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"A Brief History of Chinese Novels" is China's first monograph on the history of novels. The book provides an incisive discussion of Chinese novels from ancient mythology to condemnation novels in the late Qing Dynasty. It summarizes the historical development and achievements of Chinese novels. It is a landmark academic work. Even Mr. Hu Shi gave it a high evaluation, saying that it "is a pioneering creation, with diligent collection, excellent materials, and rigorous editing" (Hu Shi's "History of Vernacular Literature"); Mr. Guo Moruo even compiled "A Brief History of Chinese Novels" and Wang Guowei's "History of Opera in the Song and Yuan Dynasties" was hailed as "a pair of gems in the study of Chinese literature and art history" and believed that what the two engaged in was "not only pioneering work, unprecedented, but also an authoritative achievement that has been leading millions of later students."

"Literary Research Methods" is the only monograph by Tongcheng School writers to systematically expound the Tongcheng School's literary theory at the time when old learning and new learning are alternating. It has made a new arrangement and explanation of the Tongcheng School's literary theory. The style of the book imitates "The Literary Mind and the Carving of Dragons", and the content emphasizes the combination of literature and linguistics, emphasizing that literary style exists in works and creative subjects, integrating Tongcheng literary theory with the times, and pioneering the transformation of traditional Chinese literary theory into modern literary theory. His literary materials are rich, his writing is rigorous, his words are elegant and clean, and he has a Tongcheng style. He is of great reference value for the study of ancient Chinese literature and linguistics, and has contributed to the construction of the literary system.

In the cultural life of the Chinese people, classical novels are a special existence. They retain the cultural imprint accumulated over generations, and also retain the most details of the daily life of ancient Chinese people, as well as their concepts and logic when thinking about the meaning of life and facing choices and actions. On the one hand, Chinese classical novels are a literary reflection of ancient Chinese social culture; on the other hand, they also deeply influence all aspects of ancient Chinese social culture. They have shaped the classical cultural images and cultural symbols with the highest emotional density among Chinese people. If you want to have a profound understanding of ancient Chinese society, classical novels are a very charming key. This book invites 11 young and middle-aged scholars who have made outstanding achievements in the field of classical novel research to conduct innovative research around the theme of "novel and society". They use a core aspect of Chinese culture and society to interpret a novel or a type of novel thematically, revealing the rich social and cultural connotations behind these works, so as to re-understand classical China. Classics never go out of style. The rich exploration of human nature and profound social insights in classical novels, as a unique Chinese experience, resonate deeply with the current social thinking and emotional experience of Chinese people. The enduring themes in classical novels are also social and life issues that everyone must face in their lives. Classical novels, like those timeless philosophical classics of mankind, not only raise the most challenging questions but also provide the most revealing answers.

This book takes the translation and creation of detective novels during the Republic of China (1912-1949) as the main research object. It uses the detective novels published in newspapers, magazines and single volumes at that time as the basis for its argumentation. It takes the development history of detective novels during the Republic of China as its research focus, and also examines the urban origins, koan tradition, foreign translations, representative writers' works, formal characteristics (including narrative modes) and ideological value of detective novels in the late Qing Dynasty and the Republic of China. On the one hand, we strive to sort out the genre evolution trajectory and literary historical development framework of the detective novels of the Republic of China, which is the description of "history"; on the other hand, we try to extract the modern value connotation and formal stipulations of the detective novels of the Republic of China, which is the interpretation of "theory", combining historical belt theory and historical theory.

In the ancient civilized world, China, Greece and India each created unique poetics and became the three major sources of world literary theory. Indian Sanskrit poetics has a development history of more than a thousand years and is rich in resources. This book brings together ten classic works on Sanskrit poetry, including the Sanskrit dramatic works "Dance Theory", "Ten Colors" and "Notes on Dance Theory" \u002F Sanskrit poetic works "On the Solemnity of Poetry", "Poetry Mirror", "Yunguang", "Poetry Exploration", "Quyu Life Theory", "Poetry Light" and "Literary Mirror", all are must-read classics for understanding and studying ancient Indian poetics.

This book takes the period from 2001 to 2005 as a boundary, and makes a detailed arrangement of the translation and research of Chinese literature in France during this period, giving a panoramic view of the research on Chinese literature in France. Specifically, it includes a catalog of translated versions of Chinese literary works published during this period, as well as a catalog of monographs, doctoral theses, and journal articles on Chinese literary studies. At the same time, it has selected and translated several journal articles, and compiled abstracts of important monographs and doctoral theses. In addition, this book collects brief information on Chinese literature seminars held in France during this period, organizes information on institutions and journal catalogs engaged in or involved in Chinese literature research, and also includes a comparison table of translated names and original names by French sinologists.

