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This book shows the humanistic and historical silhouettes related to Zhaozhou through 334 poems. Along the lines of time, you can calmly feel the historical context, feelings of family and country, and the tension of cultural relics, and diligently read the wind and rain of Zhaozhou City, the perseverance, and the innovative communication of Zhaozhou Bridge. , Open and inclusive, the smart, pure, dreamy charm of Zhaozhou water, the purity, elegance, natural calmness of Zhaozhou tea, the ice-cold jade, plain and refreshing fragrance of Zhaozhou flowers, the moistness and beauty of Zhaozhou pears, the ancient customs and old ways of Zhaozhou traces, and the traces of vicissitudes of life.

Bai Juyi was a poet in the Tang Dynasty who created more verse poems after Du Fu. This book collects a total of 204 Bai Juyi's five-character verses and seven-character verses. These poems are sorted according to the year of creation, and each poem is interpreted. It strives to reveal the ideological and emotional connotations and artistic style characteristics of the poems; it intuitively shows the development process of Bai Juyi's verse creation in the form of chronology.

The full-color hand-drawn mind map by the winning contestant of the mind map competition uses 75+80 ancient poems that primary schools must master to provide a clear overview of all the key points of knowledge. The meaning of the poem is simple and clear, it can be learned and memorized in seconds, and it is full of fun. Based on the cognitive characteristics of primary school students, this book contains 155 ancient poems, which can meet the needs of primary school students learning ancient poems using various versions of textbooks, and lay a solid foundation for learning classical Chinese in middle schools. The book includes an introduction to the author's background knowledge, important and difficult words, words and definitions, key memory methods using mind maps, and practice diagrams to help children understand the content of the poems, experience the artistic conception of the poems, and appreciate the immortal charm of the poems. They can also memorize the key content and difficulties in the poems through clear map memory methods. Help children master the mind mapping method from an early age and establish a good habit of taking notes and studying.

The full-color hand-drawn mind map by the winning contestant of the mind map competition uses 75+80 ancient poems that primary schools must master to provide a clear overview of all the key points of knowledge. The meaning of the poem is simple and clear, it can be learned and memorized in seconds, and it is full of fun. Based on the cognitive characteristics of primary school students, this book contains 155 ancient poems, which can meet the needs of primary school students learning ancient poems using various versions of textbooks, and lay a solid foundation for learning classical Chinese in middle schools. The book includes an introduction to the author's background knowledge, important and difficult words, words and definitions, key memory methods using mind maps, and practice diagrams to help children understand the content of the poems, experience the artistic conception of the poems, and appreciate the immortal charm of the poems. They can also memorize the key content and difficulties in the poems through clear map memory methods. Help children master the mind mapping method from an early age and establish a good habit of taking notes and studying.

This book integrates Song poetry from China's excellent traditional culture with popular science knowledge, and divides it into three major themes: "Flowers, Plants, Fruits and Trees", "Birds, Animals, Fish and Insects" and "Mountains and Scenery". It introduces hundreds of species of animals and plants as well as famous mountains and rivers that appear in Song poetry, tells popular science cultural knowledge about them, and breaks the boundaries between science and culture. At the same time, the book also selects relatively realistic paintings of animals, plants and landscapes from famous ancient Chinese paintings, showing readers the charm of Chinese classical poetry culture with pictures and texts, and exploring potential natural science knowledge. Each article is accompanied by exquisite ancient paintings. There are more than 200 ancient paintings as illustrations in the book. Combined with the text content, they clearly show the flowers, grass, fruits, trees and other plants in the Song Dynasty poems, as well as birds, beasts, fish, insects and other animals, as well as the mountains and rivers mentioned in them, which enhance readers' aesthetic ability and appreciation.

This book integrates Song poetry from China's excellent traditional culture with popular science knowledge, and divides it into three major themes: "Flowers, Plants, Fruits and Trees", "Birds, Animals, Fish and Insects" and "Mountains and Scenery". It introduces hundreds of species of animals and plants as well as famous mountains and rivers that appear in Song poetry, tells popular science cultural knowledge about them, and breaks the boundaries between science and culture. At the same time, the book also selects relatively realistic paintings of animals, plants and landscapes from famous ancient Chinese paintings, showing readers the charm of Chinese classical poetry culture with pictures and texts, and exploring potential natural science knowledge. Each article is accompanied by exquisite ancient paintings. There are more than 200 ancient paintings as illustrations in the book. Combined with the text content, they clearly show the flowers, grass, fruits, trees and other plants in the Song Dynasty poems, as well as birds, beasts, fish, insects and other animals, as well as the mountains and rivers mentioned in them, which enhance readers' aesthetic ability and appreciation.

