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This book starts from the basic context and historical facts of the history of translation and cultural exchange between China and the West. It takes Yan Fu's translation of Smith's masterpiece "The Wealth of Nations" as the main research object, and combines the English originals, manuscripts, scripts, revised versions of the translation and diaries and other peripheral first-hand materials to explore the translation issues highlighted in the early contact between Chinese and Western ideas. The book focuses on the analysis of Yan Fu's personal reading experience and translation thinking during the translation process. Through his selection and consideration of Western economic ideas, he achieved the purpose of reflecting on and promoting traditional Chinese culture, reflecting his protection and persistence of Chinese culture. The research emphasizes using new discoveries and new interpretations of data as breakthroughs to restore the diversity, continuity and integrity of history. The research path and research value return to the development context of Chinese culture and are reinterpreted from the perspective of contemporary academic thinking.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

The "Eight Great Masters of the Tang and Song Dynasties" are extremely well-known in the minds of contemporary Chinese people. They not only set an example for future generations in literature, but also shine in the annals of history and shine through the ages in terms of political activities, personal life, ideological realm, and artistic creation. The "Internal Chapter" of this book starts with the writer's life, experience, and thoughts, and comprehensively presents the life, thoughts, and creative aspects of the "Eight Great Masters of the Tang and Song Dynasties" so that readers can have a deeper understanding of the writer's overall picture. Many of the articles in the "Eight Great Masters of the Tang and Song Dynasties" are familiar to readers. They are classics of ancient prose and models for prose writing. The "external chapter" of this book is a selection of famous prose works by the "Eight Great Masters of the Tang and Song Dynasties", which are carefully analyzed to enable readers to understand the works of the "Eight Great Masters" more accurately and profoundly, to appreciate the beauty of the writing and the profundity of their thoughts.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

Through literature review and field investigation, this book explores how people told the story of the White Emperor in different historical periods, why they told it in this way, and the resulting narrative evolution. This book believes that the story of the White Emperor and the Heavenly King originated from the ancestral memory of the "Northern Heavenly King" of the Yang family in Jingzhou during the Song Dynasty. Later, it was introduced to the local area as some Yang family members migrated to today's western Hunan area. It spread through the further development of local society in the Yuan, Ming and Qing dynasties, forming increasingly diverse versions of the story. The evolution of the narrative of the White Emperor and Heavenly King from "ancestral memories" to "local legends" is a historical microcosm of the increasing integration of Western Hunan society into a dynastic state since the Song Dynasty.

This book mainly explores the interactive relationship between styles. The Ming Dynasty was not only the trough period of poetry literature, but also the glorious era of opera. The two were both music literature and had long-term symbiosis. A large number of lyrics are parasitic in operas and assume specific structural or plot functions such as "opening". This type of lyrics has considerable literary value and historical significance.

This book is a companion work to "Study on Rhyme Poems of the Tang Dynasty". Compared with the Tang Dynasty, rhyme poetry in the Song Dynasty has undergone new development. Not only has it changed the way of rhyme division, from participants dividing isolated rhyme characters to using words from the best lines of previous poems, but it also generally no longer limits the poetry style and number of lines used. This book first examines all the documents on the use of good verses in poems by poets in the Song Dynasty to ensure the accuracy of the documents used; then conducts a multi-faceted analysis of the good verses extracted from them, and considers the complex reasons why the Song people chose these verses, including cultural traditions, social backgrounds and on-the-spot factors; finally, it further examines the huge influence of the verse verses in the Song Dynasty, which not only directly promoted the development of verse verses in the Yuan, Ming and Qing dynasties, but also inspired the emergence and development of verse verses and personally composed verse verses.

This book takes Li E as the center and systematically sorts out Li E's creative process and poetic concepts. It uses time development as the vertical line and regional displacement as the horizontal line, integrating time and space. It conducts a three-dimensional investigation of Li E's poetic activities and restores Li E's important position in the Kangxi and Qianlong poetry circles. The whole book launches a detailed analysis of Li E's process of entering Beijing and becoming an official, his "unconventional" temperament, errors in the chronology, the dispute between the Tang and Song Dynasties in poetic stance, the style of "Chronicles of Song Poems", the evolution of his creative process, his relationship with the Hanshi Poetry Group, and his influence on the Zhejiang School. This book combines case analysis with overall observation, and conducts a relatively systematic exploration of Li E's person, poems, events and names from point to point.

