We Said We Were Just Villains, Why Did You Betray Me, Fairy?

I've already read the latest chapter, which is a pity. The foreshadowing is pretty good, with the female protagonist being involved in the plot, because the tone has already been set, and the systematic reasons for being a villain will inevitably lead to misunderstandings among the heroines, but it will also leave doubts, making the heroines hesitate or temporarily unable to act openly, thus incurring various romantic debts, and then gradually discover that things do not seem simple. But probably the author only wanted to let the female protagonist know the protagonist a little bit from Jiang, so it just fell apart later. The interaction between Jiang and the male protagonist was very awkward, as if the author forced her to have feelings for the male protagonist. Later, he directly confessed to the heroine. The hero had nothing to do. It was like nothing happened and he posted with the heroine. The heroine was like a love brain who directly fell in love. I guess it was a guide later. I also liked it, but the overall atmosphere has completely collapsed. The imposition of no logic is just lingering. I suggest you reject the rewrite, otherwise you will not be able to save it. This is where fate ends. Come on, author.

The author of this plot is just seeking death. The male channel is cultivating fairy tales. You write the villain behind the female channel's plot. Chasing the husband in the crematorium. If you don't attack, who will? The male protagonist is simply a puppet of the system.

After reading more than a hundred chapters, there are often inconsistencies and self-contradictions. The male protagonist has an unclear character and feels like he is just a talkative person. The sword master who has been preparing for a long time is in vain. The female supporting character often appears inexplicably, but there is not much plot about the female protagonist. As a text on cultivating immortals, the division of realms is too arbitrary. A copy of Tiandu City has four realms and five realms, and there are many evil cultivators in six realms and seven realms. However, large sects such as Sanqingshan and Yuan Zailing have no strong points, and they even feel not as powerful as the evil cultivators in Tiandu City. The Eighth Realm, who came to pick peaches and accept disciples afterward, was very poisonous. As the highest combat power of the Eighth Realm, he was trapped by an evil cultivator's stronghold formation for more than a month, but the protagonist of the Fourth Realm could feel the rape of the heroine of the Seventh Realm, which was outrageous. Moreover, the current highest realm is 9th realm, and the 8th realm boss will appear in your 90th chapter. How do you write next? The most important point is that as a harem love story, you don't write much about real romance, and the senses are very bad. The heroine surnamed Jiang is invisible, and the protagonist stabs him in the back. She is not a fool. She fainted after awakening. The protagonist did nothing to her, but woke up smoothly. She also hated the male protagonist and forced her to hate him.

A very interesting novel, anti-routine villain flow. The protagonist is a failed villain who accidentally helps the protagonist You can understand that the protagonist is the messenger of heaven (system). You can get rewards for completing the villain's task (competing with the protagonist and then failing to ensure the smooth development of the protagonist) It can be said that it is a very interesting and novel anti-routine villain.

The protagonist's mission is always to deliberately interfere with others, but the mission also requires the target to obtain the treasure in the end. All in all, it is indescribably weird and feels uncomfortable. It is equivalent to the goal of doing good things but appearing to do bad things. After annoying a lot of people, you still can't beat them. Everyone you encounter is on tenterhooks. What's the point?

Progress: I have ordered 9 chapters after seeing it on the shelves. I think the standard way to write female videos Why do I say this is because the content is mainly scattered story lines and mainly flirting and romance. The way the male channel is written must be that after a story line, there is an improvement in strength and a battle. This book describes it in one sentence (this performance after the improvement of strength is the iconic plot of the male channel). The Riddler also doesn't write the main plot clearly. The strength improvement and main plot of the male channel must be consistent throughout. At present, the male protagonist's teacher's injury and death 4 years later are almost the background. The male protagonist has no sense of urgency at all, and the system is the same as the background. This is the case for the female channel. Until now, there is a suspected main plot in Jiang's plot line, and the suspected villain appears behind the scenes. It's a bit outrageous to release the main story only after it's on the shelves. Then another problem is that I feel there is something wrong with this writing method. Using martial arts to set up fantasy, the plot killing is given directly. There is no such feeling, and the combat plot does not have the feeling of one level after another overcoming the low. Everything is ah, this is the skill, there is no way, ah, it is this, etc., There is no way. You know what I mean, it just feels like the higher the character level is, the more powerful you are. It feels like there is no technical content at all. The world view is also expanded. The formations of the male protagonist and the formations for killing in the subsequent plots can expand the world view. No, talismans, no, pills, no, family situation, world background, none of them are mentioned. The whole story feels like following the camera to push the plot forward. It's not that the writing in this novel is bad, it's that it doesn't feel like a novel to me, but like a script.