The issue of identifying the validity of contemporary Western literary theory has been a focus of discussion in contemporary Chinese literature and art research in recent years. It is also an important issue affecting the development and theoretical construction of contemporary Chinese literary criticism. This book conducts research on several issues of discourse reflection in Western literary theory and contemporary Chinese literary theory from the perspectives of theory and reality. The main contents include the issue of the Sinicization and modernization of Marxist classic literary thought, the epistemological path and methodological stance of the reflection research of contemporary Western literary theory, the "aphasia" of literary theory and the revaluation of contemporary Chinese literary theory, the promotion of originality, the issue of postmodernist discourse criticism in contemporary Chinese literary theory, the issue of "Chinese experience" and the construction of the discourse system of contemporary Chinese literary theory, etc. Relevant research and discussion have had great repercussions in the academic community and have certain inspiration for the study of the construction of contemporary Chinese literary theory discourse system.

Paul Eichenbaum is an important representative of the Russian formalism school in the 20th century. Starting from the historical context of the development of Russian society, this book not only horizontally compares the commonalities and differences between Eichenbaum and formalist scholars such as Shklovsky and Tyanov from a synchronic perspective, and explores his unique contribution to formalist poetics, but also longitudinally combs the literary theories expounded by Eichenbaum in different periods from a diachronic perspective, and explores the inner logic of his late realization of transcendental formalist poetics. This book not only points out that the Russian Formalist School does not advertise the so-called "formalism only", but also comments on the influence of Eichenbaum's literary thoughts on contemporary literary theory.

This book is the 20th volume of "New Horizons in the Humanities", which mainly includes three columns: French literature research, poetics research, and interdisciplinary and cross-cultural research. It includes discussions on the current controversial issues of modernity and postmodernity in the field of literature and art, artistic analysis and cultural interpretation of foreign literary works, and the reception of domestic translations, as well as papers exploring the philosophical issues of "problemology". The content is rich and academic, and they are all at the forefront of theoretical research on literature and art.

Based on the "view of time" presented in modern poetry texts, this book identifies the multiple orientations of "time expression" in Chinese new poetry, and on this basis explains the internal logic and motivations of the historical development of new poetry. Based on the author's extensive knowledge of theories and poetic texts, this book extracts several themes of time in new poetry, explains the time imagery in new poetry in detail, and conducts in-depth analysis of individual cases such as He Qifang, Mu Dan, Luofu, and Ouyang Jianghe. This book aims to elucidate the deep interactive relationship between Chinese new poetry and the modern concept of time, as well as the new poetry's recognition and expression of the current situation of existence and its poetic insight into the dilemma of survival in this process. It provides new vision and methods for investigating the history of Chinese new poetry, and then summarizes inspiring historical experience and artistic rules.

"History of the Road" written by Luo Mi of the Southern Song Dynasty is a mythology work that contains extremely rich collection of lost materials. This book is the first to comprehensively and systematically examine Luo Mi's family background and the philological and mythological value of "History of the Road". During the investigation, this book is based on a comprehensive and meticulous combing of the document composition of "History of the Road", which not only reveals the richness of the documentary sources of "History of the Road" and its unique value in compilation, but also highlights that when Luo Mi collected mythological and legendary materials to construct the genealogy of ancient emperors, he fell into a "mixed and incoherent" dilemma. This was not intentional, but was caused by the influence of "mythological history" thinking.

"Japanese pirate literature" is a unique subject type that writes the historical event of "Japanese pirates" in the Ming Dynasty in literature. It is quite large in both Chinese and Japanese literature. The completely different stances and perspectives held by the writers of the two countries determine the completely different observations and descriptions of the "Japanese pirate literature" in the two countries, thus forming the "Sino-Japanese parallax". By analyzing the "Japanese pirate literature" of the two countries, this book deeply examines the differences and even misalignments between historical truth and literary imagination, between historical records and historical annotations, and between countries and regions, thereby helping to gain a concrete and profound understanding of the Japanese nation's historical concepts and cultural psychology.

Based on the study of historical materials and close reading of texts, this book uses relevant theories of comparative literature and reception aesthetics to take the relationship between Junichiro Tanizaki and modern Chinese literary societies as the research object. It conducts a relatively comprehensive and systematic study of the research object from five aspects: Junichiro Tanizaki's interactions with modern Chinese literati, Junichiro Tanizaki's translation and introduction in the modern Chinese literary world, Junichiro Tanizaki and Creation Society, Junichiro Tanizaki and Lion's Roar Society, and Junichiro Tanizaki and Nanguo Society. It will be placed in the specific reception context of China in the 1920s and 1930s to explore the formation, development and specific manifestations of this relationship, and examine the absorption and selection of Tanizaki literature by modern Chinese writers. It will not only recognize the specific impact of Tanizaki literature on modern Chinese literary societies, but also analyze the selectivity and subjectivity of society writers in the process of literary reception, and provide corresponding academic basis for a reasonable and scientific understanding of the literary relationship between the two.