This book integrates Song poetry from China's excellent traditional culture with popular science knowledge, and divides it into three major themes: "Flowers, Plants, Fruits and Trees", "Birds, Animals, Fish and Insects" and "Mountains and Scenery". It introduces hundreds of species of animals and plants as well as famous mountains and rivers that appear in Song poetry, tells popular science cultural knowledge about them, and breaks the boundaries between science and culture. At the same time, the book also selects relatively realistic paintings of animals, plants and landscapes from famous ancient Chinese paintings, showing readers the charm of Chinese classical poetry culture with pictures and texts, and exploring potential natural science knowledge. Each article is accompanied by exquisite ancient paintings. There are more than 200 ancient paintings as illustrations in the book. Combined with the text content, they clearly show the flowers, grass, fruits, trees and other plants in the Song Dynasty poems, as well as birds, beasts, fish, insects and other animals, as well as the mountains and rivers mentioned in them, which enhance readers' aesthetic ability and appreciation.

100 core poems of Li Bai's life, stunningly reproduced through thousands of years! Have you ever yearned for the freedom and ease of "looking up to the sky and laughing and going out"? Have you ever felt the loneliness and romance of "raising a glass to the bright moon and making three people in the shadow" while drinking alone late at night? This book carefully selects 100 classic poems by Li Bai. From his youth coming out of Shu with a sword to his wandering in the rivers and lakes in his later years, every poem is a footnote to his life. Xu Yuanchong's classic translation retains the rhythm and artistic conception of the original poem, while Liu Xiaochuan's commentary takes you into the changes of the prosperous Tang Dynasty. Reading Li Bai is not only reading poetry, but also reading an unruly attitude towards life - even if the reality is difficult, there is still a world of intoxication and madness in the heart.

108 core poems of Su Dongpo's life, stunningly reproduced through thousands of years! Life is full of unsatisfactory things. Su Shi told us throughout his life: "Don't listen to the sound of beating leaves in the forest, why not whistling and walking slowly." This book has selected 108 poems by Su Shi. From his early days as an official in Fengxiang to his exile in Danzhou, from the mist and rain in Hangzhou to the desolation of Huangzhou, his words are always warm and open-minded. Xu Yuanchong's translation allows Su Shi's boldness and unrestrainedness to transcend language and touch the world; Liu Xiaochuan's interpretation reveals how Su Shi lived out his innocence and transparency in the face of adversity. When you are anxious and confused, open this book, and it will be like an old friend, patting you on the shoulder and saying: "Life is like a journey, and I am also a traveler - but don't forget, this place of peace is my hometown."

This book selects 100 exquisite Tang poems, divided into ten classic categories, and reinterprets them. There are careful descriptions of natural scenery such as spring flowers and autumn moon, affectionate chants when climbing mountains and rivers, and deep reflections when facing historical monuments. The content basically covers all aspects of Tang people's life. From the interpretation of the ten types of poems, we can not only perceive the colorful poetic life of the poets of the Tang Dynasty, broaden our historical and cultural horizons, enrich our historical and cultural knowledge, and thus accept the influence of beauty, delight our spirits, and enjoy happiness; we can also cultivate our temperament and adjust our mood; we can also imbue the noble spirit of the ancients and improve our life cultivation.

If you don't learn poetry, you won't be able to express it. Welcome to enter the Book of Songs and enjoy the elegance together. Wei Jueye (Wang Weiming), the inheritor of Chinese traditional culture, combines literary and historical classics, annotations on the Book of Songs of past dynasties, and modern and contemporary research to go deep into famous poems in the Book of Songs and explain them word for word, close to history and the original meaning. Nowadays, the common understanding of many poems is completely different from the original intention, and it is even more urgent to restore the true colors of the classics. This book will give you a thorough explanation of "Ode to Fu Bixing Fengya", making the classic no longer difficult to understand. Is "Guan Ju" originally a poem about a noble wedding? Who is the protagonist of "Curly Ear"? "Drumming" Are we growing old together as comrades or as husband and wife? Is "Bo Zhou" the sorrow of a chaste woman or the sorrow of a divorced woman? "Big Car" Who are you afraid of if you don't dare to elope? In "Jiang Zhongzi", is Duke Zhuang advising his ministers or is it a woman persuading her lover? "Qingqing Zijin" is the teacher's concern for the students? Does "Fa Tan" express the dissatisfaction of the poor or the sage's self-pity? In "Jianjia" Cang Cang's "so-called beauty" is a god? ... This is a Chinese studies class that the whole family loves to listen to. Wei theory extends the Chinese cultural context and spreads the voice of classics!

Li Bai left more than a thousand poems and essays in his lifetime, and the most authoritative is the Song Dynasty master version (not a word has been deleted, and even the typos in the original manuscript have been marked). This book reproduces the original appearance of the "Collected Works of Li Taibai" compiled by Song Minqiu and Zeng Gong (except that the traditional vertical layout is changed to simplified horizontal layout), phonetic notation, annotations, allusions (after all, it is a Tang Dynasty poem, there is a reading threshold), and 67 unpublished poems and essays in the Song and Shu editions are completed (still too comprehensive). Zeng Gong, one of the Eight Great Masters of the Tang and Song Dynasties, compiled the order and marked Li Bai's life journey (who doesn't want to see the location of Li Bai's circle of friends). We have also compiled many comments on Li Bai's poems from past dynasties (comparable to the ancient version of barrages). I hope to help readers appreciate Li Bai's works more comprehensively and deeply.

