The Tokyo Girls Have Serious Problems

After I put it down, I had no idea of ​​continuing to read it. The plot was bad and the characters were even worse. There were so many characters written about it, which one was the best? The male protagonist is a pure and precious person. He is narcissistic when he meets his lover and thinks he is so self-righteous that he does not feel any charm. The male protagonist Yaeko is a tool and only comes out to say love words when he needs help. The older sister and younger sister cannot feel the shaping except for the character. The few words of Che Lulu are nothing but gentle and arrogant. They are empty and empty. As for the rest, there is no shaping. The plot feels like there is nothing but water from the beginning of the band chapter, and the kendo chapter is like an old lady's foot wrap. Everything from the characters to the plot is terrible.

First of all, I'll put my armor up, as shown in the picture What you wrote is really terrible. I rarely say such serious words. I didn't say anything about the witch, and I didn't say anything about the mental hospital, but I really can't stand this book. Who can bear to eat a book of shit for a year? The whole book feels like I just wrote whatever came to my mind, with no outline at all! It keeps pouring water, and there is no emotional advancement at all. It all depends on appearance and trance. I don't know if Ai Jian is a woman who has nothing but appearance, but Aoyama Ri is definitely a man who has nothing but appearance! The character design is completely untenable. Apart from the system, it is still a system and has nothing of its own! This is one of the most disgusting male protagonists you have ever written. A group of people with twisted emotional lines, except for Yaeko, there is no well-developed character. The male protagonist is even more of a tool. He is a tool purely for the purpose of writing emotional lines and has no impact on advancing the plot. The Ono sisters were particularly well written in the early stage, with Bai Yueguang, childhood sweethearts, and companions in despair. They originally followed the setting of a good wife and loving mother, even if they were written as yandere? You have to mess it up, what you write at the end is disgusting. I won't talk about the name Ai. I wanted to write it as the second Qingye, but ended up writing it as a clown. I wrote it back a little later, and that's it. There are also Sword Princess and Amakusa Kazusa, who are the tool people among the tool people. There will be no such person in the future. The plot has nothing to say, it's just bad! There is no main plot, no highlights, even the most popular Shura Field is appallingly bad. Moreover, the writing style that made you famous is also a piece of cake. It is brilliant and mediocre. There is no ending at all. No matter how good it is, it is a bad ending. To say it is a bad ending is to flatter you. It is purely because you can't make it up yourself and cut it off by force. This book has as many problems as its title. Those who want to read Akaashi can read it, but don't touch the others. Damn, disgusting, ugh! Nausea! Disgusting!

It's not what you wrote in this new chapter. The character you set up is a cold and arrogant young lady. As a result, the male protagonist can't watch it but everyone else can, right? The male protagonist of Guogou also promised not to come at three o'clock in the afternoon. Why don't you write more details? You wrote that the female protagonist is surrounded and photographed in the middle, and the male protagonist is in the distance. Secretly look at her shy but pretending to be calm. It would be better to write about how cute Catwoman is. She is never photographed from any angle. The male protagonist can only see an outline from a distance. He is thinking about how cute the female protagonist is, and then decides to wear those dog-like clothes tomorrow. A bitch dog matches a bitch cat. You, the male and female protagonist, are really invincible.

These chapters have been read three times. Apart from the defense of the war between the ill-fated and unfinished literary youths, the writing of Riqing is really a dimensionality reduction blow. Writing by other authors is simply unreadable in comparison. Seriously, stop writing about your b battle.

