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"History of Japanese Literary Thoughts" combs and introduces Japan's various cultural chaotic states in ancient times, the independent generation of original literary consciousness, realistic "truth", romantic "material sorrow", symbolic "empty silence" and "idle silence", etc., And systematically discusses the development process of literary trends in modern Japanese realism, romanticism, naturalism, aestheticism, modernism, as well as post-war literary trends with Japanese characteristics, scoundrel literary trends and other ideological trends. "History of Japanese Literary Thoughts" provides an in-depth analysis of the internal inevitability and external factors of the occurrence, development, prosperity, and decline of various literary trends of thought. At the same time, the correspondence and continuity in the evolution of Japanese literary trends from conceptual forms to ism forms are discussed to highlight their national characteristics.

"A Study of Russian Literature in the Silver Age" is a book that records some schools of Russian literature that emerged in the Silver Age, as well as important writers and representative works. The book is divided into eight chapters, which introduces the style of the genre, the spirit of the group, the individual posture, the lyrical charm, etc.

This book is an explanation and interpretation of the Western classic "Hamlet". On the basis of careful reading of the original text, the author attempts to combine Chinese and Western classics in the form of notes and poems to examine the life issues such as sacrifice, self-understanding, revenge, life and death that Hamlet, the eternal mirror of mankind, faces from a dual cultural perspective, and deeply analyzes Hamlet's character and existential circumstances, as well as the individual destiny formed by the conflict between the two.

"French Literary History Course" has the following characteristics from its discussion in the Middle Ages to the present day: First, it is comprehensive and focused. The second is to change the way that the previous "History of French Literature" used each hundred years as a period of literary development, basically using genres as the dividing criteria for each chapter, especially the literature of the 19th and 20th centuries, using "19th-century Romanticism", "19th-century Realism", "Parnastism, Symbolism" Chapters such as "and Naturalistic Literature", "20th Century Realistic Literature", "Stream of Consciousness, Futurism and Surrealism", "Existentialism, New Novel and Absurdism", etc., Open up the literature of these two centuries. In other words, the phenomenon of literary development is used as the basis for horizontal division, and the law of literary development is paid attention to. The third is to analyze the historical and cultural background, the formation of the genre, and the ideological and artistic characteristics in the "Overview" section to show the overview of literary development and allow students to gain an overall understanding of these literary genres. The fourth is to not only analyze the ideological content, but also pay attention to the artistic achievements of writers and the artistic analysis of works to improve students' artistic accomplishment and appreciation. The fifth is to provide a certain number of examples, quote a piece of work, and attach the original text, so that students can gain a real understanding.

Although there is no consensus on whether classical Chinese should be learned or not, as long as we consider that there are countless treasures in ancient culture and that classical Chinese is very beneficial to thinking and imagination, it should be said that it is a wise move to create conditions and think of ways to master it. "Middle School Library Library: Common Sense of Classical Chinese" is divided into six chapters: an overview of classical Chinese, the structure of classical Chinese, the style and fashion of classical Chinese, and the rhetoric of classical Chinese. Each chapter has a concise theory and relevant and vivid examples. It is not difficult to overcome the major and minor obstacles such as vocabulary, grammar, and nouns that must be overcome in the process of learning classical Chinese. With the help of careful study of these common sense monographs, it will not be difficult to overcome them one by one.

"On the Appreciation of Refined and Popular Poems" contains Mr. Zhu Ziqing's "fourteen essays on literature and art". The book discusses the standards and differences in appreciation of poetic works and puts forward many incisive and thought-provoking opinions. The author said in his preface that he "attempts to understand tradition from a modern standpoint", and the so-called "modern standpoint", according to the author's understanding, "can be said to be the standpoint of 'appreciating both refined and popular tastes', or it can be said to be a standpoint that emphasizes the layman and ordinary people, or it can be said to be a standpoint close to the people. All the essays in the book speak in this direction."

As the founder of my country's new literature, Mr. Lu Xun also had extremely in-depth and systematic research and unique viewpoints on my country's classical literature. He once planned to write "History of Chinese Literature", but unfortunately it failed to be realized due to various reasons. The only thing left was this "Outline of the History of Chinese Literature". The book was originally a handout compiled by Lu Xun when he was teaching a course on the history of Chinese literature at Xiamen University in 1923, titled "A Brief History of Chinese Literature"; it was used again the following year when he was teaching the same course at Sun Yat-sen University in Guangzhou, and was retitled "An Outline of the History of Ancient Chinese Literature". It was not officially published during the author's lifetime, but was renamed when it was compiled into "The Complete Works of Lu Xun" in 1938. Also included is Lu Xun's article "The Relationship between Wei and Jin Styles and Articles, Medicine and Wine".