This book takes the Christian literati in Jiangnan in China from 1868 to 1919 as the research object. It first examines the spread of Christianity in China and the basic situation of Christian literati in Jiangnan in modern China. Secondly, it analyzes the characteristics of Christian literati in Jiangnan in modern China in the literary field from three aspects: literary translation and creation, literary concepts and literary activities. Finally, in connection with the development of modern Chinese literature, the study of Christian literati in the south of the Yangtze River in modern China is placed into the category of literary history to make an overall evaluation. From the perspective of literary research, taking Chinese Christian literati in the late Qing Dynasty and the early Republic of China as the research object can systematically sort out the relationship between Chinese Christianity and literature during this period, fill the vacuum of coverage of Christian religious groups in modern literary history, and supplement the research on the history of literature and literary criticism at the documentary level.

"The Essence of Nalan Rongruo's Ci" contains several classic poems by Nalan Rongruo, a famous poet in the Qing Dynasty. Among them are "Golden Thread Song: Thoughts on the Anniversary of the Wife's Death", "Qinyuan Chun: Mourning for the Death", "Breaking Through the Sands of Huanxi" and "Green Shirt Wet All over - Mourning for the Death" written by him in memory of his late wife Lu. These poems are sincere and sincere, and are known as models of mourning poems. In addition, this collection also collects excellent works such as "Long Love", which reflects the poet's homesickness while traveling, "Huanxisha·Outing Couplet" and "Huanxisha·Send a Friend to Yansun", which are sung with friends, as well as "Jiangchengzi·Ode to History" and "Taicheng Road·Washing Table Nostalgic for the Past". Through these poems of different styles, readers can appreciate the depth and elegance, elegance and desolation, glitz and loneliness of Nalan Rongruo's words, and feel the various aspects of life and emotional ups and downs in his writings, as well as his unique temperament and charm as an aristocratic poet. The waves wash away the sand for hundreds of years, and everything will eventually become immortal.

Qi Poems mainly includes poems from the Qi Dynasty in the Southern Dynasties. For Qi poetry, Shen Deqian's criterion for selecting poems is still to implement his "style theory". He believes that compared with the previous dynasties, the style of Qi Dynasty poetry gradually tends to be "Qiyi" (gorgeous and complex) and "Qingyan" (frivolous and showy). Despite this, he still believes that these poems are one of the sources of Tang poetry and an indispensable part of understanding the development of poetry. In the Qi poetry selection, the most prominent and famous poet, who was considered by Shen Deqian to be "unique in his generation", was Xie Tiao. His poetry style was fresh and beautiful, and he was especially good at describing landscapes, which had a profound influence on the development of landscape poetry in later generations. When reading this article, you can focus on Xie Gong's poems.

The Sui Dynasty, which began in 581 AD and ended in 618 AD, was an important transitional period in Chinese history that succeeded the Southern and Northern Dynasties and ushered in the Tang Dynasty. In the history of poetry, the poetry of the Sui Dynasty is also a link between the past and the future. It not only carries the legacy of the poetry of the late Southern and Northern Dynasties, but also heralds the rise of Tang poetry. Shen Deqian's original intention in compiling "Origins of Ancient Poetry" was precisely to trace back to the "source" of Tang poetry - he believed that Tang poetry did not come out of thin air, but had its own long development path. Therefore, Sui poetry, as the eve of Tang poetry, occupies a key position in the original version of "The Source of Ancient Poetry". Xue Daoheng, Yang Guang, Wang Zhou and Yu Shiji are important representatives in Sui poetry.

Shen Deqian's selection and evaluation of the "Wei Poems" constructs a framework of Cao Wei poetry that is "based on style and teaching of poetry." He affirmed the artistic value of Wei poetry's "quality but not slang, straightness but not wildness" and incorporated it into the Confucian ethical framework. These standards deeply influenced the development of poetics in the Qing Dynasty. From a contemporary perspective, Wei poetry is not only the source of Tang poetry, but also an important source of "realism" and "humanistic spirit" in Chinese poetry. Its value goes beyond Shen Deqian's own comments and is an important hub for understanding the tradition of Chinese poetry. In a word, Wei poetry has completed the transformation of five-character poetry from narrative to lyrical poetry, and has an important status.

