I Have a Cursed Dynasty

How can there be no idiom solitaire? · 🎉Cheer for joy🎉

I saw Feihua Ling in other circles, so let's join one in our circle. Book friends are welcome to actively participate! ❤️❤️🌸🌸

Now that I have seen the Wei Dynasty, I would like to share my personal thoughts after reading it. I love this book for several reasons. First, there is no cp growth flow. I advocate that love is not a necessity in women's stories (you can compare the attitude towards love in male videos). The mulberry bird can absorb nutrients from family affection, friendship, the animals that accompany it, and its own hobbies, and grow step by step. Second, the female supporting roles are outstanding. First, there is a name and a surname. Sang Wan, Xia Chan, Jiang Zao, Yaozhen, Hua Qianmian, Huilan... They are not the Chen family or the Li family, nor are they vague figures hiding behind their father's surnames. Second, the images are very different. They have their own growth lines and careers. Not "evil female supporting role", "white lotus", "green tea" and other tools that stigmatize female personality. There are no gaze-filled external descriptions such as "pink", "jade hands", or "enchanting figure". The third is large quantity. If you are not surprised that 90% of novels are written by men, then you should not be surprised or even criticized by novels with many female characters. There are too many male-perspective novels, and even the protagonists in female videos have become the cameras of male protagonists' documentaries. I really want to see some fresh female perspectives. Third, the story is well written. The "Story Solitaire" group at the beginning, looking for 404 in Xujiawan Village, and later "Goodbye Yan Daozi", exploring the Ming Mansion at night... The author carefully arranged the big and small conflicts in the story, one wave after another. When I read it, I found the plot to be compact and enjoyable. I couldn't accept the setting of the heroine having a "brother" at first. He is like a dark cloud, trying to obscure the existence of the heroine. After all, there are too many fake heroines whose fathers, husbands, and brothers only dote on her on the surface, but in the end, the actual benefits go to themselves. However, the author has already promised in advance that this character will not occupy the heroine's role and will not engage in "pampering" drama. So, I can still accept some. (But even if it is written as a sister, it will not become a novel about women) I follow the article almost in real time, reading it in the comment area and book circle. Qingfu has given detailed explanations to most of the readers' questions. She must cherish her works and the characters she writes. So when I saw her explanation for some sharp and even unreasonable comments, I guess she must be very tired. I don't want to discourage her creative desire, I want to encourage her. For female creators, some readers always have more approval and even "criticism". Of course, readers can choose whether to abandon the article according to their own preferences. After all, reading the article is for their own pleasure. But for those readers who want to see more outstanding works by women, I would like to say that loving women is a criterion for judging an author's writing. But this does not require the author to strictly abide by this framework when writing. Isn't this harsh? Many female creators do not openly say that they love women, and there are various practical issues to consider when creating, but this does not affect the brilliance of the female characters they write. I think that while encouraging female creators to continue creating, of course we should also point out areas for improvement. But more often than not, I choose to encourage them and try to add more comfortable soil for their creations.

Take a bubble

I haven't received benefits for a week in a row, and I'll lose them as soon as I come in 😭

I drew a picture of Sangsang. In fact, I forgot the specific appearance of Sangsang, so I drew it based on my impression and added some details that I liked. Participate in the event and earn some coins~ ₍˄·͈༝·͈˄*₎◞ ̑̑

Too lazy to color, so I took advantage of the opportunity to make it black and white