The main content of "The Mandarin Movement and Literary Revolution": The language changes that occurred during the cultural transformation period of modern times are an important step in China's pursuit of modernity. They not only completed the transformation of language and literature themselves, and realized the transformation of traditional language and literature into modern language and literature, but also became the starting point and forerunner of the entire pursuit of cultural modernity. Therefore, studying the interactive relationship between the Mandarin Movement and the literary revolution can not only help us better understand the historical development process of modern Chinese, new literature, and the pursuit of modernity, but also provide ideas and methods for thinking about and solving practical problems faced by language and literature.

This book is a collection of literature research conference proceedings, including two parts: conference lecture notes and conference papers. The transcript of the special lectures of the conference includes special speeches by nationally renowned scholars such as Yang Yi, Chao Gejin, Yin Hubin, Li Zhengrong, Yao Xinyong, Wu Zilin and other experts. These excellent papers fully demonstrate the grand vision of literary research, present multiple paths of literary research, and expand the scope of research. This book is a collection of essays that studies literary cases from multiple perspectives and attempts to construct literary theories.

This book focuses on the interactive relationship between "mass media and new century literature", focuses on the "literary revolution" and "aesthetic transformation" of mass media, focuses on the "media context" of new century literature, focuses on literary issues in the media context, and focuses on the "evolution" and "transformation" of new century literature. Specifically, it includes six parts: ecology and vitality: the overall view of new century literature; control and rescue: the media problem of new century literature; mutation and breakthrough: the mechanism problem of new century literature; mutual restraint and mutual growth: the image problem of new century literature; disease and evolution: the aesthetic problem of new century literature; uneducated and educated: the educational problem of new century literature.

2013 is the 60th anniversary of the establishment of the Institute of Literature. During these 60 years, generations of scholars from the Institute have witnessed the extraordinary years that this collective has gone through with their own experiences, and have jointly achieved the glory, honor and contribution of the Institute with the unremitting efforts of everyone. It is for this reason that, entrusted by the leadership team of the institute, a research team composed mainly of young scholars conducted interviews with twenty older generation scholars since 2011 to compile this oral history. The interview is based on the principle of "personal experience". The content includes the interviewees' work, academics, life, colleagues and other aspects at different periods in the Institute of Literature. Regarding their experiences during the "Cultural Revolution" in literature, which were rarely recalled by people in the past, some old comrades interviewed also faced it calmly and spoke freely, leaving valuable information for the study of this period of history.

"History of World Children's Literature" is a basic book written by Professor Wei Wei, a recognized expert in the history of children's literature in China, for students of children's literature. The content covers the history of children's literature from the emergence of children's literature in the 18th century to the development of contemporary children's literature. The information is informative, the review is objective, and the logic is rigorous. According to the world Periods of literary history are divided into chronological periods and major historical events, and overviews and descriptions are organically combined; writers, works, and regions are arranged vertically and horizontally, with longitude and latitude running through them, to construct a complete and clear coordinate system for the history of children's literature to reveal the historical panorama of world children's literature and its development trajectory.

"Dialects and Chinese Literature in the 20th Century" uses the evolution of language concepts, language changes and literary transformation in modern Chinese novels in the 20th century as the overall background to sort out the changes in dialect theory and dialect creation (including novels, dramas and poems) in the history of modern literature, and selects typical "cases" for specific analysis. It is divided into two parts: one is mainly about the history of dialect literature before the "May 4th" vernacular movement and a review of dialect theory in modern literature. The other part mainly explains the novel creation and its stylistic characteristics in dialect literature.

The film and television writing major of the University of California, Los Angeles (UCLA) School of Film is ranked No. 1 In the United States, and the author of this book, Richard Walter, is the chairman of this major. The film and television writing courses he teaches have been unanimously praised as legendary by the New York Times, Wall Street Journal, and Los Angeles Times. Not only are they famous all over the world, but their students have won Oscars, Golden Globes and other awards one after another. "Script" serves as the content outline of this course, covering standard script formats, script modification methods, and real industry environments. It has been used as a textbook by more than 100 universities around the world for more than 30 years. It's easy to understand and teaches you step by step how to write a professional film and television script.

