Engraving Time Counterattack Edition

Introduction to the work "Carving Time" Twenty-nine-year-old Su Jinghao is a "three-no" employee: no establishment, no background, and no backing. In the museum, she is a "post-it note" that everyone can use; in relationships, she is a "spare tire" that is easily discarded. When a deliberate frame-up caused her to completely lose everything, fate pushed the last card in front of her - to restore a century-old theater building that was destroyed by fire. This is the "death mission" that everyone avoids. There are no drawings, the original structure is completely destroyed, and it is recognized in the industry that no one can repair it. But she came, bringing with her the forty-seven yellowed drawings left by her grandma, a set of "hairspring carving" knife skills that have been lost for three generations, and a simple legacy: "Broken things often hide unexpected muscles and bones." On the ruins of capital's attempt to devour culture, amid doubts and suppressions from industry authorities, and under the cynicism of public opinion, Su Jinghao spent three years clearing the scorched wood inch by inch, and awakened one hundred and eight phoenixes that had been sleeping on the main beam for hundreds of years with one knife. She completed the most amazing counterattack in the most clumsy way. The work goes deep into the field of cultural relic restoration with the ultimate professional touch, truly restoring the exquisiteness and shock of Dongyang wood carving skills. At the same time, it weaves into the fetters of master and apprentice inheritance, the air relay between two generations of women, and the emotional tension from confrontation to side by side with opponents. This is not only a novel about craftsmanship, but also a book of strength written for every ordinary person - the real counterattack is not to become a strong person in the eyes of others, but to finally have the courage to be oneself gently and firmly.