Let me show you an outrageous green turtle, even a Tokyo girl was not spared

The male protagonist, four female protagonists, and several female supporting characters are all bad in their own way. The arc and shaping have been more broken than Elden Ring in the long and repeated pull. The male protagonist is naughty and spiritual, he dare not take the initiative, is afraid of responsibility, has obscene thoughts and abstract behavior. Starting from the crow's favorite kendo competition, the protagonist's behavior has been heading towards the abstract road, and there is currently no cure. At present, it seems that the protagonist's way of opening a harem is not to conquer the heroines with his personality charm, nor to make them stick with him through self-sacrifice. It is not even as good as Chen 🐶's calculation, because he actually relied on a mental illness that would lead to a harem to kidnap four girls 😅 Crow, are you awake? Seeing love is the same, waxy and divine, especially in the early stage. He doesn't dare to express his emotions, his behavior is somewhat abstract and clownish, and he thinks that the male protagonist's love for him is inevitable. Late performance was mediocre. Yezi, the only existence in this book with certain personality charm and character creation. The left hand does high damage, and the right hand does high damage. While other female characters are still on their way to becoming a god, Yaeko is already blooming alone. His behavior is impeccable in the early and middle stages, but slightly lacking in the later stages. Sisters group, one roadside, green 🐱 lovers, play the protagonist like a ball, and create opportunities for the elder sister/younger sister in a beautiful name. Treat the protagonist's emotions as a gift and define yourself as a victim😅. In terms of character characteristics, Wu Wu has written the two characters, one cute and one gentle, as ideological stamps, but the way they are created is extremely straightforward and the characters are very vivid! That! Flat and unflattering. The supporting characters are too lazy to talk about, they are all on the side of the road, and I suspect that Crow is not ready to write them at all. There are many problems between the protagonist and the four heroines, but the most critical one is only one: none of these five people seem to have self-respect and respect for others. They neither make demands on their own feelings nor reciprocate the feelings of others. This results in any character's attack being unanswered by the opponent. (The exception is Yaeko, which is why she is the only one that I and many readers can watch.) The attitude of these five people towards relationships seems to be indifferent, their desire for exclusivity is not strong, their desire to attack is not high, and they also have many magical operations. To put it bluntly, the entire story process is tightly tied to the brain-computer interface of the green-haired sisters with a big and stylish hand, and no progress can be made. Why are Kiyono and Watanabe loved by readers? Because they not only have their own personal dignity and charm, but also have relatively normal moral standards and fascinating acting styles. The reason why Qingye is loved by readers is not only because she accepted Watanabe, but more importantly, she declined him for a long time. On this basis, her irresistible charm can attract Watanabe and readers in a series of plots. This is called love but out of reach, but in this book I didn't see how much these people loved each other, nor did I see any real obstacles stopping them. 😅The reason why Watanabe can't be with God is because of the confrontation between the two people's self-esteem. How did it become that four people in a moral vacuum tortured the male protagonist in this book? This book is a parody of your past success, and you have once again let down your regular readers, Crow.

Daily Prayer: She is the most special, she is above all else, my God, Rin Kiyono

1. Meet Ai: I liked Jian Shang Ai at first. She has a cold personality, but the author made a genius move and made her into a clown. Now she wants to bring it up again? I have only heard of the writing method of suppressing first and then promoting (it is always good for a prostitute to become a good person and a prodigal son to turn back), but the description of love at first sight is clearly to first promote, then suppress and then increase. This is like turning a good girl into a prostitute and then letting her become a good person. Isn't it disgusting? And when I meet a young lady from everyone, there is no shortage of outstanding people of the same and opposite sex around me. The male protagonist even takes the initiative to cut off, and he still shyly approaches her? What makes the male protagonist worthy of her doing this? 2. Ri Aoyama: In the chapter about the maid cafe, my pride came into play. I felt that I and Ai Mikami were not the same people, so I wanted to cut them off. As a result, within a few chapters, I started talking about naughty things in the latest chapter? Does the small head really control the big head? You owe ten thousand yuan to your love, and you can repay it just by mentioning it to your sister. Do you have to hang it like this? A greasy man who doesn't mean what he says. 3. Little Tangren Band: No intention of making progress, just muddle along, no sense of boundaries, and full of vulgar and dirty jokes. What do such people write to express? You said you want your sister to experience high school life for the last time, is this how you experience it? 4. Mika Ono: My younger brother has earned back several hundred million yuan, so why don't you want to give him an extra 10,000 yuan? Is it too strict? And since they quit their part-time job, the description of the sisters has been a straight line without any ups and downs. It is bland at best and boring at worst. 5. Character setting I can only remember four heroines in Miko, and four in Lianyou. The other supporting heroines are impressive, but they won't steal the heroine's role. However, starting from the mental hospital, in addition to the three classic female protagonists, there are two more mothers, an actress, and an older Japanese female professor. More people will inevitably lead to uneven distribution of space. Then it appeared that Su Qing was a childhood sweetheart, but the foreshadowing was not enough, so the readers could not get it at all, and then Gu Ran became a licking dog. The number of female protagonists in Tokyo Girls has increased significantly. There is a clown in the book, and there is a clown. Unfortunately, there is too little writing and ink. The Ono sisters have no feeling. The blonde swordswoman is almost unknown. Then the most classic one comes. The four little Tang people in the band take up almost 50% of the page, but my impression of them is: vulgar girls who love to tell dirty jokes, and the two names of bass Sakurako and drummer Meng Shi, and I have no impression of the rest. Want to portray your sister's image through the band? But I don't feel the positive feedback from my sister's band at all. If that's the case, what's the point of joining this band?

Doesn't this mean he can write a book? He has to write about fighting, and writing about youthful love is not as good as a fish in water 🤔

Has the strength regressed by five years? Is that interesting?