Shen Deqian built a poetry pedigree with "character as the foundation and poetry as the teaching" by selecting and commenting on the poetry of the Southern Dynasty and Song Dynasty. From a contemporary perspective, Song poetry is not only the source of Tang poetry, but also an important source of natural aesthetics and social criticism of Chinese poetry, and its aesthetic influence is far-reaching. "Tang poems are implicit, while Song poems are explicit; implicit means the rhyme is beyond the meaning, and revealing means the meaning is in the words." Shen believes that compared with later Tang poetry, Song poetry is more straightforward in emotional expression and emphasizes "the meaning is in the words." The appreciation is beyond words.

"Years" is a comprehensive collection of works covering rural news reporting, urban investigation and research, and personal literary creation. The author Ye Shuguo reviewed his experience from teaching in rural schools, to changing careers to work in township governments, and then serving in district committee departments and municipal government agencies. He selected various manuscripts he wrote while engaged in cultural education, ideological propaganda, secretarial writing, policy research, organization building, and administrative decision-making, and compiled them into a book with the support of his unit. The whole book is mainly divided into three series: "Country Stories", "City Thoughts" and "Literary Dreams". "Rural Stories" collects news reports about rural development, rural life, and rural events; "Urban Thoughts" collects related investigations and research; "Literary Dreams" mainly reflects the author's study and creation of literature.

"2018: Notes on Xinsheng Street" is a collection of essays about urban memory by young writer Yao Dawei. Xinsheng Street is one of the important historical and cultural blocks in Suqian, Jiangsu Province, retaining the city's most abundant cultural memories. From a new perspective, the author goes deep into the streets and alleys to explore all aspects of life, and narrates the stories of the old streets and people, forming a vivid picture of the city. While exploring the historical origins of streets and alleys, the author uses vivid details to profoundly display the close connection between personal destiny and the city, highlighting the changes of the times.

"Why Fish Live" intercepts fragments of the author's life, carefully recalling and comprehending the true meaning of life. Although it is simple and unpretentious, it is full of deep feelings. The author uses simple language to describe the people, things and things he encountered in his life and the emotions he got from them. Although the story is small, it reflects the big principles of life. Deep family affection, innocent heart, and sweet and ignorant love are naturally revealed in the simple and unpretentious language, giving people a feeling of following the words to experience life. This is a book of affectionate gazes, and it is also an intimate and vivid book of beauty.

"Grains and Grains" is a collection of literary criticism works that exudes a strong local flavor of southern Jiangxi. The writer Ming Xinping discovers and writes about the ordinary and legendary lives of grassroots literary and art workers through his works, and writes about their labor, dedication, sacrifice and career. The works include reports and close-ups on tea-picking dramas in southern Jiangxi, as well as writings about Li Hansheng, the "fire spreader" who used books to help people embark on the road to wealth, and essays about the memory of the villagers. Like the title of the book, "Food and Grain", it is an important reflection of the author's life and work. These works pluck moving stories and touching passages from literary works and ordinary people. They are gentle, affectionate and touching, and well reflect the need of literature to discover and express the great beauty in life.

"A Summer's Walk Over the Mountains" is a classic collection of essays that records Muir's expedition trip to the Sierra Nevada Mountains in the summer of 1869. At that time, Muir was invited by a friend to go to the Sierra Nevada Mountains in Yosemite Valley to herd sheep and investigate. This book was originally published in 1911. In the book, Muir recorded in diary form what he saw and heard in the mountains, including the magnificent natural landscapes, rich species of flora and fauna, and the deep connection with nature. Muir believed that nature was not only a resource, but also the sustenance of the human spirit. His writing integrated scientific observation and poetic expression, creating a new tradition of nature literature. In the book, Muir not only described the beauty of nature, but also expressed his thoughts on the relationship between humans and nature. He criticized mankind's destruction of nature and called on people to respect and protect nature. This book is not only a classic of nature literature, but also an important document of the modern environmental movement.

