Library

This book mainly re-examines the construction of the history of vernacular literature from the perspective of anti-ancient thoughts, with both historical tracing and synchronic comparison: the former is reflected in the key role played by anti-ancient thoughts in the construction of the history of vernacular literature; the latter can be seen in Hu Shi and Gu Jiegang's discussions on the methodology of constructing the history of vernacular literature, the theory of folk literature, and the relationship between the history of vernacular literature and nationalism. For the first time, this book regards Gu Jiegang as a key figure who jointly constructed the history of vernacular literature with Hu Shi. In short, this book involves not only a discussion of the history of vernacular literature, but also a review and revaluation of modern academic history.

This book starts from the rise of the new view of nature in the Wei and Jin Dynasties, and studies the relationship between the view of nature and the new changes in poetry in the Wei and Jin Dynasties. Through the study of the thoughts of various schools of thought in the Han, Wei, and Jin Dynasties, the first part outlines the impact of changes in the view of nature on the scholars' thinking styles, values, and emotional orientations. The second part analyzes and explains the new changes in poetry in this period at the level of natural view through the investigation of the issues of heaven and man, life and death, origin, and emotion in the poetry of the Wei and Jin Dynasties, and demonstrates the relationship between the changes in the view of nature and the development of poetry.

The "fishing" behavior in the Western context is not an ordinary fishermen's livelihood, but a sexual behavior with male heroic cultural connotations. In the long history of Western culture, many classic narrative texts use the act of "fishing" to characterize the masculinity of heroic characters. From the perspective of cultural anthropology, this book deeply explores the cultural memory carried by Western "fishing" behavior. This article also starts from the perspective of sexual attributes research, taking the Hemingway phenomenon in the real world and the Hemingway phenomenon in the text world as examples to systematically demonstrate the importance of the Western cultural connotation of "fishing" behavior to the study of American masculinity.

"General Course on Literature of Southwest Associated University" is the essence of the profound knowledge and magical thoughts of the geniuses, ghosts, geeks and madmen of the School of Liberal Arts of the Associated University. It is a collection of lecture notes and academic achievements of five masters: Zhu Ziqing, Hu Shi, Wen Yiduo, Chen Yinke and Pu Jiangqing.

From the perspective of literary history, a large number of precious newspapers, periodicals, poems, novels, etc. Related to Macao literature from 1970 to 1974 have been collected and sorted. The manuscripts are divided into years, months, and days, with introductions of the authors and their works interspersed. The information is detailed and classified, with strong information and high academic quality, providing very detailed first-hand information for the study of Macao literature. The publication of this book is to establish a record of the historical development of Macao literature, and to provide reliable clues for the future compilation of Macao literature documents and research on Macao literature.

From the perspective of literary history, a large number of precious newspapers, periodicals, poems, novels, etc. Related to Macao literature from 1980 to 1984 have been collected and sorted. The manuscripts are divided into years, months, and days, with introductions of the authors and their works interspersed. The information is detailed and categorized, with strong information and high academic quality, providing very detailed first-hand information for the study of Macao literature. The publication of this book is to establish a record of the historical development of Macao literature, and to provide reliable clues for the future compilation of Macao literature documents and research on Macao literature.

From the perspective of literary history, a large number of precious newspapers, periodicals, poems, novels, etc. Related to Macao literature from 1975 to 1979 have been collected and sorted. The manuscripts are divided into years, months, and days, with introductions of the authors and their works interspersed. The information is detailed and categorized, with strong information and high academic quality, providing very detailed first-hand information for the study of Macao literature. The publication of this book is to establish a record of the historical development of Macao literature, and to provide reliable clues for the future compilation of Macao literature documents and research on Macao literature.

This book is one of the "Shanghai Literature Research Series in Overseas Asian Sinology" organized and compiled by the "Chinese Urban Literature Research" team of the Shanghai Academy of Social Sciences. It mainly includes 18 works on Shanghai literature research written by Japanese scholars, which generally reflects the status of Japanese scholars' research on Shanghai literature in the past 30 years. Among them are many works by famous Japanese scholars. For example, well-known scholars in the field of Lu Xun studies, Kiyama Hideo, Maruyama Noboru, and Kitaoka Masako, all have articles included. The purpose is to comprehensively present the research styles and research paradigms of foreign scholars, so as to gain an in-depth understanding of the essential characteristics of Chinese local modern and contemporary literary research on the basis of full reference, and to reflect on the paths, ideas and methods of exploring Chinese modern and contemporary literature in different regions.

