Book of Troubled Times

After reading more than two hundred chapters, I feel that the world view the author wants to portray is very big, but if he cannot express it, he will be very petty. The various characters that appear, the various fighting scenes, the description of the environment, etc., Are not as mysterious as in fantasy. It really looks like a low-martial world now. If it is really just a story about martial arts in a low-level martial arts world, then there shouldn't be so many high-status things like gods, Buddhas, emperors, emperors, etc. The feeling of fragmentation will be very serious. A tomb of the Sword Emperor appears every now and then, which may lead to the resurrection of the Sword Emperor and the collapse of Shenzhou Lu? Come on, if you are so good at writing ancient characters, why can't you express a little bit of martial arts in writing today's characters? ! I won't talk about the three rankings of Heaven, Earth and People. There are no fighting scenes among the characters on the Heaven ranking. Are the fight scenes in the front of the Earth ranking so sloppy? It is impossible to see any mystery or martial arts in it, let alone fantasy. The three lists of heaven, earth and people represent most of the top brass in the military in the current era! Why is it so childish to show off? This book is labeled fantasy! The fighting scenes should at least describe the destruction of the environment and the exciting use of abilities and skills in advanced realms! On the whole, it seems that the author has put on a fantasy shell, and what he writes is a low-level martial artist. It seems very empty and irrational. In fact, I have read several of the author's books elsewhere, and I can see that the author describes the emotions between men and women very well, but he is really not good at describing grand and complete world views and fighting scenes. Having said so much, many words are not expressed clearly enough in words, and I cannot clearly express what they mean. But in fact, I really didn't write such a long sentence just to be offensive. If I want to be offensive, I can just start criticizing. There is no need to waste so much time typing. I am just disappointed. I also hope that the author can describe the impact of combat on the environment when writing about fighting in the future, and also write about the realm's ability in detail. However, there are so many authors who may not be able to see it, or if they see it, they may scold this person for being another troublesome Sapi 🤔 Forget it, I feel comfortable saying it. I am reading here in the middle of the night and commenting that I feel sleepy for so long, so go to sleep. 🥱

​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​: Playing house with a female character as a child, not even talking about pulling and pulling, and spending money to see blushing and heartbeating, but the number of words is so low, I don't know whether the starting point is too strict or Jicha can't write. It's true that the male protagonist is a college student, and I don't object if I want to write him as a handsome boy. However, after writing and writing, the male protagonist is written as a primary school student. He is stunned after saying a few words to the female character. Only his mouth is hard. The comparison with Xue is too different, and I am a bit disappointed.

Seeing Xia Longyuan being besieged, I couldn't stand it anymore. Personally, I felt that this book was too high and low, and it became more and more uncomfortable to read after 50%. There are some places where it is obvious that the outline has not been handled well, in order to continue to forcefully eat the book, and it is obviously getting rougher and more streamlined, mainly in a few points. First of all, some of the characters are very contradictory and seem to be more three-dimensional. It seems that the characters are established, but they feel not deep enough and too impatient. If you look closely, you will find that the characters are either faulty or too high or too low, so they are not worth remembering. Secondly, the emotional drama, as a famous harem author, is obviously careless. Many old readers said that Jicha complained many times in the group that he wrote carefully, but the readers care more about Huang. Therefore, the emotional drama at the end of this book seems very streamlined and deliberate, and even pushed for the sake of promotion, more to cater to those readers who are full of *. But to be honest, if the emotional scenes in harem novels are not deep enough and delicate enough, the protagonist will appear to be scumbag and sentimental, turning into a very greasy bulldozer. Such a protagonist will actually discourage more normal readers. Third, I am complaining about the description and plot. I wonder if the author is lazy or bored, or his level is just like this. To be honest, I feel that the author's writing style is quite good, but why do many plots and side descriptions feel very repetitive? Finally, or why I can't watch the siege of Xia Longyuan and Tang Wanzhuang at all, the reason is very simple. The three problems above are concentrated in this section. Whether it is the protagonist who has been used countless times to appear at a critical moment, or the extra scene of Tang Wanzhuang to create a sense of urgency in order to stimulate emotions, and everyone's reaction after the male protagonist appears, etc., These have been used too many times and used too frequently. I am really tired of aesthetics and tired of watching. In addition, Tang Wanzhuang's character design problem cannot be said to have collapsed or failed to stand up, but her excessive persistence has aroused the disgust of readers. In other words, if she really died here, the character would be complete and profound. Let's complain about this. To be honest, this book was amazing to me at the beginning. 30% To 50% can be used as food, but at 50%, I can't stand it, about 66%. The author is obviously not of this level, but he writes it like this. All of this gives people a feeling of haste, frivolity, perfunctory, self-destruction, and impatience. I really can't stand it anymore, I'm sorry.

