Hogwarts: Don't Call Me the Staffmaker

After reading the first twenty chapters, the protagonist is a grumpy personality with no temper. A friendly reminder to Neville that it is not good to use his father's wand, and he would not fight back if he was choked. If the above is just a trivial matter, then what follows is the most outrageous of personal feelings - the protagonist is afraid of disturbing his roommates because he is making sticks, so he applies for a single dormitory. The other people in the dormitory think that they are looking down on them (what kind of postal logic is this), and then the protagonist is yin and yang there for a whole day. The protagonist's response is to take them into the dormitory and let them see how to make sticks... Don't talk about the protagonist being a time traveler who has a mature mind and doesn't care about children. If he was really mature, he wouldn't be able to deal with these children.

Has the protagonist ever thought about what to do in the next few years? Then Voldemort will be resurrected, but the protagonist is still making wands, not hugging Dumbledore's lap, and not exercising his own magic. Goldfinger is only used to make wands. If he continues like this, after the fifth grade, he will be arrested by Voldemort to make wands. He has no strength but has the ability to make magic wands. Do you think the protagonist will die?

Good news, every incident is kept, bad news, there are no details, there are dialogues and internal complaints throughout the whole story, environment, characters, and very little external writing. It is not like an event that happened in a specific scene, like a simple stage play.

First of all, the things you use are too old. When you create on the basis of it, there is no second creation, which is almost equivalent to no creativity. I remember that I saw this thing in the library when I was 13 years old. It took at least 10-20 years to create it. The problem is that it does not have a complete set of theoretical support. Although it is a successful work that has been popular for many years ☞but ☞there is almost no second creation of this thing that does not break out halfway🤢The correct approach should be to use the past from the present to have a more complete and comprehensive cognitive understanding of wizards. Use this as a reference to interpret and revise! To create. Only in this way can we break out of the original path🤢At the same time, the writing technique is too old, which is the main core of the early secondary creation method. The main core is to follow the original work and follow the original work's route. The various props of the original work😕 can be said to be that you have replaced the protagonist of the original work and you are creating a pseudo-protagonist and inserting them exactly the same. Various supporting roles! It was simply the kind of talking to oneself, actions and other distances that almost made people laugh at their faces.

To be honest, I personally feel that this book is not as good as Kyle's. I can't explain why it is not as good as that one. I just feel that the sense of life and language are better than this one. This one seems to be deliberately mature.

The scope of development of the main character is too narrow, and it becomes a bit boring after watching it for a long time.

Unremarkable. I don't understand. What's the use of golden fingers? Make money? What can you do with that money? He is also the heir to the Ollivander family. Improve strength? Against opponents?

When I read Kyle's book before, I thought it was very interesting and joyful. This one seemed to have changed its style. That one was brisk, and this one seemed to be more mature than a little adult. I don't know what the style of the next Hogwarts novel will be. You have written about Gryffindor and Questions 7 and 8. Will you write about Ravenclaw or Slytherin next time?

The previous ones were pretty good, but from the beginning of the Triwizard Tournament, it felt a bit awkward, and I couldn't stand it for some reason.

After reading more than a hundred chapters, the protagonist's role is much smaller than Harry's.