Library

This book is a comic book adapted from the classic movie "The Raid" produced by the Bayi Film Studio in 1960. It tells the story of a company commander of a certain unit of the Chinese People's Volunteer Army leading a reconnaissance team to battle wits and courage with the enemy on the Korean battlefield. After accepting the task assigned by his superiors, Company Commander Fang led the team to Fengxianling, the contact point. When crossing the highway, they were blocked by an enemy transport team, so they disguised themselves as a US military patrol, scared away the transport team, and rescued the liaison officer, the North Korean aunt Amani, thus establishing contact with the guerrillas. Later, with the help of the Korean female soldier Park Jinyu, they blew up the Kangping Bridge and cooperated with the large forces to eliminate all the enemies.

This book is a comic book adapted from the classic movie "Hero Tanker" produced by Bayi Film Studio in 1962. During the War to Resist U. S. Aggression and Aid Korea, the United States, the world's largest military power, relied on modern weapons to launch a fierce attack on the 350 Highlands of our Volunteer Army. My young tank unit was ordered to support the frontline infantry operations under the leadership of Zhang Yong. Driver Sheng Libiao endured pain while driving even though his left leg was injured. Gunner Yang Dehou took the risk to dismantle the time bomb and arrived at Highland 350 on time. When they went out on a bicycle, they encountered a group of enemy tanks. Zhang Yong took the lead in firing and destroyed the enemy tanks. When they evacuated, they were hit by the enemy. Zhang Yong confused the enemies while repairing the tanks, and contacted his superiors in time. After obtaining the order, they disguised themselves and ambush at the forward position, waiting for opportunities to attack the enemy. After the battle began, the loader Wang Dagang died heroically and all the shells were fired. They used grenades to blow up the enemy tanks...

This book is a comic book adapted from the classic film "Heroic Sons and Daughters" produced by Changchun Film Studio in 1964. It tells the story of Wang Wenqing, political commissar of a certain division of the Volunteer Army, who went to the front line for inspection during the period of resisting U. S. Aggression and aiding Korea. On the battlefield, he met Wang Cheng, the son of his old comrade Wang Fubiao. After the soldier Wang Cheng was killed in battle, his sister and art troupe member Wang Fang persisted in fighting with the help of Wang Wenqing and took on the task of promoting heroes and singing about them. Wang Wenqing recognized Wang Fang as his biological daughter who had been separated eighteen years ago. Later, Wang Fang, her adoptive father Wang Fubiao, and her biological father Wang Wenqing were reunited on the Korean battlefield.

This book is a comic book adapted from the 1965 classic film "Fighting the Invaders" produced by the Bayi Film Studio. It tells the story of Commander Li of a certain unit of the Volunteer Army who received instructions from his superiors during the War to Resist U. S. Aggression and Aid Korea, and led his troops to the enemy's forward positions, waiting for an opportunity to attack the enemy directly with friendly troops. After arriving at the designated position, reconnaissance found that there were minefields on three sides of the enemy's forward position, and there was only an open space directly in front. Commander Li ordered Deputy Commander Cui Kai to lead a troop to lurk. Before departure, the Motherland Consolation Mission came to visit the frontline officers and soldiers. Commander Li unexpectedly discovered that the leader of the consolation mission, Mei, was actually the widow of an old comrade, and her son Ding Dayong was in the lurking team that was about to set off. Commander Li asked Ding Dayong to stay with his mother, but his mother insisted that his son go to the front line to lurk, and ordered his son to attack the enemy hard. While lurking, the enemy's incendiary bomb hit the grass beside Ding Dayong. He endured the severe pain of burns and persisted until the troops launched a general attack...

The book takes the satirical genre as its research object, focusing on Goethe and Schiller. At the end of the 18th century and the beginning of the 19th century, the satirical genre was mainly represented by the satirical poetry advocated by Goethe and the satirical feeling proposed by Schiller. The book's interpretation of the satirical genre is to return to the Chinese context and explore the difficulties faced by the satirical genre in China from the two dimensions of modern Chinese poetry and classical novels in the form of individual cases. It includes both a theoretical review and a detailed review of the works.

