as the main clue, this book arranges the chapter structure with literary and artistic trends of thought as the main body. The book is divided into twenty-seven special topics. Based on the principle of objectivity and impartiality, the author analyzes the internal context of the development of literature and art on the basis of clearly sorting out various trends of literature and art, and strives to present the sixty-year development process of literature and art in a comprehensive and orderly manner.

This book first integrates factors such as creative psychology, theme and subject matter trends, and artistic achievements, and divides Chen Yuyi's poetry creation into four stages: the inheritance period, the transformation period, the peak period, and the decline period, and describes in detail the development and evolution of Chen Yuyi's poetry creation. Then it analyzes the artistic characteristics of Chen Yuyi's post-Nandu poems that established his position in the history of poetry, highlighting his poetic creation achievements and artistic personality. On this basis, it analyzes the relationship between Chen Yuyi and the Jiangxi Poetry School, which has been debated by commentators since the late Southern Song Dynasty, refutes the fallacy of classifying Chen Yuyi as a Jiangxi Poetry School, and gives a factual evaluation of Chen Yuyi's status and role in the poetry world at the turn of the Song Dynasty.

This book takes the research results of modern literature since the founding of New China as the research object, and conducts a vertical sorting and horizontal analysis of the research on contemporary Chinese modern literature. This book is based on solid historical documents and uses the methods of seeking truth from facts and dialectical analysis. By discovering valuable historical materials and conducting objective analysis, this book strives to give fair judgments and conclusions on the academic thoughts and values ​​of modern Chinese literary research.

Over the past sixty years since the founding of New China, literary theory has played an extremely important role in the social and cultural life of the Chinese people in different historical periods. From the influence of some literary and artistic controversies on the political trends of the time in the early years of the founding of the People's Republic of China, to the situation in which literature and art entered the core area of ​​the ideological and cultural field during the "Cultural Revolution", to the great significance of literature and art in promoting the transformation of ritual forms in the early days of reform and opening up, to the role of literature and art research in the construction of contemporary society and culture in the first decade of the new century, this book has conducted careful research.

The project was approved for completion in March 2017, and the appraisal grade was good. The book has a total of eight chapters and about 260,000 words. Some of the chapters have been revised and published in domestic and foreign journals, including 2 international English journals, 6 CSSCI journals, and 1 Peking University Chinese Core. The academic value of this study is mainly reflected in two points. First of all, a relatively in-depth and comprehensive interpretation of Johnson's works shows that he and other black writers have different thinking on racial and ethical issues. Secondly, it focuses on the Eastern cultural spirit in Johnson's novels. Although Johnson's approach of introducing an Eastern perspective when reflecting on racial issues in the United States still has certain limitations, it is undoubtedly of positive significance in strengthening mutual understanding and exchanges between Eastern and Western cultures.

This manuscript is a general project of the National Social Science Foundation "Research on the Identity of Speakers of Literary Theory in the New Era" (project approval number is 10BZW009), and the appraisal result is "good". This study starts from the perspective of the identity of literary theory speakers in the new era, combines the study of literary theory with the study of literary theory speakers, and breaks the limitation of previous literary theory research on theory. The purpose is to place the literary theory speakers in the new era under the influence of multiple factors such as politics, economy, consumption, media, culture, etc., To deeply explore and analyze how these complex factors shape and construct the identity of literary theory speakers, and also change literary theory, which has certain theoretical enlightenment value and significance.

"An Integrated Review of Modern and Contemporary Chinese Women's Literature" mainly talks about looking at the history of Chinese women's literature in the 20th century. An important research perspective is: how to see the evolution and development trajectory of women's literature in the context of modern Chinese culture, and then grasp the generation, inheritance and evolution of women's cultural concepts and women's literary forms within this overall cultural framework, thereby summarizing the historical experience that should be expected in the development of Chinese women's literature. There are six chapters in the book, including the transformation of cultural context and the evolution of women's discourse; the time imprints of multi-dimensional women's lives and female images; text evolution: three typical texts show the progress of women's consciousness: the meaning and limitations of women's texts in the "modern period": the transformation and transcendence of women's texts in the new era; integrated review: thoughts on the development of Chinese women's literature. From the perspective of the hierarchical evolution of women's literature, "An Integrated Review of Modern and Contemporary Chinese Women's Literature" explores the evolution of women's consciousness from vagueness to clarity and even maturity, from the evolution of women's discourse stance, the continuation and variation of women's literary traditions, the different characteristics of women's texts, and the diversity of women's images. An integrated review of the inheritance and evolution of modern and contemporary Chinese women's literature from multiple dimensions such as creation and creation is not only a perspective on literary history, but more importantly, it can summarize the laws and inherent historical experiences of the development of Chinese women's literature, providing useful reference for the future development of women's literature.

