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This book comprehensively examines the poetic thoughts of "Three Cao" and "Seven Sons", explores their inheritance and development of traditional Chinese poetics, and reveals their original theoretical contributions. The "Three Cao" and "Seven Sons" have made outstanding literary achievements. Through theoretical analysis or with the help of their own creative practice, they expressed a series of poetic concepts and formed the "Three Cao" poetics with rich meanings. Bixing poetics inherits the Book of Songs and Chu Ci; Kanwu poetics and literary quality poetics inherit the etiquette and music culture of the pre-Qin and Han Dynasties; literary spirit poetics is the theoretical creation of Cao Pi and others; style and bone poetics is the refinement of the "Three Cao", "Seven Sons" and Jian'an poetics spirit by Liu Xie, Zhong Rong and others, and also belongs to the theoretical generation of the "Three Cao" poetics. Each poetics has become an important content of ancient Chinese poetics and played a substantial role in enriching and perfecting the spirit of ancient Chinese poetics. As a poetic model, the "Three Cao" poetics has certain inspiration for current literary creation and theoretical construction. Contemporary literary creation and theoretical elucidation can learn from the artistic and aesthetic development of "Three Cao" poetics, and then promote the construction of contemporary Chinese poetic discourse and system with national characteristics.

Poetry is the foundation of Chinese studies and the source of humanities. Famous poets and university professors teach the style and practice of metrical poetry. The students form a poetry club and complete the club lessons in each period. The famous teachers then comment on the poems line by line, thus forming a lively and lively record of the class. Readers can be inspired by it, watch it, and follow it to write beautiful poems.

This book mainly studies the correlation between the remains of ancient ritual systems and the form of early literary theory, and is divided into four parts. The first part compares the physical remains unearthed from three generations of archaeology with the aesthetic forms handed down from ancient times to obtain the perceptual correlation between the two; the second part cuts into the ideographic mechanism of ancient rituals from the perspective of symbol composition, explores the uniqueness of the ritual ideographic system, and compares it with the verbal ideographic system of early literary theory; the third part examines the important role played by ancient ritual systems in the generation of the motif of ancient literary theory; the fourth part studies the interactive relationship between ancient ritual systems and the development of literary style. This book systematically studies the comprehensive role of ancient ritual systems in the formation of early literary theory. It not only affected the development of literary theory in terms of aesthetic form and thinking configuration, but also shaped the development trend of pre-Qin literary style.

Since the 1990s, with the rapid popularization of Internet multimedia technology in my country, mass media have fully participated in and effectively promoted the rapid evolution of Chinese literature. Magazines and books are the latest manifestation of media integration in the new era. This work selects youth literature magazines under the new literary ecology as the research object. It starts by sorting out the development history of youth literature magazines, and uses theories and research methods from multiple disciplines such as literature, sociology, and communication to analyze the external ecological changes of youth literature magazines and their impact and related changes on many factors such as writers (editors), texts, readers, communication media, and marketing channels in the internal ecology. On this basis, it further explores the narrative strategies of youth literature magazines and the dilemmas and possible solutions for youth literature magazines under the new literary ecology.

This book takes "Cities in Literature" as its theme and conducts research on urban expressions in literature during the "Seventeen Years" (1949-1966). Through specific text analysis, the ideological convergence process of conflict, adaptation, and differentiation between "socialist literature" and the capitalist "field" of "city" is examined, and then a literary expression of "socialist city" is explored. Although behind this expression lies the contradiction and inherent anxiety of "post-revolutionary" socialist ideology, it is an excellent perspective from which to analyze the legacy and lessons of China's socialism.

How do Chinese and foreign writers across the literary world present themselves differently when creating children's literature? What are their different thoughts and insights from the past, and what are their biases and limitations? With a strong curiosity about this issue, this book adheres to the research idea of ​​​​starting from the problem. Through careful reading of a large number of texts, it restores the scene of literary history and reveals the unique ideas and artistic techniques of children's literature creation by famous writers in the literary world. At the same time, it uses a rigorous critical spirit to examine the deficiencies in the writers' works. This book has outstanding classic awareness and broad academic vision. It not only studies the children's literature writing and the thoughts behind it by representative Chinese writers such as Lu Xun, Bing Xin and Zhang Wei, but also explores the unique style of foreign literary masters such as Kipling, Lessing, Mark Twain, Kawabata Yasunari, France, Jimenez, Plishvin and Hoffman in the creation of children's literature. It has a novel perspective and sometimes surprising academic insights. I believe it can not only bring new ideas to the research of children's literature, but also inspire the research of classic writers.