This book is a collection of essays on classical poetry written by Mr. Yin Changlong. The classic poetry of the Tang and Song Dynasties wanders in his writing, and the sensibility of the literati and the rigor of the scholar, as well as the modern stance and classical feelings, are all well integrated into it. The book is divided into ten parts, focusing on aspects such as seasons, geography, cities, literature and history, life, humanities, life, temperament, women, poets, etc. Such classification may not have academic considerations, but it is convenient for readers to review. In each part, the author selects a poem or several related poems, uses about 2,000 words of text, combines with real situations and feelings, and goes deep into the souls of the ancients to explore what the ancients thought. Classical poems and life situations are in harmony.

The collection of essays "Walking on Mountains and Rivers" includes Mr. Liao Ben's prose works published in recent years in newspapers such as People's Daily, Guangming Daily, Literary and Art Newspaper, and China Art Newspaper. The article praises the times, the great mountains and rivers, the ancient civilization, and expresses the author's perception of the times, tradition, civilization, and culture. After these essays were published, they have received very good feedback and evaluation, and some of them have been included in the teaching guidance examples for primary and secondary schools. Mr. Liao Ben has multiple identities, including scholar and poet. His articles have the unique cultural value of scholar's prose and are also very lyrical. They belong to the category of large prose and can provide readers with a rich reading experience.

This book deeply explores the cultural, folklore and philosophical connotations of "Journey to the West", and interprets the folk beliefs, legends, monuments, historical facts, etc. Involved in the story of "Journey to the West". For example, "Journey to the West" and "A Dream of Red Mansions", why do they both start with stories about stones? The Golden Cudgel is the backbone of Sun Wukong. Why does it have to come from the sea? How was the bureaucracy of the ancient world of gods designed and arranged? What is the deep meaning behind the sentence "Since you can see the future, why not worship"? The author has insight into the subtle and profound details behind these stories, and provides readers with a comprehensive and in-depth perspective to understand this classic masterpiece.

"You Mengying" is the representative work of Zhang Chao, a writer in the early Qing Dynasty. It is also a model of short essays in the Ming and Qing Dynasties. It is good at aphorisms, aphorisms, and Zen interests. It concentrates its writing power on the demeanor of celebrities and explores romance, chess, calligraphy and painting. The content is mainly leisurely and unrestrained aesthetics, following the example of Yuan Hongdao, Chen Jiru, Tang Xianzu, etc. In the Ming Dynasty. It is informal and unrestrained. Although he talks a lot about flowers and the moon, he tries to avoid vulgarity, maintains a high standard of elegance, and has many pleasing words. It is beautiful, elegant and full of interest, so it has a wide influence and is very popular among readers. "Commentary on You Meng Film" annotates and comments on "You Meng Shadow". It has three advantages: first, it is based on the version in the late Kangxi period, which collects the most and most complete comments and maintains the original appearance; second, the annotations absorb the latest research results, eliminate many blind spots and omissions, and have quite innovative ideas in aspects such as classics and history collections, folk slang, phonological knowledge, Buddhist scriptures, and Buddhist sayings; third, the comments explain in simple terms and draw parallels, which helps to understand people and the world. This book is both academic and popular, and can be enjoyed by both refined and popular people. It is a good popular reading book.

"On Romanticism" is Heine's masterpiece of literary theory. It is a polemical work against Mrs. De Steyr's "Deutsche Deutschland" and is intended to correct Mrs. Steyr's excessive praise of German romantic literature. Heine laughed and scolded, and discussed the origin and development of German Romantic literature vividly, talking about the works of writers such as the Schlegel brothers, Tieck, Hoffmann, Arnim, Novalis, Fouquet, Brentano, Jean Paul, Goethe, and the thoughts of philosophers such as Hegel and Schelling. Heine criticized the shortcomings of German Romanticism and affirmed the brilliance of its excellent works. Mr. Zhang Yushu's translation style is free and vigorous, sonorous and powerful, which deeply captures the three flavors of the original work.