Su Shi's poems are broad in content, majestic in spirit, and simple in language. They go against the limitations of Qiluo Xiangze and parting emotions in the past. They are an unprecedented and epoch-making innovation in Song poems and a further development of Song poems. This book collects all works of Su Shi's poems and comments from later generations, and also adds simple annotations and dates, which provides readers with more convenience in appreciating Su Shi's poems.

This book selects more than 100 ancient poems and tells the development process of ancient poems by translating and commenting on classic works. It covers classics such as the Book of Songs, Songs of Chu, Nineteen Ancient Poems, Jian'an Literature, Tao Yuanming's Poems, etc. The style includes the original text of the classics, annotations, translations and appreciation. The ancient poetry translation section includes both accurate interpretations of the original meaning of the original works and beautifully translated new poetry works. In the appreciation part, the author has devoted many years of academic research and explains the profound things in simple terms, pointing out the deep mysteries of the original work to readers. The author revised and compiled it based on the original work 25 years ago, filling the gap in the reading and publishing of pre-Tang Dynasty ancient poems in China. One book can read all the classics of ancient poetry and is a cherished pillow book for poetry lovers.

Li Qingzhao is known as "the most talented woman of all time". Her words are both euphemistic and bold, vigorous and fresh, with sincere emotions, making her one of the "biggest poets". Most of her poems are poems that reflect the times and praise history. They are impassioned, full of fantasy and express strong patriotic feelings. And his prose often combines narrative and lyricism, with clear and beautiful language. Li Qingzhao's collection of words and essays recorded in previous books have been lost, and the existing collections of Li Qingzhao's works are all compiled by descendants. This book is the edited and annotated version of Mr. Sheng Jingxia, a talented woman from the Republic of China and the late famous poet. The book contains all existing works of Li Qingzhao's poetry. At the end of the book, there are essays on Sheng Jingxia's poetry and Li Qingzhao's chronology and travel charts. Here, the talents of ancient and modern generations of talented women complement each other.

The author selected 300 classic poems about wine from the complete collection of poems from past dynasties. He originally planned to present them through calligraphy and publish them under the title "Three Hundred Poems on Wine". With the continuous deepening of research, the literati's feelings reflected in wine poems were classified and analyzed, and twenty-six theories of poetry and wine feelings were formed. This book can be used as a classified selection of famous wine poems from past dynasties, and can also help readers understand the wine culture in different historical periods. The manuscript is not large and can be made into a pocket book. This book will have a certain appeal to general readers who are interested in wine poetry and wine culture, as well as those engaged in the wine industry. The author selected 300 classic poems about wine from the complete collection of poems from past dynasties. He originally planned to present them through calligraphy and publish them under the title "Three Hundred Poems on Wine". With the continuous deepening of research, the literati's feelings reflected in wine poems were classified and analyzed, and the twenty-five theories of poetry and wine feelings were formed. This book can be used as a classified selection of famous wine poems from past dynasties, and can also help readers understand the wine culture in different historical periods.

"Yanzhao Ci in the Past Dynasties" compiles the lyrics created by poets from Yanzhao from the Sui and Tang Dynasties to modern times. The collection is organized by era and is divided into four parts: Tang, Five Dynasties, Song, Jin and Yuan, Ming Dynasty, Qing Dynasty and modern times. Based on the author, a biography is attached under the surname of the poet, which briefly introduces the poet's life and official career, and briefly comments on the poet's works based on previous discussions to see the origin, characteristics and influence of his Ci style and his influence on the Ci world; some writers on Ci studies summarize the essence to clarify the ideas and origins of his Ci studies. If there is no data to refer to, the analysis will be based on your own opinion. This compilation aims to compile the Yan-Zhao Ci poems of the past dynasties for the reference of researchers. It collects the lost pieces and adds fragments of sentences and chapters to show the creative achievements and development process of Yan-Zhao Ci poems, which are an important part of Chinese Ci studies.

This book comprehensively reviews the development of Tang poetics during the Republic of China, dividing it into three historical periods. During this period, Tang poetics showed the development characteristics of moving from tradition to modernity. Through textual interpretation of the research works on Tang poetry by scholars during the Republic of China, the rich academic perspectives formed by the research on Tang poetry during the Republic of China period were systematically refined. On this basis, the theoretical system formed by the research on Tang poetry during the Republic of China was constructed from three aspects: Tang poetry history theory, Tang poetry art theory, and Tang poetry style theory. Finally, on the basis of systematically summarizing the characteristics of Tang poetry during the Republic of China, it points out the shortcomings and future development trends of the research on Tang poetry during the Republic of China in terms of methodology and theoretical achievements.

