Linghuai Immortal Clan

1. First of all, this is a book that mainly depicts characters. Most of the early chapters are devoted to character portrayal. 2. Because the family was weak in the early stage, it could only hide in Daze Township and was unable to access the big plot that readers wanted to see. 3. Before the big plot comes, you need to go through a long process of characterization, otherwise the readers will not be able to resonate and identify with the characters, so the so-called big plot will be useless to the readers. Let me give you a simple example, which can also be regarded as the author's creative thinking. Assuming that a person who has just started to read the Three Kingdoms has never understood the characters in the Three Kingdoms before, then the first big plot that reaches the extreme point of conflict is actually Yuan Shao gathering all the princes to attack Dong Zhuo. However, this big plot is actually not appealing because the story is The portrayal of these characters at the beginning is far from enough. For example, Lu Bu has just appeared here, Cao Cao is just a knight, and the three Liu Bei brothers are all white. Therefore, the plot of the same group of people fighting does not actually change much compared to the subsequent plots. The core is that through the development of the story, readers understand that Cao Cao is a tycoon who would rather betray the world than suffer losses, and Yuan Shao is the fourth and third prince, who dominates Huainan, Lu Bu is the most unparalleled general in the Warring States Period, and the brothers Liu, Guan, and Zhang are the cornerstones of the Shu Han Dynasty. When the author says this, he just wants to explain a truth. If readers want to see an extremely tense plot, they must need a long preparation. This preparation often comes from the small plot at the beginning of the early story. For example, Water Margin is the pinnacle of group portraits, but all his early plots revolve around how these one hundred and eight heroes are forced to rise to the top. What are their personalities? Is it jealousy of evil, or is it chivalrous and courageous? Or are you calculating? Or something else? Only if the reader has enough understanding of these characters in the early stage, then the conflicts that occur among these characters will be meaningful. This is a foreshadowing that starts with characters, and then there is also a foreshadowing of the worldview. A mature worldview and rigorous design can greatly reduce the length of character foreshadowing. For example, when a monk from the Fourteenth Realm you have never met appears, it will definitely attract your attention, because in the long process of character and world view preparation, everyone understands that the Fourteenth Realm may be the top boss-level figure in the world, but he has always kept a low profile and has never shown up. Therefore, his own strength must be attractive. Even if you have never understood his past, just being in the Fourteenth Realm is enough, because you have spent a lot of time telling readers how difficult it is to achieve the Fourteenth Realm and how awesome it is to be in the Fourteenth Realm. So you don't need to have met him at all. You only need to hear his name or understand his realm to know that he is awesome. But most stories start with a simple difficulty, and then continue to shape the characters by overcoming simple difficulties. Then as the story develops, the competitors become more powerful, the characters are more fleshed out, and the world view setting becomes more complete. Even if the villain behind does not need long-term foreshadowing, you will know that he is awesome just by looking at the realm. Therefore, in this book, before the characters of the first generation are perfected, there cannot be a big plot. However, as the story develops, there will be a big plot for each generation. The author wrote this story very carefully. From Chapter 19 to Chapter 29, I spent almost 30,000 words on the character Lan Lingyu, because this character is particularly important in the story of the first generation. It is difficult for literature to stimulate readers' emotions without sufficient foreshadowing. It is impossible for you to feel sad because of the death of a person you have never met or even know his life, but you often see a person and understand his past pain, understand his personality, understand his desire for the future, know that he is a good person, a hard-working person, one day this person dies, it is difficult not to be moved by him. This book is not a pleasant read, especially in the plot of the first generation family characters. They almost have a very difficult life. They cannot grab things, so they can only pick up resources that others despise and work hard to develop. They are cautious and eager to seize the opportunity to turn around. I want to write this kind of struggle and make the characters in the story flesh and blood. Xianxia novels actually correspond to characters with a chivalrous heart. Although they struggle for survival and pursue immortality, they must have a sense of right and wrong, and they do not necessarily have to live or die. The element of fairy represents the rigorous setting and world view in the story. All alchemy, talismans, elixirs, treasures, realms, battles, and magical weapons are all elements of fairy. And this element cannot be given to readers in the form of expository text, so it must come from the plot, bit by bit, as naturally as magma flowing out of a rock, and the long foreshadowing is the inevitable result. I hope this story can tell the story of the ninth generation of the Jiang family. Each generation works hard for a family stage, such as the Jiji family, the Jindan family, the Yuanying family, and so on. I also hope that at the end of the story, the Jiang family becomes the largest immortal cultivating family in the world. After a long and dangerous battle, someone can shout out. "I, the Jiang clan, have flourished in Daze Township. After nine generations of sacrifice and dedication, we have grown from a humble beginning and finally grown into a towering tree that embraces the sky and is crowned the No. 1 Immortal Mansion in the world!"

The author is a newbie, and it was the first time that I received a manuscript through the Qidian editor's mailbox. At that time, my editor in charge read my 20,000-word text, and then asked me about the content behind it, so I quickly added more editing, and now I have 20,000 words, which is 40,000 words for the submitted manuscript. The author is a person who likes traditional literature. Compared with modern Shuangwen, I read some when I was in school. But as I get older, Shuangwen's so-called pretense and slap in the face, pretending to be a pig and eating the tiger's plot, I can do these, but rarely write them. It is impossible to have these Shuangwen techniques in this book. I hope that every big plot of this book can allow readers to feel the struggle of these characters in the world of cultivating immortals, just like the struggles of us cattle and horses in this world. I think the best writing is to give readers a rich reading experience. If I can't do it now, it is because the author's writing is not strong enough and he cannot express it. But I will work hard to write and perfect these expressions bit by bit, so that the emotions of the characters in the story can be seen in front of the readers like pearls. This book has 130,000 words so far, and its overall test results are particularly poor. The number of collectors and readers is low. It even made me wonder if I wrote in the wrong direction. The data made me hesitant, confused, and even anxious. But when I write out the emotions of each character and match them with corresponding music, I will still be happy to write them out. No matter what the final result of this book is, trying to portray full-bodied characters and write a smooth plot is my original intention for this book. If this book hits the streets, then the next book will continue to be a fairy tale. Until I can write a little bit of the Jianghu spirit in my chest. I especially like a sentence: A wanderer in the world meets by chance and drinks after meeting each other by chance. There is no need for greetings and no asking for names.

Can thirteen generations last a thousand years? How many generations before the thirteenth generation were there immortals? ? ?

It's great. You can watch it at night if you have nothing to do. It's perfect for killing time.

I feel like after writing this, there is nothing wrong with Linghuai (the time traveler).

Keep writing, I don't have many words at the moment, but I have already guaranteed good grass, so I can chase the fairy grass. If you insist on ensuring the quality, you can write a few million words and you can say it is a masterpiece.

But doesn't cultivation in this world require any spiritual energy?

You're stingy, you don't have the macro level of Xianxia, ​​and your realm is like playing house.

Come on, hold on, don't be a eunuch, the starlight will live up to the travelers

It's okay, but the writing in the front seems a bit unfamiliar, probably because I haven't written about immortals before. The back part is much better. Those who want to imitate Xuanjian can read it 😴😴

There are not many Xuanjian fairy-type articles about meal replacements, but this one is considered to be of relatively high quality 👍