This book selects more than a hundred poems (some are part of a poem) that describe honest officials from ancient times to the Qing Dynasty in Chinese history. The title of each article is taken from a line in the poem. When creating, first put a certain poem under the title of the chapter, and then point out who wrote the poem, what is the meaning of the poem, and why is the protagonist written like this? This leads to the story of the protagonist's integrity in the poem. The catalog of this book is divided into chapters, ordered by the pinyin of the characters' surnames, breaking down dynasty distinctions.

The manuscript takes Mo Yan's historical tendencies as the starting point for research. It is believed that Mo Yan expressed his unique views on history in his works, essays and many conversations. On the one hand, Mo Yan uses imaginative narrative strategies to popularize mainstream history; on the other hand, he uses weird and strange sensory means to subjectify objective history and make inevitable history accidental, forming a unique aesthetic paradigm for folk, historical and social fables. From the perspective of modern people's rational thinking, Mo Yan discovered the modern factors that the lost history presents in contemporary times, and began to have a new understanding of folk, history and current society.

This book is one of the "Sichuan University Philosophy and Social Sciences Academic Works Publishing Fund Series". The book is divided into six parts. The first part is the introduction. Talk about the background, significance and research summary of the topic. The second part is the construction of the anti-Japanese war literary and art policy system. The third part is the dissemination of the anti-Japanese war literature and art policy. The fourth part is the literary policy and cultural field of the Anti-Japanese War. The fifth part is the literature and art policy and the literature and art of the Anti-Japanese War. The sixth part is the remaining discussion, which explores the inheritance and variation of the Anti-Japanese War literary and art policy from the aspects of the Kuomintang's Anti-Japanese War literary and art policy, the literary tendency after moving to Taiwan, and the influence of the Chinese Communist Party's Anti-Japanese War literary and art policy over the past sixty years.

"Ivy Picture Book Gallery: Hum a Sixpence Song (Color Selected Edition)" is a collection of classic picture books by Randolph Caldecott, one of the most popular illustrators in the late 19th century in Britain. It includes several of his most popular classic picture books, such as "Jack Built a Big House", "Interesting Stories about John Kilpin" and "Hum a Sixpence Song" " and so on, among which " Fun Facts about John Kilpin" and " Hum a Sixpence Song" are the most well-known. The front of the famous American Caldecott Medal medal is the pattern of John galloping on horseback in " Fun Facts about John Kilpin", while the back of the medal is an illustration of the twenty-four starlings being baked into the pie in " Hum a Sixpence Song". Randolph Caldecott was a pioneer in British illustration during the Victorian period. He is good at using vivid and powerful lines to depict pictures, which are not precise but full of lively childishness. Most of his story themes are derived from ancient "lullabies". His humorous language, coupled with his exquisite and beautiful illustrations, and the unlimited space that arouses readers' imagination, make his works endlessly loved by countless children and adults. The Christmas picture book released every year became a must-have Christmas meal for the British at that time. To this day, his works are still full of vitality.

"The 100 Most Beautiful Love Poems in English: I Only May You Be Treated Tenderly by the World" selects the most beautiful love poems in the literary world over the past 200 years and reproduces classic bilingual reading. "The 100 Most Beautiful Love Poems in English: I Only May You Be Treated Tenderly by the World" features 100 of the most beautiful poems and more than 100 exquisite illustrations from more than 100 world literary giants such as Petofi, Shelley, Clare, Baroning, Dickinson, Shakespeare, Byron, Tagore, Yeats, Gibran, and Spencer. Each poem is exquisite and elegant, inheriting the poetic and artistic conception of famous poets. It seems like all kinds of feelings are surging in the heart, like the whispers of a warbler overflowing in the heart, or the quiet beauty of the silence of all things, giving people unlimited imagination and spiritual nourishment.

