Shanheji

I feel like a lot of people in the comment area have been saying that the personality contrast between Ye Tinglan and Ye Tinglan is too big and unacceptable. But in my opinion, a lot of preparation has been made for the difference in behavior before and after. The internal logic has its own rationality and is not divorced from the character. So below I will organize it based on the content of the text and analyze Ye Tinglan's character, behavior patterns, internal logic, etc., Hoping to calm the debate. First of all, Ye Tinglan, as the Holy Lord of Tianyao, is like the emperor's loner. There is a natural "sad thick barrier" between herself and others. Her status requires her external performance to be in line with the temperament of a leader and an expert, which is the sense of mystery created in the early books. But as the plot progresses, her activities as "Mr. Ye" all reveal that Ye Tinglan's actions are more out of the sense of responsibility brought by her identity. She is trying to play the role of the "Holy Lord of Tianyao" rather than her own serious and old-fashioned personality.        ，， This is why Lu Xingzhou is so persistent in tearing off her veil, taking off her disguise layer by layer, allowing her to try to let go of her burden and be herself. Now Ye Tinglan's behavior is a manifestation of Lu Xingzhou's success. Even if I try to save my face, I am still your Mr. Ye, not Holy Lord Tianyao. Acting coquettishly and flirting is not only a release of one's own nature, but also recognition and reward for Lu Xingzhou's hard work. Don't forget that Ye Tinglan is Yuan Muyu's sister. The sisters have somewhat similar personalities. Ye Tinglan also lived a youthful and wanton life in the early years. Now she is justan old aunt who was trapped by her identity and responsibility, had been depressed for many years, and met her sweet little nanny.        ，，， But clues can still be found from the character's identity and personality, and there is a hidden line involved.                                                                                     Ye Tinglan, as the person with the best combat power on the surface, can at least be clear about his mind and his nature in practice. The so-called epiphany only lasts for a moment. Since Lu Xingzhou had made him realize his own heart, and facing his lust head-on had indeed loosened the bottleneck of many years, there was no need to hide it. A mature big sister who has freed her inner defenses and has seen pigs running even if she has never eaten pork, does she still need to go through a hundred chapters of psychological construction like a Huaichun girl to tease you, a little bitch? What's more, Ye Tinglan always maintained a rational attitude, always reminding Lu Xingzhou and himself not to cross the bottom line. And there is a hidden line here that is not fully stated—Ye Tinglan's path to inquiry. As Ye Tinglan's beloved disciple, Xiao Baimao has devoted Ye Tinglan's emotions and efforts, and represents her early understanding and pursuit of Tao - Being ruthless and becoming an immortal. Ye Tinglan is stuck in the secular world and has difficulty advancing in cultivation, but he has high hopes for Little Baimao. "The Innate Human-Machine Holy Body" is indifferent to emotions. In the end of his cultivation, he gave up all love and desire, leaving only the pursuit of the great path. This undoubtedly allowed Ye Tinglan to see the possibility of success, and it was also the underlying logic why she always subconsciously ignored Xiao Baimao's special feelings for Lu Xingzhou. Although they always make fun of Huiyang's troubles, in essence, this is a seeker's search in a world with no way forward and full of fog.  Ye Tinglan's plan for Little Baimao's future represents her ultimate ideal, which is what she considers to be the highest state - Taishang Wangqing. The indulgence between her and Lu Xingzhou at this moment, even though there is an irrepressible part of her nature, from the perspective of a seeker, it seems to be more of a helplessness and compromise in confusion. Regardless of whether the relationship between her and Lu Xingzhou is out of revenge for her sister or appreciation for Lu Xingzhou, the core driving force of many of Ye Tinglan's actions is still the word responsibility. As mentioned in the previous article, Ye Tinglan's way is "Guarding". She could not let go of her responsibilities to Daqian and mankind, and faced with the broken mountains and rivers and the inhuman emperor, Lu Xingzhou was undoubtedly the person most likely to help her mend the world and rebuild the world. The first thing Lu Xingzhou wants is revenge, which requires overthrowing the Huo family and their protective emperor, and supporting Shen Tang to ascend to power. This is consistent with Ye Tinglan's interests, and this is consistent with the Tao; the second thing is beauty, so why not give myself to you? In Ye Tinglan's understanding, the ultimate state of cultivation requires supreme forgetfulness of emotion. So what is the difference between being ruthless and forgetful of emotion? It's just an extra detour. If you want to understand your thoughts and advance your cultivation further, you need to save Daqian, and saving Daqian requires Lu Xingzhou's help. Ye Tinglan has nothing to repay, so he can only try his best to respond to Lu Xingzhou's emotions during this process. After the mountains and rivers are restored and the world is at peace, he can go to the Supreme Being to forget his feelings and pursue a higher realm. (What a scumbag's idea, little 🦌 teach me hard) As for Xiao Baimao, Ye Tinglan has high hopes - the master is already like this, but you are different. You must pursue the supreme road and don't be slowed down by feelings. (Inexplicably, there is a sense of deja vu of a single mother who is committed to Huang Mao and hopes that her daughter will become a talented person 🤔 Xiao Baimao said I will definitely slap you in the face) This hidden line involves emotions and moral disputes. It is an eternal discussion point in the Ji Cha universe. It is also related to the reason why Yuan Muyu was confused about Lu Xingzhou's feelings when he broke through to the super level. In the future, it may lead to the deeper reasons for the break between the two. We look forward to the subsequent plot development.    In fact, there are many similar contrasting characters, such as Luo Ning and Nangong Ye next door. However, Guan Guan's handling method prefers to keep the characters tough-talking to the end, and finally play them into fun, supplemented by more psychological descriptions, so it looks smoother in terms of look and feel, but in fact, the shaping logic is the same. Sometimes book friends are not used to the differences between characters, but I feel that in a book with a complete world view and character behaviors that have their own internal logic, it is these different performances in different environments and experiences - those entanglements and struggles, as well as the changes made after adapting to one's heart, that truly highlight the vividness of the characters. Maybe this does not fit the character in your mind, but it further proves that these are flesh-and-blood people who actually exist in the book. Welcome to discuss, but don't quarrel~

