Jinsha Zhenshen

The original intention of writing "Jinsha Zhenshen" is very simple: I walked through every historical road in Chengdu - the altar of Jinsha, the poetry wall of the thatched cottage, the mouth of the treasure bottle in Dujiangyan, the stone steps of Qingcheng Mountain - and found that every place name in this city tells a story, but after telling it for three thousand years, there is no story that connects them. So I wanted to write a line that connects nine major landmarks into a sealing network, and puts ancient Shu bronzes, Three Kingdoms ancestral halls, Tang Dynasty poetry, Qing Dynasty water conservancy, and 5G signal stickers all into the same world view. The seal is the contract - the core impulse of this setting is: I don't want to write a story about "man defeating God". That's too simple. I wanted to write a story about "man and God sit down and renegotiate the contract." The spirit of Chengdu is not about comfort - it is about choosing "Let's talk" when everyone thinks we should fight.