This set of books has a total of 6 volumes, truly recording the entire process of police detection of cases. This set of books collects serious cases that were solved in the last century. In that era when technology was not yet developed, cases could be detected mostly because of the professional abilities and sense of responsibility of the police. It was in this era that a group of police officers called "detectives" appeared. Detecting cases was their obsession hidden in their hearts, and they could not be relieved until the moment they caught the murderer. In this obsession, they did not want to miss any possibility. They pursued clues for several years, visited the scene of the case in depth, and finally revealed the truth to the victim. This set of books restores the first-person perspective, following the footsteps of the detectives, visiting the crime scene in person, and seeing how they got lost in the complicated relationships and clues, and how they picked themselves up again, broke through all kinds of difficulties, and got closer to the truth step by step. This is a story that belongs specifically to the Chinese police. It is a murder map drawn with painstaking efforts by police workers from all over the country.

G. K. Chesterton is an important figure in the history of British literature. He can be called a rare erudite master. He is a famous British writer, literary critic, theologian and poet. This book is a selection of his classic poems. Set against the backdrop of Alfred the Great's battle against the Danish invasion, the work explores themes of faith, struggle and national identity. Through rich imagery and allegorical references, it elevates Alfred from a mere historical figure to a symbol of Christian virtue and resilience.

This is a work of documentary literature, a companion piece to "Super Serious Murder Investigation: Urban Chapter". The author Qin Ming has sorted out a number of cases that occurred around the world, using the professional perspective of forensics and the logic of forensics to solve murder cases, and provides readers with professional-level case interpretation and analysis in a "super serious" way, allowing readers to immerse themselves in the real logic of police solving crimes in reality. Each murder case consists of the following parts: "Super serious investigation" - Forensic doctor Qin Ming will accompany everyone to analyze the case files, interspersing many knowledge points and thinking methods, allowing friends to participate in the investigation and detection of each case more intuitively, or immersively. "Super hard-core index" - the book prompts some hard-core popular science knowledge to bring readers a more hard-core knowledge experience. "Forensic Doctor's Notes" - Forensic doctor Qin Ming will also talk to you about his inner thoughts after reading the case. In many cases, Lao Qin felt very sad when reading the information.

A new adaptation of the suspense podcast with over 8 million views! Forensic Doctor Qin Ming's popular science series: From now on, exchange brains with the forensic doctor! "Super Serious Murder Case Investigation·City" + "Super Serious Murder Case Investigation·Mountains and Seas" Two parts of forensic doctor Qin Ming's super serious hardcore science popularization! Super serious, super mysterious, super hardcore, super interesting! If you are curious about all the mysterious cases in the world, you might as well take a look at how real-life criminal police solve murder cases! Forensic doctor Qin Ming will work with you to gradually investigate the ins and outs of the case from the moment the case occurred until the embarrassing truth is revealed! The two books contain 18 mysterious murder cases (collections). Each murder case contains three levels of interpretation: file name, super hard-core index, and resonance between readers and authors. A murder has occurred and lives cannot be saved, but can we get some inspiration from other people's stories to avoid a recurrence of tragedy?

As a cultural core full of changing elements, the American Dream has profoundly influenced the development characteristics of American literature in various periods. This book examines the changes in the connotation and denotation of American humor novels from the perspective of the American Dream, and based on this, reflects on the evolution of the American Dream and its inherent contradictions. At the same time, it examines the historical writing of humorous novels by important writers from the perspective of the American Dream in the four stages of the American Colonial, Romantic, Realist and Modernist periods, explores the relationship between "humor" and "history" in the development of American humor novels, reflects on the impact of the changes in the American Dream on American humor novels, and broadens the channels for understanding the American country and society.

This book is based on stylistic analysis and takes the three stylistic forms of narration, explanation, and argumentation as its general outline. It directly faces the text of quotations and summarizes Zhu Xi's stylistics and essay studies achievements. As a narrative style, the narrative in "Zhu Xi Yu Lei" is different and related to literary narrative, and has the uniqueness of telling stories and shaping characters. As a style of explanation, the explanations in "Zhu Xi Yu Lei" are closely related to previous generations of classics. Its style elements include explanation methods, explanation words themselves, and the meaning contained in the classics explained. As a style of argumentation, the argumentative elements of "Zhu Xi Yulei" are discussion and analysis, which embodies the spirit of Neo-Confucianism in pursuing truth and appraising right and wrong. "Zhu Xi Yu Lei" is different from "Guoyu", but closer to "The Analects" and "Mencius". It shows Zhu Xi's wise thinking on academics, politics, history and literature, and also reflects his superb ability to control the art of lecturing and the rules of writing.

