The first book can be found in the author’s profile.
A slow-paced, healing story
[Story Introduction]
The Keepsake Box ultimately escaped demolition.
But life in the old alley remains unsettled. Dust from the construction site has been falling for a whole year, and the ground shudders now and then. More and more old objects are casually discarded, leaving the spirits bound to them homeless. With their weary spiritual light trailing behind them, they drift step by step to the little shop.
Shen Zhiyu no longer wants to stay cooped up in one old house, waiting passively. She carefully wraps the plum-blossom silver comb in soft cloth, puts it in her backpack, and follows Lin Sui out of the familiar streets, heading deep into the countryside and abandoned industrial sites to seek out forgotten objects and the stories they hold.
Through all the bumps and turns along the way, the old cracks in the silver comb, safe in the backpack, quietly spread without anyone noticing.
“The world outside isn’t like the Republican-era days you remember.”
Shen Zhiyu reaches out to steady the constantly rocking backpack and softly murmurs to A Shu, whose figure is growing more transparent by the day.
“It has its hardships, but it also holds a tenderness unique to the present.”
They travel along, picking up fragments of the past. An accordion kept by a sent-down youth holds the pain of a parting endured in silence at a young age. An oar once rocked by the waters of a riverside town bears the sigh of elders who endured the pain of watching the younger generation leave.
At night, they return to the Keepsake Box, where a group of spirits sit around the lamp and chat. Some remain trapped in old dreams, unable to let go, while others slowly learn to release the past and accept parting.
One time, an abrupt stop on the road sends a violent jolt through the car, leaving a brand-new crack in the plum-blossom silver comb.
For the first time in her life, A Shu’s spiritual light flickers and dims, and she truly feels the fate of “vanishing” drawing near.
On a rainy, overcast day, by a twist of fate, Lin Sui, an ordinary human, briefly sees all the spirits drifting through the world.
In that short day, she finally understands the loneliness and sorrow Shen Zhiyu has endured all these years, keeping her secret alone and witnessing countless partings.
As dusk fades, the strange phenomenon fades with it.
Lin Sui can no longer see those spectral lights, but the empathy and gentleness that took root in her heart are here to stay.
It turns out we don’t need to cling to every part of the past. Imperfection is simply the way of time, and there’s no need to force every crack to disappear.
The wooden door of the Keepsake Box remains open, its warmth unchanged within as the wind continues to blow outside.
Every meeting and parting in this world has its own path, and its own destination.
The complete outline of this book has been deposited as evidence of copyright on the Quezao Regional Chain.
Theme: Obsession does not necessarily lead to a perfect ending. Spirits bound to objects are trapped in old times, turning again and again to long for the past. Shen Zhiyu is the same, carrying knots in her heart over what she once lost and regrets she still holds as she keeps moving forward. This book has no grand, earth-shaking redemption. I only want to slowly tell a story about ordinary people and spirits learning to accept things as they are. Seeing the floating lights of spirits is merely an accidental gift. What is truly rare and precious has always been the quiet, pure understanding between people, and between people and spirits. Waiting steadfastly is an expression of love; letting go and wishing someone well is tenderness, too. There is no need to force unhealable wounds and imperfections into completeness. Every small regret and every imperfection is the truest mark time leaves on this world.