This book is a collation and annotation of "Kuaixuetang Collection" written by Feng Mengzhen, a famous scribe and layman in the late Ming Dynasty. The "Kuaixuetang Collection" from the "Si Ku Quanshu Catalog Series" used in this book is a photocopy of the forty-fourth year of Wanli in the Ming Dynasty collected by the Peking University Library. It is the only version currently available. There are thirteen volumes (from Volume 32 to Volume 44) of the Kuai Xuetang Collection. Some of these tablets describe daily life, some describe the friendship between friends, and some talk about current affairs, and their contents cover a wide range of topics. Compiling and annotating "Kuaixuetang Ruled Slips" is of great significance for studying the social ideological trends in the late Ming Dynasty.

Starting from the content of "Wen Xin Diao Long" itself, the book restores the thoughts of Confucianism, Taoism, metaphysics, military strategists, Legalists, theology and other schools one by one. It is supported by a large number of basic work and research results. It points out that the ideas of "Wen Xin Diao Dragon" are a mixed confluence of various schools, and are dominated by Confucian literary and artistic aesthetic thoughts, with Taoism, metaphysics, military strategists, Legalists, etc. As secondary wings. There is no fact that Buddhist thoughts dominate its literary and artistic aesthetic thoughts. This book is the result of pre-Qin Confucian research on Confucius. "The Literary Mind and the Carving of Dragons" takes Confucius's literary and artistic aesthetics as the basic rule to inherit and carry forward Confucius's literary and artistic thoughts in various categories of literature and music.

This book is the author's travel notes about the UK. In May 1883, John Burroughs came to the other side of the Atlantic and roamed almost the entire island of Great Britain as if with some kind of mission. He explored the fields, forests, lakes, ancient buildings and historical relics of Scotland and England. He visited the countryside and keenly captured the rich colors and sounds of nature with his eyes and ears. Forests, meadows, valleys, streams, sheep, wild flowers, singing birds, fairy-like insects and small animals. He obsessively observed these things, experienced them carefully, and understood them subtly, almost to a trance-like human state. He described them vividly with beautiful words and poetic language. This is a fresh, healthy, and inspiring book. If any reader is committed to nature writing or has a pure passion for nature, Nabales' book should not be missed.

"Selected Annotations on Essays of the Late Ming Dynasty", selected annotations by Zhu Jianxin, an epigrapher of the Republic of China. This book contains 159 selected essays, covering 54 authors, divided into five categories: essays, prefaces and postscripts, biographies, letters, and diaries, with a total of nine volumes. The last volume is "Biographies of Writers" and "Bibliography of Collections and Collections". The style is precise and the annotations are prudent. It is the most widely circulated anthology of late Ming sketches during the Republic of China.

This book is an important work in "The Myths", the representative work of the great Irish poet Yeats, winner of the Nobel Prize for Literature. "Mythology" is the crystallization of Yeats's admiration for Irish tradition and folk literature, and is as important as his poetry creation. Celtic Twilight is Yeats's popular collection of folk tales, which vividly showcases Irish folk mythology, supernatural and magical tales, and the lovely Irish people who fully embrace the existence of immortals.

This book is a collection of essays. It uses a leisurely and casual style to show the author's thoughts while reading and his interactions with readers. It is a reading note and a book of friends, from which we can see his temperament and personality.

Watch the morning glow shining on a remote island, fishermen fishing, mosquitoes flying, summer passing and winter coming... Feel the life and every detail of it.

This book is based on the revised edition by Mao Lun and Mao Zonggang of the Qing Dynasty, and is mainly based on the "Popular Romance of the Three Kingdoms" published in Jiajing of the Ming Dynasty. In addition, I have read many of the various reprints of the Mao version that have been popular since the Qing Dynasty, and absorbed many of the compilation results of the original version of "The Romance of the Three Kingdoms" published by the People's Literature Publishing House. The names of people, places and officials in the book were revised based on the collated version of "Three Kingdoms" compiled by Zhonghua Book Company and the "Historical Atlas of China" edited by Tan Qixiang.