I have been reading books for several years. I recall that I dabbled in all kinds of books at the beginning, but now I have become more and more picky and find it difficult to find books that suit my taste. However, no matter what time, Ji Cha's books always appeal to my taste. Even after so many years, I still like Ji Cha's unique literary flavor. The impression is so deep. I have read many books, but Ji Cha's books always give me an indescribable feeling. Just like the heroine fell for the male protagonist step by step in the book, I also fell under the taste of Ji Cha step by step, ah no, under the charm. A successful author will definitely leave a deep impression on the readers. It may be a certain character in the book, it may be the meaning conveyed by the protagonist in the book, or it may be a certain flavor unique to the author himself. There is no doubt that Ji Cha is a very successful author. Let's talk about Ji Cha's current book. I currently think it will be my favorite among the books written by Ji Cha. My previous favorite was Asking the Red Dust, but it is impossible to have a completely satisfying book unless I write it myself. Just like in Asking the Question, I want Ju Yunxiu to have more and more scenes that even run through the entire book. I want Minghe but not Styx, etc. So far, I can't find anything dissatisfying about The Book of Troubled Times. Ji Cha said that there won't be too many female protagonists, so there won't be a situation where a certain female protagonist won't appear in a long plot. Now it's 500,000 words. I feel very comfortable with the arrangement of the heroines' roles. And even though there are several female protagonists in just these words, each one is portrayed as vividly as a real person, each with its own characteristics and making people likeable. Especially Tang Wanzhuang, my favorite heroine in this book, she has the intelligence of a royal sister and the shyness of a girl, as quiet as a fairy in the moon, as elegant as an orchid in an empty valley, sweet to smell and happy to see. Finally, please attach some pictures. Brothers, please send some to me in the comment area for collection

I don't know if Ji Da can see it, but I just finished reading "Inquiry into the Red World", so I came to support the new book. I am a newbie in the Internet literature circle. I have not read many books, less than 20, which are basically "masterpieces" in the Internet literature circle. Butterfly Lan's "The Master", Mao Ni's "Celebrating More Than Years", Guilty's "Sword Dynasty" and "Pingtian Policy", Banana's "Hidden Killer" and "Sister-in-law", Xianfei's "The Coming of the Demon Soul", "Fairy", "Swordsman" and so on. My favorites among them are Ji Da and Banana. Of course, it's not because they have a little bit of "harem orientation", but because they keep persevering and never give up on breaking through themselves. In the words of "Ask the Red Dust", this is your way. I often see people say that the Internet literary world is an impetuous Ukiyo-e, and I deeply agree. Here, "impetuous" is not a derogatory term, at least not to me. Internet texts are not meant to be serious literature, and they should not be constrained by the rules and regulations of serious literature. The purpose of online writing should originally be entertainment, pleasure, and touching the deepest desires of the soul, rather than the "from life, higher than life" advocated by serious literature, and not to cleanse, purify and sublimate the spiritual world. However, being impetuous does not mean that you can follow routines. Entertainment is equally incompatible with sameness. I have also read some online articles that I thought were of average quality. The plots were really clichéd and standardized, and the characters were stereotyped and stereotyped. It really made me tasteless and tasted nothing. Although, routines and sameness are normal in the industry. If these are normal, then what makes me most regretful and sad is the fall of a great writer, the writer who could have become a god becomes mediocre, and the unswerving writing heart wavers, breaks, and finally becomes silent and no longer beats due to various reasons. There are too many such examples. In my limited reading experience, I have encountered many. Some works are like becoming gods, and then they continue to fall, and then fall again. Similar themes, similar characters, different plots, and even similar to one's own earlier works, yes, plagiarism from one's own, how can it be considered plagiarism? Some early works were amazingly talented, but were not recognized, or even suppressed, and suffered "internet violence". In the end, they became disheartened, settled down, or even disappeared, closed their books and retired. I want to say that there are many reasons for this. There are personal factors as well as irresistible pressure from the environment. In my opinion, environmental factors have a greater impact. The Internet literary world is inherently impetuous, and impetuousness means fast pace and fast food. As Ji Da said before, "Few people are willing to read the long-term foreshadowing." This also makes pleasing readers and polishing the work completely contradictory. Then, the choice before the writer is to either please the readers, but this means the compression of writing space and artistic conception, which means that the hands are tied and the dragon swims in the shallows; or the work can be polished, the work is sketchy, and the details are detailed, but this will also lead to a decline in data, depletion of financial resources, fans running away, and even being trolled on the Internet. How to choose? Perhaps every author has his own choice, but it is undeniable that most choose the former, most choose short-term interests, and most choose to just sit back and make a living. I have no intention to condemn or belittle those authors who choose the former. Although reading is easy, writing is not easy. No matter what the reason, I understand them. Life is not easy for everyone, especially these writers who support themselves with words. That's why it's especially sad. Whether it is the fall of a great writer or the mediocrity of a potential writer, it is more heartbreaking because of the possibilities they should have had, because of the works they failed to produce, and even more because of the environment that cannot be changed. Because of this, I especially admire those authors who are unswerving and never forget their original intentions, especially those who can write calmly and seek breakthroughs even in this impetuous environment. This is why I like Ji Da and Banana. Looking at Ji Da's works, each work has a different protagonist, a different setting, a different plot, and a hint of breakthrough. Banana said that he wanted to make a breakthrough in online writing, to see how many of the "conventional" routines of online writing could be broken, and to see if serious literature and online writing, as well as the output of pleasure and values, could really be combined. I sincerely hope that Ji Da can continue on this road of self-breakthrough and one day be able to write "the story I want to write" and say "my way has been proven". At this point, there is not much I can do, I can only support as much as I can, and I also call on all book friends to support Ji Da and be tolerant to all authors. Only when they write well can we enjoy reading it.