Overseas Chinese literature is essentially an academic space arising from "cross-border". The occurrence of overseas Chinese literature comes from the cross-border "travel" of writers, and the momentum for the expansion and development of overseas Chinese literature also comes from the spontaneous and conscious repeated "cross-border" of writers. Through concentrated research on "cross-border" phenomena, this book seeks out new trends in the development of overseas Chinese literature, grasps the cutting-edge academic propositions of overseas Chinese literature research, and explores, sorts out, and studies important "cross-border" phenomena that are trendy, impactful, sustainable, and directional from cross-cultural, cross-language, cross-media, cross-ethnic, and cross-disciplinary perspectives.

From the perspective of Chinese classical poetry, this book conducts a comprehensive and systematic investigation and research on the Huai'an Poetry Society, which created old-style poetry in the Yan'an period. It is the first monograph on the Huai'an Poetry Society in the academic world. On the basis of defining the concept of Huai'an poetry, this book conducts a more detailed analysis of the Huai'an Poetry Society's research status, social background and cultural context, member composition and activity history, poetic theory claims and creative achievements, status influence and success and failure. It also focuses on the creative achievements of two Huai'an poets, Li Mu'an and Xie Juezai, and three categories of famous Huai'an poems, including "Travel to Nanniwan", "Ode to Yan'an" and "Red Cloud Song". In short, the Huai'an Poetry Society has a relatively special literary status in the history of literature and art in Yan'an, and also played a unique historical role in the political stage of the Yan'an period.

This book first proposes the concept of "abnormal character narrator", which specifically refers to a special kind of narrator, which is mainly played by one or more relatively specific and figurative characters who are significantly different from normal people in many aspects such as intelligence, spirit, psychology, morality, shape, appearance, etc., And who have participated in the process of the story. This book mainly conducts a special discussion and in-depth analysis of the four unconventional character narrator types that have attracted attention in Chinese literature in the 20th century: madness, dementia, ghost and metaphor. This is a phased achievement achieved by continuing to think and explore based on the research theories of narrators, unreliable narrators, narrative communication, and unnatural narratives in domestic and foreign academic circles. It can provide a novel and unique way of thinking, perspective, and method for people to analyze, interpret, and even examine and understand the charming and creative 20th-century Chinese literature.

Within the framework of novel narrative theory, this book borrows social and historical criticism, selects the late works of modern American writer William Faulkner (1942-1962) as the research object, analyzes the theme of southern family changes and the formal characteristics of romance, and identifies the symbolic meaning and historical metaphor behind the character's national identity mechanism. Faulkner's creations during this period placed social ideals in the middle zone between southern history and real life, profoundly revealed the heterogeneity of southern families, and used an optimistic tone to describe the positive significance of mixed race to the family's vitality. This book breaks through the binary interpretation paradigm of black and white races and rich and poor classes. Through the integration of the characters' time perspective, it explores the ideal social vision vaguely constructed by the writer through his persistent look back on the past of the South, and explores the utopian color implicit in the work.

This book is the 17th series of "New Horizons in the Humanities" research papers edited by famous domestic scholars Shi Zhongyi and Luan Dong. The manuscripts mainly include several columns such as poetics research, French literature research, British and American literature research, Japanese literature research, linguistics and pragmatics research, translation research, and comparative literature. Rich in content and highly academic, it is at the forefront of theoretical research on literature and art.

Based on documents and oral materials, combined with multidisciplinary methods such as folklore, modern and contemporary literature, literature and art, anthropology, ethnology, etc., This book reviews the field of knowledge production of folk literature from 1949 to 1966, introduces "national discourse", analyzes and explains the construction of folk literature theory, the construction of folk literature criticism system, the development of ethnic minority folk literature, folk literature and socialist new literature and art during this period, correcting the previous academic bias against the insufficient theoretical construction of folk literature from 1949 to 1966. This book mainly examines the research on folk literature and art from 1949 to 1966 from the aspects of building new socialist literature and art, strengthening the identity of the Chinese nation, writing the history of minority literature, and cultivating new socialist people. It provides a new elucidation of the oral nature and people's nature of folk literature. In dialogue with the history of literature, thought, and culture, it provides historical experience that can be used for reference in the current writing of the academic history of Chinese folk literature and the construction of folk literature theory. It also provides a new perspective and new dimension for the construction of the folk literature discipline in the new era.