This book uses the theory of irony to examine Lu Xun's stylistic choices and stylistic effects in the creation process of his novels, and to inquire into the stylistic appeal behind them. It finds that irony in Lu Xun's novels is a speaking strategy, closely related to the ever-changing environment of the times, his nihilistic life experience, and his attitude towards life that resists despair. The despair of human nature and reality did not make him willing to wander and sink into decadence. On the contrary, his rational personality and historical responsibility as an intellectual drove him to choose to resist nothingness to the end: to completely bravely face and ruthlessly dissect the darkness of reality, including his own heart, and eventually become a complete ironist.

Imagery and its related topics (such as "meaning" and "image", "image", "weather", etc.) Are the core categories and basic issues in constructing ancient Chinese literary theory. They are also the fundamental way to enter and truly understand the aesthetic characteristics of traditional Chinese literature and art. This book conducts research from multiple angles and levels, including etymological examination, ancient Chinese traditional image concepts, characteristics of image composition in Tang poetry, analysis of image creation by important writers, and re-examination of image from the dimensions of narratology and phenomenology. It not only inherits and draws on the academic achievements of predecessors, but also includes the researcher's own more in-depth examination and new interpretation.

This book contains 28 essays and comments by the author, providing in-depth theoretical explanations of contemporary literature, painting theory, and ideological culture. The book is divided into three volumes. "The Threshold of Sensation: A Theoretical Setting" outlines a theoretical setting established by the author in the 1980s - artistic sensory theory; "Image of Criticism: Perspective and Genealogy" discusses the genealogy of modern writer theory and the historical evolution of early Hong Kong literature from the perspective of the "May Fourth" literary criticism background; "Interpretation Puzzles: What is Open" discusses the stylistic function of essays from a humanistic sense, and also comments on the literary theories of Liu Zaifu and others as well as some writers, poets, and painters.

This book is a macro-exploration of the global development of Mo Yan's novels. The main line is Mo Yan's reference to the outstanding achievements of foreign literature, his insistence on independent innovation and personalized development, and foreign translation and dissemination. This book breaks through the traditional paradigm of Mo Yan research and does not avoid the different views of critics on Mo Yan. It insists on speaking with facts and has certain reference significance for researchers, doctoral students and ordinary readers in related fields.

"Literati" is a unique social and cultural class with a long history in Chinese history. With the evolution of social history, their roles and identities are constantly evolving and transforming. In the process of evolution and spread, the appearance of the literati class has maintained the continuity of inheritance from generation to generation, and there is a certain coupling and correlation between this and the ultra-stable structure of Chinese society. The research period of this book focuses on the period from 1840 to 1945. It focuses on the group of modern Yangzhou literati, conducts systematic and in-depth excavation and analysis, examines the overall evolution of Yangzhou literati, and its interactive relationship with urban social changes, showing the correlation between modern Yangzhou intellectuals and the cultural destiny of the city.

"Main theme" literature refers to literary works that reflect the mainstream ideology or social and cultural values ​​advocated by the country, mainly novels. In recent years, the development of "main theme" literature has surpassed the monotonous pattern of the early days, showing diversity in content expression, reaching a considerable height in artistic skills, and achieving ideological and artistic achievements and breakthroughs. This book takes historical novels, new revolutionary historical novels, Dachang novels, and anti-corruption novels as the research objects, examines the current situation and trend of "main theme" literature, and uses this to observe the "inquiry" and "negotiation" in the entire contemporary literary system.

This book is divided into seven columns: "Special Articles", "Broad View", "Prose Research Literature Review", "Stylistic Research" and "Writer Research". The selected papers focus on many major issues in the fields of ancient Chinese prose and traditional thought and culture, and are dedicated to thinking and discussing new methods of research on ancient Chinese prose. Raise new questions, provide unique understanding with new thinking, launch and praise works on the study of ancient Chinese prose, lead the theoretical consciousness and method innovation of ancient Chinese prose research, promote the comprehensive and in-depth work of collating ancient Chinese prose documents, and provide a solid foundation for the study of ancient Chinese prose.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

At present, China is committed to realizing the "Chinese Dream" and the great cause of national rejuvenation. China's great rejuvenation is fundamentally the rejuvenation of Chinese culture and civilization. How to achieve this goal is directly related to how to understand the current cultural situation in China. This is the cultural scene of China in the era of accelerated globalization since the 1990s. This book is dedicated to the investigation of the situation of Chinese literature and culture during this period, and attempts to draw a general theoretical summary of the situation and characteristics of Chinese culture in the current transitional period through the analysis of specific and representative typical texts, so as to provide reference ideas for current cultural construction.

