Showbiz in 1979: Starting with the Queen of the Kingdom of Women

Obviously the heroine is Zhu Lin, but in the end it's Gong Xue every day these days. Why, after eight years, I still want more heroines. This emotional line of wanting and wanting is a bit annoying!

I have been reading the latest chapter, and it feels pretty good. It is the same as the protagonist Lin Weimin's, at least it is still at the fairy grass level.

If you write about Zhu Lin well, don't write about Gong Xue. Nowadays, everyone in this society is longing for a beautiful marriage. It's annoying to read a novel and then eat from the bowl while looking at the pot. Don't you know? Just a single heroine

I have read a lot of chronicle novels. If there are no character cards, Zhu Lin and Gong Xue can just use their original names. For example, the 1979 Golden Age and the Daughter Kingdom King at the beginning use the original names without character cards. Nowadays, the flow of chronicle novels is very good. I think the author's writing style is better than that of the Daughter Kingdom King. If the love line is Zhu Lin and Gong Xue, it can be used as a reference from 1983. The title of the book also needs to be changed. Maybe the heroine Gong Xue is very popular at the beginning and attracts a lot of traffic. But if you only write one and it's ambiguous, many readers probably won't buy it. Even if it's in vain, some people will criticize it under each chapter. I also hope that the author can handle the emotional line well. I read it well and it's not poisonous. I will subscribe if it is released. And I would like to suggest that the author should be more decisive if he wants to have Gong Xue and Zhu Lin in both roles, and be more decisive with the single female protagonist.

I've been watching both lately. I really like Zhu Lin's emotional line. But every time I see Gong Xue as the male protagonist, it's like he's a different person. It's like reading with a frown, which is very awkward. I really like what the author writes. It would be better if I could have some sense of boundary with Gong Xue 🙂

The angle of entry is relatively unique, unlike many period articles that are copied casually. This book is based on the protagonist's occupation of working on the railway. The copied articles are basically related to the railway, so it is much more credible. It's just that the previous plot with Little Fatty Jin was a bit nonsensical.

Your starting point is a bit sinister. The male protagonist went to the countryside at the age of 15. If the male protagonist hadn't traveled through time, he would have died in the end. In that era, a 15-year-old male protagonist should not have been allowed to go to the countryside.

The way you wrote about your pursuit of Zhu Lin in the first part was too touching. The ambiguous relationship with Gong Xue later was very awkward. Some people used Bai Bai's book as an example. I also found Chai Dai very awkward in the second part. It's better not to write something so touching. You can just open a harem and focus on your career.

I don't know why the authors who wrote about that era all wrote that Zhu Lin and Gong Xue were good-looking. In fact, they were very ordinary, and I really didn't think they were beautiful. There was a lack of nutrition in that era, and labor was required. They had all gone to the countryside, joined teams, and done farm work. Their skin was not very good, and they were really ordinary without makeup. Writing about their external beauty is not as good as writing about their inner beauty, and it is more convincing to write about their spiritual world.

There are too few heroines! He doesn't look like a cultural person at all, let alone a literary giant!