This book is one of the "Shanghai Literature Research Series in Overseas Asian Sinology" organized and compiled by the "Chinese Urban Literature Research" team of the Shanghai Academy of Social Sciences. It mainly focuses on the main research results of Shanghai literature in Southeast Asian academic circles since the new century, including the writing of Shanghai in Southeast Asian literature, the literary imagination of Shanghai and even China in the minds of overseas Chinese, etc. The papers included in this book involve many research subjects, such as Lu Xun, Yu Dafu, Xu Zhimo, Zhang Ailing, Yang Sao, Liu Naou, Liu Yanling, Wang Anyi and other writers, all of whom have at least one academically focused article. Vietnamese scholar Nguyen Thu Hien has a unique perspective on the relationship between Shanghai literature and modern and contemporary Vietnamese literature from the perspective of translatology. The appendix has selected several relatively relaxed essays and short interview articles related to Shanghai writers, which can be regarded as a kind of aftertaste, making reading more interesting. This book is extremely helpful for our understanding of literary exchanges between Shanghai and Southeast Asia.

This book focuses on the main research results of Korean academic circles on Shanghai literature since the new century, including understanding Shanghai literature from Korean literature, or understanding Korean literature from a Shanghai perspective. On the one hand, this book provides us with new ideas for understanding Shanghai literature and literary Shanghai from the foreign perspective of Koreans. On the other hand, it also provides a Shanghai-centered vision platform for the exchange of Chinese and Korean literature. This book is suitable for relevant researchers to read, and can also be used as a textbook or reference book for relevant majors in colleges and universities.

Make Hollywood Code work for you. As a playwright, even after your script is finished, you still have a daunting task: You have to break into Hollywood. As a script reader and project development director, Rob Tobin has read thousands of scripts and knows the ropes of Hollywood, from creation to production-and he's sharing it with you! How Good Screenplays Tell Stories is not only about how to create a great screenplay, it also explains what kind of structure filmmakers look for and how to turn ideas into completed scripts. You'll learn to: Use seven basic story elements to grab your readers' attention immediately and keep it there. Create characters and plots in new ways by building backstories that tell both objective and subjective stories. Organize your script to be discovered by filmmakers. Create a winning story summary to ensure the perfect hit Plus, to better illustrate the creative principles, Tobin builds a story from start to finish, showing you step by step how to better use this exclusive trade secret. With the guidance of How Good Screenplays Tell Stories, you'll have everything you need to bring your ideas to the big screen.

"Novel Writing: A Guide to Narrative Techniques" provides novel writers with full guidance from inspiration to final draft. It has been a best-seller for many years and has been published in its tenth edition. It is a widely acclaimed writing guide book. This book explores many elements of the novel and introduces in detail the important aspects of novel writing such as characterization, background, plot, structure, narrative perspective, theme, revision, etc. It provides practical writing skills, supplemented by a large number of targeted exercises, to stimulate the writer's writing motivation and creativity. This book also contains a rich and diverse collection of writing examples, with recommended reading lists of related content attached after each chapter. The author believes that reading these inspiring novels will inspire people to create novel and exciting works.

From the perspective of literary history, a large number of precious newspapers, periodicals, poems, novels, etc. Related to Macao literature in Macao from 1950 to 1960 have been collected and sorted. The manuscripts are divided into years, months, and days, with introductions of the authors and their works interspersed. The information is detailed and comprehensive, with high academic content and academic quality, and provides very detailed first-hand information for the study of Macao literature. The publication of this book is to establish a record of the historical development of Macao literature, and to provide reliable clues for the future compilation of Macao literature documents and research on Macao literature.

In this book, renowned American writing coach James Scott Bell reveals the secrets to making novels and screenplays more powerful and irresistible. A basic principle of writing is that the appeal of a story is directly proportional to the reader's reading experience, and the reader's reading experience is directly proportional to the rationality of the structure. A story without structure is like a skin without a skeleton. Only through a reasonable structure can the power of the story be released. Superstructure works for any kind of writer-whether it's someone who likes to outline before they start writing, or someone who just lets their imagination run wild based on intuition. According to the author, writing a novel is like driving in the dark with headlights on. The furthest you can see is only the light on the highway. However, as long as you always know what the next sign is, you will not get lost or drive towards a cliff. "Superstructure" provides us with 14 very effective story signposts, which are: Haunting, Care Package, Argument Against Switching, Making Trouble, Door of No Return No. 1, Kick in the Shoe, Mirror Moment, Pet the Puppy, Door of No Return No. 2, Growing Power, Lights Out, Q Element, Final Battle, and Switching. For each signpost, this book explains it in an independent chapter, and also attaches a short section "Useful suggestions for plot writers and intuitive writers" to show you how to put what you have just learned into practice and make corresponding adjustments according to your own writing style to write a story that is unique to you.

This book is the author's insights from reading and studying Chinese classical novels for many years. It aims to break the existing prejudices and misunderstandings of ordinary readers about classical novels, and guide readers to re-understand Chinese classical novels and feel their profound charm. This book is divided into 12 chapters, which discuss the unique aesthetics of Chinese classical novels from 12 perspectives: appearance, perspective, dislocation, characters, props, gender, level, variation, nature, inheritance, preaching, and death, and explore the inherent commonalities and secret inheritance connections of classical novels from an overall macro perspective.

