From Zombie Face to Movie Emperor

Ma Rong➕Song Zhe, right? That's awesome, brother

The focus of male channel Huayu is on playing female stars, not acting

Lao Ao is an author that I feel is really a pity. His writing style is not bad and his characters are interesting. Why do you have to write these difficult-to-explode stories? Didn't you write Red Mansions just to make money? Or normal Huayuwen will do.

First of all, the advantage of Lao Ao is undoubtedly the ability to rationalize women's desires. Whether it's Aunt Xue from Red Mansion or Lu Liping from China Entertainment, everyone may not like these characters (real-life images or novels, film and television images), but every time Lao Ao writes the process of getting the male protagonist and these people together very wonderfully, it is a highlight of the plot. Especially focusing on each woman's personality and psychological motivations, and then putting them together, it's changeable and reasonable, very exciting! My personal evaluation is that in terms of female character creation, overall ability is among the top ten (only the top 100 monthly ticket gangs are discussed). If we talk about women with evil tendencies, they would be in the top five. This is a relatively conservative evaluation, and I don't want to attract hatred to Lao Ao. The shortcomings of Lao Ao are very serious. This only represents my personal opinion. I hope to give some opinions from different perspectives. First, the protagonist is still too evil. This is not to say that the protagonist is too bad. The protagonist is not a human being. It is a matter of writing skills. For example, the third young master of the Tang family, the moral character of the protagonist is almost all... However, from novels to animation to film and television, the protagonist has not been banned, which shows the problem. The essential morality is not the same as the morality seen by readers. This is a matter of writing skills. For example, the protagonist of "Lao Ai" always gives people a feeling of moral corruption. Most people feel that this person is a rapist. It is really impossible to replace him and there is a huge moral shadow. Yes, it should be very satisfying for the protagonist to get a woman, but the protagonist is strong. Oh, when I read the novel, why do I still feel guilty? There is definitely something wrong with the way Lao Ao is written. The most important thing is that the protagonist always shows a kind of aggression and initiative. Many evil things are always written as the protagonist actively doing them (this is the case in some plots), which leads to a very bad impression of the protagonist. Again, this is a matter of writing skills, not practical morality. In most novels, the protagonist is actually a blank slate with almost no characteristics. They are just labels. Lao Ao wonders why they bother to write the protagonist in the direction of a pervert. Is it true that only a pervert can get together with many women? How can I have sex with a woman without feeling burdened? Ordinary writers will put crazy labels on such characters. For example, the protagonist is not a woman who can do anything, such as so-and-so, character or some other reason, the protagonist will never touch such. What is important is to justify your explanation. It's not reasonable. What Lao Ao did wrong was that the protagonist was too proactive and showed too much desire. He could have described a certain female who was particularly sexually attracted, but there was no need to describe the things that the protagonist was attracted to and dominated by desire. If the protagonist was patched more, the look and feel would be much better. Secondly, there is a problem with the description of the entertainment industry. It is a big problem. I care too much about whether the entertainment industry is a cesspit. Almost every plot proves that the entertainment industry is a cesspit. This is not a question of whether the facts are true or not, but that the protagonist lives in the entertainment industry. I have never said that any author needs to prove it to the best of his ability. The entertainment industry is a cesspit, and readers have a feeling that there is no need to prove that the protagonist is sober all the time. The protagonist knows that the entertainment industry is a cesspit. It is unnecessary and disgusting. After all, it is the foundation of the protagonist's career. Don't you think it is very inconsistent for the protagonist to always want to wallow in a cesspool even though he clearly knows that the entertainment industry is a cesspit? The protagonist does not need to care about these things. We must eliminate this inner default thought and firmly believe that the protagonist played a role and sang a song. It is awesome and that is enough. There is no need to prove anything or explain anything. It is unnecessary and useless to write down the place where one started his career in such a shitty manner. The above are problems that I see from my personal perspective. They may not be correct. I just felt great discomfort in these aspects while reading the book. It is not a problem of the author's style, nor is it a problem of whether the author is good at it, but a problem of writing skills that should be avoided and can be avoided.

It's been a long time since I wrote about Red Mansions. . .

You have already written two entertainment books, and you must write another one. If you don't write about Dream of Red Mansions, you can write about traveling through The Eight Parts of Heaven and Dragon, where Wang Yuyan's slaves live in romance in Yanziwu, and the countryside surrounds the city, replacing Murong Fu. You can also write about traveling through the Song Dynasty, Li Qingzhao, and Li Shishi. It can also be used as a carrier of your entertainment content, and you can also write poems to show b

I just don't understand. In an era when there was almost no AI, you still wrote The Detective in the Red Mansions and You're So Beautiful. Why did you suddenly focus on entertainment?

Entertainment fiction? There are so many flaws in the plot at the beginning that I don't know how to complain about it.

Why are you always doing abstraction? Last time it was a murderer, this time a zombie face?

This protagonist is really a combination of Ma Rong and Song Zhe, with top-notch backstabbing