Well, the author doesn't know how to write fantasy, so Goldfinger wasn't fun enough, and the greatest sense of expectation was not written. Also in the Secret Realm, the protagonist turned the tide and saved a group of people by herself. However, Chu Shi was completely rude and directly snatched the ancient scrolls of mountains and rivers. The character design was really rubbish and a mere one-on-one. As a result, the protagonist did so many things around her.

It's tasteless to eat, it's a pity to throw it away

It's outrageous that the male protagonist comes to the rescue in the secret realm at the end, but the "upright" heroine of the secret realm also chooses to snatch it because she is related to the secret treasure, instead of working with the male protagonist to deal with the mastermind behind the scenes. Also when chasing the gangster, the protagonist somehow took the blame and was said to be an accomplice. Without the teleportation array, the backhand would have been shot to death.

Did I come in just to see the plot points of the supporting cast and routine fighting? 😐

It's both satisfying and unpleasant, and the interaction between the male and female protagonists is also not good. I know it may take a while for the interaction to get better, but as a new author, you don't have the same reputation as the old authors, so you can guarantee that it will meet readers' expectations after it is put on the shelves. Either satisfy the feeling of satisfaction before it is released on the shelves, or the male and female protagonists sprinkle some sugar or have a playful and playful feeling, instead of the feeling of hatred all the time. Otherwise, it will be a bit late to write after it is put on the shelves, and not many people will subscribe just to see these.

Routine story, impotent protagonist, little contrast

The perspective is all over the place, and the first two chapters even feature other people fighting without the protagonist appearing. The plot is very broken. I feel like I want to write a group portrait, but it doesn't look like a group portrait.

After reading the first three chapters, I felt that the information was very fragmented, and I did not understand what the protagonist was at at this point in time. A hundred years ago, the heroine and the hero met in a secret realm. The heroine said that the hero was invincible in the same mirror. She and he were in the third mirror and could not defeat him. Now the female protagonist has seven scenes, while the male protagonist has only four. The male protagonist was beaten to death by the female protagonist's Taoist protector. The male protagonist returned to reality, but the male protagonist said that he had only left for ten breaths. The Taoist also said that the male protagonist entered the second realm after a hundred years, which means that the protagonist has been in this world for more than a hundred years and the same amount of time as the female protagonist. Then why is the male protagonist now only four mirrors after a hundred years? Why? Now I suspect that the setting is the male protagonist system, which can travel across time and space, and connect with the female protagonist from the present to the past. You can get points by completing tasks, and the points can be exchanged for real objects. However, the protagonist will be killed by the plot 8 years later, but the protagonist also said that he will not come to the plot he is familiar with after hundreds of years, so the protagonist is in the past? Or is the time point where the heroine is located in the past? This setting makes me confused😵

I didn't understand the beginning, who stabbed whom in the back. First, the woman shattered the man's heart, then it was said that the man stabbed the woman in the back, and the introduction also said that the protagonist made the move first, which was completely confusing.

The system gives the male protagonist a mask that can be disguised. The male protagonist used another face when he traveled through time to attack the female protagonist. After returning, the female protagonist and the male protagonist met for the first time and could not recognize the male protagonist. See Chapter 31 for details.