We, Lao Li, don't have much culture, so I'll just say this, this book is great! So damn pretty! Immediately get out of the circle at LV5, I need to rush in and let more people see it! Everyone has it, get on the keyboard! Fight with lz! That's it!

I have always loved wives, and I love martial arts even more. I love the flying snow and shooting the white deer in the sky. The Laughing Book of Legends relies on Biyuan. I love Xiao Li's flying knife, I love Chu Liuxiang, and I love Lu Xiaofeng. I love the four famous fishermen. I love the waves and clouds by the Dongting Lake. I love martial arts stories in ancient and modern legends. I love the old bodyguard who is over fifty years old. The bodyguard from thousands of miles away musters up the courage to swing the last half-sword in the face of someone who has defeated and humiliated him. I love facing the general with overwhelming momentum and unparalleled martial arts, but there is someone who stands in front of him without hesitation, just for the Tao in his heart. Although the rivers and lakes are big, there are always people who are like flies and dogs, and work for tigers. Although the world is small, there are always people who stick to the truth in their hearts. The spirit of martial arts is actually immersed in the bones of the Chinese people. The word chivalrous, how many people abandon everything for it. How great are our people, how great is our land of China. Now, Jin Yong has passed away, and the ancient dragon has been defeated. How many people in the land of China can inherit their spirit, write such a great world, and make people applaud and applaud it.

When the long river reaches its end, it holds the beauty in its arms and descends the four images. The setting sun is red and the men are not allowed to return home. Spring comes late and summer comes late, clear frost and ice sword, beautiful people smile, hibiscus holds makeup, bows exhausted, holding back the sky. The family has been in the family for thousands of years, with Ziyun Yangyang and Cui Qinghe. The red bird sings softly, the heart is inflamed, and the memories return to the heart.

Jicha bought the computer here?

The world view is opened in the front, and the protagonist's character is still barely there, half Jianghu and half harem. But there has always been a problem. I can't find the main plot. What is Zhao Changhe working hard for? I can't see that he wants to return to his original world, and I can't see that he wants to stay here. I just made up events to advance the plot, and the core is gone. I really can't stand it after reading more than 400 chapters. It's so nonsense. For various women, you can give up a lot of things, sacrifice your life for justice, and be injured and fight to the death. The question is what is his motive for loving these women? Why is it that a virgin and a high school student with a realistic world view has no problem falling in love with one of them? What is the reason? The events designed by the author are completely unable to support these emotions and are just hard-edged. Sad to see

