Martial Arts Across the Heavens: Rising from a Supporting Role

In a world where swords are raining and martial arts are low, why do you keep writing about life insights and then practicing martial arts? They are all pure moves and pure internal strength. Where do you go to realize enlightenment?

The writing style seems to be okay, but Jin Yong's novels can't come up with new ideas. Yang Kang Jiuyang promotes women. Is this the same routine for every author? The only copies of Miscellaneous Fish's Swordsman and Under One Man that had new ideas were indeed popular. The author couldn't choose innovations like the Four Famous Catchments.

Thunder puppet show and cold light magic technique can be said to be practiced by martial arts What Taixuan Sutra is not enough in front of this martial arts The ultimate magic power, legend has it, was created by Master Wen of Dashang when he was a human being. Although it is a magic power, it is really powerful

If you can't write that kind of flavor, just write martial arts plots honestly and strictly. You can write a good novel with simple words. Cultivation chat group, the words are childish and straightforward. How many people read other people's novels with pleasure, but you have to show off and try to drag the writing style, but the writing is a mess. It's so uncomfortable and embarrassing, and your head hurts. . . . .

I don't even understand the original plot. The protagonist's character is a pure left-brain and left-brain interaction. After a while, I said that ordinary people are not pure losers. So why do others target you so much? One moment he said he had a sense of crisis, the next moment he was complaining about everything in Shilong Dojo, the next moment he said he was low-key and discreet, and the next moment he was shocked and mixed up in everything. If you don't have diamonds, don't do porcelain work. If you can't write a protagonist with a complex personality who has IQ, EQ, and strength, is it so difficult to write a classic mindless or unhappy protagonist? I pushed a lot of ideas and it turned out to be nonsense.

Since I didn't read the rest of it, I only said that I had read half of the Drizzle Chapter. First of all, the writing structure, a small Gulong, a few words, a dozen words in a paragraph, but the emotions expressed are not in the style of Gulong. Then there is the overall atmosphere. No matter what the protagonist is doing, there is a sense of sadness and depression. Then, the author did not watch the movie Xiaoyu seriously. Whether it is Lei Bin (the protagonist), Lian Sheng and other characters, they are all trying to cosplay as Gu Long's swordsman, but Lei Bin is a cold-blooded killer with a little humor. Although Lian Sheng's condition is getting worse, it is reflected in the pus wounds on his back, rather than coughing and vomiting blood, as if he has tuberculosis. The relationship between the characters is not clear either. Zi Jian Qing Jian is a swindler from the Kunlun sect who uses fake corpses to deceive people. He has nothing to do with Black Stone and was written by the author as Black Stone's roadside killer. The overall feeling is that the style is too deliberate and the protagonist cannot support this style.

I read a review of "The Master" and it turns out that there used to be two types of Kung Fu movies. One is fake but good-looking, the other is bad-looking but real. After "The Master" came out, there was a third one, which is neither good-looking nor real. This book also says that the third type of writing is plain and lacks coolness.

The biggest problem is literary youth disease. You can appreciate it after reading a few chapters.

It seems that I really can't stand it for a few chapters, and the author is simply not in his right mind!

There are too many pointless moans, and it looks calm, with no shortcomings and no bright spots.