In the context of the neorealist trend, this book explores how contemporary American Civil War novels can achieve the historical reshaping of the Civil War in the balance of inheritance and deconstruction from the levels of art form, historical cognition, social issues, and philosophical thinking. At the same time, this book also pays attention to the mutual influence and mutual promotion between the practice of literary creation and the development of neorealist novel theory. On this basis, this book deeply explores how contemporary American writers participate in the construction of mainstream ideology and express concerns about future wars and future society through Civil War novels.

This book takes 2,844 modern novels published in "Shengjing Times" (1919-1944) as the research object, and systematically examines the novels in the literary supplement of "Shengjing Times" with a total text volume of more than 10 million words. These novels are important manifestations of early newspaper literature in Northeast China and are also strong evidence of the development of modern Northeastern newspaper literature. This book focuses on sorting out the novel creations of more than a dozen Northeastern writers active in the literary supplement of "Shengjing Times", such as Mu Rugai, Wang Lengfo, Jin Xiaotian, Zhao Xianwen, etc. It also discusses the works of 21 writers from 15 countries including Japan, Russia, France, Britain, and the United States. These novels demonstrate the value and influence of modern novels published in Shengjing Times.

This book provides a comprehensive and systematic review of the relationship between trauma and literature, and reveals the ethical significance of trauma novels. On this basis, it elaborates on the ethical relationship between self and others produced in trauma novels. It explores the ethical issues of "fidelity to truth" caused by traumatic events, and explains the unique aesthetic dimensions contained in traumatic events.

This book is based on the performance, text and research literature of Chinese ethnic minority epics, and uses interdisciplinary research methods to select the six most representative keywords of contemporary Chinese epics - epic, oral poetics, performance, text, singer, and cultural memory for scientific interpretation and theoretical reflection. The six keywords interpenetrate and refer to each other, which not only shows the internal connections and development context of the contemporary Chinese epic system, but also forms a multi-dimensional view of the study of contemporary Chinese epics with its independent problem areas.

The four classics contain extremely rich stylistic concepts. Comprehensive combing and in-depth exploration of the implicit or explicit stylistic concepts in the four important books is the only way to study ancient stylistic concepts. The papers collected in this volume are the important results of studying the stylistic concepts reflected in the classics of the past dynasties. Among them, there is an investigation of the stylistic forms of classical documents such as "The Book of Songs" and "Shangshu" and the stylistic genetic concepts underlying them; there is also an analysis of stylistic concepts of selected chapters of "Historical Records" in the general collection of articles; there is also an interpretation of the stylistic concepts of sub-documents such as "Dian Lun" and Tang and Song Leishu; there is also an analysis of stylistic classification and stylistic concepts in collection documents such as separate collections, general collections, anthologies, and Wenhua. These thematic research results reflect the in-depth research on ancient Chinese stylistic concepts.

This book uses methods such as reception aesthetics and hermeneutics to study the reception history of Roland Barthes' literary theory in China. The reception of Roland Barthes's literary theory in China has gone through four stages, which constitute his four faces: the "formalists" in the early 1980s, the structuralists in the late 1980s, the poststructuralists in the 1990s, and the popular culture critics in the 21st century. The history of the reception of Barthes's literary theory in China shows a profile of the development history of contemporary Chinese literary theory. This book strives to provide reference suggestions for scholars in related fields to learn from Western literary theory by studying the reception history of Barth's literary theory in China.

