I’m Just Letting Them Go, Nothing More

Does the process refer to Xie experiencing everyone's death and then using a method to return to the day of his speech? The sudden change during Xie's speech earlier must have meant that Xie succeeded.

Yeah, I've read several of Sharkfish's books. His writing is excellent, the pacing is great, and the various background settings are novel and unique—truly impressive. But I've noticed a strange commonality: Sharkfish seems to really enjoy situations where the male protagonist is completely powerless, or rather, dominated by his harem. For example, in that previous book about leaving the party, the male protagonist is completely controlled, whether in the main storyline or the alternate storyline, utterly defenseless. The cultivation novel currently being updated nearby is similar; despite the male protagonist's desperate resistance, it's useless—his virginity isn't given to the female lead, but to the fourth female lead. Yeah, it's not that this kind of writing is bad, it's just so uncomfortable to read...

Let's take stock of how each of the female protagonists died in the previous playthrough. Aunt Coco: Self-Destruction Along with the Tree of Life Eligos: Almost possessed and committed suicide for her country Veronica: She fought to the last moment, suffering physical disabilities and blindness. She saw Seldon one last time before dying. Yali: Covers the retreat, dies by self-destruction. Vivi, Nivea, and Angelina: They self-destructed to buy time for Seldon. Tina: Pregnant and killed by an alien

On average, it updates less than one chapter per day, the plot is getting increasingly boring, and there are often several chapters in a row without any substantial plot development; it's a pile of garbage.

Aunt Coco, please don't cut me!

The author's books are probably the ones that best suit my taste; I really like all of these. I have a few things to say about the different protagonists in these books. Let's start with the first one I read, *Undercover*. The protagonist of *Undercover* is probably the most "honest" in the broadest sense. From being engaged to being forced, he's basically in a passive state, and he always thinks about taking responsibility. Even when forced, he wants to refuse rather than accept it. He's arguably my favorite. Then there's *Leaving the Team*. The protagonist of *Leaving the Team* feels like a rather cute male lead (from his interactions with the cat). The female leads he encounters are also relatively gentle. Although he's mostly passive, he's probably...

No, he's a eunuch?

The first time, they were all killed because they couldn't win. Then they discovered something and used a method to send Xie back to the day of the speech to start the second time.

Aunt Coco, the Queen, the Dog, the Snake, the Big Cat, the Unicorn, and Jormungandr. Seven heroines have already been killed in KOF 3. Let's guess who's next? It won't be the Unicorn, will it? Two lives lost, a truly devastating blow. Will she be resurrected in the end? She definitely will! She will! She will! She will!

Book reviews that are overly ambitious are a challenge for both writing and reading. In this review, I've decided to explain why this book has such a grand scope. The story's background is crucial. Background is to a novel what a stage is to an actor, or a skeleton to a body—both are necessary conditions for the author to perform well and key to the reader's understanding. As a commercial work, what kind of story does the author intend to tell? A person with memories of modern Earth is born, grows up, attends university, conducts research, becomes a lecturer, produces a wealth of research results, and has countless students… Unfortunately, he also has a "sugar baby" relationship with beasts…