Don't Cut Out a Cherry Tree from the Heart of Spring

This poem requires slow and careful consideration, and the thoughts about Pessoa's collection of poems and the confusion on the streets of Lisbon are all written in a very interesting way: for a while, I said I wanted to tear up the book or burn it, but actually I wanted to really get into those poems and touch the words with my inner feelings. This serious enthusiasm for reading is admirable. There is also the part about "a blind man relies on his senses as a crutch". It feels like standing at a fork in the road in life, thinking about the future direction. This kind of thinking is particularly real and profound.

The imagery of the whole poem seems loose from the poetry collection to the blind man, from the grave to the street, but in fact it revolves around the core of "how to talk to the world and oneself". It not only reflects the writing skills accumulated in long-term poetry creation, but also hides the thinking of liberal arts students on the essence of life. This is the charm of youth poetry: it is not a straightforward emotional catharsis, but uses literary codes to record his unique understanding of the world.