Based on a systematic review of the formation of Han culture in the Dunhuang area before the Tang Dynasty, this book uses philological methods to conduct a detailed special study on the transmission of literati poetry in the Dunhuang area during the medieval period (referring to the Tang, Five Dynasties and early Song dynasties). It finds the following two phenomena: 1. The exchange of literati poetry between Dunhuang and the mainland was a single flow from east to west, and the flow of literati poetry from the Central Plains to Dunhuang was most likely interrupted during the Tubo period. 2. After the literati and poets from the Central Plains entered Dunhuang, their acceptance groups continued to expand and the scope of their circulation continued to expand. Some local Dunhuang people with higher cultural literacy even mastered the skills of poetry creation and engaged in poetry creation. The above two phenomena show that Dunhuang local poetry was produced under the long-term gestation of literati poetry in the Central Plains. This conclusion reminds us that in Dunhuang in the medieval period when multiple cultures coexisted, Chinese culture was the main body of Dunhuang regional culture. Dunhuang and places along the Silk Road further west have long become an important part of Chinese culture. This is a historical fact that cannot be denied by any external force. The greatest value of this book lies in this.

"Appreciation of Poetry and Prose on the Beijing-Hangzhou Canal" is a new form of textbook written in conjunction with the online course "Lectures on Poetry and Prose on the Beijing-Hangzhou Canal". As far as the manuscript is concerned, the author strives to sort out the origins of the development of Chinese civilization and base it on the education of the material cultural heritage of the canal and the appreciation of traditional poetry and prose. It covers a series of related content such as the location and time of the canal's construction, the relevant people, the size, the purpose of the construction, and the significance of the construction at that time and today. We will show learners the intriguing stories behind each section of the canal, and select the lyrical, evaluation, and nostalgic works of literati throughout the history about the canal. After understanding the historical and geographical background of each section of the canal, we can look back on the past from the perspective of the poet, feel the poet's current state of mind, and deepen our understanding of the poem. Each appreciation article is exciting, vivid, and full of sentiment, which can be said to be appreciated by both refined and popular people, and has a strong sense of contemporary care.

"Yanzhao Ci in the Past Dynasties" compiles the lyrics created by poets from Yanzhao from the Sui and Tang Dynasties to modern times. The collection is organized by era and is divided into four parts: Tang, Five Dynasties, Song, Jin and Yuan, Ming Dynasty, Qing Dynasty and modern times. Based on the author, a biography is attached under the surname of the poet, which briefly introduces the poet's life and official career, and briefly comments on the poet's works based on previous discussions to see the origin, characteristics and influence of his Ci style and his influence on the Ci world; some writers on Ci studies summarize the essence to clarify the ideas and origins of his Ci studies. If there is no data to refer to, the analysis will be based on your own opinion. This compilation aims to compile the Yan-Zhao Ci poems of the past dynasties for the reference of researchers. It collects the lost pieces and adds fragments of sentences and chapters to show the creative achievements and development process of Yan-Zhao Ci poems, which are an important part of Chinese Ci studies.

"Yanzhao Ci in the Past Dynasties" compiles the lyrics created by poets from Yanzhao from the Sui and Tang Dynasties to modern times. The collection is organized by era and is divided into four parts: Tang, Five Dynasties, Song, Jin and Yuan, Ming Dynasty, Qing Dynasty and modern times. Based on the author, a biography is attached under the surname of the poet, which briefly introduces the poet's life and official career, and briefly comments on the poet's works based on previous discussions to see the origin, characteristics and influence of his Ci style and his influence on the Ci world; some writers on Ci studies summarize the essence to clarify the ideas and origins of his Ci studies. If there is no data to refer to, the analysis will be based on your own opinion. This compilation aims to compile the Yan-Zhao Ci poems of the past dynasties for the reference of researchers. It collects the lost pieces and adds fragments of sentences and chapters to show the creative achievements and development process of Yan-Zhao Ci poems, which are an important part of Chinese Ci studies.

The Wanyan family belongs to the Jinyuan noble family and has a long pedigree. In the Qing Dynasty, all family members were in prominent positions. More importantly, the family passed down its poetry and etiquette, and there were literati from generation to generation. From the early Qing Dynasty to the end of the Qing Dynasty, there were 14 poets in the Wanyan family, including 6 male poets and 8 female poets. They created a total of 11 poetry collections, of which 7 poetry collections have been handed down to the world, and 41 poems have survived. The family's literary style has lasted for three hundred years, forming an elegant literary production mechanism. The Wanyan family's poetry creation route expanded from family life to social life, and moved from the upper class to the lower class people. In the late Qing Dynasty, it increasingly showed the real life of the lower class people. It can be said to be a mirror of the life of the common people at that time. This downward vision and writing style give the Wanyan family's poetry a realist light and social significance. This book mainly focuses on the poems of the Wanyan family, and contains a total of seven poetry collections by six members of the Wanyan family.