This book is a collection of Huaben novels written in the late Ming Dynasty. There are thirty-four volumes in total, each volume is a story related to West Lake. Princes, generals, talents, beauties, monks, Taoists and merchants gathered together in the West Lake. They not only performed their respective lives, but also added a bit of charm to the beautiful West Lake. These thirty-four stories broadly reflect the society of the late Ming Dynasty and the living conditions of people at that time. The author even borrowed someone else's wine glass to pour his own shame into it, expressing his grief and anger at not being able to meet his talents.

This book is based on the Cheng Yi edition, and the proofreading is based on the Zhiyanzhai edition and the Cheng edition. The most frequently reviewed editions are the Zhiyanzhai Jimao edition, the Gengchen edition, the Jiaxu edition, the Qianlong Manuscript of One Hundred and Twenty Chapters of a Dream of Red Mansions, the Leningrad Manuscript of the Stone, and the Cheng Jia and Wang Xuexiang editions. Some of the manuscripts have not been read, but are based on Yu Pingbo's "Eighty Chapters of a Dream of Red Mansions" and "Zhi Yanzhai's Re-Evaluation of the Story of Stone" published by Culture and Art Publishing House.

This book is also called "The Return of the Soul", and its full name is "The Return of the Soul in the Peony Pavilion". It is the masterpiece of Tang Xianzu, an outstanding dramatist in the Ming Dynasty. The script is based on the Ming Dynasty story-telling novel "Du Liniang Returns to Soul", and is creatively adapted. Through the love story of the aristocratic girl Du Liniang and the young scholar Liu Mengmei, it reflects the youthful awakening of young men and women of that era, especially young women, their persistent pursuit of a free and happy love life, and their fighting spirit for individual liberation and resistance to feudal ethics.

This book is a classic opera masterpiece based on the love story between Tang Ming Emperor Li Longji and his concubine Yang Yuhuan. He has high achievements in art. The first is the organic unity of historical reality and artistic reality. It is described based on historical records; some details are tailored according to the needs of the theme and made artistic fiction. Secondly, the structure is rigorous, compact and dramatic. The whole play has three clues: one is the love development of Li and Yang; one is the intrigue between Yang Guozhong and An Lushan; one is the conflicts between Guo Ziyi and An Lushan, Chen Yuanli and Li Longji, Yang Yuhuan, and Yang Guozhong. The whole play focuses on the love between Li and Yang as the main line, and the other two sub-lines are interspersed with the development of the main line. In addition, because the author is proficient in musical rhythm and has received corrections from opera music expert Xu Lingzhao, the rhythm of the script is very strict.

This book is a collection of short vernacular novels compiled by Ling Shuchu in the late Ming Dynasty. Together with another collection of short vernacular novels he compiled, "The Surprise at the Second Moment", they are collectively referred to as "Er Pai". Later generations often refer to it together with "Three Words" ("Yu Shi Ming Yan", "Awakening Words", and "Warning Words") compiled by Feng Menglong. They are both the most famous collection of short vernacular novels in ancient my country. The forty chapters of "The Surprise at the First Moment" show a diverse and colorful society. Here, traditional scholars, dignitaries, and heroes have been relegated to a relatively secondary position, while ordinary people such as businessmen, craftsmen, prostitutes, monks, nuns, squires, subordinates, bandits, and swindlers have occupied the main stage of literature. Driven by various desires, they have performed scenes of surprising tragedies and comedies of life.

This book is a collection of Huaben and Huahua novels compiled by Feng Menglong in the late Ming Dynasty. Together with the other two collections of novels compiled by him, "Awakening Words" and "Warning Words", they are collectively called "Three Words". "Yu Shi Ming Yan" contains forty novels with themes involving love, marriage, family, friendship, ghosts, gods, witchcraft, etc. It extensively describes social life in the Song, Yuan and Ming dynasties, and truly reflects the thoughts and feelings, life aspirations and aesthetic tastes of the people at that time, especially the citizens.