During the period of the Change of Dynasties, Wuzhong literati paid attention to social reality and criticized current affairs when they should show their personal qualities and express their emotions; when they should cheer for the new regime, they yearned for freedom and pursued unbridledness. This book is guided by this line of thought and gives a panoramic view of the synchronic and diachronic characteristics of Wuzhong literati during the three regime changes of the Yuan, Zhang Shicheng and Ming regimes. In terms of research ideas, this book adopts the research method of the history of literary thought, using the mentality of literati as an intermediary to connect social and cultural changes with literary thought.

This book is a classroom record of the public elective course "Classical Masterpieces and Contemporary China" at Jilin University. Nine scholars from different disciplines in the field of humanities and social sciences have provided detailed, in-depth and interesting interpretations of Chinese classical masterpieces represented by the Four Great Masters from their own unique perspectives. Their interpretation is an interesting and meaningful attempt. It is not only an analysis and appreciation of classical masterpieces, but also a new exploration of the modern significance and multiple implications of classical masterpieces from the perspective of intellectual history, politics, law, sociology, education and other disciplines as China moves towards globalization.

This book uses the method of philology to comprehensively grasp the history of materia medica before "Zhenglei Materia Medica", the masterpiece of Materia Medica in the Song Dynasty. A multi-level comparative study of it with Song Dynasty prescriptions, exegesis, Taoism, history, and literature-related works reveals the materia medica value and document compilation value of "Zhenglei Materia Medica" as well as the characteristics and hidden dangers of Song Dynasty materia medica, which will help deepen the study of the history of medicine and culture in the Song Dynasty.

The hermits and laymen of the Song Dynasty used a relatively free lifestyle to realize the value of life and enrich life practice mainly from the cultural and aesthetic dimensions. They created cultural and artistic achievements full of life passion and aesthetic interest. Among them, the connotations of politics, culture, history, literature and art are extremely rich, which can be regarded as precious spiritual heritage and have high research value. The first part of this book is a special discussion, which explores the culture and literature of hermits and laymen in the Song Dynasty from multiple perspectives such as literature, history, philosophy, etc. The second part is a narrative of hermits and lay people in the Song Dynasty, including 570 hermits and 291 lay people. A biography is written about each of them and the main documentary clues are noted.

This book is the final result of the Humanities and Social Sciences Research Planning Fund Project of the Ministry of Education "Reconstruction of World Literature and the Creation of Chinese Discourse" (12YJA751011). It collects 38 papers published by project-level members in the past three years, as well as about 5 translations by professors Damroš and Pucciner of Harvard University in the United States. It mainly focuses on four aspects: contextual analysis of reconstruction theory, theoretical concepts of world literature reconstruction, principles of compilation and selection of world literature masterpieces, and cultural criticism of world literature. It questions the theoretical concepts and construction systems of world literature centered on the West, and proposes a new dialectical concept of multi-civilization dialogue among Chinese scholars. It believes that the construction theory of world literature should be reconstructed and a Chinese discourse system of world literature should be created.

Anthropology's most controversial private diary to date. As one of the most important anthropologists of the 20th century, Malinowski's diary sparked a controversy that lasted for nearly two decades after it was published in 1967. This book mainly consists of two parts, namely Malinowski's diaries from 1914-1915 and 1917-1918. In the diary, he recorded various experiences during his fieldwork. As a private diary that was never intended to be published, his record is simple and clear. It is a precious historical record. From it, we can get a glimpse of the actual living conditions of the New Guinea natives at that time, as well as the darker side of Malinowski as an ordinary person and his thoughts on personal life, career and emotions.

The most understandable explanation of art, the most profound and ultimate experience of life. The field of art is filled with characters and stories through which truths about the world can be told. This book is a collection of stories that the author has heard or personally experienced while traveling around the world. There are great artists, art lovers, and unknown art practitioners who appear in these stories. They are all passionate and dedicated to art, and art also provides them with some clues for them to experience life more fully. The author uses a unique perspective to interpret the experience gained from art, artworks, and artists through his meticulous understanding. Art is a journey that can open up unexpected new worlds for everyone. A life devoted to art may itself be a kind of art.