Tan Xian is a famous writer in the late Qing Dynasty. This book examines Tan Xian's literary creation, literary thoughts and literary status from the perspective of the dual changes of the late Qing Dynasty and the literary world. Link the study of Tan Xian's literature with the literary schools, academic trends, literary and artistic trends of the late Qing Dynasty, and examine Tan Xian's literary ideas such as his views on poetry, poetry, and parallel prose criticism theory from the perspective of the "Controversy between Northern and Southern Song Ci," "Controversy between Tang and Song Poems," and "Controversy in Parallel Prose" in the literary world of the late Qing Dynasty. This book starts from the phenomenon of the mutual integration of Tan Xian's art and literature, and analyzes Tan Xian's critical theory of poetry from the perspective of the relationship between calligraphy and poetry, poetry and poetry, so as to deeply explore the academic trends and literary style of the late Qing Dynasty.

The current trend of interdisciplinary development and knowledge integration in various fields is increasingly strengthening. It is on this basis that the study of the creative relationship between Qin Opera and contemporary northwest writers takes place. Qin Opera is the lifeblood of Qin people and is known as the "linguistic symbol" of the northwest. Qin Opera has given writers a cultural influence that penetrates their bones and brings together contemporary northwest writers' emotions and memories of their hometown. Its aesthetic characteristics of generosity, sadness, warmth and sadness have directly influenced the creations of contemporary northwest writers. This book explores the traces of the influence of Qin Opera in the works of contemporary northwest writers, and makes useful explorations of the functions of these opera qualities in the plot structure, character creation, and theme expression of novels, and studies the important status and significance of the "traditional voice" dominated by Qin Opera in the creation of contemporary novels. The cross-integration study of Qin Opera and the creations of contemporary northwest writers has opened up the horizons of literature and drama research. When the classic plays of Qin Opera are integrated into the works like water and milk, they are consistent with the strong sense of history and the pragmatic spirit of northwest culture, showing different regional customs and aesthetic styles, which to a certain extent expands and deepens this subject field. This book's study of the narrative intertext, structural intertext, and aesthetic style intertext of Qin Opera and contemporary northwest writers' texts has accumulated experience for the construction of a system of opera and literary intertextual criticism, highlighted the value and significance of local culture for writers' writing, and opened up new ideas and new paradigms for the study of contemporary Chinese literature.

Demetrius was an important scholar in the Hellenistic period. His poetics not only inherited the traditions of Plato and Aristotle, but also created and developed theories in areas such as correspondence, discourse, grammar, rhetoric, form, style, style, and writing, laying a theoretical foundation for the development of various disciplines thereafter. Through the investigation of the origin of Dmitry's poetics and its philosophical foundation, the material point and growth point of his poetics are highlighted; the investigation of his poetic system reveals the connection between literary form and aesthetic response, solving the contradiction of structuralist criticism that is good at discovering the inner order and pattern of the text but unable to explain the effect, and impression criticism that can introspect the intuitive effect but cannot establish the connection between the text structure and effect. It finds the possibility of the embodied combination of impression criticism and scientific criticism, perceptual effect and discourse form, and provides theoretical resources for poetic research.

This book is divided into two parts: writers and works. The first part is the writer part, which mainly conducts detailed research on the suspenseful issues of six representative writers including Jiangzuo Qiaozi, Lu Xiong, Wang Youding, Wang Wei, Yan Shousheng, and He Yisun on their dates of birth and death, identity of the survivors, and whether they were the authors of novels. At the same time, this book also simplifies the chronology of two writers, Wang Youding and Wang Wei. The lower part is the works section, which mainly discusses the representative works such as "The Popular Romance of the Woodcutter", "The Leisure Commentary on the Taoshu", "The Foreign History of the Female Immortal", "Nuo Gao Guangzhi", "The Interpretation" and Li Chuang's novels, etc. In terms of creative features, consciousness of the survivors, characters, laws of evolution, communication and acceptance. They form a system of their own, showing the overall appearance of the early Qing Dynasty survivor novels in the form of individual cases.

From the theoretical perspective of ghost criticism, this book explains the narrative characteristics of contemporary British neo-Victorian novels from four aspects. First, in terms of language, neo-Victorian novels employ ventriloquism, appropriate words and objects from the Victorian era, and strive to reproduce historical truth in dialogues and negotiations with the ghosts of their predecessors. Secondly, in terms of text, neo-Victorian novels break the linear narrative and make the text a spatial place where ghosts wander, in order to represent the paradox of ghosts transcending presence and absence. Thirdly, thematically, neo-Victorian novels focus on reproducing the trauma of the "other kind of Victorians", revealing how these traumas continue to haunt future generations in the form of ghosts. Finally, it discusses how neo-Victorian novels follow and develop the "female Gothic" theme in Victorian novels, analyzes the reasons for the return of mad women, ghosts, female mediums, etc. In the contemporary context, and reveals the significance of ghost writing in reconstructing the female literary tradition.