This book is a comprehensive collection of literary common sense. It compiles scattered literary common sense that readers may be interested in and finds interesting. It helps readers easily familiarize themselves with the basic common sense of ancient and modern Chinese and foreign literature, thereby enriching their knowledge and broadening their horizons. Whether it is for literature lovers or students, they can read it at any time to enrich their personal knowledge base. This book is not only suitable for students to read, but also helpful for general readers to expand their knowledge. Through comprehensive and detailed narration, readers can enjoy the paradise of literature in a relaxed and pleasant state. This book integrates knowledge, interest, literature and documentation, and has high reading and collection value. It can be used not only as a reference book for inquiry, but also as a secret "weapon" to recharge yourself. The writing style of this book is novel and clear, and the knowledge collected is representative and inherited. It is an essential book to help people master literary knowledge. It not only enriches knowledge reserves and broadens horizons, but also serves as a reminder for people's daily lives. It can be called a practical encyclopedia of literary knowledge.

In the early 1930s, Lao She compiled the book "Lecture Notes on an Introduction to Literature" when he was teaching at Qilu University. This book is almost Lao She's only specialized theoretical work. Readers who are interested in an introduction to literature must read this book. The book contains a total of fifteen lectures, discussing the characteristics, creation, origin, style, poetry, prose, drama and novels of literature. It is not only an important material for studying Lao She's literary views, but also a rare introductory book on literary theory. In the book, Lao She not only discusses Chinese literary theory throughout the ages, but also skillfully introduces various Western literary theories. He not only talks about the characteristics of literature, the creation of literature, the origin of literature, the style of literature, the form of literature, but also the ethos and tendencies of literature. The theory is concise and vivid, which can help readers understand Lao She's views on literature and art and the literary world in the 1930s. Mr. Lao She is a monument in the history of modern and contemporary Chinese literature. His life can be said to be full of works. He not only created many novels with Beijing flavor, but also compiled this "Lecture Notes on Introduction to Literature". This rare introductory book on literary theory is full of logic, clear viewpoints and clear stance. The concept of literature is explained in a simple and easy-to-understand manner and covers a wide range of topics. It is worth reading. This book has strong practical value. It is not only the realization of Lao She's creative practice, but also the summary of his study. The book cites the discussions, works and opinions of hundreds of ancient and modern Chinese and foreign scholars and writers. It is a concise and vivid introductory book on literature. It is also the basic material for studying and understanding Lao She's views on literature and art and the literary world of the 1930s.

Where does the inspiration come from? How does the story begin? Did the moments that appeared in the memory foreshadow the material? Are there any paths and experiences to follow when creating ideas? This is a problem that every creator must face, even though they seem so mysterious and unspeakable - "Experience, creation, they are like two sides of a copper plate. When the copper plate rotates, it is neither the front nor the back, but a moment of revelation." - And now, this book will take us close to these "moments of revelation." The creative thinking of Ray Bradbury, one of the greatest writers of the 20th century and author of "Fahrenheit 451," is revealed for the first time. It leads you back in time to explore how science fiction masters turned love or anger into writing motivation; how to enrich the body's various perceptions to feed the muse; how to capture a certain auspicious moment in life and solidify it forever... The book has a total of twelve chapters, with humorous writing, as light and clever as poetry. It is like having a long conversation with the master through time and space, helping you who are interested in writing to clarify the creative myths and move forward.

This book is a monograph on the novels of the classic American female writer Kate Chopin. This book reconstructs and rationally thinks about Chopin's early short stories, novel "The Awakening" and later creations. It compares and appreciates Chopin's works with those of four other important American female writers at the turn of the century. It interprets these classic women's works to observe reality and explore the path for women to grow and achieve themselves. This book is suitable for foreign literature lovers, undergraduate and graduate students majoring in literature, history and philosophy, and scholars in related fields.

"Only His Name: Victor Hugo" consists of 43 short chapters. Each chapter is titled with a keyword of Victor Hugo's life and depicts a certain aspect of Victor Hugo. With this way of telling, the image of a generation of literary giants becomes fuller and more vivid, and his thoughts strike a chord with readers. The original book is adapted from the French France Inter radio station's "Summer with..." Series of reading programs. As Huang Xin wrote in the preface of the Chinese version, this is a wonderful "literary version of the cook and the cow."

All contemporary events find echoes in Homer's epics; rather, every upheaval in history confirms the epic's prophecies. Under the sunshine of Zeus, nothing has changed: man remains the same, an animal that is both great and desperate, radiant and humble at heart. Open this book and travel with the author Sylvain Tyson through 2,500 years of time, visit islands, join in battles, rush to the feast of gods and humans, and listen to Homer's eternal singing.