This book is a collection of Huaben and Huahua novels compiled by Feng Menglong in the late Ming Dynasty. It is collectively called "Three Words" together with the other two collections of novels compiled by him, "Yu Shi Ming Yan" and "Awakening Shi Heng Yan". "Jingshi Tongyan" contains forty novels written in the Song, Yuan and Ming dynasties. All works have been processed by Feng Menglong to varying degrees, and some have even been rewritten. Some of them can be definitely referred to as Feng Menglong's personal works, such as "Old Disciple Repays His Gratitude in Three Lives" and so on. Most of these forty novels are "cautionary" works, and nearly half of them reflect love and marriage and family changes caused by love and marriage. In addition, there are some works in "Warning Words" that express traditional themes such as friendship, chivalry, joys and sorrows, intelligence, anecdotes, etc. The contents may be touching, the plots may be tortuous, or they may be humorous, and most of them can teach and inspire people.

This book shows that Hou Fangyu, a famous scholar in the late Fushe, fell in love with Li Xiangjun, a famous Qinhuai prostitute. Ruan Dacheng, a remnant of the eunuch party, tried to win over Hou Fangyu, but failed due to Li Xiangjun's opposition and turned to the treacherous minister Ma Shiying. Ma, Ruan and others welcomed King Fu, controlled the government, excluded and attacked decent people. Hou Fangyu was forced to rely on Shi Kefa, and Li Xiangjun was also selected into the palace. Later, when the Qing troops went south and captured Nanjing, Hou and Li were reunited at Qixia Mountain in Nanjing, and eventually became monks together. The script takes the marriage of Hou and Li as its sutra and the painful history of the Ming Dynasty as its weft. It depicts the rise and fall of the Hongguang Dynasty in the Southern Ming Dynasty and reveals the inevitable fall of the Hongguang Dynasty.

This book is the latest and largest of the "Three Words" compiled by Feng Menglong. The whole book consists of forty volumes and contains forty novels. Judging from the dynasties in which the story takes place, there are "Han Affairs II, Sui and Tang Affairs Eleven", "Song Affairs Eleven" and "Ming Affairs Fifteen" (Lu Xun's "A Brief History of Chinese Novels"). Judging from the subject matter, it involves family, marriage, love, officialdom, business, public cases, chivalry, gods and monsters, anecdotes, etc. It is difficult to determine the specific authors of these works, but judging from the general harmony and unity of the style and style of the whole book, most of these works have been polished and processed by the editor Feng Menglong. Some deleted redundant words, modified the text, and changed the title based on the old version of the Song and Yuan Dynasties; some only retained the outline of the story in the old version, rewritten it, and laid it out into chapters; some works that reflect the life of the Ming Dynasty may be the creations of Feng Menglong.

A century-old classic, a recommended summer reading list for teenagers, and a guide to nature. In 1874, Burroughs purchased an orchard farm on the west bank of the Hudson River, where he designed and built a stone house, which he called "Riverside House" - River by. The book describes the beautiful scenery of the Hudson River, the hemlock groves, "Black Creek" and the forests of the Catskill Mountains where he roamed in his youth. This is a fresh, healthy, and inspiring book. If any reader is committed to nature writing or has a pure passion for nature, Nabales' book should not be missed.

This book is a phased result of the 2017 National Social Science Fund major project "Research on win-win models and paths for cultural industry cooperation in countries along the Silk Road Economic Belt" (Project No. 17ZDA043).

This book takes "quantitative expression" in Chinese as a starting point, and uses it as a starting point to trace the various semantic sources of quantitative expression, focusing on exploring which semantic categories can have semantic derivative relationships with quantitative categories, emphasizing the acquisition of quantitative meaning; it also lays out the evolution direction of quantitative expression, focusing on revealing the further evolution rules of quantitative expression in Chinese and the entire human language, emphasizing the further development of quantitative meaning. This book attempts to systematically examine and construct the historical semantic system of Chinese quantitative expressions from two aspects: origin and evolution, and deeply explore the motivations and mechanisms that restrict its development and evolution.

The book demonstrates and elaborates on "China's basic economic system, which was born in the tide of reform and opening up, and together with the socialist market economic system, constitute the institutional system of China's economic construction in the primary stage of socialism. It is a major institutional innovation in Marx's economic theory."