Let's put down the easy-to-make map drawings that are said to be made using clams Up, north, down, south, left, west, right, east. The scale is not drawn (the tree is placed like a prickly heat). Put the trees that come with the website (except for the dead trees and those few The white ones) are all put Dividing line I originally wanted to pull out a new timeline in May, and then it took me eight hours to finish reading twenty chapters (ºº ) This is a piece of white paper with 5906×5906 pixels. First determine the direction and then make a scale of 500 pixels = 500m. Chapter 12: "Fu Huo suddenly speeded up and passed Shouhou's house, flying all the way to the north." "Sangque ran behind him, and soon he saw the small green brick courtyard where Yan Daozi lived." From this we can see that the houses in Heishan Village are distributed from north to south, and Yan Daozi lives at the northernmost end (i. E. At the end of the village). Chapter 9: "On the left is Heishan Village, in front of and on the right are wheat fields, and behind is a poplar forest." At this time, Sangque was at the end of Heishan Village, facing west. So the deserted forest is to the east of Heishan Village. Chapter 24: "Until Yan Daozi saw Sangque running out of his courtyard from afar." At this time, Yan Daozi was in the deserted forest (the poplar forest was used only once in Chapter 9, henceforth it is called the deserted forest), and he could just see the mulberry bird running out of the gate, so Yan Daozi's house was sitting west and facing east, on the left side of the main road of Heishan Village. Chapter 3: "We must find a way to get to where my master lives. From here to the end of the village, if we run fast, it will take at least... A short stick of incense." It is known that the passing time of 1000 meters for boys in the high school entrance examination is 4 minutes and 35 seconds, and the full score is 3 minutes and 30 seconds (checked online), then the running speed of the four sangque is about 1000÷210≈4.762 M/s =285.72 M/min (there are two opinions on the Internet about adult running speed, one is 3-5 m/s; the other is 5.25-10 M/s), so the distance from Liu's house to Yan Daozina is about 285.72×5=1428.6 M. Chapter 21: "Guichou's evil mist is enough to surround half of the village, so why can it only be about five meters away from her?" Since the previous article did not accurately describe the size of Guichou's evil mist, I tried to save trouble and placed the Liu family in the middle of the village. The main road in Heishan Village is approximately 1428.6×2=2857.2 M. And judging from the description below, the Liu family courtyard can cover a radius of five meters, so I assume that each courtyard is about 12 meters long (but for better representation in the picture, the image of the house will be larger than the area it should occupy). Chapter 12: "Sangque looked back and saw a white lantern hanging on the door of the house opposite the Liu family. It should be the family of Li Weiming who gave birth to twins." So the Li family is facing the Liu family, sitting west and facing east. Last paragraph: "Not far away, the house next door also had white lanterns hanging on it." This is the He family. At this time, Kou Yushan took Sangque towards the village head (i. E. The south), so the Li family's neighbor towards the village head was the He family. The next few pages: "While Kou Yushan was telling Sang Que, he took her to the earthen house at the head of the village. Opposite Kou Yushan's house is the residence of the old village chief and his family in Heishan Village." However, Jifu never accurately stated the orientation of Kou Yushan's house and the village chief's house, so he placed the village chief Du Enfu's house on the west side and Kou Yushan's house on the east side according to "King Xiang and Uncle Xiang sit eastward." Chapter 15: "The Liu family used to be Shouhou's home. Fu Huo suddenly accelerated and passed Shouhou's house, flying all the way to the north." Therefore, the Liu family's neighbor towards the end of the village is Shouhou's family. The above are the addresses of the villagers mentioned in Heishan Village, and the rest are just listed casually. According to Mingzhang's notes, the number of people in Heishan Village has always been ninety-nine and above, so the number of houses shown in the picture is smaller than the actual number of houses. Chapter 9: "The sunrise in summer is around six o'clock. When she came from modern times, it was around five forty-five, not far from dawn." "A burst of rooster crow came from the direction of Heishan Village, and the foggy sky suddenly turned green." It can be seen that it took the sangbird about fifteen minutes to get from the end of Heishan Village to the witch temple. As mentioned above, Sangque encountered a hanging rope in the woods: "She suppressed her racing heart, looked straight ahead, did not dare to touch the corpses, and walked around carefully." Therefore, her walking route was not straight and her walking speed was slow, so I took the walking speed to be 0.7 M/s=42 m/min, and the walking time was still 15 min, so the distance from the witch temple to the end of the village was approximately 42×15=630 m. According to Chapter 23, it took Yan Daozi a total of about ten minutes from the time he rushed to the witch temple to the time he saw Sang Que stealing the house, which is counted as thirteen minutes. After Yan Daozi arrived at the witch temple, he first asked the thin monkey and the black dog to explore the way. After he was sweating from the sun, he went into the witch temple to check it out in person. It took about five minutes. The remaining eight minutes are used to rush on the road. The speed is about 1000÷275≈3.636 M/s=218.16 M/min, and the distance is about 218.16×8=1745.28 M. (These two data calculations made me confused) The arithmetic mean of these two widely disparate data is the distance from Yan Daozi's home to the witch temple, that is (630+1745.28)÷2=1184.64 M. Chapter 15: "Fu Huo is very afraid of this place, so he speeds up and flies towards the west of the green brick courtyard." "Dahei Mountain is to the southwest of the village, and there are large wheat fields to the northwest. Sang Que looked at the direction in which Fu Huo was flying, and his heart sank. That forest is the cemetery of Heishan Village. The cemetery goes to the other side of the mountain. "A lake." Later text: "Sangque counted the time in his mind, and ran for about ten minutes, passing through the cemetery in the woods." And in the previous text: "Sangque ran behind him, and soon he saw the small green brick courtyard where Yan Daozi lived." Therefore, Fu Huo's speed is faster, and the length of the cemetery in the woods is about 218.16×10=2181.6. M. In Chapter 69, Sang Que drove a donkey cart, first "passing Shouhou's house", and then "passing by Li's house, which provoked the ghost." It can be seen that Sang Que was heading towards the village. Later, "Under the big tree on the roadside outside the village, Kou Yushan was carrying a simple burden." "Kou Yushan did not refuse Sangque's kindness and pointed to the road in front, 'Just follow this road to the northeast and don't turn on any trails. If you hurry, you can see the city wall of Tangyuan County in about three hours.'" Therefore, there is a southwest-northeast road at the head of the village that can reach Tangyuan County. Finally, just add Daheishan to fill in the gaps. There are also some small places that are difficult to display on the map, such as the old locust tree of the Liu family, the tree stump of the Kou Yushan family, the dog at the head of the village, etc. What is the value of failing in art...(＿＿)ノ｜ The clam is on the top of my list, ah ah ah ah (screaming) (squirming) (crawling in the dark) (look again) (trying to escape) (screaming) (beaten by mother)

It's good to read. Apart from the other excellent horror-themed female channel I've been following recently, this one is more to my liking. The author writes it so well. I really like this kind of horror and weirdness. There are very few female channel authors who can write it. Come on, ma'am!

(Harm. Well, I didn't describe it according to the original work, because I forgot it at the time. Just treat it as...