This book examines the literary activities of Jonathan Swift during the ideological and cultural transformation of England in the 17th and 18th centuries, including letters, biographies, political essays, poetry, historical writing, sermons, etc. It also examines the literary works of members of the Scribblerus Club such as Pope and Guy, as well as the political writings of Hobbes, Locke, Temple, Harrington, Viscount Bolingbroke and others. This book places the above-mentioned text in the political, cultural, philosophical, and legal trends of thought such as the "Debate on the Enlightenment Order," "The Controversy between Ancient and Modern Times," "The Controversy over the Best Political System," "The Controversy over the Successor Act," and the "Controversy over the Standing Army." At the same time, this book also focuses on examining the Chinese characteristics in England's Enlightenment thought, as well as the Chinese elements in Swift's literature and ideological landscape.

Based on strict text reading, this book clarifies the discourse logic, theoretical viewpoints and methodologies of Lotman's representative writings in various periods, and devotes himself to verifying and analyzing the formation of his important theoretical viewpoints and methodologies. It presents Lotman's textual viewpoints, principles, and methodological models for text analysis practice in a specific text context, and at the same time demonstrates Lotman's textual analysis practice. The development and changes of Terman's textual thought are explored to find the context of his textual thought; with the British and American New Criticism and Structuralist Criticism as a reference, by comparing Lotman's textual thought with Bakhtin, Derrida, Barthes, Iser, Gadamer and other textual theories, the unique text existence mode and structural situation of Lotman's textual thought are discussed in detail.

In the trend of literary theory, Bakhtin is an unavoidable peak. His theory has become one of the most important ideological treasures of mankind in the 20th century and is talked about by everyone. People are not only surprised by the uniqueness of his literary discourse and the weird way of thinking, but are also surprised to find that no matter which school or school, almost everyone can find resonance in his thoughts. Understanding Bakhtin becomes a key to entering the thinking maze of contemporary Western literary theory and solving the mystery of the mutual influence, acceptance, transformation and rebirth of literary theories of different nation-states in the globalization pattern. Studying the impact of Bakhtin on contemporary Western literary theory can also better reflect on the problems existing in the acceptance and application of Bakhtin's theory (and by extension, all foreign literary theories) in Chinese academic circles.

This book is divided into two parts. The first part is about the academic theory of literary and historical research, and the lower part is about new interpretations of poetry appreciation, including selected lectures and reviews of Tang and Song Dynasty poems, reviews and introductions to classic literary masterpieces, and appreciation of famous works, such as Zhuangzi's Selections and Commentaries, Laozi's Comprehensive Commentary, Xin Qiji's Selected Poems, etc. The academic works and academic research papers published by the author are the result of decades of painstaking academic research. They have unique insights and high academic value, and are of reference value to scholars engaged in the study of Chinese literature and history.

This book is an important achievement of Professor Zhao Minli's many years of research on Han Dynasty poetry. "Song poetry" refers to poetry that can be sung. In early China, poetry and music were integrated, and songs were accompanied by music. This was the basic form of early Chinese poetry. Later, poetry and music gradually separated, and only then did poetry have an independent form of poetic language separated from music. Since the Han Dynasty, it has become two different poetry schools and developed in parallel. The author creatively applies the theory of artistic production to the study of ancient Chinese poetry, combined with the changes in the Yuefu system in the Han Dynasty, to systematically explore the evolution of the special artistic form of "poetry" in the Han Dynasty, revealing its complex generation mechanism, rich content, unique artistic expression, and its special status and huge influence in the history of Chinese poetry.