It feels like it's not written well, and I feel like I want to recreate the glory of the Spring and Autumn Period but I can't get up or get down. I have always wanted to complain about Ji Cha's current writing style. It is really sparse. The Internet slang mixed in the writing can be seen as an attempt to make the novel more relaxed and humorous. And I feel that the battle of wits part of this book is really subtle, a bit hard to describe, and it doesn't feel like there is much battle of wits. I know that Ji Cha has always wanted to break through himself, and Ji Cha himself also knows that his ability to write dramas is poor. Ji Cha also said before that she wanted to get rid of the plot by promoting female characters, but why the main plot is still about the thing in the crotch. The description of the male protagonist in this book is also a bit greasy, especially since I re-read Spring and Autumn in the past two days. Although Manager Xue is also lustful, he gives the impression that he is a romantic, not the so-called "destroyer of romance". The harem still has some limitations. I suggest that Ji Cha write something different in his next book.

I read half of the last book on troubled times and didn't finish it, but the early stage was still very attractive. I bought this one at half price out of trust in 🐔🍵, but after reading it for a few days, I felt that something was wrong the more I read it. If in the early stages of the Book of Troubled Times, the more you read it, the more you get addicted to it. The only motivation for reading this book is to buy it all, not wanting to waste it and waiting to see the wooden fish deflate. But even so, I can't stand it anymore after looking at more than 200 pictures.​ ​ One is that the plot is really unattractive. The story development is like a bland declarative sentence, and there are frequent villains and plots that are as mentally retarded as white novels, which makes me frown. The image of the protagonist is also getting lower and lower, as if he knew which characters were the heroines from the beginning, and then aggressively targeted them to increase his favorability. Even though the descriptions of the heroines were indeed good, but driven by the greed and desire of the male protagonist eating the food in the bowl, looking at the food in the pot, and reaching out to fish out the pot, all the descriptions were just to become a member of the harem. Even the emotional drama, which is the core shining point, is made to feel fragmented by the ugly appearance of the male protagonist. On the one hand, I was reminiscing about the past with this character, and on the other hand, I was openly flirting with another character. The emotional line also became like a joke, alas. In short, whether it's the author's writing style or my personal taste, I really can't say I like this book, but considering the money spent, I should still read it bit by bit. I hope Muyu can provide enough fun to cheer me up. Also, do you have any recommendations for books with good emotional lines? Just have less female protagonists and not be too lustful. As expected, I still prefer upright protagonists.