See Chapter 114. I was shocked, who are you, the author... I felt like I was back when I was a kid watching (The Deer and the Cauldron) A loving and righteous male protagonist is adventuring in the world with a bunch of confidante My God, the story is really beautiful. Of course, the plot structure of the author's writing is very mature and rounded. It's completely unlike reading online novels with varying writing skills. It's really like the novels I've seen in columns before. What I like most about this book is that the protagonist's three-dimensional behavior is very real and in line with the logic of modern people's three-dimensional concepts. Don't underestimate this, the protagonist also uses modern people's three views to treat various women. I really like the respectful attitude of the author and the protagonist towards women, they know the bottom line when getting along with girls, and they know how to maintain the reputation of women. The various small details and ambiguities in the interaction between the protagonist and women, just like the author holding a feather 🪶 kept tickling the soles of my feet. It is obviously just an online article, but it is very immersive I beg the author to write carefully in the future and not to end it. I will really read this book again I personally think that the best praise for an online article should be that the reader feels that the money is worth the money. I now feel that this book is really worth it! It's really worth it, especially since I entered society and gained experience and emotional experience. There are many false interactions in novels. Because I have experienced them, I can't substitute the wrong interactions and stereotyped interactions in novels. But this book makes me feel particularly vivid at this stage. It feels immersive Wow, it really feels like I was watching Jin Yong in bed before Who are you, the author? You are so awesome... I really love it, I really like it I highly recommend it to people with certain experience like me. It is definitely worth spending 💰, it is definitely worth spending time to watch!

🐔This book has really good results😰

I haven't seen it in a while. I'll check in when I come back.

The writing is much more chivalrous than the novels about martial arts divisions.

This book really rekindled my original enthusiasm for watching The Watcher. I even liked this book more than The Watcher. Although it was a harem novel, my attention was completely attracted by the male protagonist Zhao Changhe. He cherished the hero and valued the hero. In a trance, I seemed to have seen the reincarnation of Guo Jing, and the blood in my chest was boiling. So good. , It's great (´▽｀)ノ♪, I like Sister Yue the most among the heroines. This "sister" who is two months younger is really a perfect match for Chang He. As Chang He said himself, meeting her for the first time in a different world is the luck of his life. This is the world I want to see. After all, Chinese people still love "xia"

I feel like this book could be written with millions more words, it just depends on Ji Da's thoughts. The protagonist's upgraded sense of oppression is very interesting. But the war between demons and gods later on is too brain-consuming. The last two chapters gave me the feeling of a new book. Thirty years later, I suddenly felt that, yes, it is normal for us to become gods and Buddhas for thirty years, but we are still in the familiar framework. Now we have inheritance, but there are also regrets, regrets that we have no breath of life. Zhao Changhe even complained that his father-in-law came for so long without a lighter. Zhao Changhe has been here for three years, but he has not been slow to live in this world for a moment, and he has been unable to slow down in killing monsters and upgrading. Zhao Changhe's practice in my three years of memory can be counted on one hand during his rest time. He even spent a lot of time practicing double cultivation. The donkeys in the production team are not as ruthless as him. Among the main characters, Ji is the most anxious and the one who is most eager to gain strength. I really want to see him slow down. The kind of life that slows down, I personally enjoy reading books, but it is difficult to write. But I believe that Ji Da's previous writing methods, such as Spring and Autumn, Wen Dao, Qiu Qiu, and the accumulation of planets, this kind of invincibility at this stage, the feeling of writing Lao Xia's invincible novels, I really want to see Lao Zhao pretending to be B. After three years of hard work, I didn't have much time to pretend to be B. There are so many heroines, and the space for each heroine feels short. I still have a lot of regrets as a reader. Every month's monthly pass is here. An ordinary reader still wants to read the book of troubled times.

