All Those Years I Spent Dissecting Corpses in the Royal Cemeteries

Evaluation This book is dry food. At the beginning, I thought everything was normal, but something was not right about marrying a wife. After marrying a wife, the wife went crazy, especially when Concubine Xiao gave birth to a child. The protagonist has been divorced twice and yet he defended Concubine Xiao to death? Why is he so affectionate after reincarnation? The protagonist's love and destiny came later, right? There are very few protagonists who can't even keep their own wives. There is evil in the corpse dismantling, and the evil makes the dismantler crazy. He needs a wife to attract popularity. The wife is not as good as a power bank. The popularity usually disappears from three to six months, and then he goes crazy. The dismantler sends his wife away and marries again. This is the system. I don't think this book will be popular, and the protagonist is also in this system. What else to write next? The protagonist's wife is dead and he doesn't want to stand up like a salted fish. How to promote the plot? You can't let the protagonist poke and jump like a toad. The protagonist has no worldly desires, let him languish in the mud. Don't embarrass the protagonist of Xianyu Liu. The evaluation is pretty good, it's dry food, it has some minor poisonous points, and the big frame is okay. Cultivation of life, hey, Thousand-Hand Guanyin's little black hand touches it without making a sound.

Just do all the bad things for me, commit rape, robbery, and then die at the hands of the protagonist

I'm quite speechless, and I met another author with a lot of brains. He made a mistake and he insisted on explaining it. How should he say it? For dangerous work like this, there is usually a premium. Alas, otherwise no one would do it, brother. No one is a fool. 30 Cents a month means that if you work for 30 days and can't afford a bun, stop making trouble. In ancient times, slaves had to be paid. In ancient times, slaves and the like, they all had companies, and they could only work for one or two months or more. Your hard-working job, which costs only 30 taels, may be done by others. You said it is understandable that there is corruption at the top and bottom, a few taels of silver per month. Alas, it really doesn't work. You said three taels of silver a month. Don't say anything. If you don't do it, others will do it. For ordinary work, you can understand it this way, but for such a dangerous job, no one is a fool, right?

After reading a few chapters, I lost the patience to read. This book is the ceiling of the literary writing world. The whole article is full of useless nonsense. One sentence can be broken into ten paragraphs and as many as ten words. It is not as long as the foot wrap and smells bad. After reading it, I just feel that it is a waste of time, has no nutrition, and is simply torturing the reader.

How should I put it? The selection conditions are harsh, the working environment is terrible, and life is in danger at every turn. The salary is only thirty cents, and I can only buy a few kilograms of rice after working for a month. I don't understand why it is set like this, why it is so stable, and even begging can earn more than this.

The spells obtained by the protagonist and the supporting characters are getting more and more disgusting the more I look at them

The result is to get out the remaining extraordinary materials from the remains of extraordinary mutated creatures. The energy radiation during the period will make ordinary people rush to the streets, and if they are not dissected for a long time, they will mutate and corrupt into who-knows-what ghosts. I can only say that to cleanse the sins, just deceive others. Don't deceive yourself. Ordinary people who have not even entered the Dao should dissect such high-end products as sins? You didn't wake up or I didn't wake up

No, what does the protagonist do every day, including obscenity, sex change, skin peeling, and dissection?

It's not a question of whether it's high or not, but the author basically treats people as mice pregnant with dozens of fetuses. For example, if the protagonist's fate is to die, only one child will be born. I assume that thousands of others will die and only one child will be born. Then hundreds of people will die and a population of about 1 million will die. Then dozens of people with this fate will die in a year. . . Everyone will die in three years, and people who don't have such a fate will die as often as they come. . . This is more raw than leeks.

A complete collection of supporting characters' crotch-hunting stories

The corpse-dismantling series is poorly written, and most of it is an upgrade story by a brainless novice who sells dog meat. But this book has an ulterior motive, it is mysterious and treacherous, and the content is solid, detailed and interesting.

The subject matter and writing style are very novel, but it smells poisonous. As a time traveler, it feels like I have never learned any history. At the same time, the protagonist has a big problem with his character. He has no ability to think independently. He was pinched by others throughout the whole process. It is poisonous and cautious.

The author's writing is quite good, and the things pointed out by Golden Finger are very interesting. How did the author come up with it?

This book is really bad. The protagonist is led throughout the whole process. Is he the protagonist or the tool?

There are many shortcomings, and the combat power inside is completely confusing. The emperor has a fourth-grade body, and he is given the dragon climbing technique. The protagonist has become a god after practicing it. He controls the power of life and death, or is he inseparable from the tomb? He must marry a wife to gain popularity and dismember the corpse? You, a god, have such a big body that you just lie down? The corpse that came later was of a higher level than the emperor, so the skills he was given were the same as those on the roadside. It's too confusing to watch.

What does this say? Is the author actually a boxer? Either a female-to-male person, or a female-to-male person is interested in the protagonist and wants to express something.

This is the first time I have seen an author who is so sexually repressed

For example, there was a book a few years ago. The protagonist was a corpse stitcher, and he was also rewarded for disposing of corpses. He seemed to have gone to Sanjiang (I forgot about it). Later, it was written that the combat power collapsed, and the protagonist was forced to resurrect after being dead for several years. All the skills and props were gone, and he became an unfinished eunuch.

When I saw a sloppy Taoist, he was already poisoned to death.

Let me put it bluntly. Reading Weird means that you know it is just a story, but you will subconsciously put mental pressure on yourself and make yourself uncomfortable. The writing style with a solid point turns to a spiritual perspective, and the protagonist has a foothold in the story to make the story full and vivid. This book is a story that you know, but it is written like excrement and looks like excrement. It is disgusting to read directly. All kinds of things are illusory and have no real connection with the story itself. The protagonist is like a tool just to show the background of the story.

170 The front is easy to read, but the back is too messy. Things keep being added. Chen Sandao becomes less and less vivid and loses his background, like a tool man, especially the part about gods. There are also messy divisions of various cultivation realms, with no sense of strength comparison. The author has written that there are no fighting scenes yet, but the writing behind it is completely insufficient. He writes wherever he thinks, without logic. If he can't get through, he will brag about the God of Wealth, his ideas, and his popularity.

Why doesn't every sentence have a subject? There must be nine out of ten sentences like this. This is writing a novel, not prose.

What this guy is writing is about Liaozhai. It has no logic and is just ghosts. Every story is an extreme exaggeration and the people in it are just background NPCs.

It feels like the writing is so confusing. What on earth is he writing?

Nowadays, many authors don't know why but always use the names of ancient people or characters in classics or similar names as character names in their books. Don't you know, author, that writing like this can easily make people lose interest in the drama? Ruan Xiaosan? And Ruan Xiaoer, Ruan Xiaowu, and Ruan Xiaoqi?

According to the setting, there are all the little monsters who can solve the problem, but now a hundred people don't have magical powers. Also, if my mother dies, do I need to dissect her body? Wu Meier died and her body was not dissected. Could it be in conflict with the setting?

Hahahahaha. Chapter 17: Enjoyed watching, let me say something. Hahahahaha, originally, I only found it interesting when a man turned into a witch and a fox. In the next scene, Sister Yao loves to eat fox skin for skin care. It is very interesting that a demonic disaster is gradually resolved in this way. High and low will give you an advertisement. Ten Years Old Master is not worth much now, but in the new book issue, I can give you a few words to guide you.

The setting is excellent, but the protagonist has a bad temperament, is submissive, and is always manipulated and manipulated by others. There is no sense of immersion, which is a pity for a good book.

Keep writing. Come on, author.

This book is quite a test of one's perspective. I always feel like vomiting while reading it.