Ancient Chinese political poetry is a special type of poetry with political affairs as the theme in ancient China. It mainly describes the state of national governance in ancient China, involving taxation, servitude, grain, famine, water, river and many other government affairs. Ancient Chinese political poetry praised or denounced various political figures and events, forming two categories of poems praising politics and poetry resenting politics. This book takes political poetry texts from the Pre-Qin Dynasty to the late Qing Dynasty as the research object, combs the development process of ancient Chinese political poetry, presents the basic appearance of ancient Chinese political poetry, analyzes the value system of ancient Chinese political poetry, and summarizes the creation rules of ancient Chinese political poetry. It is a monograph that systematically and comprehensively explains ancient Chinese political poetry.

This book contains more than 300 original metrical poems and 2 research papers by the author. Among them, metrical poetry is created according to the traditional metrical poetry method, and is divided into four types: five-character rhyme poetry, seven-character rhyme poetry, five-character quatrains, and seven-character quatrains. Each type of poetry is basically arranged according to seven categories of content: festivals, chronicles, sentiments about things, sightseeing, pastoral home, topics about gifts and rewards, and discussions. Due to space limitations, only two research papers are included: "A Brief Introduction to the Concept of Rhythm Poetry" and "A Example of the Use of Rhythm Poetry". Taking into account the reading needs of different readers, some allusions in the poem have been appropriately annotated.

This book is a supplement to the poetry of Lianxi studies based on the existing literature on Lianxi studies in ancient and modern times. Specifically, five types of documents were collected and searched carefully. First, there are existing Lianxi studies documents in the academic circle; second, local chronicles of various relevant places over the past dynasties; third, separate collections and general collections of ancient Confucian scholars. Among these three categories, the first choice is the printed edition of the ancients' separate collections, the second is the printed edition of the ancient comprehensive collections, series of books, and similar books, the third is the photocopied version, and finally the selection of the comprehensive collections, series, and similar books compiled by contemporary people. To keep the writing concise, each manuscript is abbreviated and noted at the end of the chapter. The fourth category is collections of poems and essays by Korean gentlemen, all of which come from two large series of books that can be called the Four Complete Books of Korea - "Korean Anthology Series" and "Korean Anthology Series". The fifth category is that collections of poems and essays by Japanese gentlemen are mostly from Japan's large-scale Confucian series - "Xuxu Congshu Leicong", "Xuxu Congshu Leicong", "Japan Confucianism Series" and special collections of Japanese scholars. There are at least 110 kinds of documents mentioned above.

The beauty of Tang poetry lies in its sentimentality. This book follows the order of friendship, nostalgia, official love, country love, ancient and modern love, from six aspects: "Who am I?", "Annotations", "Translation", "What's so good about this poem?", "Classroom Easter Eggs" and "You can also know more". Each Tang poem is interpreted in detail, and presented vividly and interestingly in the form of appreciation pictures and cartoons, allowing children to appreciate the beauty of Tang poetry and appreciate the feelings of the Tang Dynasty poets about their family and country in an entertaining and educational atmosphere.

Appreciating Tang poetry is a happy thing. In the order of happiness, anger, sorrow, joy and resentment, this book provides a detailed interpretation of each Tang poem from six aspects: "Who am I?", "Annotations", "Translation", "What's so good about this poem?", "Classroom Easter Eggs" and "You can know more". It is vividly and interestingly presented in the form of appreciation pictures and cartoons, allowing children to experience the rich life of the Tang Dynasty poets in an entertaining and educational atmosphere.

The beauty of Tang poetry lies in its sentimentality. This book follows the order of friendship, nostalgia, official love, country love, ancient and modern love, from six aspects: "Who am I?", "Annotations", "Translation", "What's so good about this poem?", "Classroom Easter Eggs" and "You can also know more". Each Tang poem is interpreted in detail, and presented vividly and interestingly in the form of appreciation pictures and cartoons, allowing children to appreciate the beauty of Tang poetry and appreciate the feelings of the Tang Dynasty poets about their family and country in an entertaining and educational atmosphere.

This book is divided into three parts: poetry of the pre-Qin and Han dynasties, poetry criticism of the Han, Wei and Six Dynasties, and poetry and literary criticism of the Tang Dynasty. The first part mainly describes the evolution from the "bianya" of "The Book of Songs" to the thought of "Laozi" from the perspective of intellectual history, and reveals the artistic characteristics of Qu Yuan's works from the perspective of artistic thinking. The middle editor explores the hidden clues in the complicated historical materials, analyzes the Fu studies criticism of Sima Qian, Sima Xiangru, Yang Xiong, Liu Xiang, Liu Xin, Xiaoliang royal family, etc., And outlines the basic context of Fu study criticism in the Han, Wei and Six Dynasties. The following part takes the specific works of Li Bai, Bai Juyi, Li He, and Li Shangyin as examples to discuss the principles of interpretation of classical poetry. Starting from a close reading of the text and historical context, the book analyzes and analyzes the two major genres of poetry and poetry in the pre-Qin, Han and Tang Dynasties.