"Literary Geography" is a selection of papers from the annual conference of the Chinese Literary Geography Society. It is edited by Zeng Daxing and others. It is published annually and has published 11 volumes. The authors are all scholars engaged in literary geography research in China, Japan and South Korea. This journal has several columns including "Discipline Construction of Literary Geography", "Macro Research of Literary Geography", "Basic Theoretical Research of Literary Geography", "Research on Methods of Literary Geography", "Geographical Distribution of Literary Writers", "Regional Literary Geography", "Application Research of Literary Geography", "International Perspective", "Discipline Construction Trends", etc. Since the publication of this series, the response has been very good, and every issue has been sold out. The 12th volume of "Literary Geography" contains 20 selected papers from the 12th Annual Meeting of the Chinese Literary Geography Society, including "Several Issues in Current Literary Geography Research", "The Construction and Causes of "Shangshan" in Tang Poetry from the Spatial Perspective of Literary Geography", etc. The literature is rich, the argumentation is rigorous, new ideas are emerging, the writing is standardized, and it has high academic value, which is of great significance in promoting the healthy development of literary geography.

Today, China is facing major changes unseen in a century. Chinese contemporary literature and art are also developing in response to the changes in the world structure. Under this background, new literary and artistic phenomena, literary methods, literary and artistic trends, etc. Have been born. Today, researchers of literary and art theory must not only face new situations, new problems, and new insights in the development of literature and art, but also explore new expressions, new directions, and new forms in the construction of literary and art theoretical discourse systems. Today, as the Chinese nation moves towards its second centenary goal, the development of my country's literary and artistic theory is facing better development opportunities, and Chinese literary and artistic theoretical discourse has also gained more global space in the context of the "post-theoretical era". This book will discuss exclusive interviews with directors, Western literary theory, the construction of Chinese literary theory, modern and contemporary Chinese literary theory, ancient Chinese literary theory, and translations.

This book uses an ecocritical approach to interpret Indian literary classics, including an overall study of Indian ecological civilization and ecological literature, as well as an ecological interpretation of Indian literary classics such as the Vedas, the two epics, and the Jataka stories, as well as Indian classic writers such as Kalidasa, Tagore, and Premchand. The overall study of the book is combined with individual research. The overall study mainly sorts out and grasps the ecological characteristics of Indian civilization and its impact on Indian literature; the individual study conducts detailed analysis and in-depth exploration of the ecological wisdom contained in Indian literary classics through close reading of the text.

This book focuses on the narrative art of the early, middle and late new historical novels of British postmodernist formal experimenter Julian Barnes, and explores the development and changes of historical themes in different stages. This book points out that in his early and middle works, he used anti-realistic aesthetic experiments to show a diverse and uncertain history, leading readers to get rid of the shackles of the traditional single linear view of history, and revealing the difficulty of approaching the objective historical truth; but in his later works, he relied on meticulous realistic descriptions to truly reproduce objective historical events and answer the question of how to approach the historical truth in a unique way, thus transcending the extreme relativism of postmodernism in history.

Since the 1960s and 1970s, science fiction has transcended traditional realist literature and entered the fields of anthropology and cosmology from descriptions of technological imitation, becoming a global cultural phenomenon. In the evolution process of this creation, the "ambiguous" aesthetics characterized by blurred boundaries and inclusive centers gradually developed and formed. Taking the American science fiction writer Ursula K. Le Guin as an example, this book comprehensively examines five pairs of binary relationships in Le Guin's works: "past and future", "dreams and reality", "man and technology", "man and nature" and "Eastern and Western cultures". It refines and explains the concept of "ambiguous" aesthetics from the five dimensions of time and space, spirit, body, ecology and culture, thus proposing an aesthetic plan to capture the changing modernity.

This book aims to explore the relationship between intention (ideological content) and expression (linguistic form) in the writing of Chinese revolutionary literature from 1927 to 1949 from the perspective of style and ideology. For this reason, this book focuses on three revolutionary writers, Jiang Guangci, Guo Moruo, and Ding Ling, and elaborates on the transformation and development of their revolutionary literature writing during this period, and then reveals that the artistic effects presented by the language form of the writers' literary works (texts) may be contrary to the writing intentions stated by the writers themselves, thus showing the richness and complexity of style and ideology.