This book contains a general report, novels, novellas, short stories, documentary literature, prose, poetry, drama, online literature, theoretical criticism, and nine special topics and appendix information. It comprehensively sorts out and briefly describes this year's literary creations, literary phenomena, literary debates, and literary events. Detailed information on the literary world, sophisticated academic refinement, especially the capture and commentary of some focal phenomena and trending issues, highlight the basic style and objective trends of the annual literature, as well as its main characteristics and existing problems in its development and evolution.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

In the Qing Dynasty, new schools suddenly emerged, and a new type of literary education named "Chinese Literature" came into being. The first subject of Chinese Language and Literature is not only the product of changes in modern knowledge order, knowledge carriers, and knowledge dissemination methods, but also incorporates many experiences from traditional Mongolian studies and ancient Chinese poetry. It has the dual mission of cultivating reading and writing skills and extending national culture. This book focuses on the creation moment of "Chinese literature" and aims to explore the changes of "literature" in ancient and modern times from the perspective of educational practice, and then explore the universal mechanism of modern knowledge formation.

"Three Volumes of the Passion of the Valley" is a collection of poetry works compiled by the Xiushui Valley Poetry Society. Two volumes of this collection have been published, and this is the third volume. This is a collection of poems that promotes excellent traditional culture and praises the humanistic scenery of the hometown. It inherits and carries forward the poetry style of the valley. This work will display diverse creative styles and is colorful, integrating into the new style of the hometown of the valley, and will add luster to the regional culture and even the treasure house of Chinese poetry. It not only reflects the ancient tradition of poetry and singing in Xiushui, but also pays attention to the new look and new trend of urban and rural development in the new era. It is an excellent work that applies the past to the present and introduces the new.

In the book "Yangfang", a collection of essays, the author starts from his hometown of Yangfang, and uses realistic techniques and story-telling methods. Starting from the legends of his ancestors, he describes Yangfang's beautiful landscapes, interesting stories about local people, their destiny, local dialects, Hakka cuisine, and the impact of urban expansion on the countryside. With the economic and social development in recent years, rural culture has gradually declined, and rural culture has gradually drifted away and left people's vision. "Yangfang" records the humanities, old appearance, and customs of Yangfang, in an attempt to awaken the beautiful memories of hometown and hometown that are deeply buried in everyone's hearts, and to trigger thoughts about human nature, local customs, and emotions. In the light or heavy words of "Yangfang", the fine traditional culture and virtues accumulated for thousands of years are vividly displayed on the paper. Readers can feel the rich Hakka customs and customs, as well as the new and old changes in the countryside amidst the changes of the times. As the time goes by, they can feel the fate of the countryside and feel the nostalgia and accent.

"Plum Blossoms Fall" is a collection of modern poetry works, divided into four volumes: the first volume, "Bright Colors", is a landscape poem, looking at historical sites from a different perspective; the second volume, "Pistils", is the poet's perception of some flowers and plants, which is quite meaningful; the third volume, "Exile", is a record of the author's daily life. The recordings and thoughts record the author's passion for life, love for reading, nostalgia for relatives, and reflection on his own attitude towards life; in the fourth volume "Incense", the work uses poetic language to describe a gentle woman's desire for love and the psychological changes of a woman in love, which is sincere and touching.

"Sober Life" contains more than 80 essays written by the author in recent years. The author uses simple writing techniques to show the charm of life, and expresses his love, dreams and feelings for life with what he encounters, sees, thinks and thinks in life. "Passing Through the World", "Just the Right Time", "Living Sincerely Enough", "Sober Life", etc. Explain that people who live soberly can move forward firmly according to their own inner direction, can find beauty in the complicated life, can have their own understanding and knowledge of the world, can handle various social relationships harmoniously, and can reconcile with themselves and life at any time.

Tang poetry is not only the peak of the development of Chinese classical poetry, but also exerts a sustained and far-reaching influence in East Asian countries, especially Japan. This book conducts research on the text form of Japanese Tang poetry documents, and collects, authenticates and proofreads the precious Tang poetry documents collected in Japan. It mainly starts from three aspects: the first is the study of the text of the old banknote version of "Bai's Collected Works"; the second is the examination of the text form and musical attributes of "New Yuefu" and so on; the third is the lost collection of Sui and Tang Yi poems found in Japan and the identification of forgeries. Through these three special studies, new materials on Tang poetry discovered in recent years and new conclusions obtained by using new methods are presented to the academic world.