Some things in life are different whether you have read "A Dream of Red Mansions" or not. "Dream of Red Mansions" is undoubtedly a big mountain that blocks readers. "I picked it up several times, but I couldn't finish the first five chapters and fell asleep." How can we truly enter the world of Red Mansions? This book is a collection of twelve lessons written by "Get" and New Oriental Classics Reader Liu Xiaolei for first-time readers of "Dream of Red Mansions". The whole book is framed according to the "reading requirements for the entire high school Chinese textbook compiled by the Ministry of Education". From the background of the book, character stories, classic plots, to poetic language, social customs, literary and artistic values ​​and other aspects, it is straight to the source and provides a solid, precise and personalized interpretation.

This book is divided into four sections: "Review of the Development Process", "Commentary of Literary Experience", "Extracts of Classic Phenomenon" and "Relevant Historical Facts". It contains the author's recent articles on the evolution of contemporary literature, classic works in contemporary literary creation, important experiences in the development of contemporary literature and other aspects of contemporary literary history. Focusing on the general theme of "classics and experience", it discusses the diachronic evolution of contemporary literature, the origin of literary classics and the accumulation of literary experience. It also involves the guidance and guidance of the party's literary and artistic principles and policies on the literary cause, the important experience of the party's leadership in literary work, the creation and practice of contemporary Chinese literature in institutional mechanisms, creative guidance, etc., As well as the close interaction between contemporary literature and social life in different periods, and the accompanying trends of the times. These discussions and opinions actually imply the exploration and revelation of the unique attributes and essential characteristics of contemporary Chinese literature. These collections of selected papers from different aspects will help people understand and understand the development context of contemporary Chinese literature and its main achievements and basic experiences. They will also help people understand and grasp the characteristics and characteristics of socialist literature with Chinese characteristics.

"Renjian Cihua" is Wang Guowei's representative work and the most famous Cihua work in modern China. He used traditional word forms and traditional concepts, terminology and thinking logic, and naturally incorporated some new concepts and methods. The theoretical issues he summarized were of quite universal significance, which caused a major response among readers of the new and old generations at that time, and held a lofty status in the history of modern Chinese literary criticism. The theoretical core of this book is the "realm" theory. The book has novel views, incisive arguments, and a self-contained system. In particular, the three-level realm theory proposed in the book has always been valued by scholars at home and abroad.

Open your notebook, take out your pen, and welcome to this unprecedentedly bold storytelling class, which will be your first time exploring the commonalities of great stories across multiple media. 27 Master-level writing classes gather talented novelists, screenwriters, cartoonists, game producers, etc. To let you understand how a true, creative and commercially valuable story is created. There are no jargon, routines or academic theories here. We simply dig out "basic principles" from the oldest story structures, seek experience from the greatest stories of all time, and finally summarize 27 principles of story creation. They are not only the secret of masters creating stories, but also the essence of human beings being attracted to good stories. These 27 principles focus on three aspects: plot design, character creation, story background, dialogue and theme. The author clarifies the content of the principles and gives specific suggestions on how to apply these principles in creation.

This book is a novel writing guide based on the author's own "snowflake writing method". It is structured in the form of a fable and teaches 10 steps to smoothly write the story in your heart. The 10 steps of the "Snowflake Writing Method" use the principle of "Snowflake Fractal" to continuously refine the steps of novel creation, making the writer's own conception of the novel content clearer. This book will tell you: how to correctly define your target group; how to tell your story in one sentence; how to get into your role, including the villain; how to grasp the rhythm and seize the best time to reveal the theme; how to rehearse every scene to ensure that the story has a strong impact... The author encourages every novel creator not to give up exploring the writing mode that suits him.

This book selects three of Welty's most visual works of the 1940s, "Green Curtain", "Delta Wedding" and "Golden Apple", for research, and interprets the role of visual mechanisms in Welty's works in constructing the works from three aspects: visual pleasure, visual turn and visual power. Visual pleasure takes the collective gaze in "Green Curtain" as its research object, visual turn focuses on the female gaze in "Delta Wedding", and visual power interprets social surveillance in "Golden Apples". From these three aspects, this book explores how vision carries power and desire on the bodies of different characters in Welty's works, and how these characters use the body as a field of struggle to compose their own life movements.

This book comprehensively examines the historical process of the female body being imagined and constructed by social discourse in the process of China becoming a nation-state from the late Qing Dynasty to the May Fourth Movement. It conducts a detailed and in-depth textual analysis of the metaphorical narrative mechanism and narrative form of the female body in late Qing Dynasty novels and May Fourth novels. It comprehensively presents the complex aspects of the companionship and interaction of the female body with discourses such as country, nation, revolution, enlightenment, and science. It also reveals the historical, cultural, and literary significance of women's transformation from objectification to subject construction.