"Huaihai Ci" is a collection of poems by Qin Guan, a writer in the Northern Song Dynasty. Qin Guan's poems are gorgeous and exquisite, and he is a representative of the graceful poets of the Northern Song Dynasty. The annotator and translator of this book, Chen Zumei, is a researcher at the Institute of Literature of the Chinese Academy of Social Sciences and has been engaged in the study of Song poetry for a long time. She has put a lot of effort into the annotations, insights, and translations of "Huaihai Ci" and carefully considered every word. It is a set of books with the previously published translation of selected annotations and annotations to "Shu Yu Ci".

This book contains the author's more than ten years of ancient poetry creation and some research results on poetry criticism and poetry theory. The book is divided into three volumes: the first volume is Tao Xuan's poetry, which contains original works such as Qilu, Wulu, Qijue, Wujue and Ci; the second volume is Tao Xuan's poetry reviews, which contains several essays by the author on poets of the Yuan, Ming and Qing Dynasties; the third volume is Tao Xuan's poetry theory, which contains the author's experience in creating ancient poetry for many years. The essence of the book lies in the more than 400 poems and lyrics collected in the book, covering natural mountains and rivers, scenic spots and historic sites, chanting history and expressing feelings, chanting objects and expressing ambitions, recording travel farewells and the style of the times, etc. Most of them focus on the natural mountains and rivers, cultural landscapes and historical places of the Three Qin Dynasty, so it is called "Zhongnan Collection".

The Song Dynasty was the heyday of the mature and developed festival system. The increasingly prosperous festival customs promoted the birth of a large number of festival poems. The seasonal poems of the Song Dynasty contain beautiful literary sentiments and vivid folk custom descriptions, and have high cultural value. The book "Research on Seasonal Poems of the Song Dynasty" is mainly based on a close reading of the text, and conducts a systematic thematic study of the Song Dynasty's seasonal poems from a diachronic comparative perspective. The book first examines women's writing, children's writing, and peasant writing in seasonal poems; secondly, it explores the penetration of seasonal poems into the life situations of Song people; and then analyzes the relationship between palace festivals, written writing, and the operation of power; and finally, it examines the aesthetic evolution of seasonal poems from the aspects of poem composition, allusions, themes, and language. The appendix explains the influence of seasonal poems on different seasonal genres such as Song poetry and Song Dynasty geography notes, and corrects the errors in the Song poems in "Ode to Ancient and Modern Years" by Pu Ji of the Southern Song Dynasty, thereby further revealing the close interactive relationship between festivals and Song poetry, folk customs and literature.

This book is the "Oujiang Landscape Poetry Road" volume of the "Traveling in Zhejiang with Poetry" book series. The Oujiang Landscape Poetry Road takes Oujiang, Daxi and Longquan Stream as its main lines and covers part of the administrative areas of Wenzhou and Lishui. Yongjia is the birthplace of Chinese landscape poetry. This book takes poetry as the starting point, relies on the road, and uses scenes, stories and scenery as the narrative carrier to record the humanistic charm of Zhejiang contained in the natural scenery, traditional villages, historical relics, intangible cultural heritage and modern living space. In this way, it conveys the quietest scenery and the silent civilization contained in the poetic road of Zhejiang, as well as the unique and distinctive oriental life aesthetics behind them. This book fully considers the actual needs and future plans for the cultural tourism and lifestyle development and utilization of Poetry Road Zhejiang. It will also target young, business and mid-to-high-end consumer groups with study and leisure vacation as their consumption demands. It creatively and functionally presents the points along the route and provides tourist guide points (eating, drinking, traveling, entertainment, entertainment, shopping, accommodation and intangible cultural heritage experience), so as to realize that Poetry Road Zhejiang is not only a Zhejiang in terms of cultural concepts, but also a Zhejiang that can be felt, experienced and consumed.

This book is the "Road to Tang Poetry in Eastern Zhejiang" volume of the "Traveling in Zhejiang with Poetry" book series. The Tang Poetry Road in Eastern Zhejiang is a poetic road that runs from the Qiantang River through Shaoxing, the Eastern Zhejiang Canal, the Cao'e River to Yanxi, then to Xinchang, and then to Tiantai in Taizhou and Wenzhou. This book takes poetry as the starting point, relies on the road, and uses scenes, stories and scenery as the narrative carrier to record the humanistic charm of Zhejiang contained in the natural scenery, traditional villages, historical relics, intangible cultural heritage and modern living space. In this way, it conveys the quietest scenery and the silent civilization contained in the poetic road of Zhejiang, as well as the unique and distinctive oriental life aesthetics behind them. This book fully considers the actual needs and future plans for the cultural tourism and lifestyle development and utilization of Poetry Road Zhejiang. It will also target young, business and mid-to-high-end consumer groups with study and leisure vacation as their consumption demands. It creatively and functionally presents the points along the route and provides tourist guide points (eating, drinking, traveling, entertainment, entertainment, shopping, accommodation and intangible cultural heritage experience), so as to realize that Poetry Road Zhejiang is not only a Zhejiang in terms of cultural concepts, but also a Zhejiang that can be felt, experienced and consumed.

