Chinese Entertainment's Great Director: This System Has a Problem

In short, the plot is somewhat inexplicable, and a director's filming skills don't equate to the ability to assemble a film crew. A director's greatest strength lies in their control over the production team. Making a film requires the school's resources, which necessitates sufficient financial support. Good scripts are never lacking; what's lacking is the ability to bring them to life.

She's beautiful and has a great figure, but she doesn't get many good things. It's a pity that a scumbag would cheat her out of her body and money.

Even though I'm worth billions, I just love acting because I want to share joy with the people, right? 🤭

Running a company in the US and making a fortune while hoarding all the profits, haha, you won't last six months.

The biggest flaw in Chinese entertainment fiction: From the lecturers to the dean to the principal, everyone at Beijing Film Academy is a talent scout, and they specifically target promising young talents like the protagonist who has no connections, no backing, and no incentives. In my memory, there's only one example: Lu Taro! Chinese entertainment fiction always licks the boots of Beijing Film Academy!

Why is everyone blindly helping Wang Baoqiang again? They're having heart-to-heart talks, treating him to meals, and even offering him roles. If it's called an investment, how could it possibly yield as high a return as investing in JD. Com's Liu Qiangdong or Tencent's Ma Huateng? To say Wang Baoqiang is loyal is just an act; he's not the protagonist's assistant or bodyguard.

No, copyright is copyright, and adaptation rights are adaptation rights. How could the investors possibly get money from adaptation rights? The script is yours, and you're supposed to get a share of the profits when the show is sold. What does the adaptation right have to do with the investors?

Two jokes: a movie that won an award abroad, and the foreign exchange tax. You don't even need to read that part, and then the author keeps emphasizing the need to pay taxes. You should do your research before writing a novel.

There are no details, no business operations, no interpersonal relationships, no backstabbing, no plot conflicts, and the characters are utterly unremarkable. Two years have passed in just a few dozen chapters—an incredibly tedious, monotonous narrative.

There are quite a few flaws. The main character is unlikable, written as too immature, brainless, and impulsive. The romance is also poorly written, and like other Chinese entertainment dramas, it panders to Huang Xiaoming and Wang Jingwei. Its only advantage might be that it's not too weak.