The three schools of poetry of Lu, Qi and Han played a decisive role in the history of the Book of Songs in the Han Dynasty, but they were gradually lost after the Wei and Jin Dynasties. The compilation of materials from the three schools of poetry by scholars of all ages has become an important event in the history of Confucian classics and has achieved fruitful results. The rational use and reflection and sublation of these achievements are issues that contemporary scholars cannot avoid. Especially in today's academic circles, this voice of reflection is becoming more and more powerful. This book comprehensively combs the process and achievements of the three lost "Shi" collections by predecessors, and re-evaluates the gains and losses based on today's understanding of the study of "The Book of Songs" in the Han Dynasty. At the end of the book, there is attached a "Table of Contents of Existing Versions of Lost Works Compiled by Three Schools of Poetry" and a "Compilation of Prefaces, Postscripts, and Abstracts of Lost Works of Three Schools of Poetry", which briefly outlines the context of the lost history of the three schools of "Poetry" from the perspective of literature, which is quite useful for reference.

The literature of the Tang Dynasty, especially Tang poetry, can be called the most brilliant pearl in the treasure house of Chinese classical literature and art. To study the reasons why Tang poetry achieved such superb artistic achievements, in addition to in-depth analysis of the artistic mechanism of the development of Chinese classical poetry from the Han, Wei and Six Dynasties to the Sui and Tang Dynasties, it is also inseparable from the investigation of the cultural soil, era atmosphere and spiritual charm in which Tang poetry thrives. This book focuses on the above issues and approaches them from multiple angles such as politics, thought, and culture. It not only provides an overall reflection on the formation and connotation of the poetry spirit of the Tang Dynasty, but also provides a specific explanation of the artistic thoughts of representative figures such as Du Fu, Yuan Zhen, Bai Juyi, and Liu Zongyuan. It also has an international cultural perspective and conducts a detailed examination of the international exchange activities of Tang poetry in different fields, including the Silk Road and the East Asian Chinese Character Cultural Circle. It reflects the author's decades of thinking about the development history of Tang Dynasty literature from a social and cultural perspective.

The Jianghu Poetry School was a unique literary group in the poetry world of the Southern Song Dynasty. Its members were commoners and Qingke who roamed the Jianghu. Their poems and creative ideas occupied an important position in the poetry world at that time. This book is the first comprehensive study of this school of poetry. It includes a review of basic historical facts, a definition of its members, a description of the social background, an evaluation of the gains and losses of creation, and a revelation of cultural significance. It combines data research and theoretical analysis closely. It is a masterpiece in the field of ancient literature research.

The Ci Collection of the Republic of China is the most important carrier of Ci Ci of the Republic of China, which best reflects the creative style and achievements of Ci during the Republic of China period. Based on a comprehensive collection and combing of the literature on ci collections during the Republic of China, this book conducts a thematic study of the overall situation of ci collections during the Republic of China and related issues. It aims to restore the overall context of the evolution and development of ci collections during the Republic of China and the creation and collection of ci collections by specific poets, and thereby gain a complete and clear grasp of the overall situation of ci collections during the Republic of China. The whole book consists of two parts: "main part" and "appendix". Among them, the "Main Edition" is divided into three parts, which are an overall study of the Ci Collection of the Republic of China, a study of the relationship between the Ci Society of the Republic of China and the Ci Collection of the Republic of China, and a case study of the Ci Collections of famous writers of the Republic of China. The appendix is ​​an informative content, which is a description of the collection of words written by 162 famous Ci poets of the Republic of China.

Li Bai, Du Fu, Han Yu and Liu Zongyuan have a lofty status in the history of Chinese literature and have far-reaching influence. This book pays attention to the thoughtfulness of the works, the elaboration of historical events and the expansion of cultural history. Focusing on their life experiences, political ideals, personalities, family traditions and literary creations, it conducts new excavations into their literary world and reveals the unique value, contribution and modern significance of the four writers in literary history. The four articles in the appendix provide new research and analysis on the lives or works of Zhang Jiuling, Cen Shen, Li Shangyin and Su Dongpo respectively, which is rigorous and original.

Based on Jiao Xun's theory of the Qing Dynasty that "one generation is more successful than another", Hu Xiaoshi advocates that literature develops with the times. In this book, he narrates the origins and changes of the "Book of Songs", Chu Ci, Han Fu, ancient poems of the Han, Wei, Jin, Southern and Northern Dynasties, Tang rhythmic poems, and Tang and Five Dynasty Ci poems. It is clearly organized and focused, elucidating various old theories and many original ideas. It is recognized by the academic community as a short but insightful book. He has been studying all his life, and his writing must be original. If he has no true knowledge and insights, he will never suppress the same, and his writing will be simple and simple. It defines the category of literature by combining my country's inherent "statement of ambition" theory and "fate-emotion" theory with the foreign "pure literature" theory. As for academic methods, we should strictly distinguish between studying history and studying literature. It is said that studying literature and history belongs to the scope of science, and we must seek truth from facts and believe everything. Literary histories published before the founding of New China, such as "History of Chinese Poetry" co-edited by Feng Yuanjun and Lu Kanru, and "History of the Development of Chinese Literature" by Liu Dajie, were indeed inspired by this book.