This book is the "Qiantang River Poetry Road" volume of the "Traveling in Zhejiang with Poetry" book series. Qiantang River Poetry Road is a strip cultural tourism route with "Xin'an River-Fuchun River-Qiantang River" as the main line. This route not only has beautiful natural scenery, but also has profound cultural heritage. It has been a favorite place for literati for thousands of years. More than 1,000 Tang and Song poems have been left along the route. This book takes poetry as the starting point, relies on the road, and uses scenes, stories and scenery as narrative carriers to record the humanistic charm of Zhejiang contained in the natural scenery, traditional villages, historical relics, intangible cultural heritage and modern living space. It also sorts out the travel strategies along the poetry road (including food, accommodation, transportation, travel, shopping, entertainment and intangible cultural heritage experiences, etc.), Which can be used as a travel strategy manual. Readers can follow this book to discover and savor the beautiful scenery and stories on the "Qiantang River Poetry Road".

"Traveling in Zhejiang with Poetry: Oujiang River, Qiantang River, Grand Canal, and the Road of Tang Poetry in Eastern Zhejiang (four volumes)" aims to show Zhejiang's natural scenery, traditional villages, historical relics, intangible cultural heritage, and humanistic charm in modern living space through poetry. It also provides travel strategies, including food, accommodation, transportation, travel, shopping, entertainment, and intangible cultural heritage experience. It is an interesting, informative, and practical travel guide.

Emperor Yang of the Sui Dynasty opened the Grand Canal, which paved the way for the southward movement of the Chinese cultural center in later generations. Today, the east and west banks of the Grand Canal are deposited with poetry, buried with poets, continuing the poetic scenery, and exuding poetic sentiment. The main line of the Grand Canal Poetry Road runs along the Jiangnan Canal and the East Zhejiang Canal, with the World Cultural Heritage Protection Area as its core. It is an important cultural waterway for poets of all ages to explore the south of the Yangtze River. This book takes poetry as the starting point, relies on the road, and uses scenes, stories and scenery as the narrative carrier to record the humanistic charm of Zhejiang contained in the natural scenery, traditional villages, historical relics, intangible cultural heritage and modern living space. In this way, it conveys the quietest scenery and the silent civilization contained in the poetic road of Zhejiang, as well as the unique and distinctive oriental life aesthetics behind them. As the "Grand Canal Poetry Road" volume of the "Traveling with Poems in Zhejiang" book series, the author follows the poems and retravels the Grand Canal Road from north to south, recording the historical texts and cultural customs of Gongshu, Linping, Deqing, Nanxun, Tongxiang, Xiuzhou, Binjiang, Yuecheng and Yinzhou. He also conducts on-site inspections of many large and small restaurants, scenic B&Bs, New and old scenic spots, research bases, and carefully matched real-life shooting illustrations make the Grand Canal Poetry Road in the "Four Poetry Roads" cultural belt concrete, real-life, and perceptible, integrating into a canal tour guide that is both interesting, informative, and practical, providing a valuable reference guide for researchers and leisure travelers.

This book excerpts the famous articles explaining Tang poetry by three professors, Wen Yiduo, Hu Shi and Pu Jiangqing, and brings together the essence of the profound knowledge of famous teachers. Using time as a clue, this book selects representative poets from different periods of the Tang Dynasty for explanations, starting with Wang Ji who loved drinking and ending with Du Mu who was proud of his ability to help the world. It integrates poetry, history, and biography into one, with detailed research and textual research, leading you to appreciate the shining stars of the Tang Dynasty and appreciate the charm of Tang poetry.

This book studies the development of Fujian Ci in the past thousand years from the Song Dynasty to the Republic of China, reveals the spiritual characteristics of Fujian Ci that pay attention to reality, explains how the in-depth combination of Ci style literature and the cultural tradition of the Fujian people gave birth to Fujian Ci, explores the regional characteristics of Fujian Ci determined by the temperament of the Fujian people and the particularity of Fujian culture, and clarifies the important value of the patriotic tradition, the worldly spirit and the extraordinary creativity of Fujian Ci.

This book is based on the understanding and analysis of Pre-Qin texts, daily pre-Qin history and the experiences of writers. It explains the literary context of the Pre-Qin era when human civilization was just beginning, when human civilization was just starting to develop, and the books were not on the same track, but the same texts were not written in the same way.