After reading more than 30 chapters, I feel like it's a very stereotyped, pretentious and slap-in-the-face story. The villain is portrayed in a quick and witty manner, and the plot is also very cliche.

It's better not to write this monthly extra episode. It was quite interesting to watch everyone persecuting me at first, but now it's just plain cheap.

Booked it at half price, 2700 minutes, finished the tasting, no bragging, no slander, cool writing, it brought back the feeling of ancient online novels, someone would send you a pillow when you feel sleepy, good luck, breakthrough came from "cultivation" with the heroine, the whole first and middle part of the book revolves around the revenge of the male protagonist Unfolding, the classic story of salvation in the later stage, in the process, beautiful female protagonists are gradually brought into the harem. The male protagonist is like a succubus. At each stage, powerful or useful beautiful women will basically become the protagonist's harem without exception, so newcomers should not have any doubts. The practice mainly revolves around the elements of yin and yang, Tai Chi, and the transformation of opposites. It is essentially a harem upgrade to a stallion novel. There is a bit of gaming in the early stages, and the plot is quite interesting. However, in the middle and later stages, after you have basically understood the routines, it will feel boring and boring. The main theme is to unite all beauties who can unite, and defeat all powerful male creatures that need to be defeated. The process of reading may sometimes be positive, warm, musical, and emotional. You can watch it when you are short of books and don't want to read novels that require brain use. Don't doubt yourself if you can't bring it in and think it's vulgar and tacky. Sometimes if you really think about it deeply, it's actually true. If you like it, keep watching it. If you don't like it, you can withdraw it in time. Warm reminder: There is no sadness and 🤡, in the end it's about making dumplings.

After reading Chapter 25, it seems that the level of cultivation is only 9-1, and the martial arts is too vague. The skills and magic weapons are not introduced. It seems like reading a martial arts novel, which is very strange and uncomfortable. At the beginning, it was shown to outsiders that Nuomi can directly absorb the power of the elixir and downgrade the elixir. I wonder if this is a rare ability? Or a skill? Aren't you afraid that others will know? Is this a normal thing? And if Lu Tiao (Yao) can tell by peeking into his memory, this is also normal?

I feel that this book is more interesting than the book "The Troubled Times". I read the book review while reading it. In the book review, everyone wears character vests and plays with them. It's so fun.

