I Was Told I Was Only a Villain, So Why Are the Fairies Throwing Themselves at Me?

The author of this plot is just seeking death. The male channel is cultivating fairy tales. You write the villain behind the female channel's plot. Chasing the husband in the crematorium. If you don't attack, who will? The male protagonist is simply a puppet of the system.

After reading more than a hundred chapters, there are often inconsistencies and self-contradictions. The male protagonist has an unclear character and feels like he is just a talkative person. The sword master who has been preparing for a long time is in vain. The female supporting character often appears inexplicably, but there is not much plot about the female protagonist. As a text on cultivating immortals, the division of realms is too arbitrary. A copy of Tiandu City has four realms and five realms, and there are many evil cultivators in six realms and seven realms. However, large sects such as Sanqingshan and Yuan Zailing have no strong points, and they even feel not as powerful as the evil cultivators in Tiandu City. The Eighth Realm, who came to pick peaches and accept disciples afterward, was very poisonous. As the highest combat power of the Eighth Realm, he was trapped by an evil cultivator's stronghold formation for more than a month, but the protagonist of the Fourth Realm could feel the rape of the heroine of the Seventh Realm, which was outrageous. Moreover, the current highest realm is 9th realm, and the 8th realm boss will appear in your 90th chapter. How do you write next? The most important point is that as a harem love story, you don't write much about real romance, and the senses are very bad. The heroine surnamed Jiang is invisible, and the protagonist stabs him in the back. She is not a fool. She fainted after awakening. The protagonist did nothing to her, but woke up smoothly. She also hated the male protagonist and forced her to hate him.

A very interesting novel, anti-routine villain flow. The protagonist is a failed villain who accidentally helps the protagonist You can understand that the protagonist is the messenger of heaven (system). You can get rewards for completing the villain's task (competing with the protagonist and then failing to ensure the smooth development of the protagonist) It can be said that it is a very interesting and novel anti-routine villain.

Progress: I have ordered 9 chapters after seeing it on the shelves. I think the standard way to write female videos Why do I say this is because the content is mainly scattered story lines and mainly flirting and romance. The way the male channel is written must be that after a story line, there is an improvement in strength and a battle. This book describes it in one sentence (this performance after the improvement of strength is the iconic plot of the male channel). The Riddler also doesn't write the main plot clearly. The strength improvement and main plot of the male channel must be consistent throughout. At present, the male protagonist's teacher's injury and death 4 years later are almost the background. The male protagonist has no sense of urgency at all, and the system is the same as the background. This is the case for the female channel. Until now, there is a suspected main plot in Jiang's plot line, and the suspected villain appears behind the scenes. It's a bit outrageous to release the main story only after it's on the shelves. Then another problem is that I feel there is something wrong with this writing method. Using martial arts to set up fantasy, the plot killing is given directly. There is no such feeling, and the combat plot does not have the feeling of one level after another overcoming the low. Everything is ah, this is the skill, there is no way, ah, it is this, etc., There is no way. You know what I mean, it just feels like the higher the character level is, the more powerful you are. It feels like there is no technical content at all. The world view is also expanded. The formations of the male protagonist and the formations for killing in the subsequent plots can expand the world view. No, talismans, no, pills, no, family situation, world background, none of them are mentioned. The whole story feels like following the camera to push the plot forward. It's not that the writing in this novel is bad, it's that it doesn't feel like a novel to me, but like a script.

The protagonist's mission is always to deliberately interfere with others, but the mission also requires the target to obtain the treasure in the end. All in all, it is indescribably weird and feels uncomfortable. It is equivalent to the goal of doing good things but appearing to do bad things. After annoying a lot of people, you still can't beat them. Everyone you encounter is on tenterhooks. What's the point?

Well, the author doesn't know how to write fantasy, so Goldfinger wasn't fun enough, and the greatest sense of expectation was not written. Also in the Secret Realm, the protagonist turned the tide and saved a group of people by herself. However, Chu Shi was completely rude and directly snatched the ancient scrolls of mountains and rivers. The character design was really rubbish and a mere one-on-one. As a result, the protagonist did so many things around her.

It's tasteless to eat, it's a pity to throw it away

It's outrageous that the male protagonist comes to the rescue in the secret realm at the end, but the "upright" heroine of the secret realm also chooses to snatch it because she is related to the secret treasure, instead of working with the male protagonist to deal with the mastermind behind the scenes. Also when chasing the gangster, the protagonist somehow took the blame and was said to be an accomplice. Without the teleportation array, the backhand would have been shot to death.

Did I come in just to see the plot points of the supporting cast and routine fighting? 😐

Routine story, impotent protagonist, little contrast