The Secret of Xiaoling Guard

Hymn of the Ming Dynasty (This poem is dedicated to the iron-clad Ming Dynasty) Rising among the common people, you hold the world in your hand and recast the Chinese clothes. The bell of Yingtian Mansion broke through the Mengyuan night, The nine-sided beacon illuminated the oath of "the emperor guards the gate of the country". The axis from Jinling to Yanjing, measures the dignity of "no reconciliation, no indemnity, no cession of territory". On the glazed tiles of the Forbidden City, reflect the waves of Zheng He's treasure ship sailing towards the Western Ocean. Yu Qian commanded his troops at the top of the city of Beijing, and the innocence of the lime chant penetrated his spine; Qi Jiguang formed an array on the southeast coast, and the sharp edges of the mandarin duck array split the waves. Watch Zhang Juzheng innovate a whipping method with his brush, Listen to Wang Yangming's enlightenment in Longchang and his profound knowledge. The pines and cypresses of Meishan still remember, the dusk when "I let the thieves split my body, but no one of the common people was harmed." Dynasties may change, and the country may be overthrown, But the integrity of "not afraid of being shattered into pieces" will always be engraved in the soul of the nation! This is the Ming Dynasty - It starts with a bowl and ends with a rope, But it took two hundred and seventy-six years to write: What is Chinese character and what is iron-blooded loyalty! ------ This hymn combines the most representative moral integrity symbols and heroic imagery of the Ming Dynasty. The whole poem is based on the entrepreneurial history of the Ming Dynasty "from the grassroots to the top", runs through the core spirit of "the emperor guards the country, and the king dies in the country", and selects iconic events such as Yu Qian's "Ode of Lime", Qi Jiguang's anti-Japanese war, Zheng He's voyages to the West, and finally ends with the tragic scene of Emperor Chongzhen's martyrdom, highlighting the Ming Dynasty's character of "it's better to be a piece of jade than to be destroyed." The poem deliberately uses short and powerful sentence patterns and a combination of space-jumping images, trying to reproduce the magnificent picture of the intertwined blood and culture of that era.