I have been following it until it is finished, and I recently started watching it. Current reading progress: Chapter 575. Here are some personal opinions. 1. This book is quite enjoyable to read in the early stage, but the further you look at it, the more it collapses... 🙂 2. The first one is the design of the male protagonist. The previous style was quite unified, but when it comes to Long Qinghuang's emotional line, the pent-up emotions in the previous section are "exploded". 2.1 Shen Tang                                                                                                                                                 , "                        Ye Tinglan's feelings were in place, and she didn't push it officially, but suppressed her emotions once 2.4 Sheng Qingyao Sheng Qingyao's emotional line was intermittent, and was officially established after she sacrificed her life three times to save her. And so on... From my point of view, it was not handled well.        ⑴ 25%，()        ⑵ 50%，()       ，，， The male protagonist and Long Qinghuang had done everything except the last step, and suddenly hesitated. It completely detonated the depressing atmosphere in the front, causing the emotion to reverse later, and it didn't rise at all when it went up. What I am saying here does not mean that the male and female protagonists must have a formal relationship soon. What I want to say is that when relationships come naturally, I always find reasons to restrain them because they feel inappropriate. This pull can be the beginning of the first acquaintance, or it can be the warming of the relationship in the middle, but it cannot be the ending after the relationship matures. 3. Many female protagonists are very lovable in the early stage, but after the relationship is established, they are not good... 3.1 Long Qinghuang This line is the smoothest in the early stage. If it were not for a bad job in the closing stage, which made the male protagonist collapse, it would be perfect. The dissatisfaction at the end is that while fighting for the male protagonist and fighting other female protagonists, they are not forgiving, and express to other female protagonists that "they have not completely returned to the male protagonist"... 3.2 Sheng Qingyao The relationship developed three times in the early stage, until she married the male protagonist with Shen Tang, Pei Chuzheng, and Ye Zhuyu (Ye Tinglan). It was fine so far, but it started to fall apart later... It became more and more labeled, highlighting the characteristics of "loving melons". Until Chapter 575, Sheng Qingyao compiled the private affairs and family affairs between the male protagonist and the female protagonist into a book and published it, allowing people all over the world to "eat the melon" and "have fun". Suddenly, I felt that this heroine was very unpleasant. On the one hand, it goes against the commitments and concerns of the male and female protagonists. On the other hand, "private matters" are actively turned into fun for the world to discuss, and private goods are mixed in. This makes me feel that Sheng Qingyao doesn't care about her relationship with the male protagonist at all. 3.3 Ye Fuyao (Yan Jun) The first time I felt uncomfortable was when I subscribed to the updated monthly extras. Overall, it was a big deal. (PS: It was very popular at the time. I saw people discussing it in the group and took a look specifically) But it was serialized at the time and had no beginning or end, which gave people a very bad impression. But out of trust in the author, I continued to subscribe. As for the main text, I can only say that it is okay, quite satisfactory. In the "Chasing the Husband's Crematorium" part, Ye Fuyao's problem is, if you say serious, actually okay, but if you say light, it's actually quite serious.       ，， This kind of thing is like a person knowing whether drinking water is cold or warm, but it is difficult for others to empathize with it. 3.4 Ye Tinglan The previous plot is very good in the stage of first acquaintance and emotional warming, but it becomes a bit difficult in the later stage. It is also because I repeatedly pulled at the end of the book for most of the book, which made me feel less refreshed than before... The above are some points where I clearly feel uncomfortable from the beginning to the current reading progress. Please watch the following content slowly. Say it out and complain about it, and I feel much better.