Compared with the study of Tang poetics in Japan, there are still many things to be discovered in the research on the spread and influence of Tang poetry in Korea, and the degree of attention it has received is relatively insufficient. This book focuses on Korean Tang poetics and provides a comprehensive introduction and research on Korean Tang poetics from the Three Kingdoms period to the Lee Dynasty's Joseon period. The whole book is divided into six parts, which are gradually developed from the aspects of summary, poetry, methods, creation, experts and collection of sentences. The overview part gives an overall and objective description of the process of Korean Tang poetry from both the logical and historical levels. The poetic discussion part summarizes Korean comments on important writers of Tang poetry from Korean poetic discourse. The method part mainly summarizes the interpretation methods of Korean Tang poetry from the perspective of poetic hermeneutics. Nahwa concluded that the creative part selects several representative writers from ancient Korean poets for specific analysis, the expert part introduces several experts in ancient Korean Tang poetics, and the collection of verses summarizes the Tang poetry that has been lost in Korea from the perspective of lost documents.

This book draws on the theories and research ideas of Western reception aesthetics to comprehensively sort out and discuss readers' acceptance, theoretical interpretation, and effects and influences of Wang Wei's poems and paintings in the Tang, Song, Jin, and Yuan dynasties. It reveals the outstanding characteristics of Wang Wei's poems and paintings, and establishes the influence and status of Wang Wei's poems and paintings in the history of the reception of Tang poetry and the development of literati paintings. It can be seen that the reception effect of Wang Wei's poems and paintings is closely related to factors such as social and political conditions, the aesthetic fashion of the times, readers' expectations and acceptance psychology, and the development and evolution of the poetry and painting art itself.

Tan Xian (1832-1901) was a patriarchal figure in the late Qing dynasty. He compiled "Futang Cihua", "Futang Cilu", "Zhongci", "Futang Ci", etc. Ye Gongchuo called it "the trend of the past thirty years", and Mao Guangsheng Known as a "giant of Yisheng", Qian Zhonglian's "Records of Ci Poetry in the Past Hundred Years" is likened to "Chao Gai, the King of Pagodas". It has had a profound impact on the Ci world in the late Qing Dynasty and the Republic of China, as well as today's understanding of the development and construction of the history of Qing Ci and even the entire history of Ci. This book focuses on the use of first-hand historical materials such as Tan Xian's manuscripts, diaries, letters, etc., And strives to explore new issues and explain new viewpoints on the basis of new documents, with detailed citations and rigorous arguments. It overall demonstrates the characteristics of Tan Xian's Ci studies and reveals Tan Xian's significance to the modern transformation of Ci studies. At the same time, through the process of reinterpreting Tan Xian, a "middle-class literati" from a sociological perspective, it opens up a new interpretation space for us to understand the class characteristics of late Qing literature.

If it can be said that the large-scale, long-distance, cross-regional, long-term, multi-form, multi-ethnic, and global travels of the Yuan Dynasty literati opened the eyes of the Chinese people at that time and felt a broader, real, and diverse world for the first time, then the travel poems generated by the travels undoubtedly opened up a new realm in the history of Chinese poetry. Together with the travel notes of Yuan people (there are quite a few overseas travel notes), they show a new look of Chinese literature. From the perspective of global history, this book examines the tradition of ancient literati travel and the travel concepts, characteristics, and types of literati in the Yuan Dynasty from the perspective of literati travel and travel poetry. It combs the literati travel and poetry creation in the Yuan Dynasty in the past century, explores the deep interactive relationship between literati travel and the creation of travel poetry, and reveals the unique ideological, artistic and cultural value of poetry in the Yuan Dynasty.

This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.

This book selects 300 poems by Du Fu in various styles, integrates the essence of Du Fu's annotations in the past dynasties, absorbs the achievements of today's treatment of Du Fu, strives for new ideas, and makes clear statements. Taking Chinese classical poetry as the foothold and Western modern poetics as the frame of reference, the art of Du Shi's poetry is evaluated. In the intertextual context and comparative perspective, it enriches our feelings and understanding of Du's poetry, and proves that people's hearts are the same in modern and ancient times, and that Chinese and Western literature and theory are the same.

This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.