This book is a life record of 19 elderly people in Huangpu, Zhejiang. As witnesses of history and witnesses of the Whampoa Military Academy, Huangpu veterans talk about their unusual life experiences... The life trajectories of the Huangpu seniors who are both from Zhejiang but do not know each other are intertwined because of the Whampoa Military Academy and the common feelings of home and country.

This book uses Wang Gaoan's subjective perspective as a Tibetan poverty alleviation cadre, narrates every detail of his in-depth inspection of Gyantse County during his work in Tibet, and expresses his noble feelings of contributing to poverty alleviation work in remote areas of the motherland. The book is mainly in the form of a diary, supplemented by case reviews in the form of reports, and selects several media reports to comprehensively demonstrate the daily work and outstanding contributions of Tibet aid cadres in Gyantse poverty alleviation.

"Self-Reliance: Liang Qichao on Life" collects various writings from Mr. Liang Qichao's life, newly arranged in the form of fragments and quotations. The content is detailed and substantial, covering all aspects of reading, scholarship, current affairs, life, etc. His important works and excellent works are included. "Self-Reliance: Liang Qichao on Life" respects the original work, tries to maintain the style of the original work, and authentically reproduces the style of a generation of masters; it is also equipped with precious photos of the author to provide readers with an intuitive reading experience.

Luyin, like a brilliant star, shines in the dark night of old China. Its brilliance is immortal, and her position in the history of new Chinese literature will last forever. Lu Yin, who only had a creative career of thirteen or four years, is a child of the times and has left us eleven works. This is not only the wealth of Chinese new literature, but also a lens for us to understand that era. Time flies, Lu Yin's unique personality charm is still shining brightly, and her works are still fascinating!

He is not only the brother Ikkyu in "The Smart Ikkyu", he is also a generation of eminent monks who are well versed in Zen Buddhism, and he is also a free-spirited ancient Chinese poet! This book is a compilation of Yixiu's most representative poems based on "The Collection of Crazy Clouds". The themes of Yixiu's poems are both the high and ancient mountains and forests, and are full of the atmosphere of the market. In the mountains he is an Arhat, in the city he is a great scholar. In the eyes of ordinary practitioners, there is still the name "form" that they can't let go of, but Ikkyu has already gone beyond the name and form. In his eyes, there is no form or emptiness, but only the truth of being a human being.

During the Libyan evacuation operation in 2011, I was invited by the Ministry of Foreign Affairs to complete the full-length work "Country". This time during the fight against Ebola, at the invitation of the National Health and Family Planning Commission, I wrote this "Death War". Both works are about diplomatic events and China's outstanding performance on the world stage. Although the events were different: the evacuation operation was for our own compatriots, and the fight against the Ebola attack was an operation to aid other countries. In fact, they were two major power actions that demonstrated the Chinese style and spirit after China became a recognized world power. Chinese style and Chinese spirit are not empty. They include valuing and cherishing every life of our compatriots and people. It also includes respecting and cherishing the lives of people in other countries, especially those weak and poor countries, and the destiny of their countries. That is what we often say, you must have love for others and be sincere; when you see others in trouble, you should do your best to help them and never give up or humiliate them. We can always respect each other, be equal and mutually beneficial, and get along well with each other.

Nearly fifty letters were selected from the hundreds of letters Mr. Pan Weilian wrote to his family between 1988 and 2016, and were collected and published for the first time. It shows foreign readers a real, concrete and tangible China, as well as the country's rapid changes, as well as the author, his wife and children's deep love for China.

"I Will Be Your Zhong Ziqi (English Version)" is a collection of essays, which selects 25 articles by the author, in which many allusions, famous quotes, and poems are used, involving many sages, famous figures, and poets. The author's writing style is beautiful, the phonology is sonorous, and the language is elegant and elegant. At the same time, the evaluation of historical figures in the book is fresh and original, with unique viewpoints. There is a profound truth behind each historical story. In these historical stories, the author's ancient literary skills can also be seen.