Why is it delayed every day now? 🙂🙂🙂

Song Bird Ode ——Jia Yi Yi was the king of Changsha for three years, and a song flew into his house. The owl is like an owl, an ominous bird. Yi was exiled to Changsha, and Changsha was humid and humid. Yi felt sad and mourned, thinking that he would not live long, but it was a blessing to expand himself. The poem said: In the year of Shan Huan, in the fourth month of Mengxia, the sun is setting in Gengzi, and the song gathers to give up. He stopped sitting in the corner, looking very leisurely. Foreign objects come and gather, and I blame them. I sent a letter to occupy it, prophesying its duration, saying: "Wild birds have entered the house, and the master is about to leave." I ask Yu Songxi: "Where are you going? Tell me if it's good luck, and tell me the disaster is bad. The flood speed is coming, and I'll tell you what's expected." Song sighed, raised his head, and flapped his wings; he couldn't speak. , Please guess: "All things are changing, and there is no rest. They move with the flow of water, or push and return. The shape and energy continue to change, and they change. Mu is endless, Hu Kesheng said! Misfortunes are where blessings depend, and blessings are where misfortunes are. Fu; when sorrow and joy gather at home, good and bad fortunes are in the same territory. When Wu is strong, he will be defeated; when he crosses over to Kuaiji, Gou Jian will become the king. He will be punished five times; when Fu says that Xu is here, it is the misfortune and blessing of Wu Ding, so there is no difference. Who knows the extreme! When water surges, there will be drought; when arrows surge, things will turn thin; clouds and rain will fall, and things will fall; the sky will be unpredictable, and the path will be unpredictable; how can you know the time? The world is a furnace, and creation is a work; Yin and Yang are charcoal, and all things are copper. How can there be a constant rule for the combination of news? , What's the point of trouble! If you are a little wise, you will value yourself; if you are a wise man, you will have nothing to lose. A man who is greedy will die for his fame. A man who praises himself will die for his life. Those who are cowardly will tend to the West and the East. If the adults are not good, they will be the same. The world is like a prison, and the relics of the real people are all alone. People are confused, and their likes and dislikes are accumulated. The real person is indifferent, and he is alone with the Tao. The body is committed to life, and is not self-interested. It is as if it is floating in life, and it is as quiet as death. It is like a boat that is not tied to life. It is empty and floating. A virtuous person is not tired, and he is not worried about his fate. How can he doubt it? Translation Jia Yi had been a tutor in Changsha for three years. A bird flew into his residence. The owl looks like an owl and is an ominous bird. Because Jia Yi was demoted to Changsha, the climate in Changsha was very humid. At this time, he saw an owl and thought that his life was short, so he wrote a poem to comfort himself. The poem says: In the sixth year of Emperor Wen of the Han Dynasty, the year of Ding Chou, it was the Mengxia season in April. One day in April, when the sun was setting, a hawk landed on my house. It stops at the corner of the seat and looks very calm and calm. There is a monster staying here, and I secretly wonder why it flew here. I opened the book to divine it, and it foreshadowed its good or bad luck: "A wild bird has entered my house, and the owner is about to leave." I asked the bird to ask: "Where am I going? If there is good luck, tell me Tell me, even if there is a bad thing, please tell me what disaster it is. The good and bad fortune of life and death are determined. Please tell me its time limit." The bird sighed, raised its head and spread its wings, but its mouth could not speak, and asked. Answer with what is in your mind: "The changes of all things in time have never stopped. The movement migrates, or moves back, and all things change and move, repeatedly and indefinitely. Form and Qi transfer to each other, continuously change and degenerate, subtle and profound, without end. Blessing is the cause of misfortune, misfortune is the root of blessing. Worry and joy are gathered in one door, good and bad are in the same area. The state of Wu is very powerful, but Fu Chai failed. The Yue Kingdom lived in the Kuaiji Mountains, but Gou Jian dominated the world. Li Si traveled to the Qin Kingdom and achieved great success, but in the end he suffered five punishments and died. , Use him as a phase. Blessings and misfortunes are intertwined like ropes. Destiny cannot be explained. Who knows what is going on? When the water flows and arrows are stirred by external objects, they may change violently or far away, and all things will come and go. Interactions, shocks and transformations, and human affairs sometimes lead to blessings, influence each other, and are unpredictable. The clouds rise to rain due to the situation, and the rain falls to clouds due to the cold. The changes in nature are complicated, and the changes in nature are endless. The principles of heaven and earth are far-reaching and cannot be predicted. Life and death are determined by destiny. How can one predict its deadline? The craftsman's furnace is like a metallurgist. Yin and yang are cast into things, so they are called copper. How can there be a certain law for gathering, dispersing and destroying life? There is no end to the ever-changing world. How can one be greedy and cherish it, and why is death worth worrying about? In the eyes of the wise, oneself and all things can be compatible with each other. Yes, nothing is inappropriate. Greedy people die for money, staunch men die for reputation, people who are greedy for fame die for power, and people who are tempted by power and forced by poverty run around. Walk, seek benefits and avoid harm; the great man who is in harmony with heaven and earth is not driven by material desires, and treats billions of changing things equally, and the stupid people are involved in the world, and are as embarrassed as sinners. A virtuous person abandons all things and walks alone with the Dao. People are confused and confused, and their loves and dislikes accumulate a lot; those who have gained the way of heaven and earth live peacefully and alone with the Dao. They give up their thoughts, abandon their bodies, and forget about themselves. They are far and wide and drift with the Dao. Life is like a tree floating on water, walking and moving with the flow; completely entrusting your body to fate, leaving it to nature, not treating it as a private property, and living. As if drifting with the current, dying is like resting for a long time, as deep as the abyss and as quiet as the water, floating as freely as an unfettered boat, cultivating the nature of emptiness and floating, a virtuous person is not burdened by all things, and knows the sky. Life is not worrying. So there is nothing to worry about such trivial things as a bird flying into the house! " Notes ⑴ Single (chán) (è): another name for Mao Nian. This is the ancient Tai Sui calendar. ⑵ Prophecy (chèn): words that foretell good or bad luck. ⑶ Flooding speed: refers to the length of life. ⑷(wò) flow: operation. ⑸（wù）Mu: subtle and profound appearance. ⑹Correction (mò): a rope twisted by two or three strands. This is a metaphor for the entanglement of blessings and misfortune. ⑺Hesan: refers to life and death. ⑻Foreign body: refers to death. ⑼Praiser: refers to a person who is greedy for