In Tokyo, the Dungeon Ancestor

The author is a long-time anime/manga fan, with a strong otaku vibe, so I had to read it.

There are so many jokes that it's self-indulgent. Author, are you writing this book for the general public or for those one in ten thousand people who can perfectly understand your jokes and connect with your brainwaves?

The beginning was reasonable in order to advance the main plot, but later the author got carried away with piling up settings, which were no longer integrated with the plot. Instead, the protagonist would say things that were related to the plot, and then talk about a whole lot of things that were not currently relevant to the plot.

Lao Tie, your mental state has been getting better and better ever since you took a break from updating your first book. Your recent books have been too intense; I feel you could try simplifying them, perhaps with a multiverse or traditional infinite flow style.

Although I don't know what it means.

It's strange; it seems interesting at first glance, but I can't get through more than two chapters. I have to put it aside for a few days before I can continue reading, and then I quickly get interested again, only to find myself unable to continue just as soon as I'm done.

The first chapter clearly shows that the protagonist is from the author's previous book, but it's very unfriendly to new readers who haven't read it before. The chaotic and disorganized psychological descriptions make it difficult to continue reading. It's a major turn-off, highly discouraging for readers.

Just four chapters are enough to prove that the author is a veteran in the world of anime and manga. These words are so pungent, I declare you a true anime/manga fan.

The story is decent, and the cheat system is indeed well-designed. However, there are also significant problems. First of all, there's the rambling, a common mistake every novice author makes. The whole thing is filled with endless setups and long stretches of nonsense.

As the title suggests, the protagonist of this novel is a bit of a chuunibyou (a person with delusions of grandeur). The author describes the setting in great detail, but sometimes it's too detailed, giving me a bit of a headache. If you can join in the chuunibyou (a Japanese term for someone with delusions of grandeur), you might find yourself on the same wavelength. If not, you'll think the book is a bit disjointed and the content is a bit weak.