This book considers the trend of Shangqi that emerged in the poetry world from Tianbao to Yuanhe in the Tang Dynasty as an important phenomenon in the development of Tang poetry. On the premise of revealing the inner connection between the ancient Confucian ways adhered to by the authors of strange poems and their creative ideas, it focuses on finding the deep artistic elements hidden behind expression elements such as style, imagery, and rhetoric, especially the consistency and uniqueness of each school's ideas for seeking novelty, and its impact on the way of association, artistic vision, creativity, and even posture and tone. It is intended to understand the psychological feelings and thinking logic of this school of poets embedded in the surreal imagination, as well as the vitality and tragic beauty revealed in their bitter chants.

This book starts from the inherent issues of Ming Dynasty poetics and launches a comprehensive discussion of Qing Dynasty poetics from the overall theoretical perspective of Chinese poetics. The author proposes that the three basic concepts of authenticity, orthodoxy, and elegance and vulgarity restricted the historical process of Ming and Qing poetry. The sixteen chapters of the book, based on the full possession and in-depth study of a large number of original documents, reveal the evolution trajectory and overall characteristics of poetics in the Qing Dynasty, explore the theoretical issues and value orientations of poetics in each period, examine the group composition and theoretical propositions of each poetic school, compare the inheritance relationship and poetic similarities and differences between the various schools, expound the theoretical system and unique contributions of important poets, and discuss the history and system of poetics in the Qing Dynasty.

This book first summarizes the development, overall characteristics and important achievements of pre-Tang poetry and Tang poetry, and then classifies Tang poetry according to subject matter, focusing on twelve categories of excellent Tang poetry, including frontier poems, nostalgia poems, boudoir poems, love poems, philosophical poems, drinking poems, and moon chanting poems.

This book is an introductory book about Yuan opera. It introduces the basic knowledge of Yuan opera, takes into account the latest research results, enables readers to grasp the overall knowledge and development of Yuan opera, and demonstrates the artistic charm of Yuan opera as a literary form.

This book is based on the Song Dynasty's "Biography of Mao's Poems" (twenty volumes) and selects 81 articles for detailed exposition. The writing style is: original poem, annotation, translation, and introduction.

This book is divided into five parts: the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty, the late Tang Dynasty and the geographical names and objects. The essence of Tang poetry is reviewed and appreciated step by step.

This book attempts to use the method of ancient literary systems to study the interactive relationship between Song poetry and Tang and Song poetry. It also studies the mutual influence of Tang and Song poetry on the composition, genre, theory, and annotation of the Song Dynasty poetry system under a unified system, and draws a series of new perspectives. The whole book is divided into two parts: Tang and Song poetics and Song Ci creation; Tang and Song poetics and Song Ci system.

Read all the life stories of Li Qingzhao in one book, and hilariously dissect the poems of Li Qingzhao who depended on poetry and wine, and could shine brightly in the sky! The new work of the well-known author "Prisoners of History", innovative and cute comics + creative WeChat group chat, hilarious and funny, suitable for all ages! This book innovatively integrates ancient poetry into a modern context, coupled with creative WeChat conversations that span time and space. It is based on history and is imaginative. Learning ancient poetry is far more interesting than Chinese texts! Face to face with Li Qingzhao, you will never get tired of reading the hilarious ancient poems again and again. Li Qingzhao in the Song Dynasty is amazing! Understand Qingzhao through the five major categories of creation, and understand the foothold and profound meaning of Li Qingzhao's poetry creation from her life context. "5 Minutes of Hilarious Poems: Li Qingzhao" tells the life of Li Qingzhao through vivid historical stories, lively and humorous writing, comics and text, and interprets Li Qingzhao's important poetry creations in the context of the story. She uses her romance, stubbornness, struggle, and pain to conquer her readers in just a hundred words time and time again. She single-handedly overcame the reality of bullets and bullets, and stubbornly released her stubbornness in her poems. The whole book is both interesting and extremely informative. You can read all of Li Qingzhao's life story in one book and condense the essence of Li Qingzhao's poetry in 5 minutes.

The Book of Songs is a song that sings about Chinese people's weddings, funerals, joys, sorrows, and sorrows; the Book of Songs is also a scripture that shapes the Chinese people's euphemistic and elegant character, simple and simple aesthetics, and clear concepts of love and hate. Professor Liu Dongying of Heilongjiang University selected a hundred essential lines from the Book of Songs. With her profound academic foundation and love for classical literature, she led us to travel between the natural and cultural landscapes described in the Book of Songs, and experience the sincere emotions and endless reveries derived from life. This book cleverly integrates the emotional needs and thinking perspectives of modern people, covering multiple themes such as love, marriage, family, labor, war, nature, etc., Showing the diverse aspects of ancient society and people's true emotions. Each poem is accompanied by concise annotations and vivid explanations, aiming to provide busy modern people with a window to "dialogue" with the ancients, penetrate into the literary palace of the Book of Songs, and absorb the sweet spring of wisdom from the classical charm.