This book is Freud's classic work on psychohistory about Leonardo da Vinci's childhood memories. It analyzes the psychological subconscious state presented in some of Leonardo's paintings. This was his only large-scale foray into the field of biography. The themes he studies range from Leonardo's emotional life from his early years, the conflict between his artistic and scientific impulses, the trajectory of his psychosexual history, to equally important sub-themes: the psychological nature of the creative artist, the origins of a special type of homosexuality, the concept of narcissism, which is of particular importance for the study of the history of psychoanalytic theory. These are all presented to the reader completely without exception.

This book presents the author's understanding of Lu Xun from his boyhood to his sixties, and also reflects the cognitive context of Lu Xun and its social and cultural background in China for half a century. Lu Xun's works once gave the author warm comfort and great inspiration, and the author can still draw spiritual and artistic sources from them. The author strives to avoid the routine of starting from concepts, and carefully reads Lu Xun's works in the context of the intersection of Chinese social culture and foreign influences and in Lu Xun's own context, revealing his complex connotations and unique artistic personality.

This book takes the human relationship novels of the late Ming Dynasty as the research object, takes the existence of individual life as the logical starting point, and shows the inward exploration process of life through the evolution of "emotion", from the awakening of "lust" to the proliferation of "desire" and then to the return of "reason". The investigation of late Ming culture from the perspective of life existence shows the process of opposition and integration between Confucian orthodox ideology and secular popular culture. In a series of contradictions between reason and desire, sensibility and rationality, nature and sociality, how individual life can achieve coordination between the two, that is, a unity of aesthetics and ethics, is not only a historical issue, but also an important task in constructing a new ideology and value system in contemporary society.

Yuanjia literature was the beginning of literature in the Southern Dynasties, and it was also the first stage in which medieval literature got rid of the influence of Xuanyan style of writing. It was called "a turning point in the fortune of poetry". During this period, many famous and influential writers emerged, and all types of literature achieved certain achievements. This book makes a comprehensive and in-depth study of Yuanjia literature, including the relationship between the rise of Confucianism and literary changes, the influence of Yuanjia literary thought on literary development, the evolution of Yuanjia poetry, the institutional characteristics of "Yuanjia style", the status of Yuanjia prose in the development of medieval prose, the relationship between Yuanjia literature and Yongming literature, etc., And points out its position in the history of Chinese literature.

Narrative gaps refer to the phenomenon that certain meanings in narrative works are not conveyed or are not clearly conveyed in the text. It is a very common and important narrative communication phenomenon. Omissions in novels make the meaning of the text "hidden and more obvious"; silence in dramas makes the audience feel greater shock; empty shots in movies make the audience linger for a long time... So far, no one has conducted in-depth research on this from the perspective of narratology. This book attempts to conduct a comprehensive and systematic study on the four aspects of the cause, expression, filling and value of narrative gaps from the perspective of broad narratology, using theoretical interpretation and text analysis.

This book is based on the existing literary and historical materials of the Cao and Wei dynasties in the late Han Dynasty. It corroborates and supplements the literary and historical materials of the "three ancestors of Wei" (Taizu Cao Cao, Shizu Cao Pi, and Liezu Cao Rui), and strives to restore the literary research that is closest to historical reality. This book attaches great importance to the mutual support of literature and history, and is good at in-depth analysis of materials. For example, it compares the relationship between San Cao and the Jian'an scholars, the relationship between Cao Pi and Cao Zhi, and their literary merits. It also has many original ideas in summarizing and refining the literary trends of various periods.

"Literary Review" is a large-scale national academic journal of literary research and theoretical criticism sponsored by the Institute of Literature of the Chinese Academy of Social Sciences. Its main content is research and review articles on literary theory, the works of important writers in Chinese and foreign literary history, literary history issues, and literary creation and theory during the Chinese socialist period. This book summarizes the general catalog index and editorial postscript of the publications since the 60th anniversary of the founding of "Literary Review". The book is divided into two parts. The first part is the table of contents for the 60th anniversary of "Literary Review"; the second part is a summary of the postscripts of the past 60 years.