Brothers, do you like the character Xia Chichi? Why do I always feel like I can't like her? The first point is that she had murderous intentions for the protagonist more than once, even though she has been with the protagonist for a long time. This performance buried a deep thorn in my heart. I always felt that this was not caused by her living environment, but her nature. She was very cold to ordinary people and difficult to get along with, just like her father. Second point, the biggest character trait she brings to me is selfishness or feminism (I really find other character traits difficult to relate to or cover). Compared with Yue Hongling's free and easy kindness, Tang Wanzhuang's wisdom and gentleness, Huangfu Qing's courage to love and hate, Guigui's cuteness and slowness, and Yangyang's petiteness, I really can't like her. I remember that she arranged Lao Zhao's other harems behind her back more than once. She could say any word or expression out of her mouth, and even said "just have fun, don't get emotional". Moreover, she always enjoyed the gifts and all kinds of efforts that Lao Zhao gave her as a matter of course, but then turned around and asked Lao Zhao not to work hard for other harems. This really makes me dislike it, ugh! The third point is that she has really done too little to help Lao Zhao. It is far-fetched to say that she helped Lao Zhao rise in Weimo. It is more like saying that she is a poor wife. Instead, she has been enjoying the help of others in various ways, regardless of It was from Lao Zhao, the Four Elephant Cult, or Lao Xia. As a result, her cultivation level was faster than that of Lao Zhao, and it was easier and had no sense of reality at all. It made other people's life-and-death struggle to improve their cultivation level like a joke, and she was more of a protagonist than the protagonist. If that's all, that's fine, but what I don't understand is, why do you always think of yourself as the royal palace and ask Lao Zhao to always love you the most? Let me ask you, is the main palace the first to come? What is the reason why he loves you most? First love is first love. No matter in terms of identity, personality, bearing, or layout, you are not a qualified official. You obviously don't have the ability to form a good relationship with him, but you still have to ask him not to forget you and not let you down. In other words, he bullies Lao Zhao, who is a nostalgic and responsible man. Who can do that? In my mind, Lao Zhao's main palace can only be red feathers or evening makeup, which no one else can afford. The main palace is not just based on the first-come-first-served principle or the level of strength, but comprehensive and multi-angle. I really don't like the practice of blindly restraining Lao Zhao or subduing or even humiliating other harems by force. Only those who are controlled and controlled like Wanzhuang or Hongling, and can advance and retreat freely make me feel that they are worthy of the name of the main palace.

The writing is very good, and there is no substitute similar to Ji Cha's style. Reading other books before made me cry several times. Both the female characters and the male protagonist were well portrayed, but there were still some flaws that lingered in my stomach. Today I saw the chapter where Yue Nuxia transforms into Princess Zhao, and I finally couldn't hold back my urge to complain. The first is the plot. The book explicitly and implicitly states that this kind of transformation is a change from low-level to high-level, but I don't think there is a distinction between superior and inferior. At most, it is a different perspective, and both perspectives are indispensable. The second point is that this book started out as a book about Jianghu, but later it inevitably turned into conquering Jiangshan, serving the country and the people, and benefiting the people. I don't dislike this kind of Hail Mary. In the book, Yue has the attributes of a heroine, and Tang has the attributes of a virgin. Zhao was influenced by them (or wanted to conquer them), so he launched a series of actions. But later on, I felt that Zhao lived for himself every day and worked hard every day just to benefit the common people. The book also always praised this as being mature and a good man, always emphasizing the high-level sense of this grand intention. The various female characters around Zhao also had different personalities and motivations, and finally became seriously homogeneous, becoming ideal templates of royal companions, living purely for Zhao, and all devoted themselves to the cause of benefiting the people of the world. The plot felt a little boring towards the end. And the change of Yue's perspective from heroine to princess was the last straw for me. Yue Hongling passed by Zhao Cuo when she appeared on the stage. She drew a sword to help an ordinary person she had never met and escorted him all the way. After mistakenly believing that the passerby was killed, she chased Master Xue for thousands of miles, regardless of the strength of the enemy or our own weakness, in order to get an explanation from him. I think this kind of bravery is a kind of chivalry and romance that belongs only to Jianghu. In terms of intention, it is no worse than Zhao's serving the country and the people. At least without her bravery, there would be no Zhao later. She now says she no longer walks around the world and wants to be the wife of the Zhao family, and her perspective has changed to that of a princess. At this point, I feel that the Queen-in-law has ceased to exist. In my opinion, this kind of transformation is not called growth or transformation. What should it be called? It's not enough to think of this book as a holy book, because the protagonist has a harem and has sex. As for harem novels, everyone is focused on serving the world and benefiting the people. There is no such diverse character attributes as harem novels/galgames. In addition, the book also contains the Hua-Yi debate, as well as various other political thoughts, ideologies, etc. There are too many elements of historical reform literature in it.                                                        I still have about a hundred chapters to finish the book, and I need to slow down after reading it. I feel that some of Ji Cha's other books are similar to this. In the end, they will rise to big narratives such as reform, class, and civilization. If you read too much, you will get a little bored. Xinshu Shanhe Festival was also chasing it, but was ready to stop for now. I now hope that Ji Cha can write different routines and different values ​​​​in the future. I also hope that the contrast between the female characters will be more vivid, and it will not end up being cliché like this book.