Modern China is a period of alternation between the old and the new. During this period of great change, the female group's ideological concepts and historical destiny have undergone obvious transformations. This is particularly evident in modern women's literature, especially women's poetry creation and women's novel creation. As far as female poetry creation is concerned, this book is based on the works of modern female writers such as the talented Wu Zao, Shen Queying, Shan Shili, the Xu sisters of Nanshe, Qiu Jin, and Lu Bicheng, and finds the dividing points between their early and late creations. Based on this, it compares the changes in their creative content and style in the early and later periods, and presents the transformation trajectory of their female concepts. As far as women's novel creation is concerned, the themes are diverse, including women's studies, marriage and love, etc. As far as women's education is concerned, the female characters in modern women's novels are different from the ancient Chinese women who studied books such as "Women's Training" and "Women's Commandments", and tend to accept new-style school education. As far as marriage and love are concerned, the female characters written by modern female novel writers have stepped out of the boudoir to a certain extent. Their awareness of autonomy in marriage and love has been significantly enhanced, and they have begun to reflect on their fate and their own situation, and even express doubts about men and marriage and even escape.

"Utopia" is a keyword used by many theorists in science fiction criticism, especially in Western Marxist science fiction criticism. The close connection between Western Marxist theory and science fiction literature began in the 1970s. The science fiction criticism initiated by Darko Suenwen marked the Marxist turn of Western science fiction criticism. Since then, utopia has gradually evolved into the ultimate vision of Western Marxist science fiction criticism. This book analyzes the causes of the Marxist turn in Western science fiction literary criticism, and deeply explores the "utopian" perspective of Western Marxist science fiction criticism. On this basis, we conduct a detailed and in-depth study of the science fiction critical theories of Suenwen, Jameson, Moylan, Friedman and other scholars.

This book discusses the deep connection between Sontag and Chinese traditional culture in consciousness and thought. Sontag's works can be said to be "literary like the person", full of changes and sometimes contradictory; a similar change model of "both this and that" and "either black and white" also dominates the overall framework of Chinese classical literary theory. This book takes this as a starting point to examine Sontag's overall creation and aesthetic thoughts. It can be seen that "the difficulty of change" and "the change of difficulty" not only run throughout her creation, but also span all categories of her creation. Interpreting Sontag from the perspective of traditional Chinese culture will help readers deeply understand her creative concepts and thoughts.

This book mainly attempts to think about literary theoretical issues from the perspective of legitimacy crisis and legitimacy construction, and specifically touches on theoretical issues through the practice of literary criticism. Theoretical thinking is mainly based on three dimensions, reflecting on the normative foundation and legitimacy issues in the field of literature and art from the perspective of social theory, exploring the legitimacy crisis of literary aesthetic ideology, and elucidating the legitimacy proposition of literary semiotics. The practice of literary criticism involves traditional culture and ideology, modernity and literary forms, postmodern desires and aesthetic issues.

This book takes family letters from the Song Dynasty as the research object and sorts out the development history of family letters from the Warring States Period to the Song Dynasty. On the basis of comprehensively sorting out the family letters of the Song Dynasty, we classify them and summarize their overall appearance. Through family letters, we explore many aspects of family life and social life of scholars in the Song Dynasty, and deeply explore the impact of major political and economic events in the Song Dynasty on families and individuals, as well as the resulting coping strategies of scholars. The educational thoughts and family management concepts in family letters are the essence of family letters in the Song Dynasty. They are also a prominent manifestation of family education, family education, and family tradition, and have a profound impact on future generations. At the same time, family letters were also an important means of academic communication for scholars in the Song Dynasty. Through case studies, we can understand the role that family letters played in academic communication. In addition, this book also analyzes the literary values ​​such as the stylistic features, language style, and lyrical characteristics of family letters, and pays attention to the phenomenon of using letters instead of letters, poetry instead of letters, and words instead of letters in the Song Dynasty, and discusses them as important supplementary materials for family letters.

Starting from the thinking dimension of how "modern literature" constructs and imagines "modern China", and following the academic vision of "looking at China from the periphery", this book explores from a holistic perspective the travelers and investigators who established special connections with Yunnan during the Yunnan-Burma Anti-Japanese War, local writers in Yunnan, and Chinese Expeditionary Force officers and journalists. These Yunnan writings based on on-the-ground experience all reflect a very obvious sense of national identity and Chinese nation community. Based on the compilation of historical materials and close reading of texts, this book "uses history to interpret poetry" and "uses poetry to prove history". It is not only committed to the presentation of local knowledge, but also places regional research in the care of the overall history.