false fame. ⑽ Fear and coercion: Fear means being tempted by interests, and coercion means being forced by poverty and lowliness. ⑾Zhiren: refers to the most virtuous person. ⑿Zhenren: refers to a person who has attained the Tao. Reference materials: 1. Professor Zhang Cang et al. Dictionary of Appreciation of Ancient Chinese Literature (Volume 1). Shanghai: Shanghai Dictionary Publishing House, 1997: 218-222 The background of the creation of Songniao Fu "Songniao Fu" was written when Jia Yi was appointed King Taifu of Changsha for three years. The small preface before the poem explains the reason for writing "Ode to Song Bird". One day, a bird (commonly known as an owl) flew into Jia Yi's house. He thought the owl was an unlucky bird. He was in a bad mood after being demoted, and he was not used to the hot weather in Changsha. He felt that his life was not long, so he wrote this "Ode to the Bird" to relieve himself. Reference materials: 1. Jucai. One hundred poems and poems. Taiyuan: Shaanxi People's Publishing House, 1994: 5-6 2. Sima Qian. Historical Records. Changsha: Yuelu Publishing House, 1983: 626-632 Appreciation of Songniao Fu The first paragraph is a simple narrative. When a person has questions that cannot be resolved, he always hopes that someone will listen. Even if he cannot get the answer, it is a kind of comfort. Jia Yi was relegated to solitude and could not find anyone else to listen to him. He could only talk to this bird that brought a sign of death, but this bird was destined to be unable to give an answer. It could not even express some sympathy. This shows that a person is so lonely and helpless when facing death. Although the bird could not speak, Jia Yi gave it great wisdom and allowed himself to understand the bird's thoughts. This is the beginning of the dialogue in Han Fu. The thoughts that the bird has are just Jia Yi's own thoughts. The reason why Jia Yi uses such a tortuous way to express his thoughts is because in this way he has the dual identity of teller and comforter, which is what is said in the preface to this poem, "to be endowed with self-expansion". The question posed by the narrator is: Where is he going, and is it bad or good? But the comforter avoids answering this question. What it answers is: death is just a kind of change of all things, and it is not worthy of nostalgia for life and sorrow for death. In this kind of non-answer, Jia Yi is actually emphasizing his premonition of death. This may be the last time to tell, the last time to comfort yourself: maybe death is not so terrible. The second paragraph is the virtual bird's answer, which is actually Jia Yi explaining his own thoughts. It quotes a lot of Taoist thoughts, such as the transformation of objects, the impermanence of blessings and misfortunes, the contingency of life and the transcendence of death, etc., And the different views on the pursuit of life between adults and secular people. They all seem to exaggerate a feeling of life that is short, insignificant and uncertain; a life attitude of being free from desires, remote and peaceful; showing an optimistic and open-minded spiritual realm. The comforter mentioned the views of several Taoist works on blessings and disasters, good and bad. Everything in the world is always changing, good and bad, misfortunes and blessings are always transforming into each other. He cited three examples in history: Fu Chai was strong but defeated Gou Jian, who was weak and dominated, Li Si succeeded in lobbying and was punished five times, and Fu said that Xu Min was the prime minister. As a politician, these are what Jia Yi cares about. The first example is the rise and fall of emperors, and the latter two are the tragedies and comedies of scholar-bureaucrats who have the same status as Jia Yi. Jia Yi, who was established in his late twenties, had already tasted this kind of great joy and sorrow in his career of rapid rise and rapid decline. At this time, in the midst of difficulties, he had a sense of powerlessness, "Fate cannot be explained, who knows its extreme", "Heaven cannot be controlled, and Tao cannot be planned." Human beings are unable to grasp this world. Since the way of heaven is profound and exquisite and cannot be explored, it is better to adapt to the changes of all things, or to move towards another kind of transcendence - to believe that people are in an omnipresent relative transformation, and are at ease in the unity of all things and the elimination of life and death. Then Jia Yi drew a comparison between the life pursuits of adults, great men, real people and ordinary people. It can be seen as a sigh to see through life and express one's desire to be independent from the world and to be calm and peaceful in accordance with nature. "If you suddenly become a human being, there is no need to control it. If you suddenly become a foreign object, there is no need to worry about it." In Taoist classics, these principles have already been made very clear. People's attitude towards death is "to surrender oneself to one's destiny and not to be selfish". If you have eliminated your likes and dislikes while you are alive, then the moment you die will be just like any other moment in your life. There is no difference between auspicious omens and ominous omens. This seems to be a speech made by the messenger of death. The face of this ominous bird is not ferocious or cruel. Perhaps death is so peaceful. The ancient Chinese people's view of death is not to find its destination in faith, but in wisdom. This poem quotes many Taoist thoughts, such as the transformation of matter in the second paragraph, the impermanence of blessings and misfortunes, etc., And the metaphor of the furnace in the third paragraph comes from Zhuangzi. Zhuangzi quoted a fable in "The Great Master": "A coppersmith was smelting copper juice, and the copper juice suddenly jumped up and said, 'I will become a sword like Gan Jiang and Mo Xie!' The coppersmith must have thought it was an ominous metal and would throw it away. Now it's heaven The earth is like a melting pot, and everything is smelting in it. If it occasionally changes into a human form, it will jump up and shout, "I am a human!" Although Jia Yi's article "Ode to Song Bird" contains Taoist views on life and death, it is different. Although the article is free and unrestrained and the sky is bright, Jia Yi's true state is completely different: he is sad and angry because of his unrecognized talent, sentimental because of physical and mental exhaustion, and melancholy because of his uncertain future. It can be felt that the author's state of mind at that time was one of renounced grief and indignation. It was this grief and indignation that prompted him to do the opposite in the article. Therefore, the more joyful he wrote, the more desolate the reality was reflected; In terms of art, the form of "Ode to Birds" is very peculiar. It unfolds with a dialogue between man and bird. This form was influenced by Zhuangzi's fables, and it also pioneered the subject-object question-and-answer style in Han Dynasty. The most prominent feature of this poem is that it is mainly based on discussion. Discussion is used to express thoughts about the sorrows of life and to elucidate the philosophy of life. Appropriate metaphors are often used in discussions to enhance the image of the discussion, and exclamations are often used to enhance the emotional nature of the discussion. The language of this poem is concise and precise, and its form is mainly composed of neat four-character sentences. It also has a tendency of prose culture, which reflects the transition to Han Dynasty Fu.