I have stored a lot of chapters but haven't read them yet, but recently I happened to be a little tired from reading, and I found out that there was an audio book, which was recorded by Beiming Audio, so I chose to listen to the book and start reading from the beginning. The following comments represent personal opinions only. Narration: The narration teacher speaks at a moderate speed and has a soft voice, but the mood swings are very good. It is not the traditional and hoarse storyteller type, nor is it the kind of narration that deliberately drags and makes bubbles to make people uncomfortable. For example, the description of dreaming at the beginning of the chapter is very emotionally arousing. Post-production sound effects and background: When you enter the dream, there is a very real sound of swords clashing, and the sound of horse hooves while walking. The background music is also very exciting, but it does not overwhelm the protagonist. You can still clearly hear the protagonist's inner OS and the narration narrated by the narrator. Protagonist role: First of all, it is our protagonist Zhao Changhe. How should I put it, personally I feel that most of the time the tone is a bit too arrogant and domineering and not stable enough, but most of the time it still fits the character. I like the blind man very much. She is cold, but not serious, and has a vague feeling of being dull (?) Especially when she and Zhao Changhe are fighting each other, it makes people feel so happy. Yue Hongling's dubbing surprised me a little because her voice was too tender, but I could tell that the dubbing teacher worked very hard to understand the character, and her way of speaking and her emotions were very consistent with the heroic heroine Sa Shuang. Details: The dubbing team pays great attention to the rendering of the atmosphere. The rapid changes in the background sound can be heard, and some sound effects are used to help the listener distinguish the inner monologue from the speech. And for listeners who have never read the book and are listening to the book for the first time, there is no threshold. Summary: The quality of Beiming Audio's products is undoubtedly of the highest quality, and they are also very attentive to the works. The listening experience is also excellent, and it is very suitable for listening to books. Book title: "Book of Troubled Times" Audiobook version: Beiming Audio Duration of the announcement: about 10s {"TopicId":"894890053301174272","TopicName":"Book Lovers"}

I started to feel bad about the first ten days of the book. I just browsed through it after subscribing. It's not that the books are not good. I've been reading them since I ordered them all. I stopped reading them on the 20th.

Generally speaking, I have to say that the handling of the female protagonists in the early stage is quite excellent, and the grasp of some details is even better than that of Wenwen Hongchen. I even forgot to eat and sleep during the early stage, and I wondered if something was secretly laid on me The chicken fork is big and powerful, and it can put some From a bird's-eye view, the somewhat exaggerated plot is made fascinating through the refinement of the content. For example, in the previous book, Zhang Qiren's fluttering of books naturally led to the change of mentality of the protagonist at the end of Chapter 7, and then naturally connected with the development of the relationship between Qiuqiu and Qiuqiu. It really shocked me at the time. Talking back to the book, in the early stage, Yue Hongling suddenly ran to be the "Mrs. Yazhai". If we break away from the details and just look at the framework, it would be quite abrupt. However, combined with the bits and pieces of text, it makes people feel that it is so natural and natural. But I am not unhappy. Well, it is undeniable that the book really started to go downhill in the later stages. The biggest performance is the plot of Jiuyou and Piaomiao. The reason for accepting them is no problem, and the process of accepting them is also reasonable, but... It just wasn't handled well. Not only was it too fast, but the way it was handled The style is also relatively rough, similar to that of Yao Guang in Wenwen. Like these two, there is no time and the plot must be arranged for her, so I add a little speed and fire to stew. However, the plot processing of these two is not as good as Yao Guang; but speaking of it, they may be better than Yao Guang. , After all, Yao Guang's counterpoint is that Tassel, Ye Jiuyou and Ye Wuming don't even have such a strong sense of counterpoint. I'm off the mark. Anyway, I thought about it, and an obvious node that started to go downhill in the later stage should be the plot of Bao Qin. It's not like some people even got the key points wrong. Instead of discussing feudalism or not, it's this plot. From the perspective of plot development and the interest of the work, I can't think of any reason to arrange such a plot to stamp her at this time. It can be said that when reading the book, you can clearly feel the look and feel of these chapters. It fell off immediately, and even continuing to run the main plot later made the viewing experience pick up a lot. I wondered if the chicken fork suddenly lost its grip from that moment on, so that although the plot was still running, it was like working with a high fever In the final volume, in fact, the work was at a low level On the whole, it feels like it has recovered a bit, with a sense of destruction and then establishment. However, the plot of Ruo Yu seems to be developing a little faster, and the setting of 30 years also seems to be a long time. However, if you don't write 30 years, but only write seven or eight years, it will be difficult to write. When I saw Tang Buqi and Wan Dongliu, I went to the countryside and turned out to be a bad person. , Emmm, isn't the setting of 30 years a bit jealous? In short, it's quite a pity, right? Such a good book started to go downhill later on, but I don't feel like some people did that the book was so slow in the later period. Maybe it's because I finished it in one go? But in the final analysis, if the details are not handled well, the loss of the look and feel is a matter of debate. I think that even if there are flaws, the book is still quite good overall.