This book combines the historical ideological and cultural background of the Zhou Dynasty and conducts multi-faceted thinking and research on the content and form of the Book of Songs. It also gains some new understanding of various historical issues in the study of "The Book of Songs" from the Pre-Qin to the Han Dynasties, especially the issue of the date and author of the "Preface to Mao's Poems". By combing and examining traditional documentary records and combining research with newly discovered relevant archaeological materials, this book has gained some new understanding.

"World Literature Today" is an international academic journal with contemporary world literature as its main research field, co-sponsored by the Institute of Comparative Literature and World Literature of the School of Liberal Arts of Beijing Normal University and the World Literature Today journal of the University of Oklahoma in the United States. Bilingual in Chinese and English, published twice a year. The articles and creations in "World Literature Today" emphasize globalization and world perspective, aiming to promote cross-regional, cross-language, cross-media, and cross-disciplinary literary research, taking into account theoretical criticism and case analysis, paying attention to the connection between Chinese literature and world literature, and reflecting on the value and significance of Chinese literature in the world pattern. This volume is "Today's World Literature (Volume 8)", which mainly includes essays such as Irony of the Soul: The Reception History of Novalis's Poetry, Letting Words Speak: Sauk Translation as Collective Transformation, Seeking Globalization through Locality: Reflections on the Teaching of World Literature, etc.

The Holy Grail is one of the important images in Western literature. This book starts from the reinterpretation of the Holy Grail image by Western writers after the rise of humanism, clarifies its symbolic connotation in different eras, and strives to deeply explore the literary and cultural characteristics of the Holy Grail image; at the same time, it explores the inheritance of the Holy Grail image and its interaction with the transformation of Western literature and culture. It aims to explore the spiritual power source that promotes the globalization of today's "Holy Grail fever", analyze the consistent and holistic connotation of literature, nation, and culture, so as to grasp the development trend of Western popular culture and contemporary literature, and provide useful reference for telling Chinese stories and spreading Chinese culture.

The rise of online literature, especially online novels, is an important cultural phenomenon with Chinese characteristics. It not only needs to be understood in a certain social and cultural background, but also needs to be explored from its own characteristics and production methods. As a commensurable humanities and social science research method, semiotics facilitates the pursuit of meaning mechanisms from the perspective of formal culture. The rules in the online literature field revolve around the "popularity" of readers, which deprives the rights of traditional "gatekeepers" while constructing a new evaluation system. The writing behavior and textual narrative of online novels subsequently exhibit intersexual characteristics aimed at establishing an intimate relationship with readers. The injection of capital into literary websites and the network platform production paradigm link the evaluation system with consumption power, further clarifying the rights subjects in the online literature field as consumers among readers. The gender identity distinction in online novel texts has always been relatively obvious. The personality of a single-gender subject is inversely proportional to the downward movement of the author's posture as the writing subject. There are two sources of value for online literature: first, the literary value of the novel text itself; second, the communication and identity value surrounding the novel text. There is no distinction between the two, and the latter is difficult to provide through non-network literature.

Literary creation and reception are not the solitary words of an individual's mind, but are always created and received through the mediation of "institutions". New media has had an unprecedented impact on the traditional literary system, and at the same time constructed an online literature system. This book conducts an overall survey of the organizational structure, actors, and relationships of the new media literary field, and explores the construction of the writer system and the reader system by literary websites, the reconstruction of the literary system by the avant-garde, the fission of the literary criticism system, the transformation of the copyright system, and the canonization system issues in the new media context. It believes that classics are always the result of the combined efforts of field actors.

"Literary Geography" is a selection of papers from the annual conference of the Chinese Literary Geography Society. It is edited by Zeng Daxing and others. It is published once a year and seven volumes have been published. The authors are all scholars engaged in literary geography research in China, Japan and South Korea, including well-known scholars such as Yang Yi, Jiang Fan, Liu Yangzhong, Zhu Shouting, Zhou Shangyi, Wang Zhaopeng, Zhang Sanxi, Zou Jianjun, Tao Litian, Xia Hanning, Gao Renxiong, Dai Weihua, Haicun Weiyi (Japanese), Kim Hyunjoo (Korea). This series has several columns including "Discipline Construction of Literary Geography", "Macro Research of Literary Geography", "Basic Theoretical Research of Literary Geography", "Research on Methods of Literary Geography", "Geographic Distribution of Literary Writers", "Northern Literary Geography", "Central Plains Literary Geography", "Yanzhao Literary Geography", "Jingchu Literary Geography", "Wuyue Literary Geography", "Lingnan Literary Geography", "Application Research of Literary Geography", "International Perspective", "Discipline Construction Trends", etc.