A folktale is a structurally stable functional combination, a self-organizing system, a tree of life. Once a story begins its life process, it will grow, graft, bloom, and bear fruit on its own. It will also mutate with changes in time and space, and die as the entropy of life increases. In the story, what kind of character does the hero have, what equipment is needed when leaving home, when will the magical assistant appear, why the traitor is always the uncle of the hero, and why misunderstandings are always unavoidable. All plots have a relatively stable structure or routine, and all routines are the optimal results of mutual constraints between specific functions. The structure of the story is both stable and growing. In the seemingly disordered growth, there are always some optimal configurations and optimal endings. Specific problems always correspond to specific solutions. Every popular folktale is the best way to play a game in a specific language.

This book contains 13 papers from the Inner Mongolia Annual Conference of the Japanese Literature Research Association, which involves the study of Japanese classical waka, Japanese literary translation theory, modern Japanese literature, religious literature, etc. It gathers the front-end academic results of Japanese literature research and is an important reference document for Japanese literature research. The paper discusses the topic, has clear views, and has breakthroughs and innovations compared with the current academic results in related academic fields.

Borges said: "At some literary gatherings in Europe and America, people often ask me about Argentine literature. I always can't help but say: 'Argentine literature (some people always don't take it seriously) exists, and there is at least one book, which is "Martin. "Martin Fierro". '" Jorge Luis Borges is a famous Argentinian poet, novelist, and essayist. He loves "Martin Fierro" and calls it a representative of Argentine literature, thinking that it is on par with the works of Dickens, Dostoyevsky, and Flaubert. Borges cooperated with Margarita Guerrero to introduce and promote "Martin Fierro", analyze in detail the characteristics of Gaucho's poetry, the life experience of "Martin Fierro" author Jose Hernandez, the content of the work, and summarized and sorted out relevant reviews and research works, which is an excellent material for understanding and understanding this work. This book is a loving gift from Borges to Argentine literature. It is the most comprehensive and rich introduction and commentary on Martin Fierro, the masterpiece of Argentine literature.

Why hang mistletoe at Christmas? Loki, with his heart like a snake, turned into a woman and killed Baldur, the God of Summer? Which is more valuable, Beowulf or The Iliad? How did "Nibelungenlied" influence Wagner's creation? Saga, epic poem, elegy, Edda... English Saxon literature, German literature and Scandinavian literature all come from the same root system - Germania. Jorge Luis Borges is a famous Argentinian poet, novelist, and essayist. He collaborated with Argentinian writer María Esther Vazquez to introduce Germanic medieval literature to readers, and compiled three types of literature from the same root system into a precious work. Borges believes that Germany can be regarded as a collection of multiple tribes with relatively close customs, languages, traditions, and myths and legends, and its geographical significance is far less than its national significance. Borges had a unique love for ancient Germanic literature. He recounted the epics, poems, and legendary stories that were almost hidden in the pile of old papers in vivid and interesting language. It was like a precious literary lesson taught by a literary giant, leading us closer to this mysterious territory in the history of literature.

In the spring of 1930, Luo Zhenyu was invited by the Japanese scholar Matsuzaki Tsuruo to give an overview of the academic origins of the Qing Dynasty. The main content of the book is "A Summary of the Academic Origins of the Qing Dynasty" narrated by Luo Zhenyu, translated and annotated by Tsuruo Matsuzaki in Japanese, and translated by Mu Chuanjin, a senior scholar in Dalian. The book starts by tracing the academic changes in the past dynasties before the Qing Dynasty, and briefly comments on the academic history from the pre-Qin to the Ming Dynasty, which serves as the premise and basis for discussing the academic changes in the Qing Dynasty. Then the overall academic outlook of the Qing Dynasty is described and evaluated from four aspects: academic origins, academic schools, research methods, and academic gains and losses. During the editing process, the "Summary of the Academic Origin of the Dynasty" in Luo's collected works was used as a reference. In order to enable readers and researchers to understand Luo's academic historical theories as comprehensively as possible and to understand the context in which these historical theories occurred, this book also includes Luo's "Gradual Changes in Ancient and Modern Academics", "Fusang Two Months", and "Fifty Days Dream Traces" ", "Ji Liao Bian", "The Biography of Wang Zhongcu of Haining", "Preface to the Sixtieth Life of Dr. Kano Junzan", "Books with Ke Fengsun as a Scholar" and other articles, and also include Ke Changsi's "Hanging Mr. Yuluo" and Dong Zuobin's "A Brief Biography of Mr. Luo Xuetang" as appendices.

