[Western Crossover] HE Saves the World

[A simple review after reading] First of all, thank you very much to the author for the wonderful story. There is no doubt that the story is exciting. Although many elements are old elements, the author really wrote it beautifully. As for things like "systems", most of the early online articles used the system as a tool to serve the protagonist. Later, after the proliferation of such tool-like systems that fully served the protagonist, control systems and inverse systems emerged, that is, systems that lure/control the host to achieve certain goals, and systems that are anti-human/play with humans. The author's system can be regarded as a control system, but the purpose of this system to control the host is very interesting. It reminds me of the "Interstellar Civilization Protection Alliance" in an article I read before (something like this). The control result of this system is not to allow human beings to serve the main god/host, but to use emotionless calculations to reach the conclusion that "sacrifice one person can benefit the world" and execute it. This is really unexpected (maybe I haven't seen too much...). In addition, although the author is just writing a DC fan, you can see a lot of things in it: Facing the advent of non-human higher dimensions, should humans be wary of (bats), use (female protagonists), obey (other saviors), or fight (s. C. P)? If Bat had not fallen in love with the heroine, would Bat have agreed to dr. Chef's plan (I think it is very possible, and would even take the initiative to advance the plan)? Will the consequences of fully believing in the coming of high dimensions be that she will be exploited (although the heroine realizes that she is being induced by the system, if the bat does not come, will the heroine really lose herself)? If one day high dimensions are bound to come, is it better to deal with an emotionless and pure system like this article (which adheres to the "optimal solution" and the best way), or some systems with independent personalities in other articles (some of which can even carry out favor strategies)? Ah, it's too far off topic. Back to the article itself. In this fanfic, you can also feel a very high "synchronization rate" between the author and the image of "Batman" (this word in Ye Xilan's big article is quite suitable here). This is amazing because fandom OOC is the norm. After all, "fate" is also an inevitable outcome caused by various factors such as a person's personality, environment, choices, etc. (So many rebirth stories are not very reasonable in themselves). Therefore, the tragedy of the protagonists in most of the original works is actually almost impossible to change (of course, if the screenwriter fails to do it well...). Could inserting a new character before this necessity change the protagonist's choice? Not necessarily, because the protagonist is already such a person. If even his friends since childhood can't change, why should newcomers change them? Therefore, if many fans want to change the ending, the characters will definitely become OOC and behave in ways that are inconsistent with the original characters. However, this article gives people a very low sense of violation. On the one hand, it may be due to the author's rigorous research. On the other hand, the author may have no intention to change the tragedy, but respects the original bento. Overall, this article is more like describing a parallel world that develops by itself after inserting multiple characters. Personally, I feel that it is not too inconsistent even if it is integrated into the DC multiverse. In this way, this fanfic does not matter whether the protagonist makes changes or not, but rather increases the "synchronization rate" between the protagonist and the original work. This "high synchronization rate" brings an extremely comfortable reading experience, smooth, smooth and logical. Of course, it's not just the storyline that's smooth. And the solid writing of this article. At first, I thought the author was a relatively skilled European and American fanfic author, but I was really surprised when I read the last chapter. It was really shocking. If the author was really a Japanese author before, then the author does have very strong control over his writing style and works, which is really shocking (Pupillary Earthquake. Jpg). Some readers may think that it is just about writing something. Japanese stories or American stories are all written in Chinese here. In fact, they are almost the same. But in fact, it is very difficult to change the context, because language is the most obvious part of a place's culture, and the differences between cultures can be almost completely displayed using language alone. Many authors are reluctant to switch from the Chinese context to the Japanese/European and American context, and from ancient China to modern China (or vice versa) because they are not aware of the cultural differences between several countries (eras) and the differences in wording and sentences, so they have no choice but to write according to their own established language style, which creates a strong sense of dissonance. When readers read it, there seems to be no language problem between the lines, but they just feel that something is wrong, as if they saw Lin Daiyu eating hamburgers on the street or Stark's decals in the mirror. So I really admire the author on this point. In adulthood, when the language sensitive period has ended, he completely abandoned the existing writing system and carried out new language learning and deconstruction. What kind of folk language master is this? He means that he is too good at controlling his pen. . . . Finally, there is one thing that deeply moved me when reading the article. The author has a very gentle humanitarian concern for the world. Whether it is the school brunch plan at the beginning, or the care for family education later, as well as the fate of many little people, this article is full of humanitarianism. The author even minimizes his compassion for the world as a creator, and instead arranges everything to develop as naturally as possible. The dignity of the weak is protected, and the fragility of the strong is comforted. This has not changed from beginning to end (even when the waves are flying in the middle). In fact, this article is not a perfect novel. There are many typos. The second half of the plot is very fast-paced and a bit rushed compared to the delicate character descriptions in the previous part. The relationship between the male and female protagonists is too slow in the beginning and too fast in the end, and some branch lines are not completed. At the same time, because the comprehensive world view of Japanese comics is too vast, a lot of words have to be spent on popular explanations, which affects the reading experience to a certain extent. But these are not important criteria for determining whether a story is good or not. The most important thing is that after turning the last page, I feel satisfied, emotional, reminiscing, and very grateful to have encountered this story.