"Literary Review" is a large-scale national academic journal of literary research and theoretical criticism sponsored by the Institute of Literature of the Chinese Academy of Social Sciences. Its main content is research and review articles on literary theory, the works of important writers in Chinese and foreign literary history, literary history issues, and literary creation and theory during the Chinese socialist period. This book contains commemorative articles by dozens of scholars, covering the editors and editorial boards of Literary Review as well as author groups from the field of literary research across the country. These warm memories truly record the publication's sixty-year golden years and development process.

"Research on the Book of Kings" is a National Social Science Research Fund project from 2005 to 2008. "Kings" is an Iranian (Persian) epic and a masterpiece of world literature.

The narrative and research objects of this book are the overall context, main characteristics, and important writers and works of Jiaodong new poetry and prose since 1949. The first part is the study of contemporary Jiaodong new poetry. One of the clues is to explore the creative achievements and characteristics of Jiaodong new poetry in two historical periods from the 1950s to the 1970s and since the 1980s. It is mainly divided into political lyric poetry, local poetry, love poetry, landscape poetry and other types to be discussed one by one. The second clue is to conduct a separate discussion on the creations of important poets, focusing on the uniqueness of the poets. The second part is the study of contemporary Jiaodong prose. The overview part describes the basic context and main characteristics of the development of Jiaodong prose since 1949. Then, as the prose content is complex and not suitable for simple classification, two essayists with outstanding achievements and great influence in the historical period are selected for in-depth and specific analysis to present the overall situation of contemporary Jiaodong prose.

This book is divided into four parts: 1. From the general introduction to American literature to the analysis focusing on the characteristics of American literature in different periods of the 20th century, especially the contemporary rapid development of Ji Ge and women's literature; 2. Discussion of specific writers' works. For example, Mrs. Stowe, who was the first to be translated into Chinese, the reception of "Uncle Tom's Cabin" in China, the works of Hemingway and Faulkner, etc.; 3. Focus on the characteristics of American culture, such as why "Gone with the Wind" and "Madison's Bridge" (i. E. "Covered Bridge") are best-selling and the lawsuit surrounding "The Wind Has Gone", a parody of "Gone with the Wind", look at some cultural phenomena in American society from different aspects; 4. Focus on Canadian literature (both North American literature) and some specific writers and poets. This book not only provides a general introduction to American literature, but also focuses on the characteristics of American literature in different periods of the 20th century. It also provides in-depth analysis of specific writers and specific works, as well as an introduction to American society and culture. It is a reference book for understanding American literature and American culture. It is readable and useful for both general readers and English major students.

In the dissemination, acceptance and academic research of classic novels, "misreading" is a common phenomenon. "The Romance of the Three Kingdoms" is easily misunderstood, and there are unique reasons for it. It mainly involves three aspects: historical themes, uncertainty of text meaning, and particularly large social influence, which can be summarized as "history·text·society". This is also the main entry point for this book to explore the misreading phenomenon of "The Romance of the Three Kingdoms". The first chapter "History·Novel: "History contains the poetic heart" and "discourse system"" discusses several misreading phenomena caused by the entanglement of "history" and "novel"; the second chapter "Text·Society: 'Insight' and 'Invisibility' in the Theory of 'Pre-Modern'" analyzes the "pre-modern" issues of "The Romance of the Three Kingdoms"; the third chapter "Author·Text·Reader: Internal Reasons and Peripheral Factors of Misreading" focuses on the "understanding and sympathy" for the misreading phenomenon itself of "The Romance of the Three Kingdoms".

This book mainly studies contemporary literature, striving to return to the scene and highlight a sense of scene. There is both in-depth discussion of theory and close reading of texts. He has direct and quick responses to current hot literary phenomena and trends of thought, and expresses his own unique voice. He divided those well-known writers and works into two parts, did not pretend to be beautiful or concealed evil, dared to criticize and affirmed, and had a certain influence in the contemporary literary world. As the author's third book, this book shows the author's certain theoretical ability, especially his speech on current literature, which is quite skillful and has a distinctive critical spirit.

This book takes the novels involving urban-rural relations since the new era as the research object, traces back in time, and reviews the emergence and inheritance of urban-rural relations writing in literature; it divides types in space, and analyzes the complex discourse direction of current urban-rural relations through literary descriptions and cognitions of urban-rural situations of different social classes; it also analyzes the complex discourse direction of current urban-rural relations based on family origin and knowledge background. Taking the creation of writers as an example, we analyze the different value orientations of different types of intellectuals in urban and rural areas and their reasons; explore the entanglement and collision of two different lifestyles, value scales, and cultural concepts in urban and rural areas in literature under the context of globalization, as well as the gradual changes in the aesthetic expression of urban-rural relationship narratives, thereby completing a comprehensive and systematic arrangement and study of urban-rural relationship writing in the new era.