"Research on Ancient Chinese Military Literature" systematically explores a number of ancient Chinese classics from the pre-Qin to the late Qing Dynasty in the form of monographs, such as "The Book of Songs", "Sun Tzu's Art of War", "Laozi", "Zuo Zhuan", "The Six "Tao", "Historical Records", "Hanshu", "Three Kingdoms", Sancao's poems and essays, frontier poems, "Romance of the Three Kingdoms", "Water Margin", "Nie Haihua", etc., Which focus on explaining the ideological connotation and aesthetic characteristics contained in the military chapters. The author attempts to get close to the historical environment and soul of each research subject, and grasp their life experience, cultural mentality, values, artistic creation, etc. From multiple angles, and promotes the research of ancient Chinese military literature with creative ideological results. The book comprehensively uses a variety of research methods such as mutual support of literature and history, cultural poetics, the combination of micro and macro, and the combination of phenomenon analysis and theoretical summary. It demonstrates the author's research personality of attaching great importance to close reading of texts and capturing "big issues" from the details. It promotes the patriotism, heroism and martial spirit in traditional Chinese military culture, and has high academic value.

The only domestic copy of "Zi Jia Cui Bian" is an anthology of novels compiled by Hu Wenhuan, a famous publisher in the late Ming Dynasty, and prefaced by Wanli Jiawu (1594). However, it is not mentioned in domestic and foreign novel bibliographies, literary history textbooks, research papers, and books. "Bijia Cuibian" has a clear publication date, collects many rare novels, and contains many important variant texts that are of academic significance. It is inextricably related to the compilation and selection of classical Chinese novels, the editing of popular books, the adaptation of story novels and poetry novels, and the creation and dissemination of compiled novels. This book emphasizes problem awareness and close reading of the text. It writes about small details and focuses on big things. It is the first monograph to conduct an in-depth study of the material value, documentary value, and research value of "Bian Jia Cui Bian". It has academic significance to fill the gaps; it has important breakthrough significance in basic research on the versions, contents, and writing of ancient novels.

This book collects 24 textual research articles on ancient Chinese literary writers, works, literary phenomena and other related issues published in "Literature, History and Philosophy" in the past thirty years. These articles either correct the mistakes of previous studies or reveal the secrets of the Wen Dynasty. They have solid information, explore the hidden truths, and have in-depth research and are quite skillful. There are masterpieces by famous writers such as Fu Xuancong, Cai Houshi, Mou Shijin, Ling Xun, Liu Wenzhong, Zhang Zhonggang, etc., As well as excellent works by young and cutting-edge young people in the academic world. They have high academic research value and reference value, and are of great benefit to the study of ancient literature.

This book starts from the perspective of comparative literature and explores the emergence, development, prosperity, climax and decline of Vietnamese classical literature in the 18th and 19th centuries. The works include macro narratives of Vietnamese classical literature, as well as microscopic descriptions of specific masterpieces such as "Hua Jian Zhuan", "Gong Yuan Yin", "Zheng Fu Yin", "Liao Yun Xian", etc. The focus of this book is a multi-faceted examination of the classic work "Jin Yunqiao Biography" written by the Vietnamese great scholar Nguyen Yau. Although the work is based on the original work of a talented young man in the late Ming and early Qing dynasties, Ruan Yau re-created it in the form of poetry and injected Chinese and Vietnamese language and cultural elements into it, making it a "classic" among Vietnamese classical literary works. For this reason, Nguyen Yau himself was listed as a "World Cultural Celebrity" by UNESCO. Due to historical and cultural reasons, Vietnamese classical literature has more or less connections with Chinese literature and culture. This book also discusses the special cultural relationship between China and Vietnam, from which readers can experience the cultural differences between the two cultures that are "similar in appearance but different in taste".

"Six Essentials of Grammar" is a long-lost work of the master prose master Wang Dingjun. It is also one of his classic works on how to write. Ding Gong summarized many years of writing practice and experience, and sorted out and refined the six steps of writing: observation, imagination, experience, selection, combination, and expression, which are equivalent to the "Six Essentials of Grammar" and are the six basic skills that everyone who studies writing should learn and master. The copyright of this book has now been taken back by Ding Gong, and it has been carefully revised and "reborn from the ashes"; it is also an act of Ding Gong's golden needle to save people and selfless sharing. The whole book is based on six key points, and each key point is structured from the dual perspectives of "Teacher Huang" as the "teacher" and the students as "learners". It is easy to read and thought-provoking; supplemented by students' "responses", "work examples" and "my practice", the layers are clear, step-by-step in-depth, and multiple echoes are helpful for application. This book is an important work for writing masters to teach writing methods.