What I thought before going to bed last night must be said today. I first watched it through Entertainment Chunqiu, and then I stopped watching it after finishing it. In my impression, the rhythms (emotional drama and main plot) of these two books are well integrated. But after reading about 100 chapters of both the Book of Troubled Times and this one, I couldn't stop reading. It just feels intermittent. You said that you wrote the plot and fighting well, and the emotional scenes are very delicate, but why do you insert a few somewhat deliberate emotional scenes in the middle of the plot. You said that emotional dramas are in your comfort zone, and there is no problem in writing them. But now you are somewhat deliberately pursuing your comfort zone. Some emotional dramas really interrupt the rhythm and affect the reading experience. Just now, I was still strategizing and cultivating, and suddenly there was a lot of emotional drama. Personally, I feel that in the world of cultivating immortals, hugging each other for warmth in the bitter cold on the immortal road is very heart-warming, but there is no need to write so much about emotions in the plot of martial arts. It's very deliberate and abrupt.

This tastes so right. Qidian just recommended the book to me. I clicked on the introduction and didn't even look at the table of contents. Oh boy, the heroine has already marked this character and sat in a row. When I clicked and opened the table of contents, it was even more amazing.

Will the fish be harvested? Did the author say this? Please explain.

Jixx, do you want my 10 big monthly tickets? I want to stop tonight🥵

Next, I will introduce to you the sister of the Holy Lord of the Holy Land, Ye Fuyao, the Lord of the Yama Palace, Yuan Muyu, Bianyu, and Clownfish! Come on stage!