This book is one of the collections of special articles by members of the Chinese Academy of Social Sciences. Most of the papers included in this collection were written between 2004 and 2010, and are roughly divided into two volumes. The first volume of papers mainly responds to various new issues and debates, impetuousness and subversion that have emerged in literary theory in the new century. In view of the rampant practical instrumentalism and utilitarianism in the humanities today, a preliminary exploration and elaboration of the methodological issues of the humanities and the core issues of the nature of the humanities are made. The second series of papers mainly focuses on reflection. In the past sixty years, literary theory has experienced twists and turns and tremendous changes, and has made significant achievements and innovations in recovery and construction. However, there are divergent opinions on reflection and evaluation. Based on the principle of historicism, this collection of papers pursues the problems that have arisen in each period in the specific historical context, conducts theoretical cleaning and elaboration, and gives a generally reasonable positioning and summary, so as to facilitate the inheritance, innovation and development of literary theory.

In the 1941s, Chinese writers migrated and fled across the land of China due to war and other factors. The migration of writers was an important literary phenomenon in the 1940s. The migration of writers in the 1940s not only presented distinctive characteristics, but also had a profound impact on the literature of the 1940s. As an important literary phenomenon in the 1940s, writer migration has received little attention. This article makes a preliminary discussion on the migration phenomenon of writers in the 1940s and its interaction with literature, in order to attract the attention of researchers.

"Research on the Methodology of Literary Criticism" is an applied research work that transforms the representative theories in Western academic thought in the 20th century into literary criticism methods. The study of the treatise is carried out from two dimensions: first, methodological analysis of the classic theories of famous thinkers, such as Althusser's "ideology", Foucault's "archeology of knowledge", etc.; Second, using the outlined methodology and methods, text analysis of classic works in modernist literature is used to demonstrate the effectiveness and application skills of this critical method. Each chapter in the book is divided into three parts: theoretical resources - methodological research - sample essays. These three parts are actually the three steps of writing a paper, that is, selecting methods - application design - textual expression.

The main content of this book is the author's research and review articles on modern and contemporary literature published in important national and provincial newspapers since the 1990s until recent years. In addition, it also includes five or six research papers written in the past two or three years that have not yet been published. The content of this book is divided into three parts. The first volume is titled "Reexamination and Determination" and its contents include: 1. Comprehensive research on modern and contemporary literature. Such as re-observation of the ideological trends and changes in novels in the new era, research on the evolving characteristics of love novels in the new era; 2. Research on the works of important writers. Such as the study of novels and prose by writers such as Lu Xun, Yu Qiuyu, and Zhang Chengzhi. The second volume is titled "Searching for Scale", and its content focuses on exploring the writing rules of modern and contemporary literary works through detailed analysis of literary works, and reiterating the critical standards of modern and contemporary literature. The third volume is titled "Selection and Interpretation" and contains case studies of local literary creation. Although this book covers a wide range of topics, the content of most chapters is relatively focused. The first is to rethink and observe the changes in literature since the 1980s, and the second is to explore the rules of modern and contemporary literary writing and redefine the standards of criticism.

"Reevaluating Russian and Soviet Literature" comprehensively and in-depth studies the great experience of Russian literature through a detailed interpretation of classic works, an in-depth analysis of the writers' ideological conditions and spiritual dilemmas, and from multiple dimensions such as suffering awareness and free spirit. It examines the transformation and discipline of Russian classical literature by "Soviet Literature" and analyzes the basic contradictions and inherent dilemmas of the new literary ideology. This book not only has the broad vision of "history" and the inner depth of "thinking", but also expresses it in the form of "poetry". It is a heavy work with historical awareness and ideological depth. It provides a clear mirror image of comparison and reflection for the "occurrence" of modern Chinese literature and the "formation" of contemporary literature.