Based on the actual creation of Lu Xun and the academic history of Lu Xun research, this book takes "darkness" as a core concept that can reveal Lu Xun's life, thoughts, aesthetic concepts and artistic personality, and studies his spiritual structure and literary creation.

This book studies medieval epic poems from the perspectives of historical awareness, theme selection, social atmosphere, creative tradition, writing skills, and stylistic interaction. During the research process, we focused on the analysis of the two major themes of medieval epic poems - the scholar theme and the female theme. We deeply analyzed the historical background of the formation of these two themes, and the continuous expansion and evolution of these two themes in their development. At the same time, this book also notices that the development of the theme of historical chanting in medieval times has different interactive relationships with other themes, and focuses on the mutual influence between themes such as narratives of virtue, gifts, nostalgia, frontier fortresses, palace resentments, and historical chanting.

"Chinese and Foreign Literary Theory" mainly collects conference exchange papers submitted by scholars participating in the annual meeting of the society. It also accepts regular contributions from members and domestic and foreign scholars engaged in literary theory research, including academic papers, translations, reviews, book reviews, and valuable research materials. This book contains five parts: research on the Sinicization of Western literary theory, Eastern and Western cross-cultural aesthetics, research on basic Western literary theory, poetics and humanities, and translation, plus two appendices.

The "Serapion Brothers" is one of the most famous literary groups in the history of Russian literature. Its members are a group of talented young people in Petrograd in the 1920s. Their creations are either bold and novel, or mature and sophisticated. Their literary works have attracted the attention of the research community very early. The "Brothers Serapion" were major participants in early Soviet literature and one of the founders of Soviet literature. This book is divided into three parts: the first, middle and second parts. They sort out the reasons for the establishment of the "Serapion Brothers" group, its membership, literary activities, creative ideas and its literary historical significance from three parts: literary origin, literary creation and literary criticism. It also elaborates on the works of Zamyatin and Shklovsky , Gorky and other famous writers and critics on the creation of the group members, focusing on the literary creation and critical connotation of the representative members of the group, such as Kaverin, Lontz, Vsei Ivanov, Fedin, Gruzdev and other writers, dramatists, and theorists.

This book includes regular columns such as interviews with famous writers, Chinese literary theory, Western literary theory, and work criticism, as well as a special topic "Sound and Image: Cross-Media Literary Theory." The famous interview column will present the reflections of three famous scholars in the field of literature and art, Zhang Jing, Zhang Liqun, and Xing Jianchang, on basic issues in the construction of aesthetics and poetics, the overall view of Chinese literary criticism, and literary theory and knowledge. The Chinese Literary Theory column includes research on issues such as the rise of Chinese characters in poetry, Zhu Xi's theory of "plainness", and the literary thoughts of the translators in the late Qing Dynasty.

This book is the result of the author's continuous thinking and accumulation of Burmese folk narrative literature for more than ten years. The author went to Myanmar three times to conduct field research between 2008 and 2018, and the folk narrative literature works in the book all come from this. When collecting these folk narrative literary works, the author not only recorded the content of the relevant works, but also recorded the entire performance process and related context, in order to faithfully reproduce the folk life and spiritual world of the local people. During the analysis process, we adhere to the folklore context theory as the research perspective, aiming to reveal the cultural connotation, social content and historical roots of Burmese folk narrative literature, and strive to display the charm and value of Burmese folk narrative literature in a multi-dimensional and three-dimensional way.

In the political practice of traditional society, article writing, as the "great cause of running a country", is an important way to convey intentions, carry out actions, expand effects and create glory. Wang Xijue was a typical scholar-bureaucrat with both political and literary identities in the Ming Dynasty society. He was also a figure in the political history of the Ming Dynasty who could effectively play the political function of literature. This book attempts to examine the interactive relationship between Wang Xijue's literary writing and his political actions, and reflects on the current academic understanding of the relationship between politics and literature based on the research results of surrounding disciplines such as linguistics and political science.