With a broad academic vision, this book provides a new perspective on "20th-century Chinese literature" from three levels: holism, writer theory, and work theory. In particular, the author conducts in-depth discussions and interpretations of the inherent laws, literary phenomena, and aesthetic characteristics of 20th-century Chinese literature from the perspective of modernity, reconstructing a new picture of 20th-century Chinese literature. This book pays attention to the combination of history and theory, and the combination of theory and text. In particular, the research on Wang Meng and Zhang Henshui is innovative and constitutes a highlight of the book.

The topic of the relationship between literature and art and politics vividly presents the transformation of Marxist literary and artistic thought in the process of sinicization and the multi-dimensional scene of alienation and convergence with the themes of the times, and deeply affects and regulates the creative practice and theoretical research of socialist literature and art. When interpreting the relationship between the two, domestic literary and artistic circles have made either-or conclusions. The reason, of course, has its profound social and historical background. However, today, when literary and artistic research has entered a more normal living environment and literary and artistic practice requires theory to answer the issues of the times, reflection on this theoretical proposition is still ignored, suspended, or even becomes a new academic forbidden area. This is actually closely related to our ignorance of political concepts and dualistic oppositional cognitive paradigms in our understanding of the relationship between literature and art and politics. Reflection and criticism on this phenomenon constitute the research background and structural content of this book.

Malaysian Chinese literature in Taiwan began with the education of overseas Chinese students in Taiwan in the late 1950s and has a history of more than 50 years. This book grasps the two major characteristics of departure and cross-border, and goes deep into the historical, cultural and literary context of the emergence of Chinese literature in Taiwan. Through the analysis of its literary creation and discussion, it clarifies the historical trajectory of the formation and evolution of the Chinese literary tradition and its genealogy in Taiwan, and elaborates on Taiwan as a country in Taiwan. The influence of the attachment field and intermediary of Taiwanese Chinese literature on Malaysian Chinese literature (in Taiwan) is explored. The alternative aesthetic style of Taiwanese Malay Chinese literature that combines the Nanyang context and Taiwanese color is explored, as well as the profound impact of the discussion of Malay Chinese literature in the Taiwanese field on contemporary Malay Chinese literature.

Edmond de Goncourt (1822-1896) and Jules de Goncourt (1830-1870) were a pair of brother writers who wrote together and were active in the French literary world in the mid-to-late 19th century. This book is based on the French Second Empire (1851-1870), and combines the historical context to analyze the Goncourt brothers' "pure analysis" poetic concept, the novel's "documentation" tendency and their unique aesthetic expression of "artist's brushwork". At the same time, combined with the Goncourt brothers' understanding of modernity and modern society, the symbiotic relationship between them being alienated and dependent on the times is explored, as well as the innovations and breakthroughs they made for the modernization of French novels.

As an important literary phenomenon at the turn of the 1980s and 1990s, "new realistic novels" have long been understood as a collection of works by writers with similar essential characteristics. This research perspective and method has narrowed the understanding of this literary phenomenon: on the one hand, it ignores the role of editors, literary magazines, literary institutions, readers and other subjects in the occurrence of this phenomenon, and cannot explain the complexity and contradiction among the above subjects. On the other hand, it will inevitably lead to blindness to the political, economic, cultural and other social and historical factors in the occurrence of this phenomenon. This affects the historical depth of understanding this phenomenon and the determination of its historical coordinates.

"2015 Quotations" is New Weekly's 10-year classic brand. To comprehensively sort out 2015, the inventory expert "New Weekly" and the intellectuals jointly compiled and selected. Condensing an annual era scene into an oral history composed of 1,000 quotations. We walked through 2015 together and witnessed it together. So far, the new weekly "Quotations" has been on the book lists of major cities for many years, becoming the most lively, personalized and interesting "Chinese dessert". It is sold out immediately when it goes on sale at the end of each year, becoming a must-have on the desks of all kinds of people and an annual collection. There must be words missing from "Quotations", which come from your preference; but there must also be sounds that come out of "Quotations" and directly enter your heart. This is a time that we all live in, experience and witness together. This is also the world we collectively remember, perceive and listen to. Restore 2015 and translate "Quotations".