I'm a little annoyed. Could you please stop making the protagonist so stupid? You have to let the seven realms of B keep suppressing the protagonist. The protagonist also exposes himself like a fool. Have you ever thought about the feeling of following the book? It took so long to write the plot of a B Seventh Realm trial. Even if she is the heroine, doing this will only make readers hate her. There is too much foreshadowing and everyone will have no expectations. Either you explode right now, or you rush her away now.

The first book got a superhuman score due to luck, but the subsequent books were not pleasing to the eye after returning to normal subscription.

The more I watch it, the more it looks like a nanny flow. . .

I have been reading books for more than ten years and have only made a few posts. I didn't want to comment, but there are not many good books recently. The opening chapter of this book is really amazing, the imagination and plot are first-rate. However, after entering Tiandu City, it becomes a love affair. Lin Jiang Xie is jealous of a man. At the end of Tiandu City, Lin Lu flirts, and recently Lu Xie flirts. I am really speechless and a waste of my time.

Write well and I will support you by watching ads 😌

It was very well written. I was still waiting to see the two women fighting over their husbands, but unfortunately I couldn't see it. Maybe the pace is a bit slow, but I don't think there's anything wrong with the plot.

This book is very well written, it would be a pity not to continue updating it. The writing and plot of this book are both excellent, especially the interaction between the male protagonist and Sword Master Lin and Senior Sister Xie, which is very exciting. Many readers like this book. If possible, I suggest the author continue to update it. Even one update a day is fine. New books are full of unknowns, but old books are definitely popular.

Damn it, take it! What about those who say we are eunuchs!

Traditional cultivation of immortality, no romance, multiple female protagonists in the harem, and clear emotional lines. It is a bit rushed and slow to catch up in the early stage, but it will also add some old-fashioned fun. The book will be better if you read it carefully. People in the world of cultivation are sinister. When you possess the Holy Body but do not have absolute strength, you will only become the prey of others. The protagonist was born under a conspiracy and died. A trace of his soul was fused with the puppet's body and became the so-called flesh and blood body. The so-called rebirth is just a ridiculous dream after the memory has been tampered with. The so-called genius is just a road leading to death deliberately paved by others. When I lost myself in death and confusion, when I was about to fall into the abyss and never recover, the power that truly belonged to me, the power that had been deposited in billions of reincarnations, awakened at this moment. I remembered the agreement I made with her, and also the fireworks on the river bank of the human world that year. Fireworks bloom in the world, leaving only a moment of brilliance, but they remain in memory forever...

Why did you come back after a while to see the eunuch? .

I hope the author will resume updating soon.

When the routines are exhausted in the middle stage of the novel, you have to consider transformation, but this book obviously did not do it well The cool thing about the early routines is that the weird sadomasochism + the protagonist has everything under control. Enjoy the excitement of the villain protagonist while leaving the possibility of reconciliation in the later stage But the author is reluctant to let the protagonist be the villain. He is too evil. At the beginning of the background story, he dared to let the protagonist stab the heroine. However, in the first copy of the heroine, the writing is so restrained that the first heroine only has one sentence to dislike the protagonist, and the second sentence begins to defend the protagonist After that, there was the great reconciliation of the century. No heroine hated the protagonist anymore, and was even willing to take the initiative to help the hero. The routine at the beginning of chapter 150 has been exhausted Then I can only transform and write a dungeon in double queue with the heroine. But this leads to the fact that if you don't torture the heroine, you can only increase the difficulty of the dungeon. As a result, the excitement of being in control of the protagonist is gone. The plot has directly turned into a vulgar traditional fairy tale, and the perception has plummeted In summary, what everyone wants to see is sadomasochism, where the male protagonist and the female protagonist fall in love and kill each other. They are unambiguous in their actions, but they can't help but be merciful. But the author was reluctant to torture either the male protagonist or the female protagonist, and eventually fell into a cliche

This is a great idea, it looks great!

I haven't read enough. Brothers, here are some recommended books.