Chinese Entertainment: My Rebellious Streak Keeps Growing

Any successful film is indispensable for the right time, place and people. The "good movies" of recent years will have to be rushed to the market in a few years.

The most taboo thing about writing this kind of article is originality. If you don't have a sense of empathy, you will be awesome and you won't have a sense of empathy, because if the reality is not there, it will feel awkward to boast about originality.

Starting as a producer is indeed novel, and the story is good, but it's also incredibly toxic. When dealing with other women, you're willing to take them on as well as win them over, but with Liu Yifei, you're given resources, and a huge amount of them, but you just won't win her over, even claiming she's important for future collaborations. But does that conflict with winning her over?

The name of the protagonist always makes me feel like he wants to kill his whole family and support Jiedushi.

Why do Chinese entertainment writers write so well about other female protagonists now, but when they write about Liu, they turn into lickers?

Breast brother, I saw that you wrote about Parasite. Let me just say, if the Japanese can shoot it, the Koreans can, but if the Chinese can shoot it, it will lead to a dead end. No room for anything

I don't understand what you mean by "even Fan Xiaopang would do that." Although I don't like Fan Xiaopang or Yang Mi, I think most people would be happy to have fun without any effort.

The biggest flaw is that he's too obsequious to Liu. He rushes to fawn over Liu whenever he's around, which is just bizarre.

It gives people the feeling of being pretentious and Long Aotian's mouth is crooked.

Later, it became the small head controlling the big head.