Longing to Meet Again in Jiangnan, Even in Our Old Age

What is goodness? What is evil? At the end, I felt that Rong Niang deserved to be the heroine. She had some aura as a protagonist. She had parents who loved her since she was a child, a brother who was willing to sacrifice himself just to ask her to marry the one she loved, friends who were willing to accompany her all the time, and an official slave who protected her throughout her life. She was nourished by love and grew up, and she also gave love to others. But Wen Qing, Sima Daofu and Wen Ji seemed to be evil, scheming and framed, but they all had their own reasons. Their parents regarded them more as pawns in the game of interests. I can't excuse their evil, but I subconsciously feel sorry for them and blame this crime on the background of the times.

This is the end of the book. You remember that when you opened this book, you thought arrogantly that in the end, Zijing's family failed Rong Niang, and Rong Niang was finally displaced. So I read the tenderness in the first volume with suspicion. Although Zijing really protected Rong Niang in my heart, I still had a prejudice against Zijing. Later, when Murong Ling appeared, it might be due to my own love for the second male lead. I once thought that if Rong Niang had married Murong Ling, maybe there wouldn't be so many things. But at the end, I realized that despite what Rong Niang had experienced, if she were to be reborn, she would still have to marry Zijing. Her and Zijing's two-way pursuit was unmatched by others. Wherever Rong Niang is, there is Zijing. They were childhood sweethearts. From a little care in childhood, to the everlasting friendship and never leaving. And the final outcome of this story, no resentment towards Zijing, is that in that era, they were destined not to stay together.

Although there are no three lives and three lives, there are hundreds of miles of peach trees. A poignant love story was performed in the rain of peach blossoms. When he was five years old, he carried her out of the peach tree. From then on, he planted a peach blossom in the courtyard and carved a peach-red mark on his heart. When he was six years old, he secretly climbed up the courtyard wall just to listen to her play and sing "Jian Jia". When she was seven years old, he painted pictures for her and hung them with Xi family lanterns. When she was eight years old, he gave her a shadow puppet. When she was a hairpin, he married her and entered the family, thinking that he could "hold his son's hand and grow old together with her." Who knew that in an instant, the color of the world would change, the storm would rise, and all the good things would come to an abrupt end. He is not only her husband, but also a son and grandson of the Wang family. How can the prosperity of the family be more than he can bear? He is not a heartless person, but he can only live up to her true feelings. From then on, the peach blossoms were no longer delicate and the strings were no longer melodious. She left, taking his heart with her. It looks desolate, but is actually gorgeous. She spent her short life in exchange for all his love. She still won... She is like a bright meteor in the vast Milky Way, short and beautiful, crossing the sky, leaving the world with endless reveries.

I saw that the author said that he could not find a biography of Wang Xianzhi, so I searched in Duxiu and found only one article. A scholar named Liu Xing published an article in the "Journal of Linyi Normal University" in 1991, "Chronology of Wang Xianzhi." Hope it helps the author.

Suddenly, it was like a building toppling, and in an instant, one by one disappeared, leaving only the lingering sound of the weeping and bloody song...

It made me feel so uncomfortable. There was no misunderstanding or accident. I just watched them leave, as if everything that went wrong was because of that era.

I very narrowly hope that Wang Xianzhi in this book can be fulfilled.

"Thirty-six spring waters, I want to see the south of the Yangtze River" But Jiangnan couldn't wait for Rong Niang to grow old, nor could he wait for the official slave to grow old. In the book, they can sleep together in the peach forest next to Ziyun Temple But reality is often not like this I am a loyal fan of BE aesthetics, but I must also admit that this aesthetic is really hurtful. Wang Xianzhi and Xi Daomao are figures whose fate has been established in history, so I can say that I was mentally prepared when I opened this book. I see them being young and happy, seeing them knowing each other, but I also tighten the clock in my mind, reminding myself not to be too greedy for the beauty of this moment, because they will eventually be separated. So I can only watch the established historical realities come true one by one, watch them leave, and hope in my heart that the author can artistically process them and give them a less miserable ending. I hope Rong Niang's life can continue, I hope Yu Rong does not die young, I hope Zijing can stay with Rong Niang for a little longer, I hope Gaotang is here, we can meet happily and never be separated. "Unconsciously, Wei Yi divorced the Xi family"

The tragedy of the times is that they were destined to be born into the gentry and be buried in the long river of history. I prefer the Wang Xianzhi in the big picture compared to the Wang Xianzhi in history.

Is this the cultural history of the Wei and Jin Dynasties?