Ancient Chinese stylistics has become more prosperous, but research on the development and evolution of ancient Chinese stylistics is still relatively weak. There are many factors for the development and evolution of style, and there are also many research angles. In summary, there are two approaches: internal causation theory and external causation theory. This book belongs to the former. Its main contents are: (1) Absorb the research results of academic circles on stylistic connotation and define the connotation of "style". (2) Analyze existing problems in the study of the development and evolution of literary styles, and focus on exploring the reasons why related research on ancient Chinese literary styles is relatively weak, in an attempt to correct them. (3) Propose and demonstrate the concepts of simple style, compound style and Dacheng style, especially explore the connotation and stylistic significance of Dacheng style, and thus outline the development and evolution of literary style in a macroscopic way. (4) For the first time, the methods of fusion of ancient Chinese styles and the triggering factors of drastic changes in styles were discussed for the first time, and new elaborations were made on "using literature as poetry" and "using poetry as literature".

This book explores the differences between the Tang and Song Dynasties that existed in the creation and theory of Ci from the prosperous Tang Dynasty to the end of the Qing Dynasty and the beginning of the Republic of China, similar to those in the field of classical poetry. This book believes that lyrics, like poetry, formed two different aesthetic paradigms, "Tang sound" and "Song tune" under the influence of the cultural transformation of the Tang and Song Dynasties. The "Tang Yin Paradigm" in poetry was based on the Huajian poets of Western Shu in the late Tang Dynasty, and further evolved and matured in the Southern Tang and Northern Song Dynasties; the "Song Diao Paradigm" in poetry originated from Liu Yong, and in the late Northern Song Dynasty it was divided into the innovative "Dongpo Paradigm" and the improved "Qingzhen Paradigm". Later theories and creations in the history of Ci were basically under the shadow of these aesthetic paradigms established during the Tang and Song Dynasties, either "following the Tang Dynasty", or "following the Song Dynasty", or being compatible with the Tang and Song Dynasties. This book uses a large number of relevant materials to demonstrate and elaborate in detail and forcefully the formation, evolution and development process of the Tang and Song Dynasties in Ci style over more than a thousand years, and constructs a unique thematic history of Ci.

Since the mid-20th century, a prominent feature in the history of Western poetry is that poetry has been presented in a large number of forms such as sound, performance, and cross-media collaboration, breaking through the traditional poetry system with printed texts as the core. This is not only the transformation of poetry along the avant-garde and experimental path under the conditions of contemporary multimedia technology, but also the release of poetry's ancient "active genes". The New York School poets were the pioneer representatives in this transformation of poetry. This book takes poetry readings, poetry-theatre, poetry-painting, poetry-film, poetry-music collaboration, etc. As its objects of investigation. During the research process, it proposes the concept of "movable poetry" and conducts a comprehensive investigation of the complex genealogy, art form, aesthetic characteristics, spatiotemporal characteristics, archiving mechanism, aesthetic paradigm and other categories of the New York School's movable poetry, thereby revealing the origins and flow of changes in poetry in the post-printing era.

This book sorts out and examines the Yelu Chucai family's lineage, marriage, education, family tradition, status and mentality, examines the evolution of his ancestors' Chinese literary creations, clarifies the clues to the development of Khitan literature, examines his family's activities and literary creations in different regions, and reveals the pluralistic and integrated characteristics of Chinese culture from one aspect. This book combines research on ethnic groups, education, region, phonology, literature, officialdom, etc., And strives to discover problems that have not been discovered in previous studies of Khitan literature, open up areas that have not been touched by previous people, supplement the deficiencies in historical records, and make breakthroughs and innovations in many aspects.

This article takes the English children's literature works translated by Ren Rongrong as the research object. From a sociological perspective, it integrates the Gestalt theory and intertextual theory in translation criticism for translation analysis and comparison. It uses key concepts such as "field", "capital" and "habitus" in Bourdieu's social practice theory as theoretical tools to explore the canonization mechanism of Ren Rongrong's translations and various possible driving factors in the process of canonization.

