This book is the fourth part of the "The Last Princess" series. The two heroines are Xiao Luo, the last princess of the Western Liang Dynasty (Empress Xiao of the Sui Dynasty) and Chen Ting, the last princess of the Chen Kingdom. The odd-numbered chapters focus on Xiao Long, and the even-numbered chapters focus on Chen Ting. However, the plot does not stop there at all, and there are new developments in each chapter.
Since Yang Guang, the male protagonist of this book, is the king of a subjugated country, it is inevitable that he has been smeared in official history, and even described as very debauched in unofficial history. However, if you study the historical data carefully, you will find that Yang Guang never issued an edict to select concubines from the public on a large scale, and the fact that he had few children is evidence that he did not have many women. In fact, Yang Guang is a very arrogant man, and he must be attracted to a woman of considerable quality. Judging from historical data, Yang Guang should have only really loved three women, namely his first wife, Empress Xiao (Xiao Long in this book), his concubine, Mrs. Xuanhua, and Chen Ting, the sixth daughter of Empress Chen. They respectively represent the good wife, beautiful concubine and young girl in his mind.
Readers are kindly requested not to judge a hero based on his success or failure. Through this book, we can understand that Yang Guang is not only a failed overlord, but also a talented poet. The love of an overlord and poet is naturally particularly domineering and poetic. Moreover, readers can also understand the man's love psychology from Yang Guang's attitude towards the three most important women in his life, and then he will be unfavorable in love. This is the best blessing from the author of this book to readers!
Purpose: to penetrate the fog of history and write about the most profound and subtle aspects of love.