This book aims to make an overall investigation of the "Chinese charm" and "Chinese color" in the creations of Russian overseas Chinese writers in China, reveal the unique spiritual connotation of the literary phenomenon of "Chinese writing by Russian overseas Chinese writers in China", and thereby further understand the rich and colorful era style contained in Russian overseas Chinese literature in China. The whole book focuses on analyzing the complex cultural mentality of Russian overseas writers, analyzing the specific performance of Chinese writing by Russian overseas writers from three levels: Chinese nature and folk customs, Chinese cities, and Chinese people, and exploring the intrinsic connection between Russian overseas writers and Chinese cultural spirit. Finally, it is realized that: the Chinese writing of Russian overseas writers in China is a special product in a special era, an important window for us to understand Russian culture and national character, and an important comparison object for us to observe Russian overseas literature in Europe and the United States.

Guo Zizhang, a late scholar of Yangming Dynasty, had outstanding political achievements, rich writings and profound philosophical thoughts. This book outlines Guo Zizhang's life story from historical materials, Guo Zizhang's writings and the accounts of his friends, clearly showing the development of Guo Zizhang's thoughts and the interpersonal communication situation in the society at that time; combined with Guo Zizhang's writings, it conducts an in-depth examination of the regional cultural characteristics of various places, highlighting Guo Zizhang's achievements in local chronicles and literary documents; it examines Guo Zizhang's literary works, and analyzes his poetry, practical essays, notebook novels and other literary creations. Cultural connotation and aesthetic characteristics; Extract the poetic thoughts from Guo Zizhang's "Yuzhang Poetry Talk" and related discussions, and affirm his efforts to pioneer the "Pan-Jiangxi Poetry School" view, reconstruct the regional poetic system, and construct the poetic tradition with regional concepts; explore Guo Zizhang's philosophical thoughts as a successor to Yangming's philosophy of mind, and believe that he adopts an eclectic strategy for Confucianism, Buddhism, and Taoism, and has a distinct idea of "the integration of three religions", which is a wonderful summary of the century-old Wang Xue in central Guizhou. This book comprehensively and systematically examines Guo Zizhang's ideological connotation and achievements in various aspects of literature, literature, and philosophy, and contributes to deepening and expanding the study of Guo Zizhang and Ming Dynasty literature and philosophy from multiple perspectives.

This book takes the magazine "Contemporary" as the research object. While conducting microscopic research on the individual cases of "Contemporary", it also expands its focus to the analysis and investigation of the entire contemporary literature. During the research process, we not only paid attention to the intertextual relationship between "Contemporary" and Chinese contemporary realist literature, and used "Contemporary" to identify the composition and evolution process of contemporary realist literature. At the same time, we interpreted "Contemporary" from a social and historical perspective and examined the power structure within the literary production system. This book uses literary journals to see through the complex aspects of literary history at one stage, and while sorting out its evolution, it also observes the historical process of contemporary literature.

This book examines the historical background, representative figures, sources of tunes, and ideological connotations of the school music movement, and deeply explains the salient features of school music and songs in terms of structural patterns, rhythm, language styles, and syntactic structures. It describes in detail its special value in advocating military and national educational ideas, shaping modern national consciousness, and rebuilding the concept of modern nation-states. It explores the inner connection between school music and songs and the modern dissemination of Chinese poetry, and believes that school music and songs play an important role in the transformation of Chinese poetry from classical to modern.

In today's world where the global system is being restructured and nation-states are fiercely competing, how to tell the "China story" well so that the people know themselves and the world knows China has become an important issue of wide concern. This book is based on the "diversity and unity" pattern of the Chinese nation and its cross-cultural exchanges with other nations around the world, sorting out and summarizing the anthropological story of China. The entire book includes disciplinary reflections on the localization of anthropology after the spread of Western learning to the East, as well as related case studies. It includes an overall discussion of multi-ethnic China and field research on the relationship between Yi and Xia, as well as cross-civilization comparisons using North America, Britain, Russia and other places as examples.

This book provides an in-depth interpretation of the text of "Book of Rites and Justice" and systematically reveals its achievements in text collation, text interpretation, exegesis of words and sentences, textual research on names and rituals, and elucidation of ritual thoughts and political thoughts. At the same time, necessary discussions or corrections will be made on some errors or deficiencies in the collation, textual research and interpretation, exegesis, famous objects, and ritual research.