This book is the thirteenth series and has three special columns: poetry research, drama and novel research, and literature review. It mainly publishes outstanding first-time academic achievements in Ming and Qing literature, documents and culture, and strives to present the latest achievements in Ming and Qing literature research at home and abroad.

In the history of Chinese literature, the literature of the Yuan Dynasty is special and complex. This literary particularity and complexity is rooted in the particularity and complexity of Yuan Dynasty culture. The Yuan Dynasty was a multi-faceted integrated culture formed after the multiple conflicts and integration of grassland culture, farming culture, and commercial civilization in the Western Regions. This had a significant impact on the social environment, political order, literati spirit, aesthetic taste, literature and art of the Yuan Dynasty. In this new cultural system of pluralism and unity, the influence of the grassland culture represented by the Mongolian people cannot be ignored. This book explores the influence of grassland culture on the literature of the Yuan Dynasty and the inheritance of the original literary tradition by the literature of the Yuan Dynasty, in order to explore the changes and historical role of the literature of the Yuan Dynasty in the history of the development of Chinese literature.

This book is a series of results sub-topics (basic principles part) of a major bidding project of the National Social Science Fund. It systematically discusses the online literature evaluation system and criticism standards, including the artistic and philosophical premise of online literature evaluation, the identity of the evaluation subject, the principles of evaluation system construction, and the relevant elements of evaluation system construction. It is an original theoretical monograph that addresses the basic academic issues of Internet literature evaluation.

The annual literary keywords are the first of its kind in China. Through keyword research methods, we focus on capturing annual Hunan literary hot spots, important writers and critics, literary phenomena and trends of thought, important works, cultural hot spots, etc., To show the cutting-edge trends in the development of Hunan literature over the past year. Presenting literary history in the form of annual literary keywords is a new method of writing literary history, which has documentary value, literary history value, and literary yearbook value. By summarizing and discussing key words, researchers should not only grasp the overall situation and development logic of annual national and regional literature, but also properly present the basic appearance and spiritual connotation of different themes through case analysis. In the process of writing the book, researchers created some new terms and concepts, or provided some new keyword clues. The publication of this book can open up new research fields and make some unformed literary theories and literary criticism tend to become knowledge formalized and systematized.

This book uses Chinese folk songs and the history of Chinese poetry as reference to sort out German romantic poetry in the 19th century and illustrate the great significance of folk songs to the formation and development of national poetry. Starting from the German folk song collection "The Boy's Magic Horn", we conduct a multi-dimensional investigation of its formation and illustrate its historical, cultural and literary historical value. Then, the three poets Brentano, Eichendorff and Heine and their works are analyzed in detail to demonstrate the nurturing and nourishing role of folk songs in literati poetry. At the same time, it aims to transform the unconscious "pre-understanding" of Chinese culture into a conscious "dialogue", compare the "color differences" between similar and homogeneous poems, and try to explain the "poetic heart" that China and Germany share.

Zaitsev (1881-1972) is a representative writer of Russian diaspora literature in the Silver Age and a typical writer of Russian neorealism in the early 20th century. Zaitsev's creations have a wide range of genres and diverse themes, providing precious artistic materials for perceiving the life and culture of Russian expatriates outside Russia, reflecting on the literary and artistic trends in Russia, and recalling Russian literary classics. This book selects Zaitsev's representative novels written in different periods as the research object, analyzes their artistic characteristics and thematic implications, examines the elements of impressionism, expressionism, symbolism, and spiritual realism in these novels, and reveals the concept of neorealism represented by Zaitsev's creation.

The research content involved in this book is complex, rich and extensive, including segmented research at the diachronic level and interactive analysis at the synchronic level; it not only focuses on the ecological distribution and personality mentality of the literati group, but also grasps the creative ideas and aesthetic opinions of the literati group; it not only focuses on the impact of religion on the Bashu literati group and their literary creation, but also pays attention to the impact of natural geography and humanistic environment on the Bashu literary ecology. The Bashu literature of the Five Dynasties not only had a profound impact on the Jingnan literary world and the Southern Tang literary world in the same historical period, but also contributed a lot to the formation, aggregation and structural reorganization of the literary world in the early Song Dynasty.