"Wen Xin" is a book written by Ye Shengtao and Xia Chuzun in the 1930s to popularize Chinese knowledge. In addition to their literary creation activities, the two authors are also socially responsible educators. This is one of the educational enlightenment works they completed together. This book uses the form of a story to intersperse personal and social current events and write them out in a relevant way. The whole book integrates the abstract knowledge of Chinese language and the concrete things that young people can encounter every day. The writing is vivid, thoughtful, and understands the profound things in a simple way. It is a very good book for young people. The book is prefaced by Chen Wangdao and Zhu Ziqing respectively, introducing the content of the book and the origin of the book, which will help readers understand and add interesting anecdotes inside and outside the book.

I want to get high marks for my essays, but have little success; I want to make a living by writing, but I have racked my brains but can't find a way; I want to improve my writing level, but I have been thinking hard but I can't get started... "How to Write Efficiently: 81 Writing Lessons from Literary Masters" extracts many literary works such as Xia Zunzun, Lao She, Zhu Ziqing, Lu Xun, etc. The lifelong writing experience of giants, language masters, and philologists can break the "curse" of your creativity, ignite your "small universe" of creativity, cultivate your creative "inspiration", and improve your writing ability and level, so that your thoughts can flow like a fountain, your writing can feel like a spirit, get high scores in your essays, and attract fans like crazy! "How to Write Efficiently: 81 Writing Lessons from Literary Masters" is divided into 81 lectures, covering various articles and literary genres such as narratives, expository essays, argumentative essays, essays, essays, poetry, novels, dramas, etc., And analyzes various writing methods and techniques in a simple and easy-to-understand manner. The author is authoritative and elegant without being exaggerated, the content is popular and informative without being preachy, and the methods are practical, efficient and timeless. Whether you are a student who wants to improve your writing score, a teacher who wants to improve your writing teaching level, or an editor, reporter, writer, or young artist who works with words all day long, as long as you use this book seriously and practice diligently, you will definitely gain unexpected benefits.

Since the early years of the Republic of China, Mr. Xia Gaizun has lectured at the First Normal School of Hunan Province and Baima Lake Chunhui Middle School. Later, the courseware was revised and edited into a book by the educator Mr. Liu Xunyu based on his own teaching practice. The book summarizes the specific writing methods of narrative essays (narrative essays and narrative essays), expository essays, argumentative essays and other genres. In particular, it provides detailed answers to practical questions such as the practice of essays and how to quickly improve writing skills through the practice of essays. The book also contains concise comments on the masterpieces of Lu Xun, Bing Xin and other famous writers, and also provides us with methods and guidance to solve common problems in writing. In addition to the above content, this edition has newly added 11 exquisite prose examples written by Xia Chuzun for readers to appreciate and learn from.

This book is a compilation of lectures and speeches given by the author Lin Shaohua in universities, publishing and cultural departments across the country for decades. The author is a university professor, but he has made great achievements in translating Japanese literary works. He has translated and published more than 90 works in total, which is rare in the translation world. On the whole, the manuscript mainly talks about Haruki Murakami, and also touches on Mo Yan, Wang Xiaobo, Mu Xin, Shi Tiesheng, etc. Among them, the comparative analysis of Haruki Murakami and Mo Yan is very interesting. The author's words are very simple, vivid and sincere, and are very stimulating and motivating to young students. This book is a collection of lectures. It is an introduction to the academic experience of the older generation of scholars to young students. It is also the life insights of the older generation of intellectuals. The whole book is full of positive energy.

This book is an anthology of Western medieval poetry. In the history of Western poetics or literary theory, medieval research is relatively lacking. In view of this, this book selects and compiles eight precious medieval poetic criticism documents, ranging from the late classicism to the era of Petrarch and Boccaccio. It breaks the readers' stereotype that the Middle Ages must be Christian. It not only presents the overall outline of the history of European medieval literary criticism that lasts for more than a thousand years to readers with unprecedented clarity, but also provides some extremely rare information for researchers in this field. In order to facilitate readers' understanding, this book includes a short introduction before each translation to introduce the author, summarize the work, comment on its historical influence, etc., And provides a reference for Chinese translation.

This book is used to celebrate the 40th anniversary of the literary newspaper. The content gathers the writing views of domestic first-line writers such as Mo Yan, Tiening, Chi Zijian, etc. It can be said to be a concentrated display of the power of the Chinese literary world. This is a wide river with a long history. This is also a vast starry sky. Each star has its own brilliance, shining brightly together into the sea of ​​stars belonging to Chinese culture. In the 40 years since the Literary Journal was founded, these articles written for us by famous writers of the past include candid writing experience and sincere literary feelings. It is not difficult to hear a certain commonality among them: time has passed, but the writers' continuous efforts towards the quality, character and spiritual height that literature should have have never changed. In the splendid galaxy of literature, these voices stir and echo each other, constantly interpreting and generating new meanings, providing a steady stream of motivation for those who are interested in writing.