"The Story of Konsai" is a collection of folklore stories from the late Heian period in Japan. It was formerly known as "The Tales of Uji Dainagon". It is said that the editor was Gentakaguni Uji Dainagon. It has a total of thirty-one volumes and more than a thousand stories. Volumes 1 to 5 are the Tianzhu (India) part, volumes 6 to 10 are the Cathay (China) part, and volumes 11 to 31 are the Honjo (Japan) part. The content includes Buddhist stories and secular stories. The former explains the merits of Buddhist belief, while the latter describes the anecdotes of historical figures and moral stories such as filial sons and martyrs. In addition, there are various legendary stories about literature, love, creatures, monsters, foxes, immortals, thieves and so on. Each story contains a fable with common lessons in life. Because there are two words "Jin and Xi" at the beginning of each volume, it is called "Jin and Xi Monogatari". The part of this book translated into this Dynasty was translated by the Beijing Translation and Translation Press in the 1950s and 1960s, and was revised by Zhou Zuoren for two years.

Who says there's nothing new under the sun? Dai Jianye always finds surprising treasures. Oh my god! It turns out that the Dragon Boat Festival has nothing to do with Qu Yuan. Oh my god! Some essays that scored full marks in the college entrance examination were actually written in a mess. Oh my god! The mother with bound feet in the countryside is a natural educator. This collection of essays will talk to you about life, literature and art, education, and marriage. I guarantee that after reading it, you will also be amazed - "Oh my god"!

"Wenxin" is a growth gift for children written by my country's famous educators Xia Chuzun and Ye Shengtao. It is a lifelong gift to their children. It is also a classic Chinese textbook that is often read and updated. This book consists of 32 short stories, which can be said to be "32 Chinese lessons for middle school students". It vividly and interestingly teaches a variety of Chinese knowledge such as rhetoric, grammar, vocabulary, poetry, novels, diaries, and literary history. "Wen Xin" has been well received since its publication. Although it has been more than 80 years since its publication, it still has great guiding significance for today's Chinese teaching and learning.

"Childhood" is one of Gorky's autobiographical trilogy. Alyosha lost his father when he was three years old and lived with his mother at his grandfather's house. In that suffocating family full of hatred, strong philistine atmosphere, two uncles fought with the grandfather over the family property, and the mother ran away from home because she could not bear the oppression. His grandfather was sometimes kind and kind, sometimes violent and cold-blooded, but he taught him the principles of life and society. His grandmother was kind to Alyosha and often told him legends, historical stories, etc., Giving him endless courage to face the difficult life. Soon his mother passed away and his grandfather's family went bankrupt due to various reasons. His grandfather said to him: "Go out and make a living by yourself!" Then he entered the society alone.

During World War I, a group of young Germans enlisted in the army with heroic ideals. However, they experienced cruelty and desolation on the battlefield, including bloody flesh, broken limbs, and poisonous bomb gas. Ideals and beliefs, pursuits and dreams were wiped out in the meat grinder of war. The battlefield became the tomb of unknown soldiers, and countless living lives were turned into a string of cold numbers on the death list... But the battle report sent to Germany contained only one sentence: All peace on the Western Front.

"Shishuoxinyu" was compiled by Liu Yiqing, King of Linchuan in the Southern Song Dynasty. It is a representative work of "note novels" in the Wei, Jin, Southern and Northern Dynasties, and includes 36 categories in total. The book mainly records people and words, using short words to record the words, deeds and anecdotes of the scholar group from the late Eastern Han Dynasty to the Wei and Jin Dynasties. It focuses on showing the turbulent and divided era of the Wei and Jin Dynasties, and reflects the social atmosphere at that time that valued talent, good wit, good conversation, and respect for nature.

"Scarecrow" is a fairy tale collection that includes some famous fairy tales created by Ye Shengtao, the pioneer of modern Chinese fairy tale creation. These stories use the language of fairy tales that are easy to understand, creating a lively and innocent world for children. There are profound meanings hidden in the simple stories, and strong emotions are conveyed in the plain language.