Based on the empirical investigation of reader distribution, this book understands what Internet literature readers and Internet literature fans are, and then understands their "three views" and construction of reading interests. Then, it analyzes the profound impact of online media on reading methods with an "entering" attitude, and grasps the uniqueness of online literature reading. As for readers' book review discourse, we focus on the main keywords for analysis, which not only reflects the readers' appreciation orientation and aesthetic psychological mechanism, but also deeply analyzes the acceptance and dissemination of online literature, and then constructs a theory of online literature reader criticism based on understanding the basic value of reader criticism, in order to promote the theoretical research on online literature from the dimension of acceptance.

Compared with the translation and dissemination of ancient Chinese poetry, novels, and operas outside the country, there is less systematic research on the overseas translation of ancient Chinese prose. In the cultural system with French as the carrier, this book examines the basic situation of ancient Chinese prose in France from 1919 to 2019, such as the category definition, text selection, interpretation, and communication effects. It analyzes the relationship between complex translation and communication phenomena, explores the historical context, functional characteristics, and operating mechanisms of its translation and communication over the past century, as well as the transition from politics to aesthetics, from the margins to the hot spots, and from singleness to pluralism.

This book sorts out important literary phenomena in Chinese literature in the 20th century, covering important modern writers such as Lu Xun, Guo Moruo, Shen Congwen, and Zhang Ailing, as well as contemporary novelists such as Zhao Shuli, Yang Mo, Wang Anyi, and Ma Yuan. It combines macro research with micro research to discuss the emergence, development, and changes of modern and contemporary literature through important phenomena in the history of modern literature and the writing of contemporary literary history.

This book is the author's rational sorting out of the literary criticism of Chinese children's literature in the 21st century, including five parts: ontology, theme theory, stylistic theory, regional theory, and publishing and communication theory: ontology is mainly explained from the perspective of children's view of children, ideological nature, originality, etc.; The theme theory is analyzed starting from children's novels. The theme and connotation of children's literature; stylistic theory explores the stylistic characteristics of children's literature from novels, fairy tales, film and television, science fiction and other genres; regional theory mainly focuses on the regional characteristics of children's literature in Liaoning and Northeast China; publishing and communication theory uses publishing and communication theory to see the development of Chinese children's literature in the 21st century. The book combines theory with literary criticism practice, trying to outline the current new trends in theoretical criticism and research on Chinese children's literature.

The academic publication "Humanities" is edited by the Institute of Advanced Humanities of Henan University. "Humanities" adheres to the correct guidance of public opinion and puts social benefits first. "Humanities" centers on humanistic care, highlights academic originality and the dissemination of new knowledge, focuses on empirical research, encourages comprehensive innovation, and strives to integrate various disciplines, explore various academic thoughts and historical and cultural issues, and showcase new achievements in Chinese ideological and academic circles. "Humanities" strives to provide a platform for the academic community to publish high-quality academic results. The articles are mainly academic articles (essays), but we also publish academic essays that welcome ideas and other forms of academic articles. There are also columns such as "Dialogue", "Xuelin", "Notes", "Book Notes" and "Book Reviews" to reflect the research results of scholars in multiple forms and levels.

African English diasporic literature can be divided into three genealogies: native diasporic literature, colonial diasporic literature and foreign diasporic literature. The subjectivity in native diasporic literature is fragmented and incomplete, the subjectivity in foreign diasporic literature has been severely suppressed and distorted, and the subjectivity in colonial diasporic literature reflects more coloniality and aggression. The subjectivity in these three diasporic literary genealogies must be reconstructed. The reconstruction of subjectivity in African English diasporic literature is an effort to restore human dignity and to explore the personal path, the national path, the national path, and even the African path.

This book takes personal communication letters from the Han, Wei and Six Dynasties as the object of investigation, outlines the historical trajectory of the development and evolution of letters during this period, summarizes the characteristics of letters at each stage, explores the underlying reasons for the evolution, and on this basis objectively evaluates the achievements and shortcomings of letters at each stage, revealing the influence and significance of letters from the Han, Wei and Six Dynasties in the history of literary development.