This book studies Mao Dun's novel creation in the ten years from 1927 to 1936 from the perspectives of political history, military history, economic history, cultural history, and social history. Focusing on the axis of "Midnight", this paper comprehensively examines Mao Dun's early revolutionary literature and creations during the "Left-Left Alliance" period, and focuses on presenting the intertextual relationship between these works. It then explores the potential connection between Mao Dun's novel creation and the National Revolution, and presents Mao Dun's choices between various complex forces such as the left wing of the Kuomintang and the "Trotskyists", as well as his complex spiritual journey as a left-wing intellectual.

Zhu Derun was a famous painter and writer in the Yuan Dynasty. His paintings are widely circulated, but his literary achievements are rarely known. This book systematically examines Zhu Derun's literary creation process, stylistic characteristics, literary thoughts, etc., And believes that his literary creation style is changeable, profound, lyrical, illuminating reality, feeling the past and lamenting the present, and is unique. He is the spiritual light of Yuan Dynasty literature and has high artistic value.

This book treats contemporary literature with a history of more than 70 years as a whole, divided into three parts: upper, middle and lower, to conduct a comprehensive and systematic discussion of the "historicization" of its research. The first part, "The ontological composition and knowledge genealogy of historicization", mainly examines "what is" the historicization of contemporary literature, and organizes the ontological composition and knowledge genealogy of its "triad" (i. E., Mainstream ideological literature, elite literature, and popular literature), and then explains the relevant evaluation mechanisms and criteria from the perspective of time and space expansion. The middle volume "Main Paths and Research Methods of Historicization" analyzes "how to historicize", including the narrative paradigm, canonization selection, literary history compilation, as well as the collection and arrangement, screening and analysis of historical materials. The next part, "Discussions on Historicization-Related Topics," mainly conducts a sample analysis of relevant important issues from the perspectives of historicization and politics, revolution, literature, criticism, old-style poetry, and knowledge and education. Each section has both relative independence and internal logical connections. This is closely linked to the "ontology" and "practice" of historicization, and revolves around the two dimensions and directions of "what is historicization" and "how to historicize".

This book mainly takes the geographical space of the American South in the novels of African American writer Toni Morrison as the entry point to study the relationship between the specific writing of geographical space and the political imagination of the work. This book explores Morrison's novels from four aspects: the relationship between black youth's physical practice and racial identity, historical memory and political ideals, the ethical concerns of diaspora groups in the era of globalization, and the special significance of the American South to contemporary black groups under the perspective of modernity. The study found that the southern geographical space in Morrison's novels has obvious political imagination and appeal. From the early shaping of the black spiritual home to the mid-term exploration of diverse residential areas, to the later conception of an ideal home, the meaning of this space shows a tendency to return from the later to the early stages, making the writer's spatial conception of the American South form an approximate ring structure. Finally, this book believes that the fictional American South embodies Morrison's concern for the historical and realistic situation of the black group and his emphasis on black culture. The three-dimensional and diverse space exploration in the work also presents the writer's complex mentality as a minority elite while defending the interests of the ethnic group and the nation-state.

In the development process of Internet literature, brilliant Internet writers have emerged. "Online Literature Writers" is based on the collection of a large amount of research data, and based on the principle of "let the materials speak for themselves", it provides in-depth and easy-to-understand reviews and explanations of famous early Internet literature writers and works. This book provides a descriptive description and review of several generations of Internet writers, aiming to collect data, screen documents, and leave a history through "field research" in "cyberspace". It is worth noting that many of the original information recorded in the book about the lives of early websites, such as the lives of writers, the spread of their works, and readers' reactions, have disappeared or will soon disappear from the web. Therefore, this book's objective record of "in-depth on-site and long-term follow-up" undoubtedly has the historical value of "on-the-spot experience" and "empirical research". In addition, this book theoretically sorts out the continuous transformation and upgrading of online writers and the online literature production system; it also questions and explores the creative methods and living conditions of online writers at a value-rational level. In short, this book provides a large amount of first-hand information for ordinary readers and related researchers to have an in-depth understanding of the works of Internet writers. From the perspective of literary development theory, this book can also be said to be a "history of growth" and "history of the soul" of early Internet writers.

Based on a close reading of the text, this book attempts to enter the microcosm of Northeastern literature, and gradually discover the complete style of the Northeastern literature system in the individual Northeastern writers. Combining the overall development history of regional literature and the overall development status of Chinese literature, it explores the special operating rules of Northeastern literature itself, and explores the tenacious and tenacious literary exploration spirit of Northeastern writers under the basic condition of "low literary style." The whole book focuses on Northeastern literature since the 20th century, taking into account both contemporary nature and diversity in the selection of writers, focusing on examining the intrinsic relationship between Northeastern writers and Northeastern regional culture, and striving to clarify the value and significance of Northeastern writers' creations in the history of modern and contemporary Chinese literature.