This book has stories and knowledge. The twists and turns of the story are based on the interpretation of these Chinese characters based on the words that a person encounters throughout his life. In the opening chapter, before a person is born, there are yin and yang that the Chinese say, and the Western theory of sperm and egg combine to create a human being. The author explains "yin", "yang", "semen" and "egg". At the end, most people go away mediocre and happy, so in the end he explains the four words "fast", "happy", "flat" and "mediocre". The author, Mr. Liushahe, is well versed in elementary school, is good at deciphering text codes, and is very familiar with ancient life, so he has a unique eye for text interpretation. For example, regarding the words yin and yang, the author said that the south of the mountains north of the Yellow River and the north slope of the water often have sunlight, so they are called yang, and vice versa. For example, what are wen and characters? The author believes that the single form is wen and the combined form is character. For example, the word sheng has grass on top and soil on the bottom, so it is a character. For example, mother and mother, the author examines the changes in pronunciation in ancient times and believes that mother and mother had the same pronunciation before the Tang Dynasty. For another example, family and marriage are related. If a woman is married to a man, it is related to family, and if a man is married to a woman, it is related to marriage. In addition to special explanations of more than 500 Chinese characters, the manuscript also analyzes the radicals of nearly a thousand ancient characters. While explaining the text, the author also introduces private school life, New Year customs, seasonal festivals, etc., So that people can understand Chinese characters in a specific environment. In addition, the whole book is in manuscript form, which faithfully presents the author's writing process. The square regular script is neat and beautiful, and the words are like seeing each other, which is pleasing to the eye. It is informative, story-telling, and artistic. Reading this book makes people unable to put it down.

Over the past sixty years, due to family background and work, the author has become acquainted with many older cultural figures and scholars with profound traditional cultural accomplishments, such as Chen Mengjia, Qi Gong, Wang Shixiang, Zhu Jiaxin, Shi Shuqing, Weng Ouhong, Deng Yunxiang, Wu Xiaoru, etc. Some of them maintained relatively close contacts until their death. These older generations of intellectuals and scholars happen to be the witnesses of China's great era over the past hundred years. This book narrates the author's interactions with these predecessors, describes their voices and smiles, and focuses on their contributions to academic culture. This makes the book have the significance and value of contemporary cultural history, and today's readers can also appreciate their virtues and grace.

The selection of this book covers the development process of Chinese poetry from the pre-Qin Dynasty to the late Qing Dynasty. With a comprehensive overview in one volume, you can grasp the history of poetry. Among them, Tang and Song poems are the main body (about two-thirds of the total), taking into account Yuan opera and famous poems since the Book of Songs. There are three parts at the end of each poem: the first is "Introduction to the Author", which plays a necessary supporting role for readers to understand the author and appreciate the poem; the second is "Annotation", which provides appropriate explanations for unfamiliar words; the third is "Appreciation", which is a brief introduction to the main content, writing techniques, artistic features, etc. Of the work to facilitate readers' understanding, appreciation and reference. The annotations, especially the appreciation, in this book highlight individuality, draw on the strengths of others, and strive to create something new based on the facts.

This 800,000-word masterpiece divides Chinese literature into three periods: ancient times, the Middle Ages, and modern times. Each period discusses the rise and fall of a literary movement, a literary style, or a literary school in chapters. More than one-third of the materials collected in the book are not discussed in other books of the same period, such as Bianwen, opera prose, Zhugongdiao, Sanqu, folk songs, Baojuan, Tanci, Drum Ci, etc. The author strives to compile a literary history that can fully display the true face of Chinese literature. In addition, in order to enable readers to see the real social life conditions of various eras, the author also searched for illustrations from many sources, and requisitioned no less than 100 kinds of books, many of which were treasures. As soon as this book came out, it caused a fierce response in the society and received many affirmations and recommendations. In particular, Mr. Zheng Zhenduo's admiration for popular literature such as novels, operas, and tanci has rectified the name of popular literature and won it its due position in the literary palace.