What Are You Looking At? I'm an Exorcist Nun, and You're the One I'm Exorcising

The female lead is indeed the type who appears strong on the surface but doesn't even realize that deep down she secretly craves being forced and treated roughly.

Defeat the loli-like girl! Let the Great Thunder Cult regain its glory! Author, lead us on one more charge!

The writing is strong, the story is clear and original, and it can be considered a good book so far. However, its collection count is pitifully low, so I'm writing this review to show my support. The current plot regarding the brass coin has great potential; if the seemingly timid male protagonist can grow and mature within it, it will be perfect. There are no definite flaws yet, the only minor point is probably the synopsis, which at first glance might be misinterpreted as a small horse pulling a large cart—perhaps this could be noted. Maintain your pace and don't easily change your style. This book has supporters, keep it up! Of course, just don't add any bad plot points later on just to pad out the story; there are plenty of books that start strong but end weak.

Um... Author, could you please update with a hundred chapters at once? I believe you...

It's much better written than many weak and cute romance novels about a woman's transformation, and the plot is coherent. The number of favorites shouldn't be this low. Are mature, older-woman types really that unpopular?

When the male and female leads are having sex in public, and then they ask a bird to create a barrier so that people outside can't see inside, but the male and female leads can see everyone outside.

I remember the cover was a notebook, but I forgot the name. The content was pretty good. Looking forward to seeing Galio.

I'll only give a good review when the author stops using phrases like "just happened to run into," "just happened to miss," "just got bored of killing the enemy at the last second," or "just happened to miss," etc. The book is well-written, but there can't be that many coincidences. It feels like this happens every time a key plot point is reached. For example, Evelyn and Cyril were going to the seminary, they went their separate ways and missed each other, then it's said that if one had been five minutes earlier and the other five minutes later, they would have met. Later, Natasha, the weakest member of Elliot's trio, finally awakens and is about to kill the damned enemy, but then a knife (axe) is held to her throat...

It's getting a bit too padded out. It feels like for dozens of chapters in a row, only the last few lines contain any plot information.

I read 300 chapters in one go, and the updates are so fast I can't sleep at night.