I've only read a dozen chapters. The writing style is quite humorous, but it's obvious that we have come to a different world similar to ancient times. Why are the other characters playing modern jokes? It's really a show😅

I finished reading it in a flash. The front is quite beautiful, but the back is awkward😓

Come on, it's really fun to watch

The previous writing is very good, but the plot of Ye Wuming in the back is really hard to explain in one sentence. I still prefer to play straight.

The plot of Jianghu in the front is great and of a high standard. The harem plot probably didn't make much sense starting from Sanniang. The main plot is very exciting, but was the finale written after someone was drunk? Is it so abstract? There are always some rough details🤔The progress started at more than 80%. In terms of writing alone, the writing is not as good as DeepSeek. For example, when fighting against Lie, the structure is actually XX VS XX. I personally feel that this kind of description should not appear in this book... And there are many places similar to "drama", which have not appeared in the previous parts.

Although I have heard of 🐔's reputation, this book is the first 🐔 book that I have read. The early stage has a lot of Jianghu flavor, which is really interesting to watch, and the love scenes are also very interesting to watch. Later, from Jianghu to the world of gods and demons, this fantasy system, although there is less of the spirit of Jianghu and more of the game of various forces and various fantasy battle scenes, it is not that boring to me, it just lacks the taste of Jianghu. In the later stage, when you reach the level of gods and demons, the pace becomes faster, and I think it is natural. There is really nothing to say, the main thing is to explain everything that needs to be explained, and to clarify the story line of the last era. In the end, although the emotional scenes of the heroine of the Three Gods and Demons sect are not much foreshadowed by the writing and ink, they are relatively small and lack a natural feeling. But it is still understandable. After all, she is not an ordinary woman. Sometimes there is no need to spend a lot of words to pave the way for a relationship. It only takes a moment to fall in love, just like Sanniang. (When others thought it was almost too abrupt, Zhang said this was what a book friend said.) For me, it's just logical and understandable. The heroines also have their own characteristics, although they do lack the natural feeling. The last volume was really interesting to read. You can feel the intention that the author wants to depict from between the lines, as well as the feeling brought about by the convergence of causal lines that echo back and forth. Although it is a pity that the ending does not describe life on earth in detail, it is interesting to be able to roughly imagine the scene. I hope 🐔 will continue to work hard and create better content.

Most of the whole book is a mental description, which made me feel sleepy while reading it. Some things that need to be explained can be described through dialogue in other ways. Sometimes he thinks, and sometimes I think, as a work, you are excellent. For me, what I need is happiness and refreshment. 😐

I have finished reading the whole book and made a comprehensive evaluation. As a master, the plot and character creation are nothing to say. It is absolutely top-notch. The heroine with all attributes is well-rounded. The plot is smooth and natural. Especially the design of some small plots is really outstanding. But the biggest problem lies in the writing style. There are too many psychological activities, soliloquies, too many gags, the language is not concise enough, and the details are not appropriate enough. It seems that I have returned to the writing style I saw when I first read the novel. As a result, the impression after reading it may become boring and change after looking good. It looks good, maybe because the starting point is too voluminous now. Except for the great masters, the writing level that relies on the quality of the work is no longer the same as before. Basically, the control of the content is solid, the foreshadowing is precise but concise, and the climax is sufficient but not lengthy. I hope Ji Da can use his strengths and avoid his weaknesses, continue to carry the banner of harem literature, and his future works will reach a higher level!

What can I say about this book? It can be read It is composed of two major elements: Jianghu and women The development process is not bad, and the combat power has not collapsed There are too many women, which affects the drawing of swords The female can be subdued, but the male enemy is helpless Maybe it is also a strategy to promote the plot