It's such a pity that I didn't see Afu and Xiaoniao realize that those people before were all female protagonists... Ugh

The previous writing was very good, but starting from about the death of the second character (probably the Scarecrow was killed a little earlier), the Japanese flavor suddenly became stronger in an upward trend. At the same time, the Japanese passion was released fiercely, which made me feel like I was watching the show, carrying out some profound refutation and output of love and justice. The Holy Grail Comic War is funny after all. It has a lot of feeling, diluted a little bit of the Japanese extreme, and then the mental image maze is really... I can't understand it at all and I hastily crossed it. I know that some things in this part are closely related to the main line and plot development, but it just looks so disconnected and I don't want to watch it at all... In short, the ending is quite good (off-topic, this dog AI is really hallucinating qb, it's so scary)

The wife is really great. There are very few good Bruce books. Most of them have OOC to varying degrees. I think the Bruce in this book is Bruce himself. He is not Jack Su or a domineering president. The plot and plot are also very logical. I am really excited. Although the ending is too hasty, I am also really excited. I burst into tears. Mainly because I really I like Bruce's writing, but there are too few good ones, and I don't read Bruce's BL, so there are even fewer. So when I met my wife, I cried with joy. After reading this book, I couldn't stand those mentally retarded writings anymore. Now I just want to read Bruce, so I read this one over and over again. There are too few good writings, and it's painful. Wife, I hope you can continue to write some extras in the future. Can any sister give me some of Bruce's BG tweets?

Generally speaking, it's good, but the heroine in the middle is crazy about love (not in a derogatory sense), which is a bit split in my opinion, but ordinary people (the key point) want to fight Batman and it's not OOC. Apart from this article, I can't think of a better way. Compared with other fans who are either OOC, straight-up, or goldfinger cheating, this article is a compromise. In short, I recommend reading it.

Oh, I really want to see Jason's reaction. If I'm not wrong, Jason wanted to resurrect Nunnally during the Holy Grail part.

It was very confusing from the Holy Grail War to the ending, especially the BB part (completely skipped). The second story is really beautiful, but the Japanese light novel flavor in the English and American text in the middle is too overwhelming... I couldn't help but start to quickly skip chapters, and it wasn't until the ending that "Ada" appeared as a person that I started to return to the joy of the beginning. Xiang, overall this article is divided equally between joy and abuse, especially after the heroine killed half of Gotham's villains, she was able to forcefully come back together. The middle and later stages of the story basically only take place in the batfamily. The author cannot grasp the outside world. The only ones who jump out are Constantine and the people from the Foundation.

The first two copies were pretty good, but unfortunately in the middle and later stages, it was obvious that the author had insufficient control over the entire novel. The language style, characterization, and story rhythm all seemed weak and confusing. However, the author still insisted on finishing the writing, which is still very gratifying.

Alas, for this book, I would rather be. From the beginning of the Holy Grail, I felt that the heroine was completely in love and was crazy about Batman's happiness. The ending was an orthodox he, which was too boring. Maybe it was because the previous part was too to my liking and my expectations were raised, so I was doubly disappointed.

The reviewer is right. It is too obvious that the world begins to collapse from the third time. The author cannot control such a large worldview. Don't write it next time. I feel bad for all the money I paid for it, which is a pity.