Ji Chada's new classic fairy tale after "The Book of Troubled Times", from the setting point of view, the male protagonist should follow a behind-the-scenes layout flow rather than an exciting battle novel focusing on training and upgrading. "Wits and strategies" have replaced the "enlightenment and spiritual cultivation" of previous fairy tales as the main theme of this book, and it also brings a lot of highlights to it. The beginning of the chapter explains that it has been nineteen years since the male protagonist was transported from the earth to another world. During this period, he encountered a series of changes and had to drag his body to survive incognito. After adopting a female Taoist boy and practicing the art of alchemy, he finally has a foundation for a stable life, and his revenge against the famous family will also proceed step by step according to his plan. The character design focuses on the male protagonist's ability to take advantage of situations. Even though he has no background and is not very strong, he guides the official force of the Zhenmo Division to suspect and investigate him, and then leads the way up the mountain to counter the gang that wants to cross the river and demolish the bridge to put the male protagonist in trouble. The highlighted game process between the forces of all parties brings a completely different look and feel to the work that originally did not have much description of battles.

Can the update be more stable? It's really uncomfortable to watch.

No one can even get this kind of glory 🤓

I read Volume 5... It feels like it was a book that was ruined just to write about Aquaman.

It's also the first love. Every time Ji Da writes about fish, I always think of that same cute, lively and cunning figure. She was the same arrogant and ruthless when we broke up, and she was also humble when we asked to get back together Unfortunately, reality is not a novel after all. I no longer feel for her. In the end, I left her hard. But thinking of her pleading, thinking of the good times we spent together, thinking of her indulging in the past, I still have a trace of guilt I pinned this emotion on the fish. I hope she can regain the happiness that once belonged to her. Thank you Ji Da for giving Yu a happy and happy ending.

Is there anyone who can comment objectively on what this book is like? Baozi had read Entertainment Spring and Autumn before and felt very good about it. However, he couldn't stand it anymore after reading the book "The Troubled Times". He also read "The Ultimate Butler" and followed "The Evil God" which was just updated. I really can't find any good harem books. Is there any kind-hearted person passing by who can tell me how this one is like and whether I can follow it.

I can't use it all. I hope I can write more.

Let me ask you, how many more chapters do you think I can write? I will give you a reference on how much it will cost to order.

What makes me feel a little speechless is that I feel that the character of the protagonist in the later period is somewhat separated from the affectionate lover in the early and middle stages. Lu Xingzhou has slipped from a grudge to a deliberate indifference, almost cold-blooded. It can be understood that he has old grudges in his heart - the grievances of the leg treatment, past suspicions and deceptions. It is indeed okay to be cautious, defensive, and deliberately keep a distance, but actively treating someone coldly and ignoring the other person's sincerity makes me feel a little speechless. In the later plot, Lu Xingzhou had actually seen through Yuan Muyu's intentions, and he also knew that she had risked her life and death many times to help him. However, he did not communicate honestly or try to resolve the misunderstanding. Instead, he chose to treat her coldly for a long time, deliberately alienated her, and looked on coldly. The ending suddenly opens up the heart, which feels really inexplicable, and the fish is still pushed forward by force. What is the difference between this and Zhang Ruochen who was forced to marry Xia Yu at the beginning? They said that they both asked for each other, but they couldn't get it. Inexplicably, they open up their hearts all of a sudden. It has always been the humble kneeling of the fish. The protagonist deliberately indifferent to the past feelings (although there was resentment in the past, there was also friendship (Okay), I feel speechless for this kind of bullying emotional line. In the end, the fish wants to marry the protagonist in such a way of substituting one's own affairs with others, and is afraid that he will not agree. It is simply kneeling and licking to the extreme, and it is extremely humble. If there is no such a marriage that involves subversion, then the protagonist will always be deliberately indifferent and cold-blooded. I am speechless...

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The master Qidian published a new book with only two chapters and no more than 10,000 words. It felt like it was not as good as Laser Bottle, another new author, so I stopped reading it.

Golden Alliance Tower, ten thousand towers established (ps: Nickname is my wish 😍)

😎

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