Abyss Sequence: Starting from the Actors of the Old Days

In 1937, backstage at the Shanghai Tianchan Opera Troupe, 17-year-old apprentice Chen Yan was staring at a broken gong in a daze. He didn't know that an "accident" that changed his fate was hidden in the "Huang Quan Ferry" playbook at the bottom of the theater box - when he was pushed onto the stage and mispronounced the line "The drums sound at the third watch, the soul returns to the underworld", the pupils of the audience suddenly turned blue, and the wood sculptures on the stage actually oozed black blood and came to life. This is no ordinary time travel. Chen Yan soon discovered that he had become a container for the "Old God's Drama": every time he sang a forbidden opera correctly, he could unlock the extraordinary power of the "Abyss Sequence" (such as "Drama Puppet" and "Suona Craftsman"); but if he misread even half a line, divine contamination would be like gangrene attached to the bones - the skin would fester into grease paint, the hearing would be eaten away by ghostly sounds, and he would even become a puppet of the ancient god. The theater troupe hides a secret, the troupe leader Qin Jiuye's gold glasses reflect a cold light, and his pocket watch is engraved with "Sequence 7: Painted Skin Tsing Yi"... Chen Yan clutched the blood-stained theater ticket tightly, struggling between the drama and the whispers of the ancient gods: "I am a mortal, why should I sing the script of a god?" And when the moonlight in Nanjing dyed the stage red, he finally saw the bloody words on the last page of the play - "Next fold, you are a god."