Fa Shishan (1752-813), a writer in the Qing Dynasty. His surname was Wu Yao, his original name was Yunchang, his courtesy name was Kaiwen, and his nicknames were Shifan, Wumen, Taolu, and Xiaoxiya Jushi. In the 45th year of Qianlong's reign, he became a Jinshi and was awarded the title of "Review". Emperor Qianlong highly praised his talent and gave him the name "Fashi Shan", which means "working hard and making a difference" in Manchu. Fa Shishan once participated in the compilation of Wuyingdian branch's "Sikuquanshu". "Research on Fa Shishan" is a comprehensive study of Fa Shishan, a poet in the Qing Dynasty. During the Qiang-Jia period, poetic activities were frequent, and the literary ecology showed a diversified trend. During this period, French practiced his best and had extensive contacts. He became an active advocate and participant in poetic activities at that time. He also took the opportunity of "Poetry Niche Picture", "Xiya Ya Collection", "Wumen Poetry Talk", etc. To launch a series of poetic activities. This established an indispensable platform for establishing his position in the Qianjia poetry circle, and also enriched the Qianjia literary ecology.

This book takes the "New Woman" image constructed by the modern women's liberation movement in China as the research object. It combines the relevant remarks of the late Qing Dynasty intellectual elites, multiple feedbacks from newspapers and public opinion, and related novels and texts showing the image of the "New Woman". By sorting out the external reasons and internal motivations for the formation of the modern women's liberation movement, this book strives to show the complex aspects of how the intellectual elite, often male intellectual elites, have absolute say in the construction of the "New Woman" image, and how the majority of female groups cope with, break through, and grow under the multiple intersections of nationality and gender. By sorting out, integrating, and interpreting the construction, imagination, and practice of "new women" both inside and outside literary writing in the late Qing Dynasty, it will help us form a more coherent, profound, and comprehensive understanding of the modern women's liberation movement more than a hundred years ago.

"Fu Studies: Criticism and Style" is based on the academic concept of "the study of literary history in process", and strives to return to the context of ancient Chinese literary criticism and stylistics to explore the most distinctive literary styles. It focuses on the form of fu criticism, the creation mechanism of rhymed fu, stylistic concepts, regional fu studies, and fugue methodology.

This book captures the representative topics of the emergence, acceptance, evolution and development of the quatrains in the theory of poetry, closely relies on different critical materials to establish the argument, and clarifies the internal situation of the acceptance and evolution of the quatrains of the theory of poetry. Taking the historical acceptance and innovative development of individual cases as clues, and using the numerous origins on the clues as support, it reveals the rich connotations of the occurrence, development, evolution and innovation of the quatrains.

"Total historical consciousness" is a development and implementation of the great literary concept. The whole history examines the cultural existence and spiritual context of literature in "big history". This book was originally the introduction written by Mr. Yang Yi for the National Publishing Fund's key project "The Complete History of Chinese Literature in the 20th Century." It is an important essay by Mr. Yang Yi on the great historical view of literature. It can be regarded as a brief history of literature and a research outline. The appendix contains an interview with Mr. Yang Yi on the great historical view of literature. In-depth discovery of the rich composition of the entire history of literature, rich blood and rich testimonies of historical life, showing the spirit and style of the modern great country's century-old literary rebirth.

This book is revised based on the author's doctoral thesis. This book focuses on the literary thought of the famous Latin American writer García Márquez, focusing on examining and discussing the ideological issues of his magical realism literary thought from the theoretical perspective of postcolonial and postmodern literature. The author uses race, power and cultural identity as the starting point to examine Marquez's works. The whole book sorts out the research focus from the post-colonial landscape, magical realism style, changes in power structure and identity. Finally, it combs the influence and spread of Marquez on contemporary Chinese literature, comprehensively presenting the thoughts and social significance of Marquez's literary creation, which has certain theoretical value and practical significance.

Zhu Tingzhen's "Xiaoyuan Poetry Talk" in the late Qing Dynasty combines the best of ancient and modern times, deepens traditional propositions, and collects the culmination of previous poetic theories. It is known as "the crown of ancient Yunnan literary theory" and has high theoretical value. This book is based on Zhu Tingzhen's "Xiaoyuan Poems and Talks (Mr. Xiaoyuan's own banknote edition)" in the sixth year of Guangxu's reign (1880) in the Yunnan Library, and is based on the first edition of the Yunnan Series in the tenth year of Guangxu's reign (1884). Drawing on the experience of predecessors such as Guo Shaoyu and Zhang Guoqing, we supplemented the shortcomings of the existing edition, and used a combination of proofreading and annotation to explain the names of people, places, proper nouns in literary theory, religious nouns, etc. Involved in Xiaoyuan's poems. The compilation and publication of this book will be of great value to the study of ancient Yunnan literary theory.