Stealing the Fruits of the Dao Through the Book of Changes

Have you ever studied Yi Jing Jin and are you just scribbling here? Please show the author the references, and by the way, send me a copy of the training and fighting methods.

I had nothing to do and read more than a dozen new and old books. The platinum-plated writers relied on their previous experience and their writing was not as good as new writers. They could not write well even though they were eating online articles. The author wrote very well. There is no other reason for writing this. It is that those platinum-plated writers have eaten too much and wasted too much time.

Have you studied the I Ching and are you just scribbling it here? Please provide the author with references! 🤓🤘

It's okay as a cool article, but it feels awesome when it's about gods or gods or involving ridiculous things. But when it comes to the protagonist himself, I find that there's not much improvement. There's always a sense of contrast, and the gods and gods' intervention in the layout doesn't feel that great, and it's a bit awkward to watch.

In fact, for me, the principle is very good, and Xiao Baiwen also likes it. But there are three things that must be present. One is that the protagonist must be considered a good person, at least he must not have no moral bottom line. The second one is a book that is decisive in killing, has a lot of truths, and is well written, but the problem is that the protagonist is indecisive. Three are the protagonists of time-travel novels. The thinking of the protagonist cannot be without the thinking of modern people. He cannot transform his brain into that of an ancient person once he time-travels. He is always stuck in the martial arts. This point must be particularly criticized for those time-travelers who traveled to a dynasty where the people were poor and became the lowest level of society and then became apprentices in martial arts schools or became the lackeys of the court. They used skin, flesh, bones, and marrow to practice martial arts.

Except for the awkward name of the protagonist in the early stages, everything else about this book is fine. But in the middle period, it started to feel similar to the book again, and became a bit like a tool man. What's better is that the protagonist of this book has an actual background and is that Xuandu can mechanically conjure gods. Then it's quite shameful that the protagonist's level is not as good as the exterior scene. When it's time to upgrade, upgrade it. It's the same as the last book, and it's almost finished. The villains on the opposite side are transcendent, but the protagonist is still a god and it ends badly. There are so many lows and highs in the back. The barriers to high realms must be clearly defined so that the combat power will not collapse. Nowadays, it is not so popular to go against the odds. Don't make too much of the layout, otherwise it will be difficult to recycle the foreshadowing later. Anyway, I hope the author can do well with this book.

Let's explain the Shuangyi in the introduction. Because some readers have already questioned whether I have checked the information... Whether it is the Book of Changes or the Yi Jin Jing, the author must have checked the information in detail before writing. About Yi Shu, he is the first of the Six Classics in Confucianism and the top of the Three Mysteries in Taoism. Both Confucianism and Taoism are affected. This book does not have Confucianism, so it is Taoism. The second is the Yijin Sutra. The author wrote about the lineage of the Buddha on the Bodhi Tree, so he also checked a lot of information on Buddhism at that time, and naturally he also knew the existence of the Heart Sutra, Diamond Sutra, etc. But why I still chose [Yi Jin Jing]? The main reason is because of a setting I saw many years ago, and everyone should have seen this setting, that is, the Yi Jin Jing of the Supreme Being. In one life, the Yi Jin Jing is a unique and miraculous skill. It is useless by itself, but when practiced in conjunction with other exercises, it can have miraculous effects. I like this setting very much, but I didn't write about this setting in depth later on in Squid Girl I. I'm just going to write about it. In order to strengthen the force of the Yi Jin Jing, I also tried my best to highlight in the second chapter: The best Dharma left by the Buddha for the world to deal with the end of the world. There are hundreds of versions of the "Yi Jin Jing" in the world. Only the method left by the Buddha can be called the "highest method" and is in the same line as the one left by the Taoist Master! There is a saying in Buddhism: The laws of the world can free all sentient beings from the sea of ​​suffering in this life, and they are all superior laws. Worldly Dharma can enable all living beings to transcend the barriers of this life, and it is the highest Dharma! A Book of Changes, this book sets the legacy of the Taoist Master. A Yi Jin Jing, this book is set by Buddha and modified. That's generally true. Finally, Qidian's new book issue is very bad right now. I hope readers can read this book every day as much as possible. Thank you!

Not literary, not preachy A bit inexplicably passionate Inadequate preparation in the early stages The writing is pretty good

It can be seen that there are shadows of The Lord of the World, and there are also many other novels, but the protagonist is very well written, and I personally think this book has great potential.

I've just finished reading Chapter 100, and I'm really unhappy with the description of the battle. The author may have put too heavy a filter on Tai Chi. That's not to say that Tai Chi's intentions are not high enough. I think it's okay to use it as a training method or the basis for establishing a Tao. However, as the main fighting method, it is a bit too soft. The public's inherent impression of Tai Chi has a negative effect when describing combat, because in this kind of novels, fights must not only be won, but also fought happily and with great momentum. Unless you have the writing power of Chen Dong, and even Chen Dong will not always use Tai Chi as the main method of fighting. It may take a long time to describe it but it may not be as effective as the simple and crude words of Tiandi Fist. What I feel now is that the frequency of combat descriptions is not high, and most of the chapters are still building momentum. As a result, when it finally needs to explode, the effect is lukewarm, just like a large pot full of water